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ITALIAN FILM FESTIVAL USA FREE AND OPEN TO MARCH 26, 7:00 PM THE PUBLIC Il giorno in più (One More Day), 112 min., Romantic Comedy, Italian with English subtitles All screenings will Massimo Venier's romantic comedy Il giorno in più is based on a bestselling begin at 7:00 pm in the novel by leading actor Fabio Volo (Weddings and Other Disasters), and tells University Center the story of a forty-year-old man who is firmly intent on continuing to collect Theatre at the women without marrying any of them, but eventually falls for a confirmed University of Memphis. The ﬁlms will be bachelorette who has her sights set on moving to New York. The film was followed by coffee and first presented at the Turin Film Festival in November 2011 and was refreshments nominated for best song for the Silver Ribbon in 2012. Paid parking is MARCH 28, 7:00 PM available in the Zach La nave dolce (The Human Cargo), 90 min., Documentary, Curlin Parking Garage, Italian with English subtitles next to the University Center Awarded the Pasinetti and Biografilm prizes at the 2012 Venice Film Festival, Daniele Vicari’s La nave dolce represents and documents the onset of Mediterranean migrations to Italy, with the August 8, 1991 arrival at the Italian For speciﬁc inquiries, please, email Cosetta coastal city of Bari of the hijacked ship Vlora loaded with 20,000 Albanians Gaudenzi: willing to migrate to that country. In Vicari’s cinematic work, several historical [email protected] protagonists narrate the events providing their own multifaceted perspectives. The event is sponsored by The Department of Foreign APRIL 2, 7:00 PM Languages and Literatures and the Cesare deve morire (Caesar Must Die), 76 min., Docufiction, Marcus W. Orr Center Italian with English subtitles for the Humanities at Winner of the Golden Bear at the 2012 Berlin Film Festival and of five David the University of of Donatellos for best film, director, editing, producer and sound, Paolo and Memphis. The Festival is made possible by Vittorio Taviani’s Cesare deve morire was made in Rome’s Rebibbia high- the support of the security prison, where a group of inmates are preparing to stage Italian Film Festival Shakespeare’s Julius Caesar. Hardened criminals, many with links to USA, The Italian organized crime, these actors find great motivation in performing the play, Culture Institute of Chicago, and UNICO showing art’s transforming impact on the most unexpected people..

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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
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It 2.007 Vc Italian Films On
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Group Protests Marine Presence , Qu.Wiidnesday, Jan
73. Vol. ,23, Issue 16 THE TRINITY February t£ 1975 Trinity College TRIPOD Hartford, Conn. Student Elections Fill 12 College Committees Student elections were held last Fred Lahey 55 Thursday, Jan. 30, in the lobby of Mather Policy Board (1) Mather Hall. Twenty-three Kim Jonas 28 (write-in* positions on 12 college committees Special Committee on FU»ap» were filled by the winning can- pointment, Tenure, and didates whose names and total Promotions (2) votes received appear below. Total Steve Kayman 127 voter turnout on election day was SheUa Driscoll 109 610. Student Activities Committee (3) Election Results Jim Cobbs 141 Academic Affairs Committee (1) Peter Pieragostini 141 Paul Sachs 176 Ramsay Gross 130 College Affairs Committee (1) Parking Appeals Board (3) Adrienne Mally 147 Stan Goldich 197 Curriculum Committee (1) Ralph Stone 172 Bill Levy 114 Craig Shields 156 Financial Affairs Committee (1) Studeiit Government Association Stan Goldich 159 Library Committee (1) Pat Heffernan 227 • George Stiffler 301 Sheila Driscoll 190 Mather Hall Board of Gover- Richard Chamberlain 140 nors— upperclass position (2) Barbara Husum 130 Mary Desmond 153 Bill O'Brien 117 Jay Morgan 148 Mather Hall Board of Gover- Trinity College Council (1) nors—freshman position (l) Mike Brown 19 (write-in) photo by Al Moore Reaction Mixed Group Protests Marine Presence , Qu.Wiidnesday, Jan. 29, an anti- hearing the parting words of a another location on campus. The tn&tmte {action led by Peter Jessop marine recruiter whom Margolis removal of the Marines might, '76 and John Bach, a 27 year old reported to have said, "I'll see you however, entail more than just a Hartford resident, distributed next year.
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Tv Shows, Feature Films & Documentaries
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Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region.
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Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
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Caesar Must Die a Film by Paolo and Vittorio Taviani
CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI Grazia Volpi presents a production with STEMAL ENTERTAINMENT / LE TALEE / LA RIBALTA - CENTRO STUDI ENRICO MARIA SALERNO and with the collaboration of CAESAR MUST DIE A FILM BY PAOLO AND VITTORIO TAVIANI (Cesare deve morire / Italy 2012 / Color & B&W / 76’) International press: Richard Lormand - FilmPressPlus www.FilmPressPlus.com At the Berlin Film Festival (Feb 9-19): +49-152-3801-7733 Tel: +33-9-7044-9865 - Skype: intlpress [email protected] World sales: Catia Rossi ph. +39 06 37498244 - fax +39 06 37516222 - mob. +39 335 6049456 [email protected] EFM Stand N°146 CAESARSY NOPMUSTSIS DIE The theater in Rome’s Rebibbia Prison. A performance of Shakespeare’s Julius Caesar has just ended amidst much applause. The lights dim on the actors and they become prisoners once again as they are accompanied back to their cells. SIX MONTHS EARLIER The warden and a theater director speak to the inmates about a new project, the staging of Julius Caesar in the prison. The ﬁrst step is casting. The second step is exploration of the text. Shakespeare’s universal language helps the inmates-actors to identify with their characters. The path is long and full of anxiety, hope and play. These are the feelings accompanying the inmates at night in their prison cells after each day of rehearsal. Who is Giovanni who plays Caesar? Who is Salvatore-Brutus? For which crimes have they been sentenced to prison? The ﬁlm does not hide this. The wonder and pride for the play do not always free the inmates from the exasperation of being incarcerated.
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Documentary Movies
Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460
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Movie Blog: This Week's Best Bets
1/20/2019 Movie Blog: This Week’s Best Bets – WCCO | CBS Minnesota WCCO 4 MENU NEWS WEATHER SPORTS BEST OF VIDEO EVOEN TASIR & MORE Skip All Ads Experience A Peaceful Internet! Ad Remover Movie Blog: This Week’s Best Bets By Jonathon Sharp April 15, 2013 at 3:27 pm Filed Under: Jonathon Sharp, Movie Blog, St. Anthony Main Theater, This Week's Best Bets, Trylon Microcinema, Uptown Theater, Walker Art Center The Twin Cities has no shortage of movie options this week. Ad Seriously, dozens and dozens of lms are screening at the international lm festival in Minneapolis, and even if you’re not in the mood for foreign fare, there’s some really wonderful movies playing in local theaters. And since spring is still MIA, it’s the perfect time to spend an evening — or a festival day — basking in cinema. ——- New sock is helping millions of seniors turn back the clock on their aging, aching feet. New sock is helping millions of seniors turn back the clock on their aging, aching feet. TO THE WONDER - OFFICIAL TRAILER (H… FOLLOW US OUR NEWSLETTER Sign up and get our latest headlines delivered right to your inbox! Email address Now Playing: To The Wonder (Uptown Theatre) Subscribe Now! I quite liked this movie. While some don’t think it’s as impressive or meaningful as Tree of Life, Terrence Malick’s last lm, I found the director’s latest to be heartbreakingly gorgeous and emotionally supercharged. MOST VIEWED If you’ve never seen a Malick lm, this may not be the place to start.
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Performative Criminology and the “State of Play” for Theatre with Criminalized Women
Societies 2015, 5, 295–313; doi:10.3390/soc5020295 OPEN ACCESS societies ISSN 2075-4698 www.mdpi.com/journal/societies Article Performative Criminology and the “State of Play” for Theatre with Criminalized Women Elise Merrill * and Sylvie Frigon Department of Criminology, University of Ottawa, Ottawa, ON K1N 6N5, Canada; E-Mail: [email protected] * Author to whom correspondence should be addressed; E-Mail: [email protected]; Tel.: +1-613-323-5713. Academic Editor: Jon Frauley Received: 27 February 2015 / Accepted: 7 April 2015 / Published: 14 April 2015 Abstract: This article applies feminist theory with cultural criminology to explore the role of theatre in the lives of criminalized women. Theatre initiatives for criminalized populations are growing worldwide, and so we are seeking to better understand how these two realms intersect. This article is based on a case study which was conducted at the Clean Break Theatre Company in London, England in the summer of 2013. We explore some of the emerging themes, which took shape from a thematic analysis. First we describe how theatre can be used as a lens into the experiences of criminalized women, and then as a tool for growth in their lives. The role of environment at Clean Break, and the role of voice from practicing theatre in a women-only environment are then discussed. Lastly, the roles of transformation and growth overall for the participants are explored in relation to their experiences with theatre practices. This article works to understand how theatre practices can elevate and adapt cultural criminology into a new form of imaginative criminology, and questions how we can embrace this form of engagement between theatre and criminology within a Canadian context.
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Balancing Structure and Learning in an Open Prison
International Journal of Management, Knowledge and Learning, 2(1), 101–121 Balancing Structure and Learning in an Open Prison Trygve J. Steiro Norwegian University of Science and Technology, Norway Bjørn Andersen Norwegian University of Science and Technology, Norway Linda Solveig Olsvik Idependent Scholar Per Johansen Municipality of Trondheim, Norway Leira Prison is a branch of Trondheim Prison, functioning as a relatively small, open prison with a maximum capacity of only 29 inmates. Leira Prison ap- plies the method ‘consequence pedagogy.’ This article aims to pinpoint how consequence pedagogy is executed at Leira. 50% of the Leira inmates are released back into society, while new ones enter the prison. It is therefore interesting to see how they balance structure and at the same time adjust to changes, enabling Leira Prison to continue as a learning organization. This ar- ticle identiﬁes three items, consequence pedagogy and the view of humans, maintenance of the philosophy and coherence in the community, and self- regulation of justice through interaction. The use of consequence pedagogy is deeply aligned to their positive view of humans and has generated a con- structive organization based on empowerment and involvement of both staff and inmates. Consequently, management, staff and inmates maintain the philosophy of consequence pedagogy through interaction and self-regulation. However, questions regarding the fundamentals of the consequence peda- gogy are not raised. Keywords: management; knowledge; learning; prison; consequence pedagogy; view of humans Introduction Dilulio (1990) observed that prisons are very different and that they are run differently. He also noted that the word ‘prison’ had a quite bad connota- tion in the literature.
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