June 2006 the Novel Focus: “Home and Exile” 18Th Century: Daniel

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June 2006 The Novel Focus: “home and exile” 18th Century: Daniel Defoe, Robinson Crusoe (1719) Samuel Richardson, Pamela (1740-41) Henry Fielding, Tom Jones (1749) Laurence Sterne, The Life and Opinions of Tristram Shandy (1759-67) Sophie von La Roche, The History of Lady Sophia Sternheim (1771-72) Johann Wolfgang von Goethe, The Sorrows of Young Werther (1774) Gothic: Ann Radcliffe, The Mysteries of Udolpho (1794) Charles Brockden Brown, Wieland (1798) 19th Century: Jane Austen, Northanger Abbey (pub. 1818; written 1798-1803) Walter Scott, Waverley (1814) Mary Shelley, Frankenstein (1818) Honoré de Balzac, Père Goriot (1834) Charlotte Brontë, Jane Eyre (1847) Nathaniel Hawthorne, The Scarlet Letter (1850) Herman Melville, Moby Dick (1851) Harriet Beecher Stowe, Uncle Tom’s Cabin (1852) Charles Dickens, Bleak House (1852-53) Gustave Flaubert, Madame Bovary (1857) Fyodor Dostoevsky, Crime and Punishment (1866) George Eliot, Middlemarch (1871-72) Mark Twain, Adventures of Huckleberry Finn (1885) Turn of the Century: Thomas Hardy, Tess of the D’Urbervilles (1891) Joseph Conrad, Heart of Darkness* (1899,1902) Rudyard Kipling, Kim (1901) Henry James, The Golden Bowl* (1904) Edith Wharton, The House of Mirth (1905) Modern: D. H. Lawrence, Women in Love (1921) James Joyce, Ulysses* (1922) Franz Kafka, The Trial (1925) Virginia Woolf, To the Lighthouse* (1927) William Faulkner, As I Lay Dying (1930) Zora Neale Hurston, Their Eyes Were Watching God (1937) Ernest Hemingway, For Whom the Bell Tolls (1940) Recent (post-1940): Ralph Ellison, Invisible Man (1952) Chinua Achebe, Things Fall Apart (1958) Günter Grass, Cat and Mouse (1961) Jean Rhys, Wide Sargasso Sea (1966) V. S. Naipaul, A Bend in the River (1979) J. M. Coetzee, Foe (1986) Toni Morrison, Beloved (1987) Ian McEwan, Saturday (2005) Critical Works: Henry James, The Art of the Novel (1934) Erich Auerbach, Mimesis (1946) Georg Lukács, The Historical Novel (1962) Seymour Chatman, Story and Discourse (1978) Michael McKeon, The Origins of the English Novel (1987) Edward Said, Culture and Imperialism (1993) .

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Obsessing About the Catholic Other: Religion and the Secularization Process in Gothic Literature Diane Hoeveler Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2012 Obsessing about the Catholic Other: Religion and the Secularization Process in Gothic Literature Diane Hoeveler Marquette University, [email protected] Published version. "Obsessing about the Catholic Other: Religion and the Secularization Process in Gothic Literature," in L'obsession à l'œuvre: littérature, cinéma et société en Grande-Bretagne. Eds. Jean- François Baiollon and Paul Veyret. Bourdeaux: CLIMAS, 2012: 15-32. Publisher Link. © 2012 CLIMAS. Used with permission. Obsessing about the Catholic Other: Religion and the Secularization Process in Gothic Literature Perhaps it was totally predictable that the past year has seen both the publication of a major book by Lennard Davis entitled Obsession!, as well as a new two player board game called "Obsession" in which one player wins by moving his ten rings along numbered slots. Interest in obsession, it would seem, is everywhere in high and low cultures. For Davis, obsession is both a cultural manifestation of what modernity has wrought, and a psychoanalytical phenomenon: in fact, he defines it as a recurring thought whose content has become disconnected from its original significance causing the dominance of repetitive mental intrusions (Davis 6). Recent studies have revealed that there are five broad categories of obsession: dirt and contamination, aggression, the placing of inanimate objects in order, sex, and finally religion2 Another recent study, however, claims that obsessive thoughts generally center on three main themes: the aggressive, the sexual, or the blasphemous (qtd. Davis 9). It is that last category - the blasphemous - that I think emerges in British gothic literature of the late eighteenth and early nineteenth centuries, particularly as seen in the persistent anti-Catholicism that plays such a central role in so many of those works (Radcliffe's The italian, Lewis's The Monk, and Maturin's Melmoth the Wanderer being only the most obvious).
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Ann Radcliffe: the Development of a Narrative Technique
Ml'T RADCLIFFJ1~ .ANN RADCLIFJ?E: THE DEVELOPMEl.\fT Ol!' A NARRATIVE 'J.'ECHNIQUE By IAN ROBER11 lIDGH WIlTTVvELL, M.A. A Thesis Submitted to the Faculty of Gradu8,te Studies in Partial }!'ulfilment of the Requirements for the Degree Master of Arts McMaster University October, :1.969 MASTER OF ARr3 (1969) Mcl-JASTER mUY-:ERSITY (English) Hamilton, Ontario. TITLE: Ann Radcliffe: The Development of a Narrative Technique AUTHOR: Ian Robert Hugh 'Whitwell, M.A. (Auckland) SliTERVISOR: Professor F. N. Shrive NUMBER Q]!' PAGES: v, 115 SCOPE AND COHT:t'NTS: This thesis is concerned_ with some aspects of Ann Radcliffe's development as a writer. Most of'it deals with her as a writer of Gothic novels: her groups of' Gothic and Romantic characters, her treat ment of suspense, and her use of the Gothic castle. The chapter on landscape and background treats an aspect of her work which is not exclusively Gothic, but which contributes to the Gothic atmosphere, and which is sufficiently characteristic of her to warrant separate consideration. Some attention is given to sources and influences, and an attempt is made to evaluate her various techniques • . / ii lllTRODUCTION The novels of linn Radcliffe which were published in her lifetime appeared between 1789 and 1797, after the four great eighteenth century novelists, Richardson, Fielding, Smollett, and Sterne, and before the nineteenth century Scott an(l Jane Austen. She falls into the interim period, between Augustans and Romantics, and in her work shows leanings towards both periods. Her novels are best kn~{n for being Gothic, and she is perhaps the best example in l.'nglish literature of the strange flowering, in this interval between great writers, of the Gothic Novel, a genre which enjoyed in its brief, bright life an enormous popularity with its readers.
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Ann Radcliffe's Superpaternal
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State English Theses English 8-2016 Ann Radcliffe's Superpaternal: A Study of the Supernatural in The Romance of the Forest and The ysM teries of Udolpho Lynn Kramer Buffalo State College, [email protected] Advisor Jennifer Ryan, Ph.D., Associate Professor of English First Reader Lisa Berglund, Ph.D., Chair and Professor of English Second Reader Mark Fulk, Ph.D., Associate Professor of English Department Chair Lisa Berglund, Ph.D., Chair and Professor of English To learn more about the English Department and its educational programs, research, and resources, go to http://english.buffalostate.edu/. Recommended Citation Kramer, Lynn, "Ann Radcliffe's Superpaternal: A Study of the Supernatural in The Romance of the Forest and The ysM teries of Udolpho" (2016). English Theses. Paper 20. Follow this and additional works at: http://digitalcommons.buffalostate.edu/english_theses Part of the Other Feminist, Gender, and Sexuality Studies Commons i Ann Radcliffe’s Superpaternal: A Study of the Supernatural in The Romance of the Forest and The Mysteries of Udolpho by Lynn Kramer An Abstract of a Thesis in English Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts August 2016 State University of New York College at Buffalo Department of English ii Abstract This study proposes a new way to examine the supernatural being in Ann Radcliffe’s The Mysteries of Udolpho and The Romance of the Forest. Critics have argued that the supernatural being is used in these novels to remind the heroines to think rationally; however, I argue that his purpose is more complex than that of a figment who instills reason.
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Ann Radcliffe and Jane Austen: Romance to Realism
ANN RADCLIFFE AND JANE AUSTEN: ROMANCE TO REALISM by Thomasina Hickmann APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Pamela Gossin, Chair ___________________________________________ Gerald L. Soliday ___________________________________________ Jessica C. Murphy ___________________________________________ Kenneth Brewer Copyright 2020 Thomasina Hickmann All Rights Reserved To my family ANN RADCLIFFE AND JANE AUSTEN: ROMANCE TO REALISM by THOMASINA HICKMANN, BA, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES THE UNIVERSITY OF TEXAS AT DALLAS May 2020 ACKNOWLEDGMENTS . I would like to thank my committee members, Pamela Gossin, Gerald Soliday, Jessica Murphy, and Kenneth Brewer. I am especially indebted to my committee chair, Dr. Gossin, for her contribution. Her advice was instrumental in enhancing my argument, and her patience and generosity provided invaluable sources of support. I also benefitted enormously from Dr. Soliday’s guidance. What I learned from him as a graduate student made me a better, more thoughtful writer, and, while I was writing my dissertation, his encouragement and suggestions were a significant factor in helping me both complete and improve it. I am grateful to Dr. Jessica Murphy for her support over the years and to Dr. Kenneth Brewer for his willingness to join the committee at a late date when accommodating my request must have involved the inconvenience of readjusting his own schedule. I would also like to thank Dr. Patricia Michaelson, who, as a former member of my committee, provided helpful comments in the early stages of the dissertation process. I very much appreciate the help that Josefine Green and Lila Foroutan have offered as I completed what is at times the complex task of preparing the dissertation for submission.
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Jane Austen*S Attitude Toward the Gothic Novel
Jane Austen's attitude toward the Gothic novel Item Type text; Thesis-Reproduction (electronic) Authors Brandon, Eugenie Josephine, 1894- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 11:55:33 Link to Item http://hdl.handle.net/10150/551095 JANE AUSTEN*S ATTITUDE TOWARD THE GOTHIC NOVEL by Eugenie J. Brandon Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College, University of Arizona 1 9 3 5 Approved: tfl. 13 3 6 V t ■r- :;o £?'??/ / 93S IZ3 CONTENTS Introduction .......... .. p. 1 Part I The Gothic Novel . .... pp. 2-14 Part II Types of Satire in Jane Austen’s Work . pp. 15-47 Part III The Effect of the Satire on the Story of Northanger Abbey . pp, 48-54 Part IV The Effect of Her Satiric Attitude on the Later Novels . pp. 55-59 Part V The Effect of Her Satirical Writ ings upon the Vogue of the Gothic Novel ..... ..... pp. 60-67 Conclusion . pp. 68-69 Bibliography . ................. pp. 70-76 / 98382 INTRODUCTION Horace Walpole, nobleman and antiquarian, educated at Cambridge and possessed of the additional culture derived from "the grand tour’1, early became interested in the stories of ehivalric romance and in Gothic architecture. Having both ample means and plenty of leisurej Walpole pur chased, in 1747, a little house in Twickenham, situated on the Thames in the midst of a five-acre plot.
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Ann Radcliffe, Mary Ann Radcliffe and the Minerva Author Joellen• Delucia
R OMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • ISSN 1748-0116 ◆ ISSUE 23 ◆ SUMMER 2020 ◆ SPECIAL ISSUE : THE MINERVA PRESS AND THE LITERARY MARKETPLACE ◆ www.romtext.org.uk ◆ CARDIFF UNIVERSITY PRESS ◆ 2 romantic textualities 23 Romantic Textualities: Literature and Print Culture, 1780–1840, 23 (Summer 2020) Available online at <www.romtext.org.uk/>; archive of record at <https://publications.cardiffuniversitypress.org/index.php/RomText>. Journal DOI: 10.18573/issn.1748-0116 ◆ Issue DOI: 10.18573/romtext.i23 Romantic Textualities is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. Unless otherwise noted, the material contained in this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (cc by-nc-nd) Interna- tional License. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more information. Origi- nal copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Romantic Textualities is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. Find out more about the press at cardiffuniversitypress.org. Editors: Anthony Mandal,
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Discovering Literature
Discovering Literature www.bl.uk/discovering-literature Teachers’ Notes Author / Work: Jane Austen, Emma Theme: Social Realism and the Novel Rationale The review of Emma in the Quarterly Review (October 1815) makes clear to a modern audience how unusual and startling Austen’s style was at the time. It is easy to forget how comparatively late the novel came in to being compared with the genres of poetry and drama. In the course of the novel’s development, Austen was a significant contributor to the emergence of the modern novel as we know it today. This lesson plan will engage students with the contemporary surprise of her work in a review generally attributed to the Scottish novelist, Sir Walter Scott. Comparing The Mysteries of Udolpho by Ann Radcliffe with Austen’s work vividly portrays the variance in style, making the differences more readily transparent for students today and affords opportunities to consider how readers from different times and different contexts can respond to a variety of texts. Content Literary and historical sources: Review of Emma in the Quarterly Review (1815) Letter from Jane Austen to her sister Cassandra (1811) Extracts from The Mysteries of Udolpho, Ann Radcliffe, (1803) An Analysis of Country Dancing, Thomas Wilson (1811) Recommended reading (short articles): Social Realism in Jane Austen’s novels by Professor Kathryn Sutherland An Introduction to Ann Radcliffe by David Townshend Documentary films: A selection of short documentary-style films (approx. 10 minutes each): www.bl.uk/romantics-and-victorians/videos
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Ann Radcliffe Was the Most Popular Writer of Her Day and Almost Universally Admired
Ann Radcliffe was the most popular writer of her day and almost universally admired. Contemporary critics called her the mighty enchantress and the Shakespeare ofromance-writers. Her popularity continued through the nineteenth century; for Keats, she was Mother Radcliffe, and for Scott, the first poetess of romantic fiction Little was or is known about Radcliffe's life, so not surprisingly apocryphal stories sprang up about her: it was reported that she had gone mad as a result of her dreadful imagination and been confined to an asylum, that she had been captured as a spy in Paris, or that she ate rare pork chops before retiring to stimulate nightmares for her novels; several times she was falsely rumored to be dead. She seems to have been happily married and to have been fortunate in having a husband who encouraged her to write. There is no explanation for why, at the age of thirty-two, the most popular writer of her times stopped publishing; there is of course much speculation by her biographers and by literary critics. In 1833, years after her death, her husband published some of her poems and a historical romance, Gaston de Blondville; it is not clear that she intended to publish these works. Gaston de Blondville is of interest because it is her only novel that does not explain away the supernatural happenings and because it contains, apparently as a preface, her thoughts on the sublime and Gothic fiction, "On the Supernatural in Poetry". RADCLIFFE AND SENSIBILITY Radcliffe created the novel of suspense by combining the Gothic romance of Walpole with the novel of sensibility, which focused on the proper, tender heroine and emphasized the love interest.
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Gothic Humour and Satire in Northanger Abbey Aurélie Chevaleyre
Gothic Humour and Satire in Northanger Abbey Aurélie Chevaleyre To cite this version: Aurélie Chevaleyre. Gothic Humour and Satire in Northanger Abbey. Literature. 2012. dumas- 00936705 HAL Id: dumas-00936705 https://dumas.ccsd.cnrs.fr/dumas-00936705 Submitted on 27 Jan 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Gothic Humour and Satire in Northanger Abbey Nom : CHEVALEYRE Prénom : Aurélie UFR de Langues Étrangères Mémoire de master 1 professionnel - 12 crédits – Mention Anglais Spécialité ou Parcours : Professorat des Lycées et Collèges Sous la direction de Mme BERTONÈCHE Caroline Membres du jury: Mme BERTONÈCHE Caroline et M. SCARPA Sébastien Année universitaire 2011-2012 Gothic Humour and Satire in Northanger Abbey Nom : CHEVALEYRE Prénom : Aurélie UFR de Langues Étrangères Mémoire de master 1 professionnel - 12 crédits – Mention Anglais Spécialité ou Parcours : Professorat des Lycées et Collèges Sous la direction de Mme BERTONÈCHE Caroline Membres du jury: Mme BERTONÈCHE Caroline et M. SCARPA Sébastien Année universitaire 2011-2012 Acknowledgements I would like to thank Caroline Bertonèche for reading my work and providing advice and encouragement throughout the writing process. I am also grateful to my friends Roxana Minart, Jonathan Zeitoun, Adeline Severac, Claire Dussart, Sophie Bourrat and finally my partner, for their support and help during times of doubt and discouragement.
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Ann Radcliffe, Romanticism and the Gothic
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 11 | 2015 Expressions of Environment in Euroamerican Culture / Antique Bodies in Nineteenth Century British Literature and Culture Dale Townshend, Angela Wright (eds), Ann Radcliffe, Romanticism and the Gothic Laurence Talairach-Vielmas Electronic version URL: http://journals.openedition.org/miranda/7149 DOI: 10.4000/miranda.7149 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Laurence Talairach-Vielmas, “Dale Townshend, Angela Wright (eds), Ann Radcliffe, Romanticism and the Gothic ”, Miranda [Online], 11 | 2015, Online since 22 July 2015, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/7149 ; DOI: https://doi.org/10.4000/miranda.7149 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Dale Townshend, Angela Wright (eds), Ann Radcliffe, Romanticism and the Gothic 1 Dale Townshend, Angela Wright (eds), Ann Radcliffe, Romanticism and the Gothic Laurence Talairach-Vielmas REFERENCES Dale Townshend, Angela Wright (eds), Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge University Press, 2014), 257 p, ISBN 978–1–107–03283–5 1 1764 marked both the publication of the first Gothic story, Horace Walpole’s The Castle of Otranto (1764), and the birth of one of the most popular Gothic writers of the romantic period—Ann Radcliffe. 250 years later, Ann Radcliffe, Romanticism and the Gothic, edited by Dale Towshend and Angela Wright, freshly re-examines Radcliffe’s work, looking at the impact and reception of her œuvre and its relationship to the Romantic literary and cultural contexts.
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UNIVERSITY of CALIFORNIA RIVERSIDE Ann
UNIVERSITY OF CALIFORNIA RIVERSIDE Ann Radcliffe and the Scientific Imaginary: Education, Observation, and Sensibility A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Rebecca Mary Addicks-Salerno September 2017 Dissertation Committee: Dr. Adriana Craciun, Chairperson Dr. George Haggerty Dr. Heidi Brayman Copyright by Rebecca Mary Addicks-Salerno 2017 The Dissertation of Rebecca Mary Addicks-Salerno is approved: Committee Chairperson University of California, Riverside Dedication This dissertation owes so much to the support of my committee: Adriana Craciun, George Haggerty, and Heidi Brayman. Professor Craciun’s extensive feedback and constant encouragement made a great impact on my ability to find joy in research and writing. Professor Haggerty’s reading groups, and his insights into the less-studied aspects of Gothic literature, inspired me to keep evolving my ideas about Radcliffe—and literature in general. And Professor Brayman’s help tracing the arc of early modern science and print history opened up a new path for thinking about material expressions of knowledge. Their encouragement, advice, and support have been invaluable. I am also eternally grateful for the mentorship and friendship of Professor Clorinda Donato, without whom I would have never made it to this Ph.D. program. Stephen Tabor, the Curator of Early Printed Books at the Huntington Library was a generous mentor in my transition from library school to Ph.D. program, as was Carol Sandberg at Michael Thompson Rare Books. Russell Johnson, the Curator of History and Special Collections at the UCLA Louise M. Darling Biomedical Library, and Teresa Jonson, the assistant for those collections, were especially helpful to me as I began this project.
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Responsibility and Responsiveness in the Novels of Ann Radcliffe and Mary Shelley
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 11-14-2014 Responsibility and Responsiveness in the Novels of Ann Radcliffe nda Mary Shelley Katherine Marie McGee University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Literature in English, British Isles Commons Scholar Commons Citation McGee, Katherine Marie, "Responsibility and Responsiveness in the Novels of Ann Radcliffe nda Mary Shelley" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5376 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Responsibility and Responsiveness in the Novels of Ann Radcliffe and Mary Shelley by Katherine McGee A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Regina Hewitt, Ph.D. Laura Runge, Ph.D. Pat Rogers, Ph.D. Marty Gould, Ph.D. Date of Approval: November 14, 2014 Keywords: Ecocriticism, British literature, supernatural, nature, landscape, nonhuman Copyright © 2014, Katherine McGee Acknowledgements In many ways, this dissertation is a product of the types of supportive communities it advocates: this document would not exist without the encouragement and care of my family; friends; “immigrant family;” Texas Christian University, University of Tulsa, and University of South Florida professors; the Dissertation Support Group; the “inmates” of BEH; my church families; or the English department office staff.
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