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COLLECTION OF RARE OLD VIOLINS

AND

MODERN INSTRUMENTS

243 South Wabash Avenue, Chicago 4, Illinois

THE LYON & HEALY COLLECTION OF RARE OLD VIOLINS

Since the days of Chicago's youth, Lyon & Healy's Rare Old Violin department has been a favorite gathering place for artists, collectors and students. Our internationally-known connoisseurs have traveled extensively to examine and procure for Lyon & Healy and its customers, the finest specimens of rare instruments by the old Italian, German and French luthiers. Through the years, more than forty famous Strads have passed through the Lyon & Healy collection—as well as outstanding examples by other violin-makers.

Gradually these precious instruments of the old masters are becoming increasingly difficult to procure; many of them have become the treasured property of great concert artists, private collectors and public museums. This ever-increasing scarcity of rare old violins has, quite naturally, restricted the number of available instruments; however, Lyon & Healy still has an imposing collection of the finer instruments extant. . . .

Inquiries concerning specific instruments are always welcome; detailed information on the type of instrument and approximate price range will be furnished without cost or obligation.

APPROVAL PLAN OF RARE OLD VIOLINS . . . TERMS OF PURCHASE

We are prepared to submit one or more instruments for your personal examina­ tion. Upon receipt of satisfactory commercial references, we will send such assortments with no obligation to purchase if you are not pleased, and at no other cost than transportation charges. Convenient terms of payment may be arranged if desired, and correspondence is invited.

Every instrument sold by Lyon & Healy receives expert, artistic adjustment before leaving our establishment. This service should not be overlooked by pur­ chasers of rare old instruments, as a careful regulation and adjustment is of the utmost importance in producing the finest tonal qualities of which the instrument is capable.

We take instruments in part payment and make the most liberal allowances possible. Any rare old violin listed in this catalog will be accepted by us at any time, at full value, in exchange for a better instrument, if returned to us in good condition.

All prices are listed net. Subject to change without notice. The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS CARLO BERGONZI, Cremona, 1723, No. 7190. Violins by Carlo Bergonzi are exceedingly rare, not alone in this country but abroad as well. He made but few, compared with other makers of his time, but those were, without exception, of the highest merit.

Bergonzi violins have striking individuality, which indicates that he was a man far beyond the average in ability and originality. The tone he gave himself the task to produce is one which is between that of Stradivarius of the later period and that of a Joseph Guarnerius del Gesu.

This magnificent specimen has for many years been regarded by experts as among the finest known examples of Bergonzi's art. In respect to beauty of appearance and exquisite tonal qualities it can be classed with any of the splendid instruments ever in the Lyon & Healy collection. It belongs to that period in Bergonzi's activities during which were produced those wonderful instruments that have placed him on a par with Stradivarius and Guarnerius and distinguished him as one of the three greatest luthiers of all time.

The workmanship and varnishing of this

Carlo Bergonzi Bergonzi are of the choicest description known to the maker. The back is formed of one piece No. 7190 of the finest curly maple, a handsome figure extending across its breadth. Sides match the back and the top is of spruce of even, straight grain and of the superb quality invariably se­ lected by Bergonzi. The varnish—a deep ruby red—is a thick, heavy coat, entirely original.

The tone of this Bergonzi violin is one never to be forgotten. It has in it that which is dramatic in the extreme, and gives it an appeal­ ing note seldom heard. Its brilliancy cannot be matched nor its richness or beauty excelled, and in addition it possesses remarkable volume and power. This superb instrument is practically as it left Bergonzi's hand $12,000 The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS

JOSEPH GUARNERIUS FILIUS ANDREAS, Cremona, 1694, No. 8752. Born November 25, 1666, Joseph Guarnerius is ranked next in importance in the Guarneri family to his great Joseph Guarnerivs cousin, Joseph Antonio del Gesu. He adopted fill us Andreas a model of graceful and elegant proportions, No. 8752 slender in the middle bouts and widening rapidly in the lower half of the body. His edges and corners are beautifully fashioned and his purfling proclaims him to have been a master hand in the manipulation of tools. We have been very fortunate in obtaining this splendid violin which was one of the choice items in our famous Hawley Collection. This Hawley Joseph, son-of-Andrea Guarneri, has always been considered one of the finest speci­ mens of this maker and shows to good advan­ tage the beauty of the wood and the fine qual­ ity and rich coloring of the varnish.

It is in excellent state of preservation and therefore affords one a correct estimate of the ability of this maker. Mr. Hawley counted him­ self most fortunate when he secured it through Mr. George Hart's cooperation in November, 1877.

Mr. Hart in a critical survey of this violin, pronounced it "the finest of its kind." And in this all must concur who have listened to its glorious voice—one of wondrous depth and richness $7,000

GIUSEPPE GUADAGNINI, Parma, 1784, No. 8798. This renowned maker was the second son of Giovanni Battista. He followed in his father's footsteps with respect to model and general characteristics of workmanship, his violins occasionally being mistaken for those of his parent.

The violin is a flat Stradivarius model with yellow brown varnish cf lovely texture. Medium grain top of choice quality for tone. Two pieces of handsome flamed maple back with matching sides. The sound holes are extremely well cut. The instrument is original throughout and it is in a splendid state of preservation. It possesses a tone of great richness and large carrying power. An excellent violin for a soloist, teacher or orchestra player..$3,000

PAOLO ANTONIO TESTORE, Milan, 1737, No. 8854. A beautiful specimen of the Milanese school. This maker was the younger brother of Carlo Antonio, and in style his work is quite similar, both having learned the art under the tutelage of their father, Carlo Giuseppe. The back is made of two pieces of soft-figured maple. The scroll is boldly cut. Light orange-brown varnish; medium arching. Very free, even tone of the utmost purity $2,250 The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS

JOANNES FRANCISCUS PRESSENDA, Turin, 1851, No. 8843. The violins of no Italian master have risen more rapidly in the apprecia­ tion of artists and in value than those of Joannes franciscus Pressenda. They are usually built on true Stradi- Pressenda varian lines, have exquisite wood and varnish, No. 8843 splendid workmanship—consequently a large, rich powerful tone of unusual flexibility. Only the truly outstanding luthier's even perfectly preserved examples rival the beauty of this lovely specimen. This superb example of this master's work is built on the lines of the Stradivarius masterpieces. The varnish is a rich orange-red of a splendid quality. An excellent instrument of handsome appearance, perfectly preserved and endowed with a magnificent tone $2,750

NICCOLO BERGONZI, Cremona, 1758, No. 885 8. This maker was the son of Michael Angelo Bergonzi and the grandson of the great Carlo. His violins are patterned after those of his father and grandfather. The back is made of two pieces of handsome curly maple. It has a broad figure extending slightly downward from the edges. The top is of mm spruce of finest quality and the varnish of a rich m orange-red color. This instrument is in a prac­ tically perfect state of preservation and is an especially fine specimen of this maker's work. The tone is remarkable for its fine, responsive, carrying qualities characteristic of the Cremona instruments $2,500

ANTONIO GRAGNANI, Livourne, 1780, No. 8847. This choice example is a large model, possessing a tone rich in quality and of great power. The yellow-brown varnish is of extra fine texture. One-piece slightly flamed maple back cut on the slab. This exceptional violin possesses a brilliant tone of great carrying power. An ideal instrument for a soloist or orchestra player $2,000

FERDINAND GAGLIANO, Naples, 1772, No. 8855. The violins of all the Gagliano family are much in demand by public players the world over. This is because they have good wood and varnish, are skillfully made and invariably excel in tone, both in power and quality. The instrument is in splendid condition having an abundance of wood, good orange-brown varnish and a warm sympathetic tone. A fine solo instrument, the tone being very flexible and far-carrying. It is strong and ''healthy," capable of withstanding long-continued and hard playing and is not likely to be affected by climatic conditions $2,000

LAURENTIUS STORIONI, Cremona, 1788, No. 8876. A splendid specimen by this famous Italian maker. Flat model with top of wide grain spruce. Back of two pieces of handsome flamed maple. Scroll not original. Reddish brown varnish tinged with yellow. Powerful, I responsive tone of rich quality. In a practically perfect state of preservation $2,250 TBI The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS

DAVID TECCHLER, Rome, 1721, No. 8781. This celebrated maker is known as the master of the Roman School. His instruments made at Rome are excellent and bear a thorough Italian character. The violins and cellos made by him are much sought after by artists because of the rare beauty of their tone. A beautiful example of this maker's craftsmanship. Fine grain spruce top. Back of two pieces of flamed maple. It is entirely original and in very fine state of preservation. The tone is responsive, rich and mellow $1,850 RARE OLD ITALIAN, Cremona, 1740-50, No. 8814. Although this splendid violin bears the label of Joseph Guarnerius del Gesu, it is impossible for us to authenticate the maker. However, Lyon & Healy violin experts state that it is a beautiful copy made most likely by a disciple of the great Joseph. It is definitely of Cremonese origin and follows the Guarnerius pattern. The model is small although the string length is of regulation measurements. It is com­ pletely original and the varnish possesses the lovely texture of this period. Truly a remarkable instrument having a rich tone of ample power and outstanding quality. We recommend this violin to any player desiring the utmost in a fine instrument of this price class $1,000 RARE OLD ITALIAN SPECIMEN, Cremona, 1670-80, No. 8885. A beautiful example of early Italian work, built on medium high-arched pattern. Handsome in appearance, splendid workmanship built in the style of Amati. The top is of medium grain spruce and the back of two pieces of plain maple. The scroll is original; the varnish is of a yellow-brown color. This splendidly preserved specimen pos­ sesses a full, sonorous, Italian tone of rich singing quality $1,200 LEOPOLD WIDHALM, Nurnberg, 1760, No. 8900. An outstanding example of this mas­ ter's work. Medium high model. Back of two pieces handsome maple. Top of fine grain spruce of choice quality. Golden brown varnish. Excellent state of preservation. A large, responsive tone of fine quality $900 JACQUE BOQUAY, Paris, 1710, No. 8799. Boquay was one of the celebrated makers of the French School. He is supposed to have learned his trade in Cremona and his work resembles very closely that of Amati and the early Stradivarius. This violin is a magnificent specimen in an excellent state of preservation and possesses a tone of extraordinary brilliancy and power. Medium high model. The varnish is of a rich, reddish brown. Truly an exceptional value $900 RARE OLD FRENCH SPECIMEN, Leon Pique School, 1760 period, No. 8883. Large, flat Stradivarius model. Wide grain spruce top. One piece flamed maple back with sides matching. Dark brown varnish. Original scroll. An excellent old specimen with a large, far-carrying tone of a rich quality. A splendid instrument for any concert player or advanced student desiring the utmost in tone quality in a violin of this price class $900 JOANNES GAGLIANO, Naples, 1792, No. 8848. A well-preserved example of this cele­ brated maker. Stradivarius model. The top is of medium grain spruce. One piece plain maple back. Typical small Gagliano scroll. Dark brown varnish, slightly retouched. The tone is re­ markably full and clear, perfect in response and of pleasing quality, making it an excellent violin for solo purposes $900 |HHmmmHHHHnnraRTOSt| l

The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS

JOANNES GAGLIANO, Naples, 1800, No. 8800. Seven-eighth size. A representative example of Gagliano artistry. The top is of straight grain spruce. The back of one piece handsome maple. Well-cut Gagliano scroll. Golden brown varnish. An unusually large, clear tone, responsive and possessing a rich, mellow quality. A splen­ did instrument for solo purposes. We particularly recommend it as an ideal instrument for a violiniste with a small hand or a gifted young violinist desiring an outstanding value in this price class $850 LOUIS GUERSAN, Paris, 1760, No. 8902. An unusually fine specimen of this renowned French maker's work. Amati model. Top of medium grain spruce. Back of two pieces flamed maple with matching sides. Orange-yellow varnish. Lovely, responsive tone $800 RARE OLD ITALIAN, Brescia, 1690, No. 8662. A fine rare old Italian specimen made in Brescia, the birthplace of the violin industry. This instrument was once the property of Carlos de Mandel. A medium high model, entirely original. The varnish is of a light brown color and considering its age, it is in a good state of preservation. The tone has the rich, mellow, pleasing qualities of the early Brescian instruments $800 JOSEPH PANORMO, London, 1810-20, No. 8862. A well-preserved example by this famous English maker. Flat model. Top of medium grain spruce. Back of two pieces handsome curly maple with matching sides. Yellow-red varnish. A very large responsive tone of a lovely, rich quality. Ample power to fill a large concert hall $800 DAVID PIZZURNUS, Genoa, 1763, No. 8808. A good maker who left few examples of his work. The violin is a small, flat model. Back: two pieces of flamed maple with matching sides. The varnish is of a reddish brown color. Good condition and fine tone quality $650 JOSEPH HEL, Lille, France, 1894, No. 8863. A splendid specimen by this famous French maker whose violins won many Grand Prizes at World Fairs in Europe and also in this country. His instruments are much sought after for their excellent tone qualities and their incomparable beauty. This fine violin is a beautiful copy of "Le Messie" Stradivarius. Top of medium grain spruce. Back of two pieces handsome flamed maple. Lovely dark, orange- red varnish. Perfect preservation and a large, well-rounded tone of excellent quality $650 OLD FRENCH COPY OF STRADIVARIUS, 1780-90, No. 7574. Expertly made violin of the Stradivarius pattern. Back: two pieces flamed maple with sides to match. Top: spruce of wide grain. Brown varnish of good quality. Excellent condition and brilliant tone....$650 RARE OLD ITALIAN, 1740-50, No. 8201. Medium high model. Top: fine, straight grain spruce. Back: two pieces flamed maple. Good condition and a tone quality comparable to much higher priced instruments $600 RARE OLD ITALIAN SPECIMEN, Brescia, 1650-60, No. 888 8. This fine rare old specimen is one of the oldest existing violins in good playing condition. A splendid item for a col­ lector. With a rare 300 year old violin case especially made for this instrument. Highly arched old Brescian model. Medium grain spruce top. Maple back cut on the slab. Curly maple sides. Furfling set close to edees. Scroll is of a later period. Remarkably clear, responsive tone of the true old Italian quality. A well-preserved example of this early period of violin-making. Price with rare old case $650 FINE OLD ITALIAN SPECIMEN, 1849, No. 7256. Small flat Stradivarius model. Top: medium grain spruce. Back: one piece handsome curly maple with matching sides. Fine preservation. Good appearance. Brilliant tone $600 6 The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS

RARE OLD ITALIAN SPECIMEN (Ticket of Gobetti), 1750-60, No. 8218. Medium high model, original throughout. Top: medium grain spruce. Back: two pieces beautifully flamed maple. Brown varnish. Pure Italian tone, free, responsive and mellow $500 JOHN JOHNSON, London, 1759, No. 7818. One of the foremost makers of the English School. His violins are highly regarded because of their good tone and fine workmanship. An unusually beautiful example. Medium high model. Possesses a tone large in volume and of a lovely, rich quality. Perfect preservation $500 PIERRE ST. PAUL, Paris, 1743, No. 8777. A splendid rare old French masterpiece. Amati model. Top: medium grain spruce. Back: two pieces flamed maple of choice quality for tone. Golden brown varnish. Good preservation and a rich, responsive tone $500 OLD GERMAN SPECIMEN, 1780-90, No. 8004. Large, broad model. A strong, well- preserved specimen. Two-piece flamed maple back. Reddish brown varnish. Exceptionally fine tone qualities $500 MATTHEW HARDIE, Edinburgh, 1825, No. 8699. This renowned maker is known as the Scottish Stradivarius. He made commendable instruments after the master's model. A beautiful specimen. Artistic workmanship and well preserved. Two pieces, handsome maple back. Lovely golden yellow spirit varnish. The tone is rich, clear and far-carrying..$500 FINE OLD ITALIAN SPECIMEN, Label of Andreas Postacchini, 1830-40, No. 8889. Stradivarius model. Medium wide grain spruce top. Two pieces handsome flamed maple back with matching sides. Orange-red varnish of fine quality. This perfectly preserved specimen possesses a large rich tone $450 JOHANNES GEORGIUS THIR, Vienna, 1770, No. 8734. Seven-eighths size. A charming specimen by this celebrated maker of the Viennese School. Medium high model. Exception­ ally well cut and in splendid condition. Brownish red varnish. Highly recommended as a lady's violin or for a talented young player $400 WILLIAM FORSTER, London, 1790, No. 8444. Seven-eighths size. A splendid example of this famous English maker's work. Flat model; original throughout. One-piece maple back. Excellent state of preservation and remarkably fine tonal qualities $350 OLD GERMAN SPECIMEN, Mittenwald, 1810-20, No. 885 9. One of the finest examples of Mittenwald craftsmanship. Flat Stradivarius model. Top: medium grain spruce. Back: one-piece, very handsome curly maple. Splendid reddish yellow varnish. Large, brilliant tone possessing rich and mellow qualities. Excellent preservation ...$400 JEAN FRANCOIS ALDRIC, Paris, 1820, No. 8747. Among the French luthiers of this period, Aldric is probably the one whose instruments best resemble the Italian in quality of tone. Fine example of Stradivarius model. One-piece handsome maple back. Yellow-red varnish. Good preservation and a rich, responsive tone $400 AUGUSTIN CLAUDOT, Mirecourt, 1780, No. 7863. Urge, flat model. Wide grain spruce top. One-piece flamed maple back. Shaded orange-red varnish. Good preservation. A large, far-carrying tone $350 RARE OLD ITALIAN SPECIMEN, Ruggieri School, 1740-50, No. 8819. Flat model. Medium grain spruce top. Back of two pieces flamed maple. Reddish brown varnish. Excellent condition. Large, responsive tone of rich quality $350 GABRIEL DAVID BUCHSTETTER, Ratisbon, 1773, No. 8822. Flat Stradivarius model. Top: medium grain spruce. Back: two pieces flamed maple. Brownish yellow varnish. A well-preserved specimen by this noted maker. Well-rounded tone of exceptionally fine quality : $350

7 The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS

RARE OLD FRENCH SPECIMEN (Ticket of I. A. Rocca, Turin), 1820, No. 8766. A good example of fine French workmanship. Flat model. Top: medium grain spruce. Back: two pieces flamed maple. Orange-red varnish. Sweet, mellow tone of ample power $350 JOHN DELANEY, Dublin, 1808, No. 8817. A splendid specimen by this celebrated Irish K maker. Broad Amati model. Top: medium grain spruce. Back: one-piece handsome flamed maple. A well-rounded, responsive tone of exceptional quality $350 RARE OLD GERMAN SPECIMEN, 1760, No. 8760. Stradivarius model. Top: medium grain spruce. Back: two pieces flamed maple. Reddish brown varnish. Well-preserved and possessing a free, responsive tone of sympathetic quality $375 RARE OLD STAINER COPY, 1760-70, No. 8787. A fine old Tyrolean work closely follow­ ing the Stainer pattern. Original throughout. Top: fine grain spruce. Back: two pieces flamed maple. Dark brown varnish. Sweet, responsive tone $350 OLD GERMAN SPECIMEN, 1790-1800, No. 8803. Stradivarius model. Top: fine grain spruce. Back: two pieces plain maple with matching sides. Brown varnish. Good preserva­ tion. A broad toned solo instrument $350 CHRISTIAN ROTH, Prague, 1792, No. 8887. An excellent example of this noted maker's work. Medium high model. Straight grain spruce top of fine quality for tone. One-piece slightly flamed maple back. Yellow brown varnish. This well-preserved specimen possesses a full, rich tone, very free and responsive $350 OLD GERMAN SPECIMEN, 1790, No. 8823. Stradivarius model. Expert workmanship and choice wood. Top: medium grain spruce. Back: two pieces flamed maple with matching sides. Reddish brown varnish. Responsive, well-rounded tone. A splendid instrument for an advanced student or teacher $300 OLD GERMAN SPECIMEN, MITTENWALD, 1800, No. 8810. Flat model. Top: medium grain spruce. Back: two pieces flamed maple, sides matching. Orange-yellow varnish. A well made instrument in good condition and with very pleasing tone $300 ALFONSO DALLA CORTE, Naples, 1881, No. 8758. Stradivarius model. Fine grain spruce top. Flamed maple back of two pieces. Red varnish. A well-preserved specimen possessing fine tonal qualities. Scroll not original $250 JOSEPH FISCHER, Regensburg, 1809, No. 8816. A splendid specimen by a noted maker. Flat model. Top: wide grain spruce. Back: two pieces handsome flamed maple with matching sides. Reddish brown varnish. Splendid condition. Excellent tonal qualities $250 OLD GERMAN SPECIMEN, 1780, No. 8763. Medium high model. Top: fine grain spruce. Back: one-piece flamed maple. Brown varnish. Splendid condition and a fine sympathetic tone of good quality $250 RARE OLD KLOTZ COPY, Mittenwald, 1775, No. 8830. An excellent old Mittenwald specimen. Stainer model. Yellow varnish. Good condition and possesses a pleasing tone of good quality $250 RARE OLD MITTENWALD SPECIMEN, 1780, No. 8844. Stradivarius model. An ideal I instrument for a talented student. Good preservation. Large tone of good quality and response $200 OLD GERMAN, MITTENWALD, 1800-10, No. 8846. Stradivarius model. Dark brown varnish. Fine, full tone, free and responsive. Splendid preservation. A good instrument for a serious student $175 CARL FRIEDRICH LIPPOLD, NEUKIRCHEN, 1797, No. 8829. Flat model. Fine work­ manship and an exceptionally good tone for a violin in this price class. Yellow brown varnish. Extra fine preservation $175 8 The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS

OLD GERMAN SPECIMEN, Mittenwald, 1800-10, No. 883 6. Flat model. Back of two pieces flamed maple. Reddish brown varnish. Good condition and resonant tone $175 OLD GERMAN SPECIMEN, Mittenwald, 1850, No. 8845. A well-made Maggini model in prime condition. One-piece, choice flamed maple back. Beautiful orange-red varnish. Maggini sound holes. Splendid condition. Responsive tone of deep, rich quality $150 OLD GERMAN, Mittenwald, 1750, No. 883 8. Rare old specimen. Flat model. One-piece plain maple back. Old Brescian sound holes. Several cracks, expertly repaired. Rich, mellow tone $150 GOTTLIEB LIEBICH, Fermsdorf, 1818, No. 8831. Stainer model. Wide grain spruce top. Two pieces handsome flamed maple back. Reddish varnish. Rich tone of pleasing quality $150 OLD GERMAN (Label of Geo. Carl Kretzschmann, 1792), No. 8805. Flat model. Top: wide grain spruce, several cracks. Back: one-piece flamed maple. Reddish brown varnish. Good tone. This violin is offered at extremely low price due to repairs $150 JOHANN AUG. GLASEL, Neukirchen, 1770, No. 8839. Flat model. Top: Straight grain spruce. Back: one piece plain maple. Orange-red varnish. Good condition and a sweet, clear tone $125 JOSEPHUS GRIENBERGER, Linz, 1836, No. 8849. Large, flat model. Back: two pieces flamed maple. Very good condition and excellent tonal qualities. An ideal violin for a serious student $125 FINE MITTENWALD SPECIMEN, 1820, No. 8850. Flat Stradivarius model. Original throughout. Top: medium grain spruce. Back: two pieces flamed maple. Brownish red varnish. Good condition and a responsive tone of good quality. Recommended for a student desiring genuine value in this price class $100 OLD HOPF COPY, 1875, No. 8825. Well-made after the Hopf pattern. Medium high model. Yellow-brown varnish. Sweet, responsive tone $75

RARE OLD VIOLINS - (Small Sizes)

Any registered instrument in our Collection (below full size) may be ex­ changed later—and full value credited toward the purchase of a more expensive, registered instrument.

STEPHEN THUMHART, Amberg, 1850, No. 8348. Three-quarter size. A lovely Old German work. Flat Stradivarius model. Top: wide grain spruce. Back: two pieces handsome flamed maple. Reddish brown varnish. Perfect preservation and a large, well-rounded tone. An outstanding value in a small-size violin $200 RARE OLD ITALIAN SPECIMEN, 1680-90, No. 8678. One-half size. A charming example of Italian artistry. Amati model; original throughout. Top: medium grain spruce. Back: two pieces flamed maple. Brown varnish. Splendid preservation. Possesses a fine responsive tone. Highly recommended for talented young student $200 RARE OLD FRENCH SPECIMEN, 1790, No. 8541. Three-quarter size. Flat model. Top: wide grain spruce. Back: one-piece slightly flamed maple with matching sides. Good state of preservation and an exceptionally fine tone $150 9 The Lyon & HeaSy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS - (Small Sizes) RARE OLD FRENCH SPECIMEN, 1820-30, No. 8 574. Three-quarter size. A lovely example of French work of this period. Stradivarius model. Top: medium grain spruce. Back: one-piece very handsome flamed maple. Orange-yellow varnish. Splendid condition and a large tone of appealing quality $175 ERASMUS SCHIEFLER, Hanover, 1845, No. 8483. Three-quarter size. This maker was noted for his fine workmanship. Medium high model. Top: wide grain spruce. Back: one- piece plain maple. Yellow brown varnish of fine texture. The tone is of unusual power and sweetness $150 JOHANN MARTIN HOFMAN, Schillingsfurst, 1805, No. 8435. Three-quarter size. Stradi­ varius model. Top: medium grain spruce, several cracks, well repaired. Back: one-piece flamed maple. Good, responsive tone $150 LAURENT BOURLIER, Mirecourt, 1830-40, No. 8401. Three-quarter size. A fine example of this noted maker's work. Flat model. Wide to narrow grain spruce top. Back of one- piece flamed maple of choice quality. Good preservation and a larger tone than generally possessed by instrument of this size $150 RAPvE OLD GERMAN, 1780-90, No. 8296. Three-quarter size. Medium high model. Fine grain spruce top. One-piece plain maple back. Brown shaded varnish. A well pre­ served specimen with sweet responsive tone $125 RARE OLD GERMAN, 1780-90, No. 7930. Three-quarter size. A fine Hopf model. Back: one-piece curly maple. Top: spruce of fine grain. Brown yellow varnish. Good condition and pleasing tone $125 OLD GERMAN, KLINGENTHAL, 1800 period, No. 8263. Three-quarter size. Medium high model. Straight, medium grain spruce top. Back of two pieces flamed maple. Reddish brown varnish. Well-preserved and excellent tone qualities $125 BENJAMIN PATOCKA, JICIN, 1885, No. 8101. Three-quarter size. A fine example. This maker's violins are highly regarded for their excellent tone qualities and the soft texture of varnish. Guarnerius model. Back of two pieces flamed maple. Yellow-brown varnish. Good condition; a fine open tone $125 OLD GERMAN, Mittenwald, 1810-20, No. 8 544. Stradivarius model. Top: wide grain spruce. Back: two pieces closely flamed maple with matching sides. Reddish brown varnish of lovely appearance. Good preservation and a large, far-carrying tone $125 JOSEPH KRINER, Mittenwald, 1808, No. 8447. Three-quarter size. A beautiful specimen by this well-known maker. Flat Stradivarius model. Medium grain spruce top. Back of two pieces narrow flamed maple. Orange-brown varnish. Good, singing tone $125 JOHANN GOTTLOB PFRETZSCHNER, Vogtland, 1780, No. 8663. Three-quart-r size. A choice example of this maker's work. Flat model. Top: fine grain spruce. Back: one-piece plain maple with matching sides. Lovely golden brown varnish. Well preserved, with a remarkable tone for a small size violin $125 OLD GERMAN SPECIMEN, 1820-30, No. 8657. Three-quarter size. Flat model. Too: medium grain spruce. Back: two pieces plain maple. Orange-brown varnish. Excellent con­ dition and a responsive tone of good quality $110 OLD GERMAN, 1850-60, No. 85 68. One-half size. Flat model. Top: wide grain spruce. Back: two pieces curly maple. Brown varnish. Splendid condition. A well made small size instrument possessing very pleasing tone qualities $100 10 The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLINS - (Small Sizes)

OLD GERMAN, 1840, No. 8413. Three-quarter size. Flat model. Top: medium grain spruce. Back: two pieces handsome flamed maple. Orange varnish. Good tone and condition S85 JOHANN FRIEDRICH VOIGT, Prague, 1773, No: 8501. One-half size. Medium high model. Top: medium grain spruce. Back: two pieces flamed maple. Brown shaded varnish. A lovely specimen. Unusually fine, large tone $75 OLD GERMAN, 1800-10, No. 7732. One-half size. Top: spruce of medium grain. Back: one-piece flamed maple. Reddish varnish. Excellent condition and a well-rounded, pleas­ ing tone $75 OLD GERMAN, 1800, No. 7684. Three-quarter size. Medium high model. Medium grain spruce top. One-piece flamed maple back. Dark brown varnish. Good condition and tone $75 OLD GERMAN, 1800, No. 7792. Three-quarter size. An excellent Stradivarius model. Dark brown varnish. Good condition and sweet tone $75 OLD GERMAN, 1800-1810, No. 8707. Three-quarter size. Fine Stradivarius model. Top: medium grain spruce top. Back: one-piece curly maple. Large, rich tone $65 OLD GERMAN, Mittenwald, 1830-40, No. 8713. One-half size. Guarnerius model. Top: wide grain spruce. Back: two pieces flamed maple. Yellow brown varnish. Good condition and tone $50 RARE OLD VIOLIN BOWS

FRANCOIS TOURTE, Paris, No. 887. Beautiful octagon shaped stick by this greatest of all bow makers. Curled figure, reddish color, tortoise shell frog with gold mountings. A splendid example of the finest Tourte artistry $1200 FRANCOIS TOURTE, Paris, No. 93 6. A splendid, octagonal, chocolate colored stick with original frog of ebony. A perfectly balanced bow of exceptional quality $850 JAMES TUBBS, London, No. 929. This magnificent stick by the great English bow maker is the most beautiful example of this master's work that we have ever inspected. Round, reddish brown color. Lovely gold engraved ebony frog $500 F. N. VOIRIN, Paris, No. 861. This splendid round stick of chocolate color is by the cele­ brated F. N. Voirin of Paris. The ebony frog is trimmed with silver and has two pearl eyes. It was once the property of the famous virtuoso, Eugene Ysaye $400 DOMINIQUE PECCATTE, Paris, No. 9 57. A round, chocolate colored stick by the master bow maker Dominique Peccatte of Paris. Perfectly balanced $300 KITTEL, Russia, No. 821. This beautiful example is by the great Russian bow maker who is known as the "Russian Tourte." Round, light chocolate colored stick with silver trim..$275 PAJEOT, Paris, No. 919. A splendid octagonal, light brown colored stick. Gold trim. Tor­ toise shell frog. A beautiful bow, well balanced $250 F. N. VOIRIN, Paris, No. 95 8. Fine round, chocolate colored stick. Original silver mounted frog $250 TOURTE AINE, Paris, No. 922. A fine, round, chocolate colored stick by this famous mem­ ber of the Tourte family. Ebony frog. Silver mountings $250 TOURTE AINE, Paris, No. 863. Round, reddish brown stick. Original frog. Gold mounted. Ebony frog with pearl shields on each side. A remarkable bow $275 TOURTE AINE, Paris, No. 739. Round, chocolate colored stick. Silver mountings. An ex­ cellent playing bow $200 11 The Lyon & Healy Collection of Modern and Rare Old Violins

RARE OLD VIOLIN BOWS

J. B. VUILLAUME, Paris, No. 933. Round, chocolate colored stick. Silver mountings....$175 J. B. VUILLAUME, Paris, No. 906. Round, chocolate colored stick. Silver trimmings $150 J. B. VUILLAUME, Paris, No. 626. Round, chocolate colored, with silver mountings....$150 NICOLAS MAIRE, Paris, No. 599. Round, chocolate colored. Silver trimmings $125 N. LUPOT, Paris, No. 881. Round, chocolate colored. Silver trimmings $125 OLD FRENCH, No. 931. Round, chocolate colored. Silver trimmings $100 GALLIARD, Paris, No. 718. Round, chocolate colored. Silver trimmings $85 LAMY, Paris. Round, light chocolate colored. Silver trimmings $50

RARE OLD VIOLONCELLO BOWS DOMINIQUE PECCATTE, Paris, No. 828. A splendid example of this master's work. Round, reddish brown stick. Silver mountings $200 HENRY, Paris, No. 65 8. Round, reddish brown stick. Silver trim , $125 F. N. VOIRIN, Paris, No. 950. Round, chocolate colored. Silver trim. Finely balanced..$150 OLD FRENCH, No. 783. Round, chocolate colored. Silver trim $100 OLD FRENCH, Copy of Xavier Tourte, No. 741. Octagon shaped. Silver mountings $85 DODD, London, No. 822. Round, light chocolate colored. Silver mountings $75

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Emile Laurent RARE OLD VIOLONCELLO No. 8860 Our stock of RARE OLD VIOLONCELLOS is constantly changing due to the great demand for these instruments. Consequently these in­ struments are not listed individually. However, we have a number of splendid Rare Old Violon­ cellos, full size and three-quarter size, priced from $250 to $1000, in our collection at this time. We will gladly quote prices and describe them upon inquiry.

EMILE LAURENT, Brussels, Belgium, 1916, No. 8860. A splendid violoncello by this noted maker, built on a broad Stradivarius pattern. Medium grain spruce top. Back of two pieces handsome curly maple with matching sides. Orange-brown varnish. A large, rich tone, easy in response. Excellent preservation $600

12 The Lyon & Healy Collection of Modern and Rare Old Violins

THE FREDERICK STOCK COLLECTION RARE OLD STAINER MODEL VIOLA, 1770-80 period. A beautiful example of the Stainer School. One-piece handsome back. Top of fine grain spruce wider toward the edges. Original scroll. Reddish-brown varnish. Possesses a very rich, mellow tone of excellent quality and easy response. Frederick Stock's personal viola which he used for many years $650 RARE OLD MITTENWALD VIOLIN, 1790-1800 period. Top is of wide grain selected spruce. Back of two pieces handsome curly maple. Original scroll. Varnish of reddish brown color. Excellent tonal qualities •. $400

Violin Bows in the Frederick Stock Collection VUILLAUME, Paris. Round, light chocolate colored stick. Tortoise shell frog. Gold mount­ ings. An excellent playing bow used by Frederick Stock for many years $250 RARE OLD FRENCH, Paris. Octagon shaped, light chocolate colored, ebony frog. Gold mountings. A well balanced bow from the Frederick Stock collection $125 OLD GERMAN. Octagon shaped chocolate colored. Ebony frog. Gold mountings. A splendid bow from the Frederick Stock collection $100 13 The Lyon & Healy Collection of Modern and Rare Old Violins

MODERN INSTRUMENTS Generations of beginners—and advanced students—have chosen their instruments from Lyon & Healy's large selection of modern Violins, Violoncellos, Violas and Basses. Space permits only a listing of representative examples. All are well made; many are fine modern importations from famous European violin centers. Violin repair experts thoroughly inspect each instrument sold and carefully adjust it to give the maximum volume and correct tone quality. All prices listed net. Subject to change without notice.

STUDENT VIOLIN OUTFITS No. 45 0. Consists of an especially selected violin of good construction and tone, a domestic made Brazilwood bow and a "Challenge" case $45 No. 5 50. A very attractive Stradivarius model violin with good tone qualities, domestic made Brazilwood bow and a "Challenge" case $55 No. 650. Imported violin, hand-made, possessing fine tone qualities, a domestic made Brazil­ wood bow. Plush-lined Keratol covered case $65 No. 750. This violin is the work of a well-known French maker. Fine grades of seasoned wood are used throughout. "Lifton" hard shell case with plush lining. Good domestic made Brazilwood bow $75 No. 975. A fine, hand-made imported violin of good workmanship and large tone of pleas­ ing quality. Domestic Pernambuco bow of good quality. Excellent Keratol, "Lifton" case lined with finest plush $97.50 We are fortunate in having an excellent selection of modern, full-size violins. Each instru­ ment is expertly regulated and adjusted in our own workshop. Most of these violins are foreign made and have been selected for their superior tonal qualities and good workmanship. Priced from $25 to $250.

SMALL SIZE BEGINNER'S OUTFITS A number of especially selected one-half size and three-quarter size VIOLIN OUTFITS. Each outfit consists of a well-made foreign or domestic violin of good tone, a domestic made bow and case of good quality. Priced at $27.50, $35.00, $47.50 and $57.50

STUDENT VIOLA OUTFITS Our collection of student viola outfits is comprised of a number of superb instruments; each outfit consists of a domestic-made viola, bow and case of superior quality. Choice of instruments at $57.50 and $69.50 Hand-made Viola, Stradivarius model from studios of American maker. Golden brown oil varnish; trimmings of finest Madagascar ebony. Large warm mellow tone $170 (With plush-lined case and bow $200

STUDENT VIOLONCELLOS N. 150. A beautiful blonde finish cello outfit. Cello of durable crack-proof construction. Well rounded tone of ample power. Equipped with a good quality canvas bag and bow $150 A foreign made cello of selected woods. Reconditioned and expertly adjusted by our repair department. Reddish brown varnish. An excellent instrument with a strong rich tone $175 14 The Lyon & Healy Collection of Modern and Rare Old Violins

BASS VIOLS

No. 275. A new Kay bass of especially strong construction. Made of choice maple with spruce top selected for perfection of grain. Crack-proof, laminated construction. A large tone that will "cut through" in any size ensemble. Complete with superior quality heavy canvas bag and a Kay bass bow. Out­ fit price $275

No. 400. The new five-string Kay bass viol. Revolutionary new bass with standard G, D, A and E strings plus added high-C string to give the player a 25% greater playable range. Originated by Chubby Jackson.

Selected ebony finger-board and trimmings, finest hardware. Beautifully shaded golden brown with sunburst effect, hand rubbed and polished. Made of aged highly flamed maple with spruce top of choice quality. Crack-proof, laminated construction $400

MODERN VIOLIN BOWS

No. 5 0. Domestic made bow of Brazilwood, suitable for students. Full size, % size $5.00 No. 85. Heddon metal bows, exceptionally well made. Full size, % size $8.50

A limited number of hand-made foreign bows of choice Brazilwood and Pernambuco. With ebony frogs and many with leather and silver wire grips. These well-balanced, fine playing bows are recommended for advanced students and teachers. Priced from $15 to $75

MODERN VIOLONCELLO BOWS

No. 125. Selected Brazilwood, finished in medium chocolate color, substantial grips....$12.50

No. 13 5. Carefully selected seasoned Brazilwood stick. Well balanced and finished in light and dark brown $13.50 Also a limited number of foreign-made cello bows priced from $25 to $50. 15 ^^BBHHHBHHH • %/i; l.-.~,.?.vS'^ •••,,:••• .,_••;:<•<- •; . -" "'. -. '•:\^r-'- •''"-•:•:'

The Lyon & Healy Collection of Modern and Rare Old Violins

VIOLIN CASES No. 60. "Challenge" type case with laminated chipboard body and reinforced edges. Flannel lined $6.00 No. 125. Hard shell case constructed with the famous "Kant Krack" process. Keratol cov­ ering, flannel lined. A strong, durable case $12.50 No. 175. Superior quality "Kant Krack" seamless shell. Fine keratol covering, plush lining, padded sides, best fittings $17.50 No. 200. Finest quality walrus grain keratol over a "Kant Krack" seamless shell. "Lifton" quality. Corded plush lining, stitched valance $20.00 No. 375. A De Luxe case of beautiful fabricoid covering. High lustre silk plush linings, heavily padded. Removable bottom pad. Finest lacquered trimmings. Black or rich tan color $37.50 No. 450. A genuine cowhide black leather case of superior quality. Best silk plush linings, heavily padded. Removable bottom pad. Finest hardware and trimmings $45.00

VIOLA CASES No. 140. Fine keratol covering over strong hard shell. Heavy flannel lining $14.00 No. 250. "Lifton" quality. Walrus grain keratol covering. Silk plush lining. Stitched valance $25.00

VIOLIN CASE COVERS No. 110. Heavy tan and black mackintosh, bound edges. Flannel lined. Zipper style....$11.00 No. 150. De Luxe quality heavy maroon colored canvas with genuine leather trimmings. Heavy flannel lining. For regular shaped cases $15.00 VIOLONCELLO BAGS No. 110. Tan mackintosh rubber cloth, fleece lined. Snap button style $11.00 No. 13 5. Heavy mackintosh, extra strong bound edges, fleece lined. Zipper and snap button style $13.50

BASS VIOL BAGS No. 175. Tan mackintosh rubber cloth. Fleece lined. Strong edges. Snap button style....$17.50 No. 23 5. Good quality, heavy tan canvas. Exceptionally strong bound edges. Zipper style $23.50 and $27.50

VIOLIN APPRAISAL SERVICE Violins are sent to Lyon & Healy from all parts of the country for appraisal. Lyon & Healy violin connoisseurs carefully examine each instrument and inform the owner as to its origin and current value. Many excellent copies and occasionally a very fine rare old specimen is "discovered." Our fee for a letter of appraisal is $5.00. Correspondence relative to an appraisal is cordially invited.

16 At Lyon & Healy's, repair work on violins, violas and cellos is entrusted only to skilled hands. These experts have a background of from 15 to 35 years of the most meticulous experience.

Great artists from all corners of the globe visit Lyon & Healy on their tours and leave their most precious instruments here for periodical check­ ups and repair work.

Lyon & Healy prices are reasonable and no job is too small to receive the utmost in workmanship. Repair estimates furnished without charge.

Lyon & Healy's collection of music includes the largest selection of lit­ erature in the world for the violin, viola, bass, cello, etc. We will also gladly furnish you with our specially edited catalogue of studies, methods, concertos, ensembles and collections for the violin on request.

Complete assortment of accessories for all stringed instruments: Chin Rests, Shoulder Pads, Resin, Strings, Bridges. |

Write to LYON & HEALY, 243 SOUTH WABASH AVENUE, CHICAGO 4, ILLINOIS

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