The Art of Those with Lived Experience
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Downloaded by [New York University] at 12:50 14 August 2016 the Handbook of Art Therapy
Downloaded by [New York University] at 12:50 14 August 2016 The Handbook of Art Therapy The Handbook of Art Therapy has become the standard introductory text to the theory and practice of art therapy in a variety of settings. This comprehensive book concentrates on the work of art therapists: what they do, where they practise, and how and why art and therapy can combine to help the search for health and understanding of underlying problems. In this third edition, new developments in the profession are clearly described, including sections on neuroscience, research, private practice and the impact of technology on the therapeutic setting. Caroline Case and Tessa Dalley are highly experienced in the teaching, supervision and clinical practice of art therapy. Using ¿ rst-hand accounts of the experience of art therapy from therapists and patients, they cover such aspects as the inÀ uence of psychodynamic thinking, the role of the image in the art process and the setting in which the art therapist works. The Handbook of Art Therapy also focuses on art therapists themselves, and their practice, background and training. The book includes an extensive bibliography, encompassing a compre- hensive coverage of the current literature on art therapy and related subjects, and contains a glossary of psychoanalytic terms. Covering basic theory and practice for clinicians and students at all levels of training, this is a key text for art therapists, counsellors, psychotherapists, psychologists and students, as well as professionals working in other arts therapies. Caroline Case is an experienced art therapist and child and adolescent psycho- therapist working in private practice and as a clinical supervisor near Bristol, UK. -
Art As Healing: Edward Adamson
Art as Healing: Edward Adamson David O’Flynn considers the life of a collector and pioneer of Art Therapy 1. Hogan, S. (2001) Healing Edward Adamson practiced art as healing before there were ever terms or labels like ‘Art Therapist’. Arts: the history of art therapy. London: Jessica Being with him for anyone was therapy and yet he didn’t play at clinician, but rather served so Kingsley Publishers. sweetly as a supreme friend, ‘there’ for those who had none other. There were for Edward no 2. Adamson, E. (1984) Art as Healing. London: Coventure. patients. I think that is why so many lost people in his care found their way back to themselves. © John Timlin Adamson’s was an alchemy of the highest sort. 3. Byrne, P. (1996) Edward Adamson and the experiment. Rebecca Alban Hoffberger, Founder/Director American Visionary Art Museum, 2011 International Journal of Art Therapy, 1, 32–36. 4. Adamson, E. (1970) Art for Edward Adamson (1911–1996) encouraged and tuberculosis sanatoria. As these closed after the Health. In The Social Context introduction of effective treatment, the programme was of Art by Jean Creddy (ed.). collected the paintings, drawings and sculptures by London: Tavistock. people compelled to live in a British long stay mental extended to the asylums. (1) asylum, Netherne Hospital in Surrey, between 1946 and By the 1940s, the Victorian asylums had 5. William Kurelek: The Messenger is at Winnipeg Art 1981. The Adamson Collection has 6,000 of these works become places of isolation and confinement, probably Gallery: 29 Sep – 31 Dec 2011; – of an estimated 100,000 when he retired. -
Bethlem Papers; on the Inside of Outsider
BETHLEM PAPERS On the Inside of Outsider Art Structure by Mr X (photo Josip Lizatovic) 'On the Inside of Outsider Art’, was an event that took place as part of the Bethlem Salon Series. The series brings together artists, academics and clinicians to discuss themes that offer a unique insight into art production on the site of the psychiatric hospital. Recent major events in the mainstream artworld have demonstrated a resurgence of interest in ‘outsider’ art. The participants in the Salon approached the subject from a number of different perspectives, from art history and cultural theory to art and clinical practice. Contributors to the Paper: Sue Morgan, artist David O’Flynn, consultant psychiatrist and Chair of the Adamson Trust Michaela Ross, art co-ordinator, Bethlem Royal Hospital SUE MORGAN cartographer of mental illness why am i here? because i am mad, and i make stuff that can be seen which makes me, i suppose, an outsider artist but i don't think of myself as an artist it is more that i make footnotes. footnotes to a blank text the blank text is the stuff i don't understand, which is pretty much everything am i an OUTSIDER artist? well, maybe it seems to me to be about intention. when i started drawing in hospitals, it was primarily to try to record what was going on in my head satan's babies were in my kidneys, they were crawling up my spinal cord, spewing out of my eyeballs, and i thought i was infecting the entirety of humanity with evil i was also depressed, apparently so what i was doing was trying to express mental content -
Edward Adamson Wiki Sept 16
Edward Adamson Edward Adamson (31 May 1911 – 3 February 1996) Army happy to have him as a qualified chiropodist. He was a British artist, “the father of Art Therapy in became interested in helping long-term hospital patients Britain”,[1] and the creator of the Adamson Collection. pass the time. After the War, he volunteered to work with Adrian Hill, an artist who had coined the term “Art Therapy” in 1942 while a patient in tuberculosis sanatoria, teaching draw- ing and painting to his fellow patients, and, later, to hos- pitalised soldiers. At the time Adamson met him, Hill was working with the Red Cross Picture Library to loan and lecture on reproductions of paintings to patients in British hospitals to enhance their recovery. Adamson was in the group who first brought this programme to a long- stay mental hospital - Netherne Hospital – in 1946. During his early visits to Netherne, Adamson was given several drawings by a man on a locked ward - JJ Bee- gan - made with the only materials he had, char from burnt matches and toilet paper. These objects were the first collected by Adamson, and the start of the Adamson Collection.[3] 1.1 Art and research at Netherne (1946– 1950) Edward Adamson. The Medical Superintendent, the psychiatrist Eric Cun- ningham Dax (1908 - 2008), was impressed by Adam- son’s rapport at his lectures with the people who were 1 Life and work compelled to live at Netherne. Dax asked him to facil- itate a new research art studio at Netherne, to investigate the role of art in the diagnosis and treatment of mental Edward Adamson was born in 1911 at Sale, near disorder - a project maybe of its time.[4] This project was Manchester, in Cheshire.