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RANDY-NEWMAN-Little-Criminals-Songbook-.Pdf
tFa-. rË I T RandyNewnrran i I LITTLE GRIMIÍ{AI.S RandyNewman has emergedas one of the most importantcom- RANDYNEWMAN posersand songwriters in popularmusic. His rise Írom "cult idol" slatusto hiscurrent international recognition as a giftedperformer andcomposer has been chÍonicled by all forms oÍ media, as well as byfellow artists. Commercially,Newman is best knownas the writeroÍ hrtsongs suchas "lvlamaTold Me Not To Come,"recorded by ThreeDog "l Night,and Thinklt's GoingTo RainToday," recorded by Judy Collinsand Dave Van Ronk, among others. Over the lasl five years, RandyNewman songs have appeared on albumsby inteÍpretersas diverseas Art Garfunkel,Ringo Starr,Barbra Streisand, Etta James,Joe Cocker, Linda Ronstadt, Bonnie Raitt and Sonny Terry & BrownieMcGhee. Newman also received a greatdeal o{ attention for his work on the soundtrackof f\,4ickJagger's Pertormance, in whichhe conducted,sang and accompanied himself on pianoon "GoneDead Train." "RandyNewman's music Bornin New Orleans, Newman moved to CaliÍorniawith his family at is deeplyentrenched in anearly age At6 hebegan playing piano. At 12he díove headlong Americana." intomuslc theory, a studywhich he latercontinued at U.C.L.A. Threeof Newman'suncles, AlÍred. Lionel and Emil,are muchre- spectedconductors and film score composers (in 1972, Newman premieredSail Away at New York'sPhilharmonic Hall with Emil conducting,he debutedGood Old Soys at the AtlanticPhil- harmonrc).From his deceptively simple piano accómpanimênts to hismasterÍul use of full orchestra, Randy Newman's music is deeply entrenchedin Americana.Slrains of SteohenFoster. blues and countryriffs, a sophisticateduse of rhythmand rhymethat echoes theshow tunes and classic pop balladry oÍ PoíteÍ and Gershwin and Hart(Newman, inÍact, began his career writing glossy Brill Building typepop tunes)underlie his work.Many oÍ his songsdeal with ordinarypeople in ordinarysituatjons (he once said that what he reallydoes is putshort stories to music),but no writerin contem- porarymusic has managed to carve out a persona!niche in quite the wayRandy Newman has. -
Pixar's Cars 3 Trivia 1
Pixar's Cars 3 Trivia 1. There are one winner and how many losers according to Lightning Mcqueen’s opening pep talk? a. 42 losers, I eat losers for breakfast 2. Where does the opening race take place? a. Motor Speedway of the South 3. What is the first and last name of the new Dinoco race car? a. Cal Weathers 4. What is the name of Chick Hick’s show? a. Chick’s Picks 5. Who is Natalie Certain? a. Statistical Analyst 6. What number is on Jackson Storm’s car? a. 20 7. Who said, “It’s Futile to resist change man.” a. Fillmore 8. Where is the rookie race car Gabriel from? a. Santa Cecilia, the same place Coco takes place :) 9. Who is the Mistro of Motivation a. Cruz Ramirez 10. What is the name of Cruz Ramirez’s electronic personal assistant on her phone? a. Hamilton 11. Who said, “You could talk a snowmobile into an air conditioner” a. Cruz Ramirez 12. What is Lightning McQueens fake name at Thunder Hollow Speedway? a. Chester Whipplefilter 13. What is McQueen’s probability of beating Jackson Storm according to Natalie Certain? a. 1.2% 14. What is Doc Hudson’s home track? a. Thomasville Speedway 15. Who said, “Lifes a beach, and then you drive” a. Lightning McQueen 16. Who did Lightning and Cruz find at Thomasville Speedway? a. Smokey who was Doc Hudson’s trainer 17. According to Smokey what was the best part of Doc Hudson’s life? a. Coaching Lightning McQueen 18. Who is managing Luigi’s Tire Shop while they are out of town with Lightning McQueen? a. -
MUSIC and MOVEMENT in PIXAR: the TSU's AS an ANALYTICAL RESOURCE
Revis ta de Comunicación Vivat Academia ISSN: 1575-2844 Septiembre 2016 Año XIX Nº 136 pp 82-94 DOI: https://doi.org/10.15178/va.2016.136.82-94 INVESTIGACIÓN/RESEARCH Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 MUSIC AND MOVEMENT IN PIXAR: THE TSU’s AS AN ANALYTICAL RESOURCE Diego Calderón Garrido1: University of Barcelona. Spain [email protected] Josep Gustems Carncier: University of Barcelona. Spain [email protected] Jaume Duran Castells: University of Barcelona. Spain [email protected] ABSTRACT The music for the animation cinema is closely linked with the characters’ movement and the narrative action. This paper presents the Temporary Semiotic Units (TSU’s) proposed by Delalande, as a multimodal tool for the music analysis of the actions in cartoons, following the tradition of the Mickey Mousing. For this, a profile with the applicability of the nineteen TSU’s was applied to the fourteen Pixar movies produced between 1995-2013. The results allow us to state the convenience of the use of the TSU’s for the music comprehension in these films, especially in regard to the subject matter and the characterization of the characters and as a support to the visual narrative of this genre. KEY WORDS Animation cinema, Music – Pixar - Temporary Semiotic Units - Mickey Mousing - Audiovisual Narrative – Multimodality 1 Diego Calderón Garrido: Doctor in History of Art, titled superior in Modern Music and Jazz music teacher and sound in the degree of Audiovisual Communication at the University of Barcelona. -
How Campaign Songs Sold the Image of Presidential Candidates
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates Gary M. Bogers University of Central Florida Part of the Music Commons, and the United States History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Bogers, Gary M., "Music and the Presidency: How Campaign Songs Sold the Image of Presidential Candidates" (2019). Honors Undergraduate Theses. 511. https://stars.library.ucf.edu/honorstheses/511 MUSIC AND THE PRESIDENCY: HOW CAMPAIGN SONGS SOLD THE IMAGE OF PRESIDENTIAL CANDIDATES by GARY MICHAEL BOGERS JR. A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Music Performance in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Dr. Scott Warfield Co-chairs: Dr. Alexander Burtzos & Dr. Joe Gennaro ©2019 Gary Michael Bogers Jr. ii ABSTRACT In this thesis, I will discuss the importance of campaign songs and how they were used throughout three distinctly different U.S. presidential elections: the 1960 campaign of Senator John Fitzgerald Kennedy against Vice President Richard Milhouse Nixon, the 1984 reelection campaign of President Ronald Wilson Reagan against Vice President Walter Frederick Mondale, and the 2008 campaign of Senator Barack Hussein Obama against Senator John Sidney McCain. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Love Letters of Nathaniel Hawthorne, Volume 1
https://OneMoreLibrary.com Love Letters Nathaniel Hawthorne Volume I of II The Society of The Dofobs, Chicago, 1907 LOVE LETTERS OF NATHANIEL HAWTHORNE LOVE LETTERS OF NATHANIEL HAWTHORNE PRIVATELY PRINTED THE SOCIETY OF THE DOFOBS CHICAGO 1907 Copyright, 1907, by WILLIAM K. BIXBY INTRODUCTORY In “Hawthorne and His Wife” and “Memories of Hawthorne” both Julian Hawthorne and his sister, Rose Hawthorne Lathrop, have given citations from the letters written by Nathaniel Hawthorne to Miss Sophia Peabody during their years of courtship. These excerpts were free and irregular, often, and evidently with specific intent, taken out of order and run together as if for the purpose of illustrating a point or emphasizing a particular phase of character. While the extracts were sufficiently numerous for the object desired, and while they gave an agreeable glimpse of an interesting period of Hawthorne’s life, they were necessarily too fragmentary, too lacking in continuity, to convey any adequate idea of the simplicity, beauty, humor and tenderness of the letters, even considered in the matter of a literary style. The original letters were acquired by Mr. William K. Bixby of St. Louis, and, at the urgent request of the Society of the Dofobs, of which he is a highly esteemed and honored member, turned over to the society with the understanding that they should be published for presentation to members only. It was specified also that great care should be exercised in going over the letters, that no apparent confidences should be violated and that all private and personal references, which might wound the feelings of the living or seem to speak ill of the dead, should be eliminated. -
Born to Take the Highway: Women, the Automobile, and Rock N Roll
Born to Take the Highway Chris Lezotte 161 Born to Take the Highway: Women, the Automobile, and Rock ‘n’ Roll Chris Lezotte In a Washington Post feature article from a few but also in the profusion of auto-themed songs years back, popular music critic J. Freedom du about favorite cars (GTO, Barracuda), car Lac laments the death of the car song. Du Lac engines (Chevy 409, Rocket 88), car parts (Four attributes the demise of the car song—a musical in the Floor, Stick Shift), and highways (Route phenomenon that peaked in popularity during the 66, Thunder Road) (38). In addition, cars—as 1950s and 1960s—to the current crop of automo- objects of desire, devotion, and obsession—were biles. He contends that the quiet, safe, economi- often linked through song with women (Maybel- cal, and eco-friendly cars of today provide little lene, Mustang Sally), or given feminine personas inspiration for music about cars. While he (Betsy, She’s My Chevy). As du Lac writes, acknowledges that contemporary music often ref- automobiles—in song and on the road—were erences the automobile, as du Lac remarks, “they not only good for getting girls, but were also aren’t actually car songs at all.” “desirable girls themselves.” The classic car song to which du Lac refers— The decades following the Second World and to which music journalists and scholars War produced two exclusive male provinces— most often address—is that intertwined with the American car culture and rock ‘n’ roll—which automotive culture of the post-World War II serendipitously and successfully combined into era. -
First Dance Song Suggestions: a Mother’S Song
(Check songs you would like played specific to formality or anytime) Tip: To hear these same songs in same order, please visit: http://www.playlist.com/DJPaulPeterson/playlists Mother/Son Song Suggestions: A song for mama ........................... Boyz II Men First Dance Song Suggestions: A mother’s song .............................. T Carter A love that will last ......................... Renee Olsteed Can you feel the love tonight ......... Elton John All about our love ........................... Sade Could I have this dance .................. Anne Murray Always and forever ......................... Luther Vandross Forever young ................................ Alphaville All my life ....................................... KC & JoJo God only knows ............................. The Beach Boys Anyone else but you ....................... The Moldy Peaches Hero ............................................... Enrique Iglesias Can't help falling in love ................. Elvis Presley I could not ask for more ................. Edwin McCain Chasing cars .................................... Snow Patrol I'll stand by you .............................. Carrie Underwood Come away with me ....................... Norah Jones In my life ........................................ Bette Midler Crash ............................................... Dave Mathews Band Memories ........................................ Elvis Presley Everything ...................................... Michael Buble Simple man .................................... -
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits. -
Randy Newman
Cars Opening Race / Dirt Is Different / Tractor Tipping / Goodbye Pre-Race Pageantry / The Big Race Brass Band Arr.: Michal Worek Adapt.: Bertrand Moren Randy Newman EMR 32544 st 1 Full Score 2 1 B Trombone + nd 1 E Cornet 2 2 B Trombone + 5 Solo B Cornet 1 B Bass Trombone + 1 Repiano B Cornet 2 B Euphonium 3 2nd B Cornet 3 E Bass 3 3rd B Cornet 3 B Bass 1 B Flugelhorn 1 Drums 2 Solo E Horn 1 Timpani 2 1st E Horn 1 1st Percussion (Glockenspiel / Xylophone 2 2nd E Horn Triangle) 2 1st B Baritone 1 2nd Percussion (Cymbals) 2 2nd B Baritone Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 65 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Funny Cinema Music (Pagans) 5’06 EMR 12871 EMR 32537 2 Yellow Submarine (McCartney / Lennon) 3’04 EMR 12733 EMR 32460 3 Harlem Nocturne (Hagen) 2’22 EMR 12675A EMR 32422 4 Spartacus (LoDuca) 6’42 EMR 12792 EMR 32538 5 Captain Future (Bruhn) 2’30 EMR 12837 EMR 32539 6 Slumdog Millionaire (Lauper / Duplessis / Jean) 3’33 EMR 12692A EMR 32540 7 Of Thee I Sing (Gershwin) 4’34 EMR 12784 EMR 32541 8 Kelly’s Heroes (Schifrin) 5’40 EMR 12809 EMR 32542 9 Exodus (Gold) 3’48 EMR 12709 EMR 32459 10 You Never Can Tell (Berry) 2’46 EMR 12671A EMR 32543 11 Cars (Newman) 4’45 EMR 12885 EMR 32544 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. -
Soundtrack (C) Glenn Rivard 2014 Page Of
Soundtrack It’s always a long way to home, even longer on this dreary night. I am alone except, I suppose, for the company of my music, the songs playing randomly from the playlist. The night glides by in perfect darkness, only the car’s headlights tethering me to this world. The melodies of the passing soundtrack conjure up images of broken hearts, urban wastelands, other roadways. Life is a Highway comes to an end, then a mere second of silence, to be replaced incongruously by I Wanna Hold Your Hand. The jangle of the music jolts me, and without thought I find myself !transported back in time.! I am riding on a bus, not a school bus, but a city bus. This is a big deal for me. I’ve learned the route from home to my new school. I recognize many of the faces of the passengers. I know the bus driver, who is always the same, who always gives me a smile when I climb up the stairs !on my ten year old legs. I sit half-way down the bus and I am feeling pretty grown up.! Oh, I’ll tell you something! I think you’ll understand! When I say that something! !I wanna hold your hand! This is the soundtrack of my ride, running through my head in an ever repeating loop as I gaze out the window at the city going by. I know, quite self-consciously, that it is important. I under- stand its significance, for it is the first rock ’n roll song I have adopted as my own. -
Life Is a Highway - Tom Cochran; Rascal Flatts
Life Is A Highway - Tom Cochran; Rascal Flatts Intro: | Am G F F | F G C C | C F G G | C F G G | X2 F Life's like a road that you travel on C There's one day here and the next day gone G Sometimes you bend, sometimes you stand, sometimes you turn your back to the wind F There's a world outside every darkened door C Where blues won't haunt you anymore G Where the brave are free and lovers soar, come ride with me to the distant shore Pre-Chorus: Am G We won't hesitate to break down the garden gate F D There's not much time left today Chorus: Am G F F G C C F G C F G G Life is a highway, I wanna ride it all night long Am G F F G C C F G C F G G If you're going my way, I wanna drive it all night long Verse 2: F Through all these cities, and all these towns C It's in my blood and in it's all around G I love you now like I loved you then, this is the road and these are the hands F From Mozambique to those Memphis nights C The Khyber Pass to Vancouver's lights G Knock me down and back up again, you're in my blood, I'm not a lonely man Pre-Chorus: Am G There's no load I can't hold, a road so rough, this I know F D I'll be there when the light comes in, just tell 'em we're survivors Chorus: Am G F F G C C F G C F G G Life is a highway, I wanna ride it all night long Am G F F G C C F G C F G G If you're going my way, I wanna drive it all night long REPEAT Chorus Bridge: Dm F Am G There was a distance between you and I Dm F Am G a misunderstanding once, but now we look it in the eye Solo: | Am G F F | F G C C | C F G G | C F G G | X2 Pre-Chorus: Am G There ain't no load that I can't hold, a road so rough, this I know F D I'll be there when the light comes in.