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Folkestone Maphv5 CB Chelsea Barracks site, design for a mixed-use development by Rogers Stirk Harbour following the abandonment of Richard Roger’s design after Prince Charles’ intervention Hans Road 12 Harrods: bookshop CP SS < Hans Town with a Queen Anne makeover < architecture, a style mockingly dubbed Pont Sloane Street and nearby A late 19th-century rebuilding of the northern Street Dutch by satirist Osbert Lancaster. Its DE Product design as architecture: 14-16 Hans Road C H E L S E A BUILDINGS CHELSEA PARK AREA AND NEARBY SLOANE ST/CADOGAN SQUARE AREA part of Hans Town (a model Georgian residential houses are best appreciated as a group embassy by Arne Jacobsen, 1977. Its facade BS (Gilston Rd) Bolton Studios, 27 classic artists’ Walton Place and Street quarter on the Cadogan and Smith’s Charity 58-42 Houses by JJ Stevenson, the architect comprises cantilevered stacks of glazed boxes studios built by sculptor Charles Bacon, 1883-8 WP Crisply designed Neo-Classical terraces Estates developed by architect Henry Holland, who coined the label ‘Queen Anne’, 1880s (like giant filing trays), each stack scaled to Chelsea Park Gardens with austere Graeco-Roman detailing; the 1776–). The preference, among clients for Hans Place DE SC St Columba, a white stone edifice with tall match the street’s house widths. The starkness CPG A picturesque scheme in grey and red porches are framed by pilasters with highly individualistic house designs in the fashionable Beauchamp Place WP ‘Scandinavian-modern’ tower and giant arch that of the modular box aesthetic is partly offset by a with rusticated entrances, stone cornices and individual palm-leaf capitals. By George Basevi, quasi-Dutch mode, presaged the end of an urban Walton Place [62] frames its entrance ways. By E Maufe, 1950-4 podium decorated with murals by Danish quite unspoilt front gardens, by EFM Elms & S 1828-30 tradition for regimented terraces St Saviour 33-34 Hans St Cadogan Square painter-sculptor Ole Schwalbe Jupp, 1913-28. Royal Academician Alfred SS English country parish church design Hans Road [PV] The Pavilion, a colonnaded two-storey timber [62] Home of surgeon and amateur etcher, Pavilion Rd 1 SS Munnings lived nearby in no 96, 1920–59 that once looked onto nurseries, by Basevi for 12 Shavian oriel, Renaissance high relief. SS:SC Pont St building with side pavilions, set in grounds by Francis Seymour Haden, late C19 © Donald Smith 15-11 Flats for the ‘working classes’ by Elijah Mendelsohn’s Cohen House – OC:66 Old Church St Chelsea Art School – CS:[AS] Manresa Road J Alexander, c1840 (St Saviour) Elegant red brick house with heavy porch and Capability Brown, 1780. Home of Henry Holland 1 (Hans St) Corner house with elaborate carving, 58-42 Gable watching – SS:72, 70 & 68 Cadogan Square Hoole for Baroness Courtney, 1885. A frieze of WH Massive double-studio house, with a tile-hung deep cornice that impart a sculptural depth to its St Columba 22-26 Amusingly-elevated mix of rough cast, tile by D Brandon for Lord Cranbrook’s son, 1881 Pont Street tiles set end on runs the length of the building GP CS gable end and skewed porch; the interior so facade. By Arthur Mackmurdo, 1894 Sloane Street hanging and half timbering on gabled houses by Bruges). A suitably extravagant design by George CH Cadogan Hall, a Free Byzantine church Park Walk arranged to allow models to reach separate In the same year French officer Alfred Dreyfus Cadogan Square ET Hall. Hand Made Films was based in no 26 for TA de la Rue, the banknote magnate, 1885 building with great expanses of white stone and a SC One of the earliest Chelsea lanes connecting GLEBE PLACE AREA CHELSEA SQUARE AND NEARBY changing rooms unseen. By Norman Shaw for is court-martialed for treason SS:14-16 Hans Road 22-26 28-36 Gabled houses handled with terrace-like 54-58 In a grand Queen Anne manner – tower with cupola set back behind corbelled-out Little Chelsea with the river via Milman Street Glebe Place Chelsea and Carlyle Square Edward and Florence Sherard Kennedy, 1882-4 14-16 Pair of Voyseys in town dress; consistency by the highly influential proto-Arts speculative houses with a giant Ionic order and balustrades, by RF Chisholm, 1908- SJA St John with Andrew, red brick with stone GF Giovanni Fontana’s former garden studio, 40; 41 There’s a touch of Nash about PS Italianate police station also by Shaw, 1895-6 the only truly urban houses by Charles Voysey, and Crafts architect George Devey, design 1886 much fine rubbed-brickwork, by W Young, 1877 WH Collegiate-looking private town house; spire, by Sir Arthur Blomfield & Son, 1912-13 1865; possibly the earliest in Chelsea the grouping of these Neo-Georgian houses by Milner Street designed for Archibald Grove MP, 1891. Red WH 28-36 4 A most welcome Gothic interloper In the same year Crazy Horse and his warriors Lutyenesque, in grey and red brick, with hipped PWS ‘Beacons of the future’. A restrained 1 Francis Bacon lived here in the 1930s Lutyens’ friend and admirer Oliver Hill. For Lord SSZ Eccentric, odd and extreme – brick, with charmingly disposed and varied with a magnificent asymmetrical two-storey fight their last battle with the United States Cavalry red-pantile roof and widely-spaced shuttered PS example of a London Board school in the 71-66 Symmetrical arrangement of studio Vernon and Lady Forres respectively, 1930; 1934 a heavily-buttressed ragstone church with odd windows and cute Shavian oriels; the porches 4 loggia and some charmingly inventive ironwork, 62 House with corbelled balcony and stone windows, by Oliver Hill for Lindley Scott, 1922 SS:WH Walton St non-ecclesiastical Queen Anne style, by ER houses featuring terracotta sunflower motifs CH Unshowy Neo-Georgian ranges mostly by window tracery and a weirdly handled west are ashlar, with a linear Arts and Crafts moulding CADOGAN SQUARE SS:DE Sloane St by arch Gothicist George Edmund Street for the mullioned-transomed windows, by Shaw, 1883 TE Engaging brick telephone exchange; Robson, 1880. Tall, with big gables and chimneys 64-65 Converted Italianate dwelling purportedly Darcy Braddell and Humphry Deane, late 1920s elevation, by Joseph Peacock, 1858-9. Its Hans Place Misses Monk, 1879. Only the use of red brick 68; 72 Fenestration in the Dutch manner; Neo-Georgian, with a pronounced platband and Walton Street as befits a public building, it adhered to a by George Dance and Robert Smirke, –1836 CS Grand end-sections to incomplete terraces equally extreme interior fittings were from St 33-34, 15 Blackened flat-fronted survivors and the restrained window arrangements concede tall gabled mansions with huge windows and small fine stone carvings, by JH Markham, 1929 housestyle influenced by Basil Champney’s 62 Political activist Emmeline Pankhurst gave a built end on to King’s Road, 1840–. Kim Philby Jude in Gray’s Inn Road from Henry Holland’s Hans Town, 1776–. The 50 to the prevailing Queen Anne style panes, by Shaw, 1878-79. No 68 exemplifies his HT ‘By living men for living men’. CadoganSS Square Newnham College, Cambridge speech from a balcony here in February, 1914 lived in one of the villas that complete the square Cadogan Street street shape is modelled on Place Vendôme, Paris 52 50 Gabled house featuring carved brick lunettes masterful use of space with its one-and-a- Accomplished Arts and Crafts church design by The Vale 60-61 Glebe Studios, 1889. Sickert, William In the same year (1840) Queen Victoria marries SM A severe Early English style building in brick Pont Street 54-58 [PV] and other ornaments, by country house architect half-storey rear dining room, shallow mezzanine John Dando Sedding, 1888–. Its west elevation 1 Painter Henry Tonks’ studio house, 1910–37 Rothenstein and Ernest Shepard worked here her cousin Albert von Sachsen-Coburg-Gotha and stone with a bold and lofty interior, by John The street which came to epitomise the vogue of Ernest George for Col AW Thynne, 1885 and full depth living room features two thin towers that frame a giant 19 Handsome Baroque edifice set between less 52-59 Further groups of studios with tall Sydney and Dovehouse Street Francis Bentley, 1877-9. Chapel and alms late 17th-century vernacular Dutch and Flemish > 52 A glorious interpretation of a Flemish window set within an ogee moulding. Its interior The ebullient Michelin Building – DA:81 Fulham Rd assertive Neo-Georgian frontages, 1914 chimney stacks bisecting hipped gables, 1888 SL Earliest groined Gothic Revival church, houses by Edward Welby Pugin, 1850 > SS:52 Cadogan Square SS:WH D’Oyley St Renaissance house (as found in the streets of features a window by Burne Jones 27 Russian izba – and not a peasant in sight. 50 Fanciful Tuscan composition (1985) replacing by James Savage, 1819-24. St Luke’s nave was 62 Milner Street SLOANE STREET A Russian pavilion left over from an international a studio house for sculptor Derwent Wood, by modelled on the chapel of King’s College, Camb. SSZ exhibition forms a surprising centrepiece to two CR Mackintosh or by Wood himself, 1923 DH Entertainingly energetic scrolling to studio DA St Simon K2 RH Halsey Street 68 flanking and beautifully detailed Neo-Georgian 49 Studio house by Mackintosh for painter dormer window, by Austin Blomfield, C20 Zelotes Moore Street 72 KING’S ROAD AND NEARBY ROYAL HOSPITAL AREA houses, c1909; the overly grand izba, 1912 Harold Squire, 1920; its studio remains intact. Manresa Street DRAYCOTT AVENUE AND NEARBY D’Oyley St Elm Park Road 48 Studio house with recessed centre and A street was colonized by an ‘advanced school of Draycott Avenue and Fulham Road From Sloane Square to Oakley Street RA End section to avenue intended as a Mossop St Cadogan Gdns HS Physician and collector Sir Hans Sloane, by Parisian-style triumphal way connecting Royal 74-78 Lofty studio houses for landscape stepped cornice by Arthur Mackmurdo, 1922, artists’ as early as 1870 when Birnie Philip HD Former depository, terracotta clad, with a Cadogan WH painters H Pilleau and P Williams, and the Naftel altered.
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