Savage Remix Lyrics – Megan Thee Stallion

Total Page:16

File Type:pdf, Size:1020Kb

Savage Remix Lyrics – Megan Thee Stallion Savage Remix Lyrics – Megan Thee Stallion : Good News | No.1 Lyrics Bros Savage Remix Lyrics – Megan Thee Stallion : On the remix to Megan Thee Stallion’s hot single “Savage,” Meg teams up with fellow Houston native Beyoncé for the first time. The two first met at a New Year’s Eve party in December 2019. Song : Savage Remix Artist : Megan Thee Stallion Featuring : Beyoncé Produced by : J. White Did It Album : Good News Savage Remix Lyrics Megan Thee Stallion [Intro: Beyoncé] Savage Remix Lyrics Queen B, want no smoke with me (Okay) Been turnt, this motherfucker up eight hundred degree (Yeah) My whole team eat, chef’s kiss, she’s a treat (Mwah) Ooh, she so bougie, bougie, bon appétit [Verse 1: Megan Thee Stallion, Beyoncé & Both] I’m a savage (Yeah), attitude nasty (Yeah, ah) Talk big shit, but my bank account match it (Ooh) Hood, but I’m classy, rich, but I’m ratchet (Oh, ah) Haters kept my name in they mouth, now they gaggin’ (Ah, ah) Bougie, he say, “The way that thang move, it’s a movie” (Ooh-oh) I told that boy, “We gotta keep it low, leave me the room key” (Ooh-oh) I done bled the block and now it’s hot, bitch, I’m Tunechi (Ooh-oh) A mood and I’m moody, ah Savage Remix Lyrics [Chorus: Megan Thee Stallion & Beyoncé] I’m a savage, yeah (Okay) Classy, bougie, ratchet, yeah (Okay) Sassy, moody, nasty, yeah (Hey, hey, nasty) Acting stupid, what’s happening? (Woah, woah, woah, what’s happening?) Bitch, what’s happening? (Woah, woah, okay) Bitch, I’m a savage, yeah (Okay) Classy, bougie, ratchet, yeah (Ratchet) Sassy, moody, nasty, huh (Nasty) Savage Remix Lyrics Acting stupid, what’s happening? (Woah, ooh-oh) Bitch, what’s happening? (Ayy, ah, ooh-oh) [Verse 2: Beyoncé] Hips TikTok when I dance (Dance) On that Demon Time, she might start a OnlyFans (OnlyFans) Big B and that B stand for bands If you wanna see some real ass, baby, here’s your chance I say, left cheek, right cheek, drop it low, then swang (Swang) Texas up in this thang (Thang), put you up on this game (Game) IVY PARK on my frame (Frame), gang, gang, gang, gang (Gang) If you don’t jump to put jeans on, baby, you don’t feel my pain (Hol’ up) Please don’t get me hype (I’m hype), write my name in ice (Ice, ice, ice) Can’t argue with these lazy bitches, I just raise my price I’m a boss, I’m a leader, I pull up in my two-seater And my mama was a savage, nigga, got this shit from Tina [Chorus: Megan Thee Stallion, Beyoncé & Both] I’m a savage, yeah Savage Remix Lyrics Classy, bougie, ratchet, yeah (Ratchet, yeah) Sassy, moody, nasty, yeah (Okay) Acting stupid, what’s happening? (Ah) Bitch, what’s happening? (Ah, what’s up?) Bitch, I’m a savage, yeah Classy, bougie, ratchet, yeah (Woah, woah, woah, okay) Sassy, moody, nasty, huh (Ooh, ooh, okay) Acting stupid, what’s happening? (Woah, ah) Bitch, what’s happening? (Ayy, ah, ah) [Verse 3: Megan Thee Stallion, Beyoncé & Both] Like Beyoncé, like me (Like me) He want a bitch like the Stallion with the knees (With the knees) He be like, “Damn, how that thang movin’ in them jeans?” (Yeah, yeah,them jeans) Savage Remix Lyrics Ayy, even D4L couldn’t do it like me, like me Ooh, ah, ooh I done got this body ready just for you Girl, I hope he don’t catch me messin’ ’round with you Talkin’ to myself in the mirror like, “Bitch, you my boo” I’m the shit, ooh Savage Remix Lyrics I need a mop to clean the floor, it’s too much drip, ooh I keep a knot, I keep a watch, I keep a whip, ooh (Keep it real, ooh) Let’s play a game, Simon says I’m still that bitch, ayy I’m still that bitch, yuh (Ah) [Chorus: Megan Thee Stallion, Beyoncé & Both] I’m a savage, yeah (Okay) Classy, bougie, ratchet (Okay) Sassy, moody, nasty, yeah Acting stupid, what’s happening? (Ah, what’s up?) Bitch, what’s happening? (Ah, what’s up?) Bitch, I’m a savage, yuh (Okay) Savage Remix Lyrics Classy, bougie, ratchet, yeah (Woah, woah, woah, okay) Sassy, moody, nasty, huh (Ooh, ooh) Acting stupid, what’s happening? (Ooh, ooh, ah) Bitch, what’s happening? (Ayy, ah, ah) [Verse 4: Beyoncé & Megan Thee Stallion] I heard they askin’ for the Queen, they brought some cameras in here I’m a bad bitch, she’s a savage, no comparison here I’ma flip my hair and look back while I twerk in the mirror All this money in the room, think some scammers in here I’m comin’ straight up out that Third, I whip the whip like I stirred it (Stirred) Woodgrain, we swervin’, keepin’ his mind all on these curves (Uh) Coupe fly like a bird (Bird), cold on ’em like, “Brrr” (Ice) Always keep my words, no, I don’t do crosswords Stallion when I ride, he like them hot girls with them hips, ah (Skrrt, skrrt) I hopped that shit, the way I hopped out and slid, ah (Skrrt, skrrt) I pop my shit, now watch me pop up again, ah (Woah) I mop the floor, now watch me sweep up these Ms, ’cause I— (Ah) [Chorus: Megan Thee Stallion, Beyoncé & Both] I’m a savage, yeah (Savage, okay) Savage Remix Lyrics Classy, bougie, ratchet, yeah (Okay) Sassy, moody, nasty, yeah (Nasty) Acting stupid, what’s happening? (What’s happening? What’s up?) Bitch, what’s happening? (Ah, what’s up?) Bitch, I’m a savage, yeah (Okay, I’m a savage) Classy, bougie, ratchet, yeah (Woah, woah, woah, okay, bitch) Sassy, moody, nasty, huh (Yeah, yeah, nasty) Acting stupid (Woah), what’s happening? (What’s happening?) Bitch, what’s happening? (Ayy, ah, what’s happening?) [Outro: Beyoncé] I’m a savage Savage Remix Lyrics It’s Thee Stallion and the B H-Town, goin’ down Savage Remix Lyrics Video Megan Thee Stallion Good News Album Review (2020)- Megan Thee Stallion 1. Shots Fired 2. Circles 3. Cry Baby 4. Do It On The Tip 5. Sugar Baby 6. Movie 7. Freaky Girls 8. Body 9. What’s New 10. Work That 11. Intercourse 12. Go Crazy 13. Don’t Rock Me to Sleep 14. Outside 15. Savage Remix 16. Girls in the Hood 17. Don’t Stop.
Recommended publications
  • Alicia Keys Gangsta Lovin Mp3, Flac, Wma
    Alicia Keys Gangsta Lovin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Gangsta Lovin Country: Russia Released: 2002 Style: RnB/Swing, Neo Soul MP3 version RAR size: 1357 mb FLAC version RAR size: 1294 mb WMA version RAR size: 1711 mb Rating: 4.9 Votes: 845 Other Formats: AIFF MMF MP4 DMF TTA AUD MP2 Tracklist Hide Credits Gangsta Lovin A1 Featuring – Eve A2 Girlfriend A3 Rear View Mirror A4 How Come You Don't Call Me A5 Never Felt This Way (Interlude) A6 Butterflyz A7 Rock Wit U A8 Jane Doe A9 Goodbye B1 A Woman's Worth B2 Fallin' B3 The Life Mr. Man B4 Featuring – Jimmy Cozier B5 Why Do I Feel So Sad B6 Troubles B7 A Woman's Worth (Remix) Companies, etc. Phonographic Copyright (p) – Global Music Phonographic Copyright (p) – Fox Music Copyright (c) – Global Music Copyright (c) – Fox Music Notes New 2002 Renamed album "Songs In A Minor" with additional new track "Gangsta Lovin" Barcode and Other Identifiers Barcode (Text): 4 601777 637565 Barcode (String): 4601777637565 Other (Cassette ID): B0808GI Other versions Category Artist Title (Format) Label Category Country Year Songs In A Minor (CD, 80813-20002-2 Alicia Keys J Records 80813-20002-2 US 2001 Album) Songs In A Minor (Cass, J Records, 80813-20002-4 Alicia Keys 80813-20002-4 Ukraine 2002 Album) BMG Russia Songs In A Minor (CD, 80813-20002-2 Alicia Keys J Records 80813-20002-2 Australia 2001 Album) Songs In A Minor 80813 20002-4 Alicia Keys (2xCass, Album, J Records 80813 20002-4 Indonesia 2002 S/Edition) Songs In A Minor (Cass, 80813-20002-4 Alicia Keys J Records 80813-20002-4 US 2001 Album) Related Music albums to Gangsta Lovin by Alicia Keys Alicia Keys - An Interview With Alicia Keys, Featuring 3 Live Acoustic Tracks Alicia Keys - Songs In A Minor (CD Sampler) 6 Tre Gangsta - Alicia Keys - A Woman's Worth DRS - Gangsta Lean Eve Featuring Alicia Keys - Gangsta Lovin' Alicia Keys - Songs In A Minor Alicia Keys - 22th Sep 2008 - Vancouver Alicia Keys - Radio City Hall Nyc Goldie Loc - Gangsta Life.
    [Show full text]
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
    [Show full text]
  • Research.Pdf (2.230Mb)
    THE ATTAINMENT OF SOCIAL CAPITAL WITH ADOELCSENT GIRLS LIVING AT THE INTERSECTION OF RACE AND POVERTY IN A COMMUNITY-BASED PEDAGOGICAL SPACE KNOWN AS AUNTIE’S PLACE _______________________________________ A Dissertation Submitted to the Department of Learning, Teaching and Curriculum College of Education at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by ADRIAN CLIFTON Dr. Lenny Sanchez, Dissertation Supervisor MAY 2016 © Copyright by Adrian Clifton 2016 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE ATTAINMENT OF SOCIAL CAPITAL WITH ADOELCSENT GIRLS LIVING AT THE INTERSECTION OF RACE AND POVERTY IN A COMMUNITY-BASED PEDAGOGICAL SPACE KNOWN AS AUNTIE’S PLACE presented by Adrian Clifton, a candidate for the degree of [doctor of philosophy, doctor of education of _____________________________________________________________________, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Lenny Sanchez Professor Ty-Ron Douglas Professor Treva Lindsey Professor Jill Ostrow SOCIAL CAPITAL ATTAINMENT WITH ADOLESCENTS AT THE INTERSECTION OF RACE AND POVERTY Dedication I would like to dedicate this body of work to my mother, Verna Laboy, whose constant belief in me facilitated this great accomplishment. Mom, thanks for believing that I could have the world. It is important to highlight my husband. Collectively we have achieved this great accomplishment. Thank you Herman for being my rock. To my brother and sisters: Nicole McGruder, LaShai Hamilton, Shawn Harris, who have been pillars of support during this process. To my son, Herman Clifton IV, and daughters, Amari, Serenity and Adrian, whose patience and unwavering support of their mother has been stoic.
    [Show full text]
  • Dj Music Mp4 Download DJ MP4 - MP4 DJ's Vol
    dj music mp4 download DJ MP4 - MP4 DJ's vol. II. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. About the album. 1 disc(s) - 13 track(s) Total length: 00:54:36. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.
    [Show full text]
  • Stardigio Program
    スターデジオ チャンネル:446 洋楽最新ヒット 放送日:2020/12/14~2020/12/20 「番組案内 (4時間サイクル)」 開始時間:4:00~/8:00~/12:00~/16:00~/20:00~/24:00~ 楽曲タイトル 演奏者名 ■洋楽最新ヒット HOLY Justin Bieber feat. Chance The Rapper I Hope GABBY BARRETT LIFE GOES ON BTS POSITIONS Ariana Grande LEVITATING DUA LIPA feat. DABABY GO CRAZY CHRIS BROWN & YOUNG THUG More Than My Hometown Morgan Wallen Dakiti Bad Bunny & Jhay Cortez Mood 24kGoldn feat. Iann Dior WAP [Lyrics!] CARDI B feat. Megan Thee Stallion MONSTER SHAWN MENDES & JUSTIN BIEBER THEREFORE I AM BILLIE EILISH Lemonade Internet Money feat. Gunna, Don Toliver, NAV KINGS & QUEENS Ava Max BLINDING LIGHTS The Weeknd SAVAGE LOVE (Laxed-Siren Beat) JAWSH 685×Jason Derulo BEFORE YOU GO Lewis Capaldi FOR THE NIGHT Pop Smoke feat. Lil Baby & Dababy BE LIKE THAT Kane Brown feat. Swae Lee & Khalid BANG! AJR All I Want For Christmas Is You (恋人たちのクリスマス) MARIAH CAREY LONELY Justin Bieber & Benny Blanco WATERMELON SUGAR HARRY STYLES LAUGH NOW CRY LATER DRAKE feat. LIL DURK Love You Like I Used To RUSSELL DICKERSON Starting Over Chris Stapleton 7 SUMMERS Morgan Wallen DIAMONDS SAM SMITH FOREVER AFTER ALL LUKE COMBS BETTER TOGETHER LUKE COMBS WHATS POPPIN Jack Harlow ROCKSTAR DABABY feat. RODDY RICCH SAID SUM Moneybagg Yo ONE BEER HARDY feat. Lauren Alaina, Devin Dawson DYNAMITE BTS HAWAI [Remix] Maluma & The Weeknd DON'T STOP Megan Thee Stallion feat. Young Thug MR. RIGHT NOW 21 Savage & Metro Boomin feat. Drake LAST CHRISTMAS WHAM! GOLDEN HARRY STYLES HAPPY ANYWHERE BLAKE SHELTON feat. GWEN STEFANI HOLIDAY LIL NAS X 34+35 Ariana Grande PRISONER Miley Cyrus feat.
    [Show full text]
  • Tobe Nwigwe's Southern Raps at the BET Experience Are Marinaded
    ADVERTISEMENT ADVERTISEMENT POPULAR Tobe Nwigwe wowed the crowd with a live musical performance at the McDonald’s Black & Positively Golden experience at BETX. | BET Expereience Maleah Davis' Casket Decorated WithTobe "My LittleNwigwe's Pony" Rainbows Southern Raps At The BET Experience Are Marinaded With Purpose June 22, 2019 - 2:53 pm by Taylor Crumpton ! Thanks to Tobe Nwigwe, Houston’s presence could not be denied at this year’s batch of BET Experience events in Los Angeles. Sporting his signature sock/slippers combo and a mic in his hand, the Nigerian- American storyteller took the stage Friday (June 21) to perform some of his most revolutionary and captivating tracks. There’s the lyrical strike that is “Ten Toes” featuring Luke Whitney and “Against the Grain” made popular from his #GetTwistedSundays series, a keen exploration of Houston. With a new batch of ears and hearts open to his music, the Nigerian-American rapper is at ease with his new purpose. ADVERTISING “I understand my purpose now. I understand that to do what I’m doing now is all of my life,” Nwigwe tells VIBE before taking the stage for McDonald’s Black & Positively Golden event which showcases music’s ability to continue the cultural narratives of the Black experience in America. ADVERTISEMENT Before he was shining on BET Cyphers, performing at the Roots Picnic or delivering projects like Three Originals, Nwigwe had dreams of entering the NFL. Those plans were redirected after a physical injury during his senior year at the University of North Texas. The incident served as a catalyst for the rapper to transform his energy into purposeful rap for his hometown, Houston.
    [Show full text]
  • LOVE HAS COME LOVE HAS COME // CHRISTMAS EVE Luke 2:1-19 // Craig Smith December 24, 2017
    LOVE HAS COME LOVE HAS COME // CHRISTMAS EVE Luke 2:1-19 // Craig Smith December 24, 2017 CRAIG: Merry Christmas. I am so glad that you’re here. So honored that you would give us this time together as we get ready to celebrate Christmas Day tomorrow. I also, if I’m gonna be completely honest, I’m also just a little bit intimidated because Christmas Eve is the hardest message of the year for a preacher. And I think it’s because of the familiarity because we all kind of know the story, right? We all kind of come in here going, “I’ve sort of got this.” If I were to tell you today that Mary was a virgin, anybody here gonna be shocked? You’ve heard that? Yeah. How about if I said that when they got to Bethlehem, there was no room in the inn? Anybody gonna be like, “Whoa, plot twist, did not see that coming?” We know the story, right? This is an incredibly familiar story, but the problem is that the more familiar we are with something, the less impressed by it we are. I mean, think about it, I remember years ago for the first time ever, I went to this website I’d heard about. It was called google. com. And I went there and I typed in something I was interested in, and I got like thousands of pages, thousands of pages of whatever it was I was looking for, and I was blown away but I was so impressed by that.
    [Show full text]
  • Music Review Kanye West, Jesus Is King US 2019, Def Jam Recordings
    Andre L. Price Music Review Kanye West, Jesus Is King US 2019, Def Jam Recordings As any emcee should, Kanye West has developed and matured as a produc- er and lyricist since his 2004 triple-platinum debut project, College Dropout. West’s Gospel project, Jesus Is King, is his ninth studio project and the fol- low-up to his June 2018 release, Ye. After delays, Jesus Is King was released on 25 October 2019. For West, openly talking about Jesus in his music is not new, for he rocked the mainstream hip-hop world in 2004 when he re- leased the single “Jesus Walks”, the final single to be released from College Dropout. Jesus Is King features eleven tracks totaling 27 minutes and 4 seconds, which is short for either a secular or gospel hip-hop project.1 Interestingly, significant changes were made to the track listing order on the album. Kim Kardashian-West announced the tracks and order in August 2019, but the list- ing and order released by Kanye West in October 2019 were markedly differ- ent.2 Such a change could suggest an earlier lack of clarity on what the album was going to be. West did promise that Jesus Is King would be “fully immersed in religion […] with lyrics about God, being saved, and minimal cursing”.3 Jesus Is King employs several aspects of Black Christian worship, from mass choir to melodic organ. West takes the best of the Black gospel tradition, in- fusing it with his own lyrical genius to proclaim what God has done for him, which is best expressed on the track “God Is”, a remake of the classic spiritual.
    [Show full text]
  • Beyoncé Feminism, Rihanna Womanism: Popular Music and Black Feminist Theory AFR 330, WGS 335 Flags: Cultural Diversity in the US, Global Cultures Spring 2020
    The University of Texas at Austin Beyoncé Feminism, Rihanna Womanism: Popular Music and Black Feminist Theory AFR 330, WGS 335 Flags: Cultural Diversity in the US, Global Cultures Spring 2020 Prof: Dr. Traci-Ann Wint Course Description Beyoncé’s fifth live album Homecoming chronicled her performance as the first black woman to headline the Coachella festival. As with Lemonade, the film and performance put Beyoncé’s music in conversation with luminaries such as Toni Morrison and W.E.B. DuBois. Beyoncé’s contemporaries Rihanna and Lizzo similarly center black culture in their music and are unapologetic about their work’s engagement with issues specific to black womanhood. By engaging the music and videos of these and other Black femme recording artists as popular, accessible expressions of African American and Caribbean feminisms, this course explores their contribution to black feminist thought and their impact on global audiences. Beginning with close analysis of these artists’ songs and videos, we read their work in conversation with black feminist theoretical works that engage issues of race, location, violence, economic opportunity, sexuality, standards of beauty, and creative self-expression. The course aims to provide students with an introduction to media studies methodology as well as black feminist theory, and to challenge us to close the gap between popular and academic expressions of black women’s concerns. Course Goals The course aims to provide students with an introduction to Black feminism, Black feminist thought and womanism through an examination of popular culture. At the end of the course students should have a firm grasp on Black Feminist and Womanist theory, techniques in pop culture and media analysis and should be comfortable with the production of scholarly work for a popular audience.
    [Show full text]
  • Outstanding Lighting Design/Lighting Direction for a Variety Special
    2021 Primetime Emmy® Awards Ballot Outstanding Lighting Design/Lighting Direction For A Variety Series The Amber Ruffin Show Episode 117 In this episode of The Amber Ruffin Show, Amber’s first audience member is attacked after stealing her sidekick’s joke, Amber previews a movie chronicling Harriet Tubman’s true dream, sings a song about her fear of the coronavirus, and coaches the parents who opposed transgender representation in a school book program. America's Got Talent The Finals The top 10 acts perform one last time from Universal Studios for their chance to win $1 million and be named the most talented act in America. American Idol Episode 419 Season 4 of American Idol concludes with the top three finalists taking the stage one last time in hopes of securing America’s vote to becoming this season’s winner. In addition to the top 3, former contestants returned to join renowned music artists for unforgettable performances throughout the show. Antiques Roadshow American Stories Antiques Roadshow transports audiences across America to discover captivating stories about items ranging from the everyday to the extraordinary. For the first time, Antiques Roadshow visits with notable people from comedy, film, TV, literature, music, and sports to learn about their personal treasures while exploring our collective history. A Black Lady Sketch Show If I’m Paying These Chili’s Prices, You Cannot Taste My Steak! A common Black figure-of-speech comes alive; commentators analyze a high-stakes search for a cafeteria seat; a fast-paced nail appointment gets pricey; a woman uses a cult-like seminar to scare off her friend; a psycho tampers with his hostage’s purse; a woman reaches hair nirvana; the women stage a presidential debate.
    [Show full text]
  • Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
    Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R.
    [Show full text]