DOCSLIB.ORG

Lighthouse Institute Staff Publications

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lighthouse Institute Staff Publications Lighthouse Institute Staff Publications Last Updated: June 2021 Table of Contents Manuscripts in Press…………………………………………………………………………………… 1 Articles in Peer Reviewed Journals…………………………………………………………………... 2 Books/Book Chapters………………………………………………………………………………… 43 Other Publications/Reports/Monographs…………………………………………………………... 53 P a g e | 1 Manuscripts in Press Linden-Carmichael, A. N., Stull, S. W., Scott, C. K., & Dennis, M. L. (in press). Time-varying effect modeling to examine recovery outcomes across four years. In J. A. Tucker, & K. Witkiewitz (eds.), Pathways to Recovery from Alcohol Use Disorder. Cambridge, UK: Cambridge University Press. White, A. & White. W. (in press, 2021). The portrayal of drug use and addiction in American comic books and graphic novels. In Goode, E. (ed.) Drugs in American Society. McGraw Hill LLC. P a g e | 2 Articles in Peer Reviewed Journals Adams, L., & Wallace, J. L. (1995). Residential treatment for the ADHD adolescent substance abuser. Journal of Child & Adolescent Substance Abuse, 4(1), 35-44. doi:10.1300/J029v04n01_03 Allen, B., & Sharar, D. (1999). Developing business opportunities in a provider-sponsored organization, Behavioral Healthcare Tomorrow, 8(2), 45-47, 50. Allen, B., & Sharar, D. (2000). Post-merger stress syndrome. Behavioral Healthcare Tomorrow, 9(1), 40-44. Alleyne, B., Coleman-Cowger, V. H., Gibbons, M. A., Vines, L. N., & Crown, L. (2011). The effects of dating violence, substance use and risky sexual behavior among a diverse sample of Illinois youth. Journal of Adolescence, 34, 11-18. doi:10.1016/j.adolescence.2010.03.006 Alleyne-Green, B. A., & Coleman-Cowger, V. H. (2012). Dating violence perpetration and/or victimization and associated sexual risk behaviors among a sample of African American and Hispanic adolescent females. Journal of Interpersonal Violence, 27, 1457-1473. doi:10.1177/0886260511425788 Arias, A. J., Hammond, C. J., Burleson, J. A., Kaminer, Y., Feinn, R., Curry, J. F., & Dennis, M. L. (2020). Temporal dynamics of the relationship between change in depressive symptoms and cannabis use in adolescents receiving psychosocial treatment for cannabis use disorder. Journal of Substance Abuse Treatment, 117, 108087. doi:10.1016/j.jsat.2020.108087. Arria, A. M., Mericle, A. A., Rallo, D., Moe, J., O’Connor, G. O., White, W. L., & Winters, K. (2013). Integration of parenting skills education and intervention in addiction treatment. Journal of Addiction Medicine, 7(1), 1-7. Azrin, N. H., Sisson, R. W., Meyers, R. J., & Godley, M. D. (1982). Outpatient alcoholism treatment by community reinforcement and disulfiram therapy. Journal of Behavior Therapy and Experimental Psychiatry, 13, 105-112. doi:10.1016/0005-7916(82)90050-7 Baumer, P. C., Korchmaros, J. D., & Valdez, E. S. (2016). Who is served and who is missed by Juvenile Drug Courts implementing evidence-based treatment. Drug Court Review, X(1), 60-79. Belenko, S., Knight, D., Wasserman, G., Dennis, M., Wiley, T., Taxman, F., Oser, C., Dembo, R., Robertson, A., & Sales, J. (2017). The juvenile justice behavioral health services cascade: A new framework for measuring unmet substance use treatment services needs among adolescent offenders. Journal of Substance Abuse Treatment, 74, 80-91. Belenko, S., Wiley, T., Knight, D., Dennis, M., Wasserman, G., & Taxman, F. (2015). A new behavioral health services cascade framework for measuring unmet addiction health services needs and adolescent offenders: Conceptual and measurement P a g e | 3 challenges. Addiction Science and Clinical Practice, 10(Suppl 1), A4. Available at http://www.ascpjournal.org/content/10/S1/A4. Belur, V., Dennis, M. L., Ives, M., Vincent, R., & Muck, R. (2014). Feasibility and impact of implementing Motivational Enhancement Therapy/Cognitive Behavioral Therapy (MET/CBT) as a substance use treatment intervention in school-based settings. Advances in School Mental Health Promotion, 7(2), 88-104. doi:10.1080/1754730X.2014.888223 Benson, P. B., Fisher, G. A., Diana, A., Simon, L., Gamache, G., Tessler, R. C., & McDermeit (Ives), M. (1996). A state network of family support services: The Massachusetts family support demonstration project. Evaluation and Program Planning, 19(1), 27-39. doi:10.1016/0149-7189(95)00038-0 Best, D., Edwards, M., Cano, I., Mama-Rudd, J.D., Lehman, J. & White, W. (2018). Strengths planning for building recovery capital. Counselor, 19(3), 32-37. Best, D., Gow, J., Knox, T., Taylor, A., Groshkova, T., & White, W. L. (2012). Mapping the recovery stories of drinkers and drug users in Glasgow: Quality of life and its predictors. Drug and Alcohol Review, 31(3), 334-341. doi:10.1111/j.1465-3362.2011.00321.x Best, D., Groshkova, T., Sadler, J., Day, E., & White, W. (2011). What is recovery?: Functioning and recovery stories of self-identified people in recovery in a services user group and their peer networks in Birmingham England. Alcoholism Treatment Quarterly, 29(3), 293- 313. doi:10.1080/07347324.2011.586270 Best, D., Honor, S., Karpusheff, J., Loudon, L., Hall, R., Groshkova, T., & White, W. L. (2012). Wellbeing and recovery functioning among substance users engaged in post-treatment recovery support groups. Alcoholism Treatment Quarterly, 30, 397-406. doi:10.1080/07347324.2012.718956 Best, D., Loudon, L., Powell, D., McCluskey, C., Groshkova, T., & White, W. L. (2013). Identifying and recruiting recovery champions: Exploratory action research in Barnsley, South Yorkshire. Journal of Groups in Addiction and Recovery, 8(3), 169-184. The Betty Ford Institute Consensus Panel (White, W. L.) (2007). What is recovery? A working definition from the Betty Ford Institute. Journal of Substance Abuse Treatment, 33, 221- 228. doi:10.1016/j.jsat.2007.06.001 Bjornson, T., & Sharar, D. (2004). Bring it on home. EAP Digest, Fall, 16-20. Boruch, R. F., Dennis, M. L., & Carter-Greer, K. (1988). Lessons from the Rockefeller Foundation's experiments on the Minority Female Single Parent Program. Evaluation Review, 12(4), 396-426. doi:10.1177/019384X8801200404 Bray, J., Zarkin, G., Dennis, M. L., & French, M. (2000). Symptoms of dependence, multiple substance use, and labor market outcomes. American Journal of Drug and Alcohol Abuse, 26(1), 77-95. P a g e | 4 Brewer, S., Godley, M. D., & Hulverson, L. A. (2017). Treating mental health and substance use disorders in adolescents: What is on the menu? Current Psychiatry Reports, 19(5), 1-9. doi:10.1007/s11920-017-0755-0 Buchan, B. J., Dennis, M. L., & Tims, F. M. (2001). Substance use and risk taking behavior among adolescents of the Cannabis Youth Treatment study (abstract). Drug and Alcohol Dependence, 63(Suppl. 1), s21. Buchan, B. J., Dennis, M. L., Tims, F. M., & Diamond, G. S. (2002). Cannabis use: Consistency and validity of self-report, on-site urine testing, and laboratory testing. Addiction, 97(Suppl. 1), S98-S108. doi:10.1046/j.1360-0443.97.s01.1x Buchan, B. J., Tims, F. M., & Dennis, M. L. (2000). Consistency and validity of marijuana use measured by self-report, collateral reports, on-site testing and laboratory testing (abstract). Drug and Alcohol Dependence, 60(Suppl. 1), s26. Budiman-Mak, E., Conrad, K. J., Mazza, J., & Stuck, R. M. (2013). A review of the Foot Function Index and the Foot Function Index Revised. Journal of Foot and Ankle Research, 6, 5. doi:10.1186/1757-1146-6-5 Burgess, K., Lennox, R., Sharar, D., Shtoulman, A. (2015). A substance abuse intervention program at a large Russian manufacturing worksite. Journal of Workplace Behavioral Health, Volume 30, January-June, 138-153. Burleson, J. A., Kaminer, Y., & Dennis, M. L. (2006). Absence of iatrogenic or contagion effects in adolescent group therapy: Findings from the Cannabis Youth Treatment (CYT) Study. American Journal on Addictions, 15(Suppl 1), s4-s15. doi:10.1080/10550490601003656 Campos-Melady, M., Smith, J.E., Meyers, R.J., Godley, S.H., & Godley, M.D. (2017). The Effects of Therapists’ Adherence and Competence in Delivering the Adolescent Community Rienforcement Approach on Client Outcomes. Psychology of Addictive Behaviors, 31(1), 117-129. doi: 10.1037/adb0000216. Chan, Y. F., Dennis, M. D., & Funk, R. R. (2008). Prevalence and comorbidity of major internalizing and externalizing problems among adolescents and adults presenting to substance abuse treatment. Journal of Substance Abuse Treatment, 34(1), 14-24. doi:10.1016/j.jsat.2006.12.031 Chan, Y. F., Godley, M. D., Godley, S., Dennis, M. L. (2009). Utilization of mental health services among adolescents in community-based substance abuse outpatient clinics. The Journal of Behavioral Health Services & Research, 36, 35-51. doi:10.1007/s11414- 007-9100-4 Chan, Y. F., Passetti, L. L., Garner, B. R., Lloyd, J. J., & Dennis, M. L. (2011). HIV risk behaviors: Risky sexual activities and needle use among adolescents in substance abuse treatment. AIDS and Behavior. 15, 114-124. doi:10.1007/s10461-010-9702-3 Chandler, R. K., Dennis, M. L., Ebassil, N., Schwartz, R. P. (2009). Ensuring safety, implementation and scientific integrity of experiments: Lessons from the Criminal Justice Drug Abuse Treatment Studies (CJ-DATS) Data Safety Monitoring Board P a g e | 5 (DSMB). Journal of Experimental Criminology, 5, 323-344. doi:10.1007/s11292-009- 9076-6 Chun, J. S., Guydish, J., & Chan, Y. F. (2007). Smoking among adolescents in substance abuse treatment : A study of programs, policy and prevalence. Journal of Psychoactive Drugs, 39(4), 443-449. Clark, H. W., Horton, A. M., Jr., Dennis, M. L., & Babor, T. F. (2002). Moving from research to practice just in time: The treatment of cannabis use disorders comes of age. Addiction, 97(Suppl. 1), S1-S3. doi:10.1046/j.1360-0443.97.s01.11.x Claro, H G., Ferreira de Oliveira, M. A., de Almeida Lopes Fernandes, I. F., Titus, J. C., Tarifa, R. R., Rojas, T. F., & Pinho, P. H. (2015). Rasch model of the GAIN Substance Problem Scale among inpatient and outpatient clients in the city of São Paulo, Brazil. Addictive Behaviors Reports. doi:10.1016/j.abrep.2015.08.001 Claro, Heloísa Garcia, Oliveira, Márcia Aparecida Ferreira de, Paglione, Heloisa Barbosa, Pinho, Paula Hayasi, Pereira, Maria Odete, & Vargas, Divane de.
Load more

Recommended publications
  • Rubber Soul – Hawaii's All Beatles Tribute Band
    RUBBER SOUL – HAWAII’S ALL BEATLES TRIBUTE BAND FOR BOOKINGS CALL (808) 741-7529 or contact [email protected] BAND BIO: The current lineup includes: • James Roberts as Paul McCartney • Steve McClellan as John Lennon • Phil Daher as George Harrison • Larry Lieberman as Ringo Starr The band performs in costume (black suits) with authentic vintage instruments. Rubber Soul has been performing as Hawaii’s All-Beatles band for nearly 15 years, many of those years spent doing regular weekend gigs at the Hyatt Regency Waikiki, and was honored with a “Best of 2008” award from the editors of the Honolulu Weekly. All of the members have been playing in these roles for several years. SONG LIST: Rubber Soul performs music from all phases of the Beatles career, from the early days at Liverpool’s legendary Cavern Club through the psychedelic period and beyond. The band is known for playing almost any Beatles request audience members can think of. Here’s a list of some of the most crowd-pleasing favorites the band performs live: • I Want To Hold Your Hand • I Saw Her Standing There • If I Needed Someone • I’ll Follow the Sun • Here Comes the Sun • Can’t Buy Me Love • I Feel Fine • Help! • Paperback Writer • Norwegian Wood • While My Guitar Gently Weeps • A Little Help From My Friends • Should’ve Know Better • Blackbird • Glass Onion • “Abbey Road Medley” - from Mean Mr. Mustard all the way through to The End • Silly Love Songs • I’m Only Sleeping • The Night Before • Lucy in the Sky with Diamonds • Let it Be • For No One • Twist and Shout • Two of Us • Drive My Car • Lovely Rita (Meter Maid) • We Can Work It Out • Please Please Me • Nowhere Man • And I Love Her • If I Fell • Revolution • She Loves You • No Reply • Yellow Submarine • You’ve Got To Hide Your Love Away • ‘Til There Was You • Ballad of John & Yoko • I’m a Loser • Roll Over Beethoven • Day Tripper • Taxman • You Really Got a Hold On Me • Get Back • 1 After 909 • Every Little Thing • All Together Now • Sgt.
    [Show full text]
  • BWTB Revolver @ 50 2016
    1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966.
    [Show full text]
  • November 8, 2001 DUKE DAYS EVENTS CALENDAR TABLE of CONTENTS NEWS THURSDAY, NOV
    ■ Par* IS ■ Paft3 ■ P*c*13 MMCiitstaki the race >«lc el a rewmtJee MakJH the meat ef M enertunity Election Day brings victoria to hrf* R>T"M,a">s O.A.R. s funky grassroots, rock and doum Meet senior David kovak. the modern day and Democrats U A furl WtnW beam* the first tempo ska sound shook the walls of a sold 'Rudy' ofJMU soccer, his story of athletic dedi- Democratic governor in eight |D out Wilson Hall Sunday night. cation and his lucky day on the field. - James Madison University Today: Sunny NOVO8 2001 * Hick: 74 THE Low: 43 Making the Club What it takes to be a successful organization or club at JMU, how to get recognized and why some groups don yt make it BY KATH SNYDER Organization. Kickball Club and information and empowerment the group's cause. Morrow said. staff writer the Association of Women in witliin new members to cany the New this semester JMU students an activtiy Science, according to Morrow. group," Morrow said. "It is One gnxip that formed this involved in maintaining leader- "As always, we have a wide vari- important to maintain good academic year is Making a Difference. Making A Difference, ship positions ami pmmohng ety" she said. management and strong rela- not officially recognized by the various (BUNS this vear and Many current groups have tiontraps with other members university, is a group of under- have throughout IMl I hi-tory. been around for a long time. The and faculty advisors." • graduate and graduate students, This is evident by (fie higli num- Honor Council began when |MU According to Morrow, about faculty and counselors who are ber of student-fun din and was founded in 1908.
    [Show full text]
  • “The Beatles Raise the Bar-Yet Again”By Christopher Parker
    “The Beatles Raise the Bar-Yet Again” by Christopher Parker I know what you’re thinking. You’re thinking, Parker, everyone knows that 1967’s Sgt. Pepper‘s Lonely Hearts Club Band is the Beatles’ greatest album and in fact the greatest album of all time. Nope. No way. I beg to differ. In my humble opinion, 1966’s Revolver, the Beatles album released the year before Sgt. Pepper, is the greatest. Why, you ask? In many ways, Revolver was the beginning of a new era, not only in the career of the Beatles, but in the ever-changing world of rock & roll. The world’s greatest rock band was beginning to tire of the endless touring amidst the chaos of Beatlemania. The constant battling against hordes of screaming fans, and a life lived being jostled and shoved from one hotel room to another were becoming more than tiresome. In addition, during a concert, the volume of screams often exceeded 120 decibels-approximately the same noise level as one would be exposed to if he were standing beside a Boeing 747 during takeoff. No one was listening to their music, and consequently, they were beginning to feel like, as John Lennon would later say, ‘waxworks’ or ‘performing fleas.’ Revolver signals a change from the ‘She Loves You’ era-relatively simple songs of love and relationships- to a new era of songs designed to be listened to. These were songs that could never be played at a live concert. They were creations-works of art-songs that were created to be appreciated and discussed-not to elicit screams from teenage girls.
    [Show full text]
  • 1 Song Title
    Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol.
    [Show full text]
  • Oct. 20-26, 2016
    OCT. 20-26, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM -------------------------------- Feature • Steve Vai -------------------------------- Passion and Virtuosity By Michele DeVinney with many 6-year-olds, Vai was absorbing the things I learned from that experience. He the music his parents enjoyed, and he said showed intense creative freedom and was As one of the most skilled musicians to the soundtrack was a musical awakening. constantly doing new things.” emerge from the 1980s – and having been “It had a huge impact,” he says. “It en- A recent inductee in the Long Island named one of the top ten guitarists by Gui- compassed everything I loved about music Music Hall of Fame, Vai is kept busy with tar World magazine – Steve Vai has worked – the melodies, the orchestration. It really his music and touring, but he also enjoys with a remarkable roster of artists while tweaked my interest in the realm of composi- down time at home. For 20 years he has carving out a niche uniquely his own. tion because before I was playing the guitar, maintained a very unique hobby, one Vai Having recently released a 25th anniver- I was composing, and listening to that record says more people should consider: beekeep- sary edition of Passion & Warfare, one of really made me able to see that mysterious ing. his most influential record- “My wife and children ings, Vai has been touring were living in Hollywood, October 26 | 7:30pm steadily in support of that and we had just bought a release, paying homage to house that had been vacant HYPNOTIC his past while continuing to for 10 years, so everything move forward in his career.
    [Show full text]
  • C. Post-Idols - (1) Dctr Era ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C. POST-IDOLS - (1) DCTR ERA ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ EVENTS ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 79TH ANNUAL PLAZA LIGHTING CEREMONY - KANSAS CITY, MO y (NOV 27, 2008) Videos: Ź Playlist KCTV-5 Interview with David Cook | American Idol David Cook Flips switch | David Cook Sings medley with Andrew and the crowd AMERICAN IDOL EXPERIENCE - WALT DISNEY WORLD y (FEB 12, 2009) GALA OPENING - DISNEYWORLD - Hollywood Studios, CA Opening Show Video(s): Ź Playlist 01 Full Show (Pt 4 of 4) | 02 David Cook sings - Light On (Acoustic) | 03 Awards given to 7 past American Idol winners & Dream Ticket winner announced | 04 Carrie Underwood Sings | 05 David Cook & Carrie Underwood Duet - Go Your Own Way / Interview Video(s): Ź Playlist AI Experience Feature (w short interviews) | I Experience Gala Opening - Fox Orlando | David Cook Blue Carpet interview | Idols Interviews -AI Experience (Charlie Belcher) | KISS FM 102.7 - Ryan Seacrest | ž Orlando Sentinel - AI David Cook displays his humor | źDavid Cook interview at Disney | David Cook Taste of stardom (short part w David) | E! Online - Idols interviews | ET Online - Idols Unite / Misc Video(s): Ź Playlist AI Experience World Premiere Photoshoot | Archuleta, Cook & Underwood on Disney's Rock n Roller Coaster | David Cook at Disney's
    [Show full text]
  • TBS GCSE MUSIC A4 Revison.Indd
    GCSE Music. Comprehensive resource pack to support the popular Music area. GCSE Music. Contents. 1. Introduction 2. Learning Aims and Objectives 3. Before Sgt Pepper 4. The ‘concept album’. 5. Pop Art, Peter Blake and the importance of album art in the 60s and beyond 6. L yric Analysis: (exploring melody, harmony, structure, rhythm and meaning behind the lyrics) — Lucy in the Sky — Within You/Without You — With a Little Help from my Friends 7. Worksheets – exploring structure: With a Little Help from My Friends and Within You, Without You 8. Sgt Pepper lectures @ The Beatles Story 9. The Beatles story and Liverpool Hope Partnership 10. Booking a visit to the Beatles Story 11. L yrics: With a Little Help from My Friends, Lucy in the Sky, Within you, Without You 12. Fascinating facts about the album 13. Recommended reading list/websites 2 Introduction. Located within Liverpool’s historic Albert Dock, the Beatles Story is a unique visitor attraction that transports you on an enlightening and atmospheric journey into the life, times, culture and music of the Beatles. Since opening in 1990, the Beatles Story has continued to develop our learning resources to create a fun and educational experience for all. Our commitment to life-long learning ensures every guest has a valuable experience, whatever their age or ability. We have linked the story of the Beatles, their early lives, their fame and combined creativity to selected areas of the National Curriculum: history, literacy, art and music to actively encourage and involve pupils in their own learning. This resource pack focuses on GCSE Music in accordance with the AQA specification.
    [Show full text]
  • The Musical Characteristics of the Beatles
    The Musical Characteristics of the Beatles The Government of the Hong Kong Special Administrative Region Education Bureau 2009 The Musical Characteristics of the Beatles Michael Saffle Government of the Hong Kong Special Administrative Region. All rights reserved. No part of this publication can be reproduced in any form or by any means, or otherwise, without the prior written consent of the Government of the Hong Kong Special Administrative Region. Content 1 The Beatles: An Introduction 1 2 The Beatles as Composers/Performers: A Summary 7 3 Five Representative Songs and Song Pairs by the Beatles 8 3.1 “Love Me Do” and “Please Please Me” (1962) 8 3.2 “Michelle” and “Yesterday” (1965) 12 3.3 “Taxman” and “Eleanor Rigby” (1966) 14 3.4 “When I’m Sixty-Four” (1967) 16 3.5 “Lucy in the Sky With Diamonds” (1967) 18 4 The Beatles: Concluding Observations 21 5 Listening Materials 23 6 Musical Scores 23 7 Reading List 24 8 References for Further Study 25 9 Appendix 27 (Blank Page) 1 The Beatles: An Introduction The Beatles—sometimes referred to as the ‘Fab Four’—have been more influential than any other popular-music ensemble in history. Between 1962, when they made their first recordings, and 1970, when they disbanded, the Beatles drew upon several styles, including rock ‘n’ roll, to produce rock: today a term that almost defines today’s popular music. In 1963 their successes in England as live performers and recording artists inspired Beatlemania, which calls to mind the Lisztomania associated with the spectacular success of Franz Liszt’s 1842 German concert tour.
    [Show full text]
  • Attendee Guide Attendee Guide Contents for the Latest Information Visit AONL.Org/Virtual Table of Contents Welcome Pg.3 Plan Ahead Pg
    September 24 Attendee Guide Attendee Guide Contents For the latest information visit AONL.org/Virtual Table of Contents Welcome Pg.3 Plan Ahead Pg. 4 Profile Pg. 5 Lobby Pg. 6 Conference Agenda Pg. 7 Conference Schedule Pg. 8 Education Theaters Pg. 9 Vendor Partner Theater Pg. 10 Poster Pavilion Pg. 11 Sponsors & Exhibitors Pg. 12 Partner Pavilion Pg. 13 Communication Center Pg. 14 Games Pg. 15 Networking Pg. 16 Help and Support Pg. 17 Whitelisting Instructions Pg. 18 Web Browsers Pg. 19 Contact Hours Pg. 20 On-Demand Access Pg. 21 #AONLVirtual Welcome For the latest information visit AONL.org/Virtual Welcome to the first AONL Virtual Conference: Inspiring Leaders In times like these, the power of connection is so important, and we are happy to bring our community together for one day of sharing with each other. We’re excited and hope you are too. Engage with us and the rest of the AONL 2020 Virtual Conference community before, during, and after the event by connecting on AONL’s social media channels and using the hashtag #AONLVirtual Conference. AONL 2020 Virtual Conference Access As an AONL 2020 Virtual Conference attendee, you will enjoy the virtual experience from the comfort and convenience of your home or office. You will able to login at the following times: September 23 | 4:00 – 6:00 p.m. CT September 24 | 7:30 a.m. – 5:00 p.m. CT All times are listed in Central Time. System Notes To make sure your computer, internet connection, and sound are ready to go, take a moment to test your system in advance.
    [Show full text]
  • United States District Court Eastern District of Louisiana
    Case 2:14-cv-01774-ILRL-KWR Document 81 Filed 03/31/16 Page 1 of 7 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA CARY BONNECAZE, JIM RUNDELL AND CIVIL ACTION SHARON RUNDELL, AS HEIRS OF THE ESTATE OF JOEL RUNDELL VERSUS NO: 14-1774 EZRA & SONS, LLC, KEVIN GRIFFIN, AND SECTION: “B” (4) TOM DRUMMOND ORDER Before the Court is a Motion to Quash (R. Doc. 47), filed by Defendants and Plaintiffs- in-Intervention, seeking an Order to prohibit Plaintiffs from using documents that they argue are privileged but were inadvertently produced by Defendants’ former band manager during his deposition. The motion is opposed. R. Doc. 49. Also before the Court is a Motion to Quash Notice of Deposition and Subpoena to Produce Documents (R. Doc. 55), filed by Plaintiffs, seeking an Order to quash a notice of deposition and a subpoena to produce documents issued to their counsel of record. R. Doc. 55, p. 1. The motion is opposed. R. Doc. 63. The motions were heard by oral argument on March 16, 2016. I. Background Cary Bonnecaze, Jim Rundell and Sharon Rundell, as heirs on the behalf of Joel Rundell, (collectively, “Bonnecaze”) filed this action against Ezra & Sons, LLC, Kevin Griffin, and Tom Drummond (collectively “Ezra & Sons”) on August 1, 2014. As bandmates, Griffin, Bonnecaze, Drummond and Rundell performed as the group “Better than Ezra” and released their first album Surprise in early 1990. R. Doc. 1, p. 2. Rundell passed away on August 8, 1990. Id. at 3. The other members of the band continued to perform and released their second album, Deluxe, in 1994.
    [Show full text]
  • The Best Songs, Records, and Bands Transport You Back to the First Moment You Heard Them Each and Every Time They Play
    The best songs, records, and bands transport you back to the first moment you heard them each and every time they play. Whether you caught a house party gig after Better Than Ezra formed in 1988 at Louisiana State University, heard “Good” on the radio once it hit #1 during 1995, became a fan following Taylor Swift’s famous cover of “Breathless” in 2010, or saw them headlining sheds in 2018, you most likely never forgot that initial introduction to the New Orleans quartet founded by Kevin Griffin [lead vocals, guitar, piano] and Tom Drummond [bass, backing vocals]. Those hummable melodies, unshakable guitar riffs, and confessional lyrics quietly cemented the group as an enduring force in rock music. How many acts can boast being the inspiration of a classic Saturday Night Live skit? Very few. Speaking of incredible accomplishments, they occupy rarified air with spots on Billboard’s “100 Greatest Alternative Songs of All Time” and “100 Greatest Alternative Artists of All Time” as of 2018. Additionally, 2018 also marked 25 years since the arrival of the breakthrough album Deluxe. Maintaining a steady pace forward, the new single “GRATEFUL” garnered acclaim from Billboard who praised its “highly commercial, anthemic sheen that certainly pairs nicely with the approach of Deluxe.” The story of Better Than Ezra began before the nineties explosion they remain so often associated with ever even happened. Griffin and Drummond comprised the core of the band at its onset as they hit the road and won over one fan at a time beginning in 1989. This fan base would go on to be known as “Ezralites” by the time the first pressing of Deluxe landed independently in 1993.
    [Show full text]