Pascal Pinaud, C'est À Vous De Voir
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G A G O S I A N G A L L E R Y Alexander Calder Biography Born in 1898, Lawnton, PA. Died in 1976, New York, NY. Education: 1926 Académie de la Grande Chaumière, Paris, France. 1923–25 Art Students League, New York, NY. 1919 B.S., Mechanical Engineering, Stevens Institute of Technology, Hoboken, NJ. Solo Exhibitions: 2015 Alexander Calder: Imagining the Universe. Sotheby’s S|2, Hong Kong. Calder: Lightness. Pulitzer Arts Foundation, Saint Louis, MO. Calder: Discipline of the Dance. Museo Jumex, Mexico City, Mexico. Alexander Calder: Multum in Parvo. Dominique Levy, New York, NY. Alexander Calder: Primary Motions. Dominique Levy, London, England. 2014 Alexander Calder. Fondation Beyeler, Basel. Switzerland. Alexander Calder: Gouaches. Gagosian Gallery, Davies Street, London, England. Alexander Calder: Gouaches. Gagosian Gallery, 980 Madison Avenue, New York, NY. Alexander Calder in the Rijksmuseum Summer Sculpture Garden. Rijksmuseum, Amsterdam, Netherlands. 2013 Calder and Abstraction: From Avant-Garde to Iconic. Los Angeles County Museum of Art, Los Angeles, CA. 2011 Alexander Calder. Gagosian Gallery, Davies Street, London, England. 2010 Alexander Calder. Gagosian Gallery, W. 21st Street, New York, NY. 2009 Monumental Sculpture. Gagosian Gallery, Rome, Italy. 2005 Monumental Sculpture. Gagosian Gallery, W. 24th Street, New York, NY. Alexander Calder 60’s-70’s. GióMarconi, Milan, Italy. Calder: The Forties. Thomas Dane, London, England. 2004 Calder/Miró. Foundation Beyeler, Riehen, Switzerland. Traveled to: Phillips Collection, Washington, D.C. (through 2005). Calder: Sculpture and Works on Paper. Elin Eagles-Smith Gallery, San Francisco, CA. 590 Madison Avenue, New York, NY. 2003 Calder. Gagosian Gallery, Los Angeles, CA. Calder: Gravity and Grace. -
Essentiel : L'automne Hyber À La Fondation Maeght
Essentiel : l’automne Hyber à la Fondation Maeght Entre nature et culture, les Peintures homéopathiques de Fabrice Hyber offrent un point de vue unique sur la richesse de son œuvre tandis que, dans les jardins de la Fondation, ses Hommes de Bessines entament un dialogue inédit avec les plus grands maîtres de l’art moderne et contemporain. A découvrir jusqu’au 6 janvier 2013. Alors que Fabrice Hyber est cet automne à l’honneur dans plusieurs grands musées français, la Fondation Maeght a fait le choix de présenter l’une des parties les plus vivantes de son œuvre, faite de peintures, de dessins et de collages, dont le pari est de contribuer à soigner le monde et à nous donner plus d’énergie. Essentiel, titre de l’exposition choisi par Fabrice Hyber et Olivier Kaeppelin, souligne le sujet des Peintures homéopathiques et l’importance que l’artiste leur accorde. Les amateurs de tous âges trouveront à la Fondation Maeght un cadre exceptionnel et poétique pour suivre dans ses déambulations artistiques cet artiste « essentiel ». Peinture homéopathique n°29 (L’avant réel) – (détail), 2010. Technique mixte, 201 x 633 x 10 cm. (1) L’essentiel de Fabrice Hyber Synthèses libres et colorées de ses recherches, souvent de très grande dimension, les Peintures homéopathiques sont rassemblées ici pour la première fois. Plus de vingt œuvres sont présentées parmi les 30 réalisées par Fabrice Hyber à ce jour. L’exposition présente également un ensemble de 15 Hommes de Bessines. Dans les fontaines au sein des jardins de la Fondation, ces petites sculptures anthropomorphes dialoguent avec les œuvres de Miró, mais aussi Calder, Giacometti, Dietman ou encore Caro. -
Giacometti & Maeght 1946 – 1966 Fondation Maeght Saint Paul De Vence 27 Juin > 31 Octobre 2010
Dossier de presse Giacometti & Maeght 1946 – 1966 Fondation Maeght Saint Paul de Vence 27 juin > 31 octobre 2010 “Depuis toujours, la sculpture, la peinture ou le dessin étaient pour moi des moyens pour me rendre compte de ma vision du monde extérieur” Alberto Giacometti, MoMA, New York, 1959. Contacts presse Fondation Maeght Presse régionale Presse nationale et internationale Charlène Sokoloff Anne Massot Claudine Colin Communication [email protected] [email protected] Valentine Dolla / Katia Lhammi T. + 33 (0)4 93 32 81 63 M. + 33 (0)6 16 19 12 20 [email protected] Fax + 33 (0)4 93 32 53 22 T. + 33 (0)4 93 43 39 10 T. + 33 (0)1 42 72 60 01 Fax + 33 (0)1 42 72 50 23 fondation maeght du 27 juin au 31 octobre 2010 Adrien Maeght (à gauche) et Alberto Giacometti le soir de son vernissage à la Galerie Adrien Maeght le 11 juin 1959. © Galerie Maeght 2 Giacometti & Maeght 1946 – 1966 Sommaire Giacometti : Sculpteur, peintre et dessinateur Page 4 Communiqué Page 5 L’exposition Page 6 Les œuvres exposées Page 7 Giacometti & Maeght Page 9 Le catalogue Page 9 Biographie d’Alberto Giacometti Page 10 Visuels disponibles pour les médias Page 12 La réouverture de la fondation Maeght après 5 mois de travaux Page 14 Informations pratiques Page 16 3 fondation maeght du 27 juin au 31 octobre 2010 Alberto Giacometti, 1901-1966 Sculpteur, peintre et dessinateur Alberto Giacometti est l’un des artistes les plus importants du vingtième siècle. Devenu célèbre grâce à ses sculptures, il a été également un peintre et un dessinateur de renom. -
Art & the Côte D'azur 2014
ART & THE CÔTE D’AZUR 2014 The year 2014 marks the 50th anniversary of the Fondation Maeght in Saint-Paul de Vence, the hottest cultural event of the year in France! The Fondation Maeght is undoubtedly Europe's most famous private foundation. It is the result of the hard work and passion shown by some exceptional men and women, including architect Josef Luis Sert, artists Braque, Chagall, Calder, Giacometti, and Miró, encouraged by Aimé and Marguerite Maeght. The Fondation has since become an indisputable reference in the Art world, and shall be paying tribute to the Maeghts this summer through an exhibition of some of the most beautiful works to have been sold by art dealer Maeght. The Museums of the Côte d’Azur will simultaneously be hosting the Fondation's collection, thus allowing the public to rediscover a large part of the collections belonging to one of the Côte d’Azur's most emblematic families. In addition, the CRT Côte d’Azur will be launching a brand new initiative with the COTEDAZUR-CARD, allowing visitors to enjoy a number of places, sites, cultural and tourist tours as well as exhibitions, gardens and leisure activities - all at a single fantastic price designed to showcase the "many faces" of the region. The card will be valid from April to October at an affordable price, ensuring the full richness and diversity of the Côte d’Azur is enjoyed by all. Get all the latest news on the Côte d’Azur at visitcotedazur.travel Happy reading and welcome! SOME FIGURES The French Riviera offers an extremely broad range of cultural institutions with over 100 museums and over 150 art galleries in the Alpes-Maritimes département and the Principality of Monaco. -
Arta Work Of
A Work of ROOKSANA HOSSENALLY soaks up the irresistible allure of the ArtFrench Riviera in picture-perfect Saint Paul de Vence TRAVEL alfway between Antibes and Nice on three decades of his life here. For him, Saint Paul was “the the French Riviera – just three miles only place where the true light of the south can be found” inland from the sandy shores of Renoir’s and it is here that he painted his most famous works. charming village retreat, Cagnes-sur- A veritable icon, Chagall is actually buried in the village Mer – is a tiny hilltop medieval village graveyard alongside Aimé and Marguerite Maeght, the that has captivated the imaginations founders of the nearby Fondation Maeght. of the world’s artists for almost a Artists like Paul Signac began visiting Saint Paul in century. Within its 16th-century ramparts, cobblestoned the 1920s, and in the 1940s the village was inundated streets lined with fuchsia bougainvillea wind up the hill with young writers, who were drawn to its irresistible and culminate at the 10th-century Saint-Michel chapel, tranquillity. However, it wasn’t until the 1950s when top where the Saint Paul de Vence story all began. Up French actors of the day Yves Montand and Simone here, the breath-taking sight of sun-soaked Provence Signoret moved into the village, where they met and stretches all the way to the Mediterranean Sea. However, married, that it reached its glitzy peak. Around the same the dazzling views are no more than a bonus to this time, French poet and screenwriter Jacques Prévert also bewitching little Provençal village. -
Works by Miro from the Maeght Foundation At
WOrKS bY MIrO FrOM tHe MAeGHt FOunDAtIOn At POLYGOne rIVIerA v 8 June – 1 OctOber 2016 3. POLYGOne rIVIerA WILL be turnInG tHe SPOtLIGHt On JOAn MIrÓ tHIS SuMMer, WItH An OutStAnDInG eXHIbItIOn OF ScuLPtureS FrOM tHe MAeGHt FOunDAtIOn cOLLectIOn Art By making artworks accessible to millions of people Polygone Riviera, designed by the Unibail-Rodamco group and Socri, is the first open-air shopping centre FOr ALL at Polygone Riviera, Unibail-Rodamco and Socri in France; it opened in late 2015 in Cagnes-sur-Mer. Combining shopping with relaxation and leisure areas, once again assert their commitment to culture for all. Polygone Riviera is also a cultural venue that focuses strongly on contemporary art. The story began with This summer, visitors from all over the world will be ten works by world-renowned artists placed on display at the centre; this second stage more specifically able to see Miró’s Figures, Constellation and Caress pays tribute to the rich history of the relationship between artists and this region throughout the twentieth of a Bird above the Dancing Fountain at Polygone century. Riviera. These works, on loan from the Maeght Foundation, complement the permanent collection From 8 June to 1 October 2016, a number of works by Joan Miró will be displayed at the heart of the of artworks now on display at the centre. Their shopping centre. With this exhibition, Polygone Riviera sparks a dialogue with the Maeght Foundation presence transforms the experience of the place, located nearby, a historic and influential centre for contemporary art and a leading regional and international making it into a forum for interaction and sharing cultural body. -
Untitled Plaster Casting on Sand, Harvard University Science Center, 1972
JOSEP LLUÍS SERT JOSEP LLUÍS THE WRITINGS OF 1407020_int_CScc.indd i 10/15/14 4:03 PM 1407020_int_CScc.indd ii 10/15/14 4:03 PM JOSEP LLUÍS SERT JOSEP LLUÍS THE WRITINGS OF EDITED BY ERIC MUMFORD FOREWORD BY MOHSEN MOSTAFAVI Yale University Press New Haven and London Harvard Graduate School of Design Cambridge 1407020_int_CScc.indd iii 10/15/14 4:03 PM Published with assistance from the Harvard Graduate School of Design Department of Publications. Copyright © 2015 Harvard University Graduate School of Design (Sert essays) and Eric Mumford (introductions). All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. yalebooks.com/art Designed by Jena Sher Set in EideticNeo, Elena and Galaxie Polaris type by Jena Sher Printed in China by Regent Publishing Services Limited Library of Congress Control Number: 2014939883 isbn 978-0-300-20739-2 A catalogue record for this book is available from the British Library. This paper meets the requirements of ansi/ niso z 39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 Frontispiece: Town Planning Associates, Chimbote Masterplan, 1948 (detail; see page 18). p. vi: Sert, Jackson & Associates, Peabody Terrace Married Student Housing, 1963 (detail; see p. 120). Cover illustration: Josep Lluís Sert, sketch from India, 1970 (detail; see p. 127). 11407020_int_CScc.indd407020_int_CScc.indd -
Jacques Monory
Jacques Monory Born Paris, France, 1924 Lives Cachan, France SOLO EXHIBITIONS 2018 Jacques Monory, Richard Taittinger Gallery, New York, USA 2016 Monory Tragédies, Château du Val Fleury, Gif-sur-Yvette, France Monory - From Blue to Soul, Sonia Zannettacci Gallery, Geneva, Switzerland 2015 My cinema / Jacques Monory, Stampfli Foundation, Sitges, Catalonia, Spain 2014 Jacques Monory, Fonds Hélène et Édouard Leclerc pour la culture, at Capucins de Landerneau, France Memento Mori, Sonia Zannettacci Gallery, Geneva, Switzerland Jacques Monory, L’Aspirateur-Lieu d’art contemporain, Narbonne, France 2013 Autour de Paris Polar, 13th arrondissement town hall, Paris, France Monory, Galerie Nathalie Clouard, Rennes, France Jean-François Lyotard and Jacques Monory: Screens, Space Studios, London, United Kingdom 2012 Monory / Grand Formats, Galerie IUFM Confluence(s), Lyon, France Monory / Petits Formats, Galerie Anne-Marie et Roland Pallade, Lyon, France 2011 Monory Photographe, Galerie RueVisconti, Paris Images, Galerie Ernst Hilger, Vienna, Austria Monory, l’Orangerie, Parc Raspail, Cachan, Val de Marne, France 2010 Monory, Librairie Saint Hubert, Galeries du Roi 2, Brussels, Belgium Evasion, Forteresse de Salses, Salses-le-Château (Eastern Pyrenees), France Monory, Maison Elsa Triolet-Aragon, Saint-Arnoult-en-Yvelines, France 2009 Tigre, Fondation Maeght, Saint-Paul-de-Vence (Alpes-Maritimes), France 2008 Roman Photo, Maison Européenne de la Photographie, Paris Jacques Monory, 72/08, Galerie Maeght, Paris Roman Noir, Galerie Sonia Zannettacci, -
Jules Michelet
1. Historical sites & Castles: « Chaque homme est une humanité, une histoire universelle » (“All men are one humanity, an universal history”) -Jules Michelet. The ramparts and the fort Carré d’Antibes Address: Avenue du 11 Novembre, 06600 Antibes Phone Number: 04 92 90 52 13 Open every day except Monday from 10:00 to 12:00 and from 13:30 to 16:00 The castle of Roquebrune-Cap Martin and their Medieval village Not to be missed in the Roquebrune village: the wash-house, the deux Frères (two brothers) Square, the Sainte Marguerite Church, the forge republic, Montcollet Street, Captain Vincent Square, the Millennial olive tree and, of course, the castle. The views are breathtaking. Address: 06190 Roquebrune-Cap-Martin Phone number: 04 93 35 07 22 The castle is open: -From the 1st of October to the 1st of January: from 10:00 to 12:30 and from 14:00 to 17:00 -From the 1st of February to the 31st of May: from 10:00 to 12:30 and from 14:00 to 18:00 -From the 1st of June to the 30th of September: from 10:00 to 13:00 and from 14:30 to 19:00 -Closed on the 1st of May; on the 1st and the 11th of November, on the 25th of December and on the 1st of January. -Closed on Fridays between the 1st of November and the 31st of January Prices: Adults: 5€; People over the age of 60 or groups of more than 10 people: 4€; Children and students: 3€ BIOT: Situated on a rocky peak, the old village of Biot it’s famous for the traditional craft of pottery, blown glass and the Fernand- Leger Museum. -
L'art Et L'architecture De Josep Lluís Sert
maeght ion at d n o f ans 1964 - 2014 L’art et l’architecture de Josep Lluís Sert 5 avril - 9 juin 2014 Joan Miró, Affiche avant la lettre pour une exposition J.L Sert au Carpenter Center for the Visual Arts – Université d’Harvard, 1978. Lithographie originale (HC IX/X), 76 x 53,5 cm. Collection Fondation Maeght, Saint-Paul de Vence. Photo Claude Germain © Successió Miró, Adagp Paris 2014 « Grâce à Sert, l’art est déjà entré dans une phase réelle » Aimé Maeght à Joan Miró, correspondance, 29 août 1959. Contacts presse/Press contacts Bonne Idée (Paris) Fondation Maeght (Saint-Paul de Vence) DOSSIER Presse nationale et internationale Presse locale et régionale Noalig Tanguy et Frédérique Delcroix Charlène Sokoloff 01 75 43 72 64 04 93 32 45 93 DE PRESSE [email protected] [email protected] Vue de la Fondation Maeght avec le bassin de Georges Braque, Les Poissons, 1963. Mosaïque, 460 x 1214 cm. © Archives Fondation Maeght, Adagp Paris 2014. _ 2 _ L’art et l’architecture de The art and architecture Josep Lluís Sert of Josep Lluís Sert 5 avril - 9 juin 2014 5 April – 9 June 2014 « Grâce à Sert, l’art est déjà entré dans une phase réelle »* «Thanks to Sert, art has already entered into a real phase»* En 2014, la Fondation Maeght donne rendez-vous à tous les amateurs In 2014, the Maeght Foundation invites all art lovers to celebrate d’art pour fêter son cinquantenaire. Dans ce cadre, la grande exposition its fiftieth anniversary. The major spring exhibition will be devoted de printemps sera consacrée à l’architecture de Josep Lluís Sert, nourrie to the architecture of Josep Lluís Sert, influenced by a lifetime par le dialogue de toute une vie avec les plus grands artistes de son of dialogue with the greatest artists of his time. -
JOAN MIRÓ Mur De La Lune (The Wall of the Moon); the Maquette for the UNESCO Ceramic Mural, 1955
JOAN MIRÓ Mur de la Lune (The Wall of the Moon); the maquette for the UNESCO ceramic mural, 1955 1. JOAN MIRÓ Mur de la Lune (The Wall of the Moon); the maquette for the UNESCO ceramic mural, 1955 dickinson www.simondickinson.com 2. JOAN MIRÓ (1893 – 1983) Mur de la Lune (The Wall of the Moon); the maquette for the UNESCO ceramic mural, 1955 gouache, watercolour, ink and pencil on paper laid on masonite 3 22.9 x 74.6 cm. (9 x 29 /8 in.) PROVENANCE Marcel Breuer (1902 – 1981), U.S.A.; and by descent to the present owner. LITERATURE J. Miró, ‘My Latest Work – a Wall’, in The Unesco Courier, no. 11, Nov. 1958, pp. 34-36. ENGRAVED In lithograph, edition of 300, published by Maeght, Paris, 1958, directory no. 1711. “Ces oeuvres qui me semblent d’une importance capitale” (Joan Miró) THE UNESCO COMMISSION The United Nations Education, Scientific and Cultural Organisation (UNESCO) Bernard Zehrfuss of France – under the direction of an international committee. was founded in London in 1945, in the wake of two World Wars, according to the The edifice was itself an international construct, featuring floors made of Norwegian belief that political and economic agreements alone are insufficient grounds for the quartzite, aluminium panels from Belgium, lighting equipment manufactured in the construction of a lasting international peace. The purpose of the organisation was to United States, and glass doors built in France and incorporating teak finger plates from foster peace through the promotion of a moral and intellectual solidarity. It champions Burma. -
Grand Palais 3 October 2018 – 4 February 2019
Grand Palais 3 OctOber 2018 – 4 February 2019 His homeland, Catalonia, offered him inspiration, Paris his first springboard, and Palma de Mallorca the great studio he had always dreamed of. Between these places, Joan Miró created an oeuvre that is devoid of anecdotes, mannerisms, or any complacency towards modes of expression. To achieve this, he constantly questioned his pictorial language, even if it broke his momentum. Although he was interested in the twentieth century avant-garde, he did not adhere to any school or any group, being wary of artistic chimeras. From the 1920s onwards, Miró expressed his desire to "murder painting" and developed innovative practices. His work presents itself as a tool of protest and bears witness to his struggles. He never ceased to grapple with materials in order to affirm the power of the creative gesture. Characterised by this "primitive" energy, he is one of the few artists, with Pablo Picasso, to have launched a challenge to surrealism and abstraction (which he always considered a dead end). An inventor of forms, Miró translates into poetic and powerful terms the freedom of which he was so fiercely jealous and uses the full force of painting. #ExpoMiro DOWNLOAD THE NEW GRAND PALAIS APPLICATION https://tinyurl.com/appgrandpalais 1. “CATALAN FAUVE” 3. DETAILIST PAINTINGS 1915-1917 1918-1922 From 1912 to 1915, Miró studied at the Escola Fervently seeking “absolute nature,” Miró sought d’Art de Francesc Galí, a private institution in to deliver his “ecstatic vision” of the microcosm of Barcelona, open to the ideas of the European the Mont-roig family farm.