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Miley Cyrus Debuts at #1 on the Top Rock Albums Chart with Plastic Hearts Get It Here
MILEY CYRUS DEBUTS AT #1 ON THE TOP ROCK ALBUMS CHART WITH PLASTIC HEARTS GET IT HERE December 7, 2020 - Artist and trailblazer Miley Cyrus’ critically acclaimed seventh studio album, Plastic Hearts has debuted at #1 on Billboard’s Top Rock Albums chart, her first number 1 on this chart, and 6th number 1 album. The album also debuted at number 2 on the Billboard 200, giving Miley the most top 10 album debuts on the chart for female artists this century. The album has debuted in the Top 10 in more than 10 countries. Tracks on Plastic Hearts have been streamed cumulatively over 750 million times worldwide. Plastic Hearts is out now via RCA Records - listen here Her raw and raucous album has earned high praise: “Maybe rock’s not dead — it’s just in the capable hands of Miley Cyrus.”-The New York Times “Miley Cyrus’ Glam Throwback ‘Plastic Hearts’ Is Her Most Self-Assured Record Yet.”-Rolling Stone “Cyrus’ glam-rock pivot draws upon her decade of delivering whip-smart lyrics and enormous hooks to arrive fully formed and often spectacular.”-Billboard “Reflecting on her worst times from the distance that maturity allows, Miley Cyrus has come through with her best album.”-Vulture “The message is clear: Miley Cyrus rocks.”-Stereogum “What Miley does with her voice throughout the album is really its main attraction.”-Nylon “Plastic Hearts, Cyrus’s incendiary new record, punctuates the 28-year-old singer’s greatest sonic reinvention yet — a retro-charged tribute to no-nonsense frontwomen: Debbie Harry and Heart’s Ann Wilson, Stevie Nicks and Joan Jett.”-SPIN “Miley Cyrus Is Perfect for the Rock-and-Roll Revival.”-The Atlantic Miley will be performing her hit single, “Prisoner,” on Jimmy Kimmel Live! on December 7th. -
The Best Totally-Not-Planned 'Shockers'
Style Blog The best totally-not-planned ‘shockers’ in the history of the VMAs By Lavanya Ramanathan August 30 If you have watched a music video in the past decade, you probably did not watch it on MTV, a network now mostly stuck in a never-ending loop of episodes of “Teen Mom.” This fact does not stop MTV from continuing to hold the annual Video Music Awards, and it does not stop us from tuning in. Whereas this year’s Grammys were kind of depressing, we can count on the VMAs to be a slightly morally objectionable mess of good theater. (MTV has been boasting that it has pretty much handed over the keys to Miley Cyrus, this year’s host, after all.) [VMAs 2015 FAQ: Where to watch the show, who’s performing, red carpet details] Whether it’s “real” or not doesn’t matter. Each year, the VMAs deliver exactly one ugly, cringe-worthy and sometimes actually surprising event that imprints itself in our brains, never to be forgotten. Before Sunday’s show — and before Nicki Minaj probably delivers this year’s teachable moment — here are just a few of those memorable VMA shockers. 1984: Madonna sings about virginity in front of a blacktie audience It was the first VMAs, Bette Midler (who?) was co-hosting and the audience back then was a sea of tux-wearing stiffs. This is all-important scene-setting for a groundbreaking performance by young Madonna, who appeared on the top of an oversize wedding cake in what can only be described as head-to-toe Frederick’s of Hollywood. -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
“Rupaul's Drag Race” Season Nine Premiere!
FOR IMMEDIATE RELEASE: SOUTH FLORIDA’S VERY OWN THE GRAND RESORT AND SPA IS A NEW PROUD SPONSOR OF VH1’S “RUPAUL'S DRAG RACE” SEASON NINE PREMIERE! FORT LAUDERDALE, FL – Saturday, March 25, 2017: RuPaul’s Drag Race kicked off their season nine premiere on VH1 on Friday, March 24th at 8:00 pm EST. During its first episode, Emmy Awarder Winner, RuPaul awarded contestant, Nina Bo’nina Brown, a trip to Fort Lauderdale Beach’s, The Grand Resort and Spa. The prize included a one week stay, for two, in the 2 bedroom, 2 bathroom Grand Penthouse that boasts an 800 square foot private, ocean view terrace with a Jacuzzi and outdoor shower. Also included in this prize package will be airfare for two, and a complimentary massage and facial. The total prize value of $6,000. Casey Koslowski, Proprietor of The Grand, states that he looks forward to seeing Nina and his guest, at his award- winning spa-resort and sunning themselves on Fort Lauderdale Beach very soon! The Grand Resort and Spa is Fort Lauderdale’s premiere gay-owned and operated men’s spa- resort that first opened in 1999. With 33 well-appointed rooms and suites, it is located just steps from the beach and convenient to all of Fort Lauderdale’s attractions and nightlife. As Fort Lauderdale’s first gay resort with its own full-service day spa and hair studio, they offer guests an experience that is unique and wonderfully indulgent. From a relaxing Swedish massage to a haircut before your night on the town, the talented staff can accommodate all your needs – guaranteed to “Exceed Expectations.” A sample of the property’s awards and accolades include “Certificate of Excellence, Hall of Fame” – TripAdvisor; “Editor’s Choice” – Man About World; “#1 in Fort Lauderdale” – Pink Choice Award; "Best Small Hotel or Resort in the World" - Out Traveler Award Winner; "Top 10 Resorts" - The Travel Channel; "One of the top 10 gay-owned spas in the United States" – Out Traveler Magazine; “USA TODAY 10 BEST” – USA TODAY. -
Bob the Drag Queen and Peppermint's Star Studded “Black Queer Town Hall”
FOR IMMEDIATE RELEASE BOB THE DRAG QUEEN AND PEPPERMINT’S STAR STUDDED “BLACK QUEER TOWN HALL” IS A REMINDER: BLACK QUEER PEOPLE GAVE US PRIDE Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Tiq Milan, Shea Diamond, Alex Newell, and Basit Among Participants NYC Pride and GLAAD to Support Three Day Virtual Event to Raise Funds for Black Queer Organizations and NYC LGBTQ Performers on June 19, 20, 21 New York, NY, Friday, June 12, 2020 – Advocates and entertainers Peppermint and Bob the Drag Queen, today announced the “Black Queer Town Hall,” one of NYC Pride’s official partner events this year. NYC Pride and GLAAD, the global LGBTQ media advocacy organization, will stream the virtual event on YouTube and Facebook pages each day from 6:30-8pm EST beginning on Friday, June 19 and through Sunday, June 21, 2020. Performers and advocates slated to appear include Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Shea Diamond, Tiq Milan, Alex Newell, and Basit. Peppermint and Bob the Drag Queen will host and produce the event. For a video featuring Peppermint and Bob the Drag Queen and more information visit: https://www.gofundme.com/f/blackqueertownhall The “Black Queer Town Hall” will feature performances, roundtable discussions, and fundraising opportunities for #BlackLivesMatter, Black LGBTQ organizations, and local Black LGBTQ drag performers. The new event replaces the previously announced “Pride 2020 Drag Fest” and will shift focus of the event to center Black queer voices. During the “Black Queer Town Hall,” a diverse collection of LGBTQ voices will celebrate Black LGBTQ people and discuss pathways to dismantle racism and white supremacy. -
From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017). -
Kimmel Center Cultural Campus Presents Critically-Acclaimed Drag Theatre Show Spectacular Sasha Velour's Smoke & Mirrors
Tweet It! Drag icon @Sasha_Velour’s revolutionary show “Smoke & Mirrors” will be at the @KimmelCenter on 11/12. The effortless blend of drag, visual art, and magic is a can’t-miss! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS CRITICALLY-ACCLAIMED DRAG THEATRE SHOW SPECTACULAR SASHA VELOUR’S SMOKE & MIRRORS, COMING TO THE MERRIAM THEATER NOVEMBER 12, 2019 "Smoke & Mirrors is a spellbinding tour de force." - Forbes “The intensely personal [Smoke & Mirrors] shows what a top-of-her-game queen Velour really is, both as an artist and as a storyteller.” - Paper Magazine "[Velour’s] most spectacular stage gambit yet." - Time Out New York FOR IMMEDIATE RELEASE (Philadelphia, PA, October 9, 2019) – Sasha Velour’s Smoke & Mirrors, the critically-acclaimed one-queen show by global drag superstar and theatre producer, Sasha Velour, will come to the Kimmel Center Cultural Campus’ Merriam Theater on November 12, 2019 at 8:00 p.m., as part of the show’s 23-city North American tour. This is Velour’s first solo tour, following her win of RuPaul’s Drag Race Season 9, and sold-out engagements of Smoke & Mirrors in New York City, Los Angeles, London, Australia, and New Zealand this year. “Sasha Velour is a drag superstar, as well as an astonishing talent in the visual arts,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Smoke & Mirrors invites audiences to experience the depths of Velour that have yet to be explored in the public eye. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Miley Cyrus As the Posthuman: Media Sexualisation and the Intersections of Capitalism
Outskirts Vol. 38, 2018, 1-15 Miley Cyrus as the posthuman: Media sexualisation and the intersections of capitalism Haylee Ruwaard This article undertakes a semiotic deconstruction of Miley Cyrus’s image in two media photographs. I argue that she embodies a range of identities that simultaneously includes yet moves beyond sexualisation. Moral panic discourses about the impact of her influence can problematically view Cyrus through the lens of humanism where she is seen as highly sexualised and stereotypically gendered. This study suggests this outlook is limited. Rather, Cyrus can be perceived as a symbol of the posthuman as she integrates her biology with multiplying social subjectivities which fluctuate frequently. This integration creates many possible identities aside from those signifying sexualisation, which may ease or equalise current concerns about Cyrus’s influence. Yet, it cannot be ignored that Cyrus is operating within the confines of capitalism where identity diversification becomes highly profitable globally. As a result, this article examines the intersections of celebrity and capitalism. Introduction At the 2013 MTV Music Awards, former Disney child star and singer Miley Cyrus, shocked the world with a bizarre and highly sexualised performance that quickly went viral on the Internet. The then 20-year-old emerged from a giant teddy bear with her tongue out, surrounded by giant dancing bears, while performing a provocative medley of her song We Can’t Stop and singer Robin Thicke’s song Blurred Lines. Clearly eager to shed her saccharine child star image, Cyrus twerked and gyrated with Thicke, a man almost twice her age, clad in a flesh coloured bikini and holding an oversized foam finger with which she made frequent lewd sexualised gestures. -
Of 4 We Can't Stop - Miley Cyrus
We Can't Stop - Miley Cyrus We Can't Stop - Miley Cyrus (4/4 - Capo 4th fret) --------------------------- Suggested Picking Pattern: (Travis Pick) ------------------------- _ _ _ | | | | | | | e|-*-------*-----| B|-----*-------*-| G|---------------| D|-*-*---*---*---| A|-*-----*-------| E|-*-----*-------| | | Root note of the chord Examples: -------- C Em Am _ _ _ _ _ _ _ _ _ | | | | | | | | | | | | | | | | | | | | | e|-0-------0-----| |-0-------0-----| |-0-------0-----| B|-----1-------1-| |-----0-------0-| |-----1-------1-| G|---------------| |---------------| |---2-------2---| D|---2-------2---| |---2-------2---| |-0-----0-------| A|-3-----3-------| |---------------| |---------------| E|---------------| |-0-----0-------| |---------------| Chords: C, C, Em, Em, Am, Am, F, F (throughout) C ' It’s our party we can do what we want Em ' It’s our party we can say what we want Am ' It’s our party we can love who we want F ' We can kiss who we want we can screw who we want C C Red cups and sweaty bodies everywhere Em ' Hands in the air like we don’t care Am ' Cause we came to have so much fun now F ' Got somebody here might get some now C C If you’re not ready to go home Em ' Can I get a hell no Am ' Cause we gonna go all night F ' Till we see the sunlight alright Page 1 of 4 We Can't Stop - Miley Cyrus C ' So la da da di we like to party Em ' Dancing with Miley Am ' Doing whatever we want F ' This is our house, this is our rules C ' And we can’t stop Em ' And we won’t stop Am ' Can’t you see it’s we who own the night F ' Can’t you see it we -
Rationales for Animal Species Considered for Species of Conservation Concern, Sequoia National Forest
Rationales for Animal Species Considered for Species of Conservation Concern Sequoia National Forest Prepared by: Wildlife Biologists and Biologist Planner Regional Office, Sequoia National Forest and Washington Office Enterprise Program For: Sequoia National Forest June 2019 In accordance with Federal civil rights law and U.S. Department of Agriculture (USDA) civil rights regulations and policies, the USDA, its Agencies, offices, and employees, and institutions participating in or administering USDA programs are prohibited from discriminating based on race, color, national origin, religion, sex, gender identity (including gender expression), sexual orientation, disability, age, marital status, family/parental status, income derived from a public assistance program, political beliefs, or reprisal or retaliation for prior civil rights activity, in any program or activity conducted or funded by USDA (not all bases apply to all programs). Remedies and complaint filing deadlines vary by program or incident. Persons with disabilities who require alternative means of communication for program information (e.g., Braille, large print, audiotape, American Sign Language, etc.) should contact the responsible Agency or USDA’s TARGET Center at (202) 720-2600 (voice and TTY) or contact USDA through the Federal Relay Service at (800) 877-8339. Additionally, program information may be made available in languages other than English. To file a program discrimination complaint, complete the USDA Program Discrimination Complaint Form, AD-3027, found online at http://www.ascr.usda.gov/complaint_filing_cust.html and at any USDA office or write a letter addressed to USDA and provide in the letter all of the information requested in the form. To request a copy of the complaint form, call (866) 632-9992. -
Nutrition Guideline: Pregnancy: Multiples
Nutrition Guideline For Professional Reference Only Pregnancy Applicable to: Nurses, Physicians and Other Health Professionals Recommendations: • Women who could become pregnant are encouraged: o To eat a variety of food every day and make healthy eating and physical activity part of everyday life. o To take a multivitamin and mineral supplement that contains 0.4 mg (400 mcg) of folic acid every day. Women are recommended to start supplementation at a minimum of 3 months prior to conception. o To maintain a healthy body weight before and between pregnancies. • During pregnancy, women are advised to: o Eat a variety of foods and follow Canada’s Food Guide. o Include additional foods every day in the 2nd and 3rd trimesters of pregnancy in amounts appropriate to meet healthy pregnancy weight gain recommendations for their pre-gravid BMI category. o Choose a multivitamin and mineral supplement that contains 0.4 mg (400 mcg) folic acid, 16 – 20 mg of iron, vitamin B12, and 400 IU of vitamin D every day. o Follow safe food handling practices and avoid foods that increase chances of getting a food-borne illness during pregnancy. o Limit caffeine intake to 300 mg per day. o Drink 10 cups (2.5 L) of fluid each day. Water is recommended as the main fluid. • Health care providers are advised to provide pregnant women with nutrition information that will help them make informed choices about: o Healthy pregnancy weight gain. o Nutrients of special concern during pregnancy (e.g. folic acid, iron, calcium). o Nutrient supplements. o Beverage and fluid choices.