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Every Day I Have the Blues . . . Hallelujah! Playing

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Blues Guitar Blues Guitar by Jon Chappell Blues Guitar For Dummies® Published by: John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030-5774, www.wiley.com Copyright © 2020 by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, For Dummies, the Dummies Man logo, Dummies.com, Making Everything Easier, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc., and may not be used without written permission. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc., is not associated with any product or vendor mentioned in this book. LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. NO WARRANTY MAY BE CREATED OR EXTENDED BY SALES OR PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE UNDERSTANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHER PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A COMPETENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITE IS REFERRED TO IN THIS WORK AS A CITATION AND/OR A POTENTIAL SOURCE OF FURTHER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFORMATION THE ORGANIZATION OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS IT MAY MAKE. FURTHER, READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ. For general information on our other products and services, please contact our Customer Care Department within the U.S. at 877-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002. For technical support, please visit www.wiley.com/techsupport. Library of Congress Control Number: 2020931515 ISBN 978-1-119-69563-9 (pbk); ISBN 978-1-119-74895-3 (ebk); ISBN 978-1-119-74896-0 (ebk) Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Contents at a Glance Contents at a Glance Introduction . 1 Part 1: You Got a Right to Play the Blues . 7 CHAPTER 1: Every Day I Have the Blues . Hallelujah! . 9 CHAPTER 2: Blues Meets Guitar: A Match Made in Musical Heaven . 23 CHAPTER 3: Grab Hold, Tune Up, Play On! . 39 Part 2: Setting Up to Play the Blues . 55 CHAPTER 4: Getting a Grip on Left-Hand Chords . 57 CHAPTER 5: Positioning the Right Hand for Rhythm and Lead . 71 CHAPTER 6: Blues Progressions, Song Forms, and Moves . 95 CHAPTER 7: Musical Riffs: Bedrock of the Blues . 119 Part 3: Beyond the Basics: Playing Like a Pro . 135 CHAPTER 8: Playing Lead: Soaring Melodies and Searing Solos . .. 137 CHAPTER 9: Playing Up the Neck . 153 CHAPTER 10: Express Yourself: Making the Guitar Sing, Cry, and Wail . 171 Part 4: Sounding Like the Masters: Blues Styles through the Ages . .. 191 CHAPTER 11: Acoustic Roots: Delta Blues and Its Country Cousins . 193 CHAPTER 12: The Birth and Growth of Classic Electric Blues . 213 CHAPTER 13: Blues Rock: The Infusion of Ol’ Rock ’n’ Roll . 233 Part 5: Gearing Up: Outfitting Your Arsenal . 253 CHAPTER 14: Shop Till You Drop: Buying the Right Guitar for You . 255 CHAPTER 15: Choosing Your Amp and Effects . .. 269 CHAPTER 16: Changing Strings . 303 Part 6: The Part of Tens . 319 CHAPTER 17: Ten Blues Guitar Giants . 321 CHAPTER 18: Ten Great Blues Guitars . 325 CHAPTER 19: Ten (Plus One) Must-Have Blues Guitar Albums . 329 Part 7: Appendixes . 333 APPENDIX A: How to Read Music . 335 APPENDIX B: How to Use the Website . 343 Index . 351 Table of Contents INTRODUCTION . 1 About This Book . 1 Conventions Used in This Book . 2 What You’re Not to Read . 3 Foolish Assumptions . .. 3 How This Book Is Organized . 4 Part 1: You Got a Right to Play the Blues . 4 Part 2: Setting Up to Play the Blues . 4 Part 3: Beyond the Basics: Playing Like a Pro . 4 Part 4: Sounding Like the Masters: Blues Styles through the Ages . 4 Part 5: Gearing Up: Outfitting Your Arsenal . 5 Part 6: The Part of Tens . 5 Part 7: Appendixes . 5 Icons Used in This Book . 5 Where to Go from Here . 6 PART 1: YOU GOT A RIGHT TO PLAY THE BLUES . 7 CHAPTER 1: Every Day I Have the Blues . Hallelujah! . 9 Capturing the Blues Train from Its Departure Then to Its Arrival Now . 10 The pieces of blues that made the genre . 10 The place of the blues’ conception . 11 Rejoicing over 100 years of blues: The shifting shape of the genre . 11 The qualities that made blues cats hit the big-time . 12 It’s Not All Pain and Suffering — The Lighter Side of Blues . 13 Surveying the Means to Make the Music: The Guitar in All Its Glory . 14 The low-fi acoustic guitar . 14 The semi-hollowbody electric guitar . 15 Solidbody electric guitars . 15 The Collision of Two Worlds: Acoustic versus Electric . 16 Getting a Grip on How Guitars Work . 17 You’ve gotta use your hands — both of them . 17 Producing the tones: String vibration and pitch . 18 Electric guitars only: Pickups and amplification . 18 Table of Contents vii Performing and Looking Like a Blues Player . 19 Expanding and filling your brain with know-how . 19 Looking the part . .20 Blues Trivia For Dummies . 21 The questions . 21 The answers . 22 CHAPTER 2: Blues Meets Guitar: A Match Made in Musical Heaven . 23 Beyond the Delta: Defining the Blues Guitar Sound . 24 The method to the music: Chord progressions . 25 The guitarist’s language of melody . 25 The expression that invokes your senses . 26 The groove that sets the pace . 27 Dissecting an Acoustic and an Electric . 27 Getting Down with the Blues: A Quick How-To . 31 The foundation for all guitar playing: Acoustic guitars . 31 Shifting acoustic to overdrive: Electric guitars . 32 What You Need to Get Your Groove On . 35 CHAPTER 3: Grab Hold, Tune Up, Play On! . 39 Holding Your Axe (That Is, Your Guitar) . 39 Grabbing your guitar’s neck . .. 40 Pushing down on the strings . 41 Getting sound to come out . 42 Holding the Pick, Attacking the Problem . 44 Getting Situated . 45 Sitting down . 46 . or standing up . 46 Tuning Up . 47 Helping your guitar get in tune with itself . 48 Holding your guitar to an electronic standard . 49 Playing a Chord . 50 Music Notation: Not Just for Geeks . 51 Guidance for your aimless fingers: A chord diagram . 52 Mapping out your short-term path: Rhythm notation . .. 53 Guiding you all the way through a song: Tablature . 54 PART 2: SETTING UP TO PLAY THE BLUES . 55 CHAPTER 4: Getting a Grip on Left-Hand Chords . 57 Starting Out Simple: Blues Chords Even Your Mom Could Play . 58 Going to the Next Level: Barre Chords . 59 Forming a barre chord . 61 Naming barre chords . 62 viii Blues Guitar For Dummies Playing E-based barre chords . 63 Playing A-form barre chords . 65 Combining forms . 67 Taking Advantage of Versatile Power Chords . 68 CHAPTER 5: Positioning the Right Hand for Rhythm and Lead . 71 Strumming Along . 71 Stroking down . 72 . And stroking up . 72 Combining down and up . 73 Striking to a beat . 73 Eighth-note striking, twice per beat . 74 Mixing Single Notes and Strumming . 75 Separating bass and treble: The pick-strum . 75 Playing common pick-strum patterns . 76 Shuffling the Beats with Syncopated Strumming . 78 A bit of notation: Dots that extend and ties that bind . 79 Syncopation: Playing with dots and ties . .. 80 Stopping the String Ringing (Just for a Sec) . 81 Muting the sound between two chords (left hand) . 81 Simulating syncopation with left-hand muting . 81 Muting the sound of a note (right hand) . 82 Copying the Classics: Plucking Fingerstyle Blues . 83 The Right Hand’s Bliss: Different Rhythm Styles to Play . 84 The shuffle groove . 85 The driving straight-four . 87 The slow 12/8, with groups of three . 89 The two-beat feel . 91 The slow and funky 16 feel . 92 CHAPTER 6: Blues Progressions, Song Forms, and Moves . 95 Blues by the Numbers . 95 Recognizing the Big Dogs: Primary Key Families and Their Chords . .. 96 The Structure of a Blues Song, Baby . 97 Playing.
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  • ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP

    ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP

    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt.