Community Services Report 2011

Mission

Education Programs and Impact

Preservation/ Advancement Programs and Impact

Community Feedback ach year, the GRAMMY Foundation gathers the stories of the past fiscal year (Aug. 1 – July 31) in our Community Services Report. Fundraising Initiatives Here you’ll learn about the accomplishments, innovations, and Finances and Epartnerships of the past year, and meet some of the people who Supporters have inspired our work. Since 2007, we’ve told our stories of the past year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation, invite you to support our work, and welcome your feedback. Mission The GRAMMY Foundation was established by The Recording Academy to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. Education Programs and Impact

GRAMMY® in the Schools Under the banner of GRAMMY in the Schools, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year to help inspire the next generation of music and its makers. The Foundation offers half-day and daylong programs — GRAMMY Camp – SoundCheck and GRAMMY Camp – Basic Training — designed to give high school students information and experiences centered on careers in the music industry. GRAMMY Camp and GRAMMY Camp– Jazz Session are residential programs that bring young people together for interactive, instructive working sessions with artists and music industry professionals. In addition, our GRAMMY Signature Schools initiatives for high music programs. All aspects of this work are detailed below. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. In 2011, the website was redesigned and relaunched to make it a more exciting and interactive resource for teens, parents, teachers, and anyone interested in careers in music.

From top: Miguel meets with students at the Verizon Center GRAMMY Camp in Washington, DC for a GRAMMY Camp – SoundCheck GRAMMY Camp – SoundCheck. allows students to attend the pro- Adam Levine, Jesse Carmichael, fessional sound checks of a broad Michael Madden, James range of emerging and established touring artists, along with technical Valentine, and Matt Flynn of 2 Maroon 5 pose with students and industry professionals, to give at a GRAMMY Camp – young people perspectives on mu- SoundCheck in Memphis. sic careers through conversations about the specifics of their jobs and the necessary tools and education required for success.

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In 2011, 32 GRAMMY Camp — SoundCheck events were conducted featuring a total of GRAMMY Camp — SoundCheck Locations 2010-2011 24 artists in locations across the U.S.

Brett Dennen David Gray G. Love Geographer Goo Goo Dolls Jason Derulo Juanes Chicago New York Philadelphia Ke$ha San Francisco Maroon 5 Washington, DC Melanie Fiona MGMT Nashville Los Angeles Miguel Memphis

Mike Posner Atlanta Mumford & Sons Oh Land

Portugal. The Man Austin Raheem DeVaughn Houston Raphael Saadiq 3

Ray LaMontagne Hidalgo, TX Miami Shinedown Switchfoot Temper Trap The Manhattan Transfer The XX

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GRAMMY Camp – Basic Training is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals.

2011 represents the 24th season of Basic Training. The continuing support of the Ford Motor Company Fund allowed us to offer the Basic Training experience in three additional cities over the one-year period.

Since 1988, more than 212,550 students have benefitted from Basic Training.

2011 Basic Training Atlanta | DeKalb School of the Arts Camden, NJ | Camden Creative Arts High School Los Angeles | USC Thornton School of Music Memphis | Memphis City Schools’ ArtFest Miami | University of Miami Nashville | Glencliff High School New Orleans | New Orleans Center for Creative Arts (NOCCA) New York | Pace University Orlando | Disney World San Diego | Canyon Crest Academy Students speak with local San Francisco San Francisco State University recording artist Kuf Knotts | Texas | Booker T. Washington High School during Basic Training at 4 Camden Creative Arts High School in Camden, NJ. GRAMMY Camp is an interactive residential summer program for high school students that focuses on all aspects of the commercial music industry. The curriculum is led by core faculty, guest artists, and music professionals, across a range of career tracks. GRAMMY Camp covers all aspects of creating, performing, and recording, and it culminates in media projects, recordings, and/or performances.

In the summer of 2011, the 8th annual GRAMMY Camp was held in Los Angeles at the University of Southern California, and for the first time ever GRAMMY Camp expanded to offer an additional session in New York at the Converse Rubber Tracks studio in Brooklyn. GRAMMY Camp LA culminated in a showcase concert at the historic El Rey Theatre in Los Angeles while GRAMMY Camp NY culminated in a launch party held at the Best Buy Theater in Times Square. The program selected 111 high school students from 93 cities and 34 states for this unique music industry experience.

GRAMMY Camp is supported in part by AEG, ASCAP Foundation Irving Caesar Fund, Avid Best Buy, BET, Coca-Cola, CenterStaging, Converse, the Ella Fitzgerald Charitable Foundation, Guitar Center Hollywood, the Hot Topic Foundation, JBL by Harman, Line 6, Mackie, M-Audio, the Recording Academy, Roland, Shure, and USC Thornton School of Music.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org 61% White 7% Asian 61% White 21% African American 7% Asian 9% Hispanic 21% African American 2% Pacific Islander Education Programs and Impact 9% Hispanic 2% Pacific Islander

GRAMMY Camp • Gender Breakdown 2010 - 2011

33% Female 67% Male 33% Female 67%Total Campers Male = 111

Campers performing at the Best Buy Theater in Times Square during the GRAMMY GRAMMY Camp • Geographic Breakdown Camp NY Launch Party. 2010 - 2011

5 Region Breakdown 4.5% Northwest Northwest 42% Southwest • Washington • Oregon • Idaho • Montana • Wyoming • Alaska • Hawaii 4.5% Northwest 22.5% Northeast 42% Southwest Southwest 18% Southeast • California • Nevada • Utah • Arizona • Colorado • New Mexico • Texas 22.5% Northeast 13% Midwest Midwest 18% Southeast • North Dakota • South Dakota • Nebraska • Kansas • Oklahoma 13% Midwest • Minnesota • Iowa • Missouri, • Arkansas • Wisconsin • Illinois • Michigan Total Campers = 111 • Indiana • Ohio • Kentucky Northeast • Maine • New Hampshire • Vermont • Massachusetts • Connecticut • New York • Pennsylvania • West Virginia • Virginia • Maryland • D.C. • New Jersey • Rhode Island • Delaware Southeast • Tennessee • North Carolina • Louisiana • Mississippi • Alabama grammyfoundation.org • grammyfoundation.org• Georgia • South Carolina • • Floridagrammyfoundation.org • grammyfoundation.org • grammyfoundation.org

7% Northwest 20% Southwest 7% Northwest 39% Midwest 20% Southwest 13% Northeast 39% Midwest 21% Southeast 13% Northeast 21% Southeast Education Programs and Impact

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The GRAMMY Camp – Jazz 2011 Jazz Session Selectees Session program selects top high school instrumentalists and singers and brings GRAMMY Jazz Choir them to the host city of the GRAMMY Emma Davis | West Linn, Ore. Awards for a once-in-a-lifetime experience Angelea Taylor | Pittsburg, Pa. where they rehearse, perform, and record Hope Flores | Los Angeles together — often with GRAMMY Award- Kaia Lagoni | Fort Collins, Colo. winning guest artists — at a series of Taylor Daniel | Germantown, Tenn. high profile GRAMMY Week events. The Daniel Stanfill | Manhattan Beach, Calif. GRAMMY Foundation feels an imperative Timothy Nelson | Bothell, Wash. to support jazz as an indigenous American Timothy Ovia | Cincinnati, Ohio art form. Many former members of the Jazz Sessions have gone on have their own successful solo careers, and to perform GRAMMY Jazz Combo with notable artists including Terence William Bridges | Lauderhill, Fla. Blanchard, Chick Corea, Gavin DeGraw, David James | Del Mar, Calif. India.Arie, Branford Marsalis, Wynton Antonio Madruga | Pembroke Pines, Fla. Marsalis, and Christian Scott, as well as Zachary Ostroff | Belvedere, Calif. noted organizations such as the Lincoln Gabe Schnider | Accord, N.Y. Center Jazz Orchestra and the New York Esperanza Spalding performs at Philharmonic Orchestra. The GRAMMY GRAMMY Jazz Band Spaghettini Grill with members Foundation covers all costs for this program, so that all selected students may Patrick Bartley | Coral Springs, Fla. of the 2011 Jazz Session. participate. Tom Kelley | Canton, Conn. Xavier Del Castillo | Carnation, Wash. In 2011, highlights included an appearance on the 53rd annual GRAMMY Awards Ben Solomon | Glencoe, Ill. 8 telecast with Matthew Morrison, Neil Portnow and Esperanza Spalding, again sharing David Leon | Miami, Fla. the stage with Spalding at Spaghettini Grill, and with Sara Bareilles at GRAMMY in the Christian Marrero | Boynton Beach, Fla. Schools Live! at the University of Southern California’s Grand Ballroom. The program, in Enrique Sanchez | Kissimmee, Fla. its 19th year, selected 30 high school singers and instrumentalists representing 30 cities Adam O’Farrill | Brooklyn, N.Y. and 12 states. In addition, nearly $2 million in scholarships is offered to many ensemble Josh Shpak | Walnut Creek, Calif. members by Berklee College of Music, Manhattan School of Music, New School for St. Clair Simmons III | Dover, Pa. Jazz and Contemporary Music, and USC Thornton School of Music. Cory Boris | Kingston, N.Y. Kyle Molitor | Tigard, Ore. This program is supported in part by Capitol Studios & Mastering (EMI Music Chris Palowitch | Pleasanton, Calif. Group), the Ella Fitzgerald Charitable Foundation, Guitar Center Hollywood, Shure, Steven Gordon | Santa Monica, Calif. Daryl Johns SmartMusic, Spaghettini Italian Grill and Lounge, and Zildjian. | Englewood, N.J. Aaron Shapiro | Highland Park, Ill. Evan Sherman | Short Hills, N.J.

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Members of the Jazz Session perform during the GRAMMY Foundation’s GRAMMY in the Schools Live! held at the USC Grand Ballroom in Los Angeles.

Just as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature Schools program honors top public high school music programs with cash grants. Understanding that many schools struggle to maintain a quality 9 program — particularly in rural and urban areas — the Foundation established the GRAMMY Signature Schools Enterprise Award for needs-based applicants in under-served communities. Since the program’s inception, 698 public high schools were selected as GRAMMY Signature Schools and awarded $1,053,500 in grants. GRAMMY Signature Schools is approved by the National Association of Secondary School Principals and MENC: The National Association for Music Education. In 2011, 36 public high schools representing 34 cities and 19 states were selected as GRAMMY Signature Schools.

Beginning in August 2010, the GRAMMY Foundation launched a new extension of GRAMMY Signature Schools called the GRAMMY Signature Schools Community Award in partnership with Best Buy Mobile. To celebrate the opening of new Best Buy Mobile stores, the GRAMMY Foundation identified deserving public high school music programs to receive the Community Award and a financial grant of $2,000 made possible by Best Buy Mobile. During the past year, almost 100 schools received the GRAMMY Signature Schools Community Award. Total dollars granted were in excess of $200,000. In addition, Ice Cube and Kid Rock made special appearances at their respective high schools to join us in presentations. Both artists were so moved by their participation that they generously contributed their own funds to the schools as well. We extend our thanks and appreciation to Best Buy Mobile for their commitment to music education and support of the GRAMMY Foundation.

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2011 GRAMMY Signature Schools Enterprise Award ($5,500 each) Based primarily on financial need

Allendale High School | Allendale, Mich. Arizona School for the Arts | Phoenix, Ariz. Bessemer City High School | Bessemer City, N.C. Bladensburg High School | Bladensburg, Md. Boston Arts Academy | Boston, Mass. Canyon Crest Academy | San Diego, Calif. City Neighbors High School | Baltimore, Md. Claude High School | Claude, Texas Eminence R-1 High School | Eminence, Mo. Emmerich Manual High School | Indianapolis, Ind. Glencliff High School | Nashville, Tenn. Hamilton High School Academy of Music | Los Angeles Honoka’a High School | Honoka’a, Hawaii Iroquois High School | Louisville, Ky. J. Graham Brown School | Louisville, Ky. Madison High School | Madison, N.Y. Mariposa County High School | Mariposa, Calif. Ice Cube joined Middletown High School | Middletown, Md. the GRAMMY Perry-Lecompton High School | Perry, Kan. Foundation to Rocky Mountain High School | Fort Collins, Colo. present a GRAMMY Santee Education Complex | Los Angeles Signature Schools Scotts Valley High | Scotts Valley, Calif. Community Award in South Albany High School | Albany, Ore. 10 partnership with Best Springville High School | Springville, Iowa Buy Mobile to his Stewartville High School | Stewartville, Minn. alma mater Taft High The New Orleans Center for Creative Arts | New Orleans, La. School in Woodland Unity High School | Mendon, Ill. Hills, Calif. 2011 National GRAMMY Signature School ($15,000) Highest-ranking Signature Schools recipient David Leach and two Pioneer Pioneer High School Ann Arbor, Mich. High School Students with local | entertainment lawyer Howard Hertz at GRAMMY Signature Schools 2011 GRAMMY Signature Schools Gold ($5,500 each) presentation at Pioneer High School Recognizes quality string, wind/percussion, & choral performance ensembles in Ann Arbor, Michigan. Allen High School | Allen, Texas David Douglas High School | Portland, Ore. Flower Mound High School | Flower Mound, Texas Neuqua Valley High School | Naperville, Ill. Plano West Senior High School | Plano, Texas Waubonsie Valley High School | Aurora, Ill. grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org 61% White 7% Asian 21% African American 9% Hispanic 2% Pacific Islander

33% Female 67% Male

Based on 134 Schools

4.5% Northwest 42% Southwest 22.5% Northeast 18% Southeast 13% Midwest

Education Programs and Impact

GRAMMY Signature Schools Program/ Cedar Cliff High School | Camp Hill, Pa. Mankato East High School | Mankato, Minn. Community Award Central High School | Tuscaloosa, Ala. Melvindale High Schoo | Melvindale, Mich. Champaign Central High School | Champaign, Ill. Memorial High School | Madison, Wis. Charlottesville High School | Charlottesville, Va. Meridian High School | Sanford, Mich. Chattanooga School for the Arts and Sciences | Modesto High School | Modesto, Calif. Chattanooga, Tenn. Moore Traditional School | Louisville, Ky. Chief Stealth High School Seattle, Wash. North County High School Glen Burnie, Md. 7% Northwest | | Christiansburg High School | Christiansburg, Va. North High School | Eau Claire, Wis. 20% Southwest Cox Mill High School | Concord, N.C. North Olmsted High School | North Olmsted, Ohio 39% Midwest Dunbar High School | Fort Myers, Fla. Oak Leaf High School | Orange Park, Fla. 13% Northeast East Aurora High School | Aurora, Ill. Oakland High School | Murfreesboro, Tenn. 21% Southeast East Central High School | Tulsa, Okla. Okemos High School | Okemos, Mich. East Community Learning Center | Akron, Ohio Portage Northern High School | Portage, Mich. East High School | Denver, Colo. Ramsay High School | Birmingham, Ala. Ellender Memorial HS | Houma, La. Rochester School of the Arts | Rochester, N.Y. Elsie Allen High School | Santa Rosa, Calif. Rogers High School | Toledo, Ohio 2011 GRAMMY Signature Schools Fayetteville High School | Fayetteville, Ark. Romeo High School | Romeo, Mich. Flint Northern High School ($2,500 each) | Flint, Mich. Roseville High School | Roseville, Calif. Fort Vancouver High School Vancouver. Wash. Seminole High School Sanford, Fla. Recognizes excellent performance ensembles & | | Francis Howell North High School St. Charles, Mo. South Hagerstown High School Hagerstown, Md. high quality instruction | | Gateway High School | Aurora, Colo. South Mecklenburg High School | Charlotte, N.C. Davis Senior High School | Davis, Calif. Golden High School | Golden, Colo. St. Petersburg High School | St. Petersburg, Fla. Marin School of the Arts at Novato High | Novato, Calif. Hickory High School | Hickory, N.C. State College Area High School | State College, Pa. Highland Park High School | Topeka, Kan. Stivers School for the Arts | Dayton, Ohio Hiram Johnson High School | Sacramento, Calif. Timken High School | Canton, Ohio 2011 GRAMMY Signature Schools Hirschi HS | Wichita Falls, Texas Troy High School | Troy, Mich. Community Award Schools HL Richards High School | Oak Lawn, Ill. Victor Senior High School | Victor, N.Y. 11 Hoover High School Fresno, Calif. Wayne Memorial High School Wayne, Mich. Alfred Bonnabel High School Kenner, La. | | | Hunters Lane High School Nashville, Tenn. West Vigo High School West Terre Haute, Ind. Appleton East High School Appleton, Wis. | | | Huntsville High School Huntsville, Ala. West York High School York, Pa. Armijo High School Fairfield, Calif. | | | Ingraham High School Seattle, Wash. Westover High School Fayetteville, N.C. Arthur Hill High School Saginaw, Mich. | | | Jefferson Davis High School Montgomery, Ala. Wichita North High School Wichita, Kan. Ashbrook High School Gastonia, N.C. | | | Jefferson High School Rockford, Ill. Willow Glen HS San Jose, Calif. Avondale High School Auburn Hills, Mich. | | | Jeffersontown High School Louisville, Ky. Wilson High School Portland, Ore. Bayless Senior High School St. Louis, Mo. | | | John Ehret High School Marrero, La. Withrow International High School Cincinnati, Ohio Belleville West High School Belleville, Ill. | | | John F. Kennedy High School Chicago Ygnacio Valley High School Concord, Calif. Benson High School Magnet Omaha, Neb. | | | John Marshall High School Rochester, N.Y. Bloomington High School Bloomington, Ill. | | Joliet Central High School Joliet, Ill. Booker T. Washington HS Pensacola, Fla. | The 2011 GRAMMY Signature Schools | Kingston High School Kingston, N.Y. Bossier High School Bossier City, La. | | Landstown High School Virginia Beach, Va. Program is presented with support from: Bowie High School El Paso, Texas | | Lincoln High School Lincoln, Neb. Brandon High School Brandon, Fla. | Best Buy Mobile | Lincoln High School Sioux Falls, S.D. Broadmoor HS Baton Rouge, La. | Ford Motor Company Fund | Lloyd Memorial High School Erlanger, Ky. Capital High School Olympia, Wash. | | Madison High School Portland, Ore. Gibson Foundation Capuchino High School San Bruno, Calif. | | Mandarin High School | Jacksonville, Fla. Hot Topic Foundation Carroll High School | Monroe, La. grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Preservation/Advancement Programs and Impact

Teen Substance Abuse Awareness through Music Contest Our Healthy Essentials programs were augmented this year by the “Teen Substance 2011 Preservation Grantees by Category Abuse Awareness through Music Contest” created to celebrate National Drug Facts Week. In partnership with the National Institute on Drug Abuse and the GRAMMY Foundation, the contest was open to teens ages 14–18. Entrants were asked to compose or create an original song and/or music video that explores, encourages, and celebrates a healthy lifestyle or accurately depicts a story about drug abuse. Composers of all three winning entries had the opportunity to attend a 53rd Annual GRAMMY Awards “Backstage Experience,” a special backstage tour while artists rehearsed for the live GRAMMY Awards show on Feb. 13, 2011, in Los Angeles.

P r e s e r vat i o n / A d va n c eme n t 10% Jazz Programs and Impact 30% Spoken Word/Interview 10%10% LatinJazz The GRAMMY Foundation’s preservation and advancement initiatives foster dia- 10%30% ClassicalSpoken Word/Interview logue about the compelling issues facing the music industry, support projects that 20%10% FolkLatin increase the understanding of music and its role in society and raise public aware- 20%10% OtherClassical ness of the urgent need to preserve our nation’s recorded sound legacy. 20% Folk 20% Other The Grant Program, with funding generously provided by The Recording Acad- emy, awards grants to organizations and individuals in two categories: scientific research studies that advance our knowledge of the impact of music on the human 2011 Research Grantees by Category condition, and archive projects that designed to preserve the music and recorded 12 sound heritage of the Americas for future generations. The Grant Program is seeing more and better qualified applicants each year, and this results in our abilities to fund outstanding, meaningful, and diverse projects. In 2011 — the grant program’s 24th year — grants were awarded to 15 recipients in the United States, Canada and the Dominican Republic. Research projects include a study that will test rehabilitation therapy that uses music to cue and facilitate arm movements in people recovering from stroke; and preservation and archiving initiatives include a project that will protect a long-lost collection of aluminum discs containing more than 100 hours of live jazz performances from the swing era and another that will identify and catalogue the most fragile reel-to-reel recordings of live performances and related oral histories in the collection of the oldest continuously running folk music coffeehouse, Caffè Lena. 60% Neuroscience & Cognition and/or Emotion In 2011, the GRAMMY Foundation was pleased to add an additional $100,000 in 20% Rehabilitative 60% Neuroscience & Cognition funding to the Grant Program to bring the total amount funded to $200,000. 20% Cognition and/or Emotion and/or Emotion 20% Rehabilitative 20% Cognition and/or Emotion grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Preservation/Advancement Programs and Impact

Preservation Implementation

Centro Cultural Eduardo León Jimenes Santiago, The ASCAP Foundation New York | | Dominican Republic Awarded: $15,000 Awarded: $19,828 The goal of the American Society of Composers, This project will preserve Fradique Lizardo’s unique Authors and Publishers Archives is to catalog, folklore recordings and make them accessible to the digitize, preserve, store, and provide access to public. Lizardo is one of the most important Dominican ASCAP’s historical recordings, documents, scores, folklorists, and his recordings, made between 1963 and manuscripts, photos, lyric sheets, and ephemera 1984, document traditional music and dance from all parts relevant to the history of ASCAP and its members of the country and his work with the national folk dance as contributors to American culture. The Library of troupes. Dominican field recordings from this time are Congress will serve as the final repository of these rare, making the Lizardo collection particularly valuable. archives so that the materials can be publically www.centroleon.org.do accessed. www.ascapfoundation.org National Jazz Museum in Harlem | New York Boston Symphony Orchestra | Boston, Mass. Awarded: $20,000 Awarded: $10,000 The National Jazz Museum in Harlem recently acquired the William Savory Collection, a long-lost collection of This project will preserve the only existing aluminum discs containing more than 100 hours of live program masters of Evenings at Symphony ASCAP events, scores and jazz performances from the swing era that haven’t been broadcasts recorded between 1960 and 1970 and transfer the ephemera from such music greats heard since their respective original broadcasts. This as Irving Berlin, James Van Heusen, recordings from an obsolete format into a stable preservation format historic find will have a huge impact on jazz scholarship Harry Tobias, Harold Arlen, Hal that will be made accessible to the public. These master video tapes and programming. This project will begin the urgent work David and Sammy Fain, among are in extremely fragile condition and represent an irreplaceable 13 of cleaning, storing, digitally transferring, and salvaging as other – became part of “The record of a golden era in American musical culture. much of the material as possible. ASCAP Collection at the Library www.bso.org of Congress.” www.jmih.org Center for Cultural and Eco-Tourism-UL Lafayette | Lafayette, La. New York Public Radio | New York Awarded: $10,000 Awarded: $20,000 Funds will be used to retain a highly qualified audio technician to New York Public Radio seeks to preserve a unique sonic assess and transfer the most fragile reel to reel tapes recorded as heritage comprised of music and culture programming far back as 1955 and as recent as 1992 to a stable medium. Once spanning the 1950s–1980s. This archive offers a rare digitized, these materials will be backed up, cataloged and made glimpse into the minds, music and conversations of accessible through the Center’s database, which is searchable online some of the 20th century’s greatest cultural luminaries. and in person. GRAMMY Foundation funding will support the http://ccet.louisiana.edu/ reformatting of a significant portion of this remarkable collection, preserving one of America’s richest broadcasting legacies. www.wnyc.org grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Preservation/Advancement Programs and Impact

Preservation Planning UCLA Film & Television Archive | Los Angeles Northwestern University | Evanston, Ill. Awarded: $5,000 Awarded: $20,000 Caffè Lena Saratoga Springs, N.Y. | UCLA Film & Television Archive holds approximately This study will improve the understanding of the role Awarded: $5,000 17,000 discs in its radio collection. The objective of that musical training plays in sharpening how the Caffè Lena is America’s oldest continuously running folk this project is to complete a preservation assessment nervous system functions within everyday listening music coffeehouse, deemed “a national treasure” by and create an action plan for preservation. Preservation environments. Specifically, the researchers will the Library of Congress. The goal of this project is to considerations will include repackaging the materials determine how childhood music training tunes brain identify and catalog Caffè Lena’s most fragile reel-to-reel into proper archival housing, inventorying, creating a mechanisms responsible for processing speech in recordings of live performances and field recordings catalog record, and establishing a priority for digital noisy listening environments, such as encountered in a (1960–1975) and related oral histories on audiocassettes. transfer. bustling classroom. This historic collection sheds light on New York music www.cinema.ucla.edu www.brainvolts.northwestern.edu history and its impact on the 1960s’ American folksong revival movement. Research Queen’s University | Kingston, Ontario www.caffelenahistory.org Awarded: $20,000 National Museum of American History, Scientific research has convincingly showed that musical Beth Israel Deaconess Medical Center | Boston memory is spared both in normal and pathological Smithsonian Institution Washington, D.C. | Awarded: $20,000 aging, specifically in Alzheimer’s dementia. New Awarded: $5,000 This project will test the efficacy of a rehabilitation exciting directions involve the notion that music elicits The National Museum of American History requests therapy that utilizes musical auditory feedback to cue memories of the past. This project will examine the funding for a conservation assessment of 400 and facilitate arm and hand movements in people with role of familiarity and emotion in supporting these experimental sound recordings — all made by Alexander stroke. Brain imaging techniques will also be used to memories and to explore, through neuroimaging Graham Bell, Thomas Edison and Emile Berliner during assess changes in brain activity and connections that techniques, probable brain sites associated with music the invention of sound recording instruments and media. may underlie behavioral improvements. Results may recall. 14 The conservation assessment will determine which support a new therapeutic intervention in the treatment www.queensu.ca/psychology/mcl.html recordings need conservation treatment, prioritize their of stroke patients with impaired arm function. treatment, assess their housing, and recommend new www.musicianbrain.com/publications.php#index Susan Rogers | Boston, Mass. housings as needed. Awarded: $5,000 www.americanhistory.si.edu New York University New York | Musicians assess the psycho-acoustical properties of Awarded: $20,000 sounds differently than do non-musicians. This study Philadelphia Folksong Society Philadelphia | This project will use two complementary neuroimaging asks music students trained on fixed-, continuous-, or Awarded: $5,000 methods to assess 1) how the brain processes pitch non-pitched instruments to rate the roughness of dyads The project will plan preservation, documentation and changes, 2) how the brain uses pitch changes to control (two simultaneous tones) with the aim of quantifying presentation of significant audio, video and print materials vocalization, and 3) the effects of auditory and vocal how musical instrument training affects perceptual from the Philadelphia Folk Festival (1962–2010). The history training on the brain. Characterizing the anatomical processing. The findings will extend previous study on of this iconic traditional music event includes performances and physiological brain mechanisms is essential for the origins of sensory and music-theoretic consonance from artists such as Elizabeth Cotton, Ramblin’ Jack Elliott, understanding how pitch is processed in healthy and vs. dissonance. Steve Goodman, Mississippi John Hurt, Odetta, Bonnie disordered communication and singing. Raitt, Pete Seeger, and hundreds more. http://psych.nyu.edu/clash/poeppellab/ www.pfs.org grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Preservation/Advancement Programs and Impact

Music Preservation Project The Music Preservation Project is produced each year during GRAMMY Week to heighten public awareness of our work in protecting our cultural legacy. In 2011, “Word Revolution: A Celebration of The Evolution of Hip-Hop” explored hip-hop as an art form, and celebrated the invaluable contribu- Arrested Development tions of the genre and its influence on the American cultural landscape. Presented in association perform at the GRAMMY with Centric, the evening featured live musical performances and historical footage, and was hosted Foundation’s 2011 Music Preservation Project “Word by Kevin Frazier of The Insider. Performers included GRAMMY nominees Marsha Ambrosius, MC Revolution: A Celebration of Lyte, Musiq Soulchild, Phife of A Tribe Called Quest, Paul Wall and Young Chris; GRAMMY winners The Evolution of Hip-Hop.” Arrested Development, DJ Jazzy Jeff, Everlast, Chrisette Michele and Naughty By Nature; Beat Freaks from “America’s Best Dance Crew”; Brave New Voices, DJ Beverly Bond, Kid Capri, Lil’ Mama and DJ Skee.

Arrested Development perform at the The GRAMMY Foundation was instrumental in writing and successfully passing the National GRAMMY Foundation’s 2011 Music Recording Preservation Act. This legislation created a National Recording Preservation Board that Preservation Project “Word Revolution: A Celebration of The Evolution of Hip-Hop.” works with the Librarian of Congress and the public to select entries for the National Recording Registry, ensuring the preservation of these designated historic recordings.

Since passage of the act in 2000 and its reauthorization in 2008, 300 recordings have been added to the registry.

Entertainment Law Initiative The Entertainment Law Initiative is comprised of three components: a legal seminar series, a 15 national scholarship essay competition for law students and a high-profile luncheon during GRAMMY Week that is attended by students, music attorneys, executives and members of The Recording Academy. Since its inception in 1999, the Entertainment Law Initiative has provided $143,000 in scholarships to aspiring law students.

The Entertainment Law Initiative’s Annual Scholarship Luncheon enjoyed significant success in 2011. Attendance increased to more than 450 and revenue topped the $200,000 mark.

Black Eyed Peas front man and GRAMMY Foundation board member will.i.am gave the keynote (Standing) Vice President of the GRAMMY Foundation Scott Goldman; Senior Vice address. This marks the first time a recording artist has addressed the luncheon. ELI also continued President of the GRAMMY Foundation Kristen Madsen; Chief Marketing Officer, Coca-Cola North America Bea Perez; Partner, Loeb and Loeb LLP, and ELI Service its writing competition workshops at law schools around the country. Award Honoree John Frankenheimer; Black Eyed Peas front-man and GRAMMY Foundation Board Member will.i.am; President/CEO of the GRAMMY Foundation The workshops are designed to demystify the process of entering the competition, increase Neil Portnow; Vice Charman of the GRAMMY Foundation Rusty Reuff; (Seated) ELI submissions and awareness and provide interaction with top entertainment attorneys. Runner-Ups Maral Vahdani, Brian Pearl, Dan Carollo and Jay Patel; and ELI Winner ELI’s Legal Seminar Series conducted panel presentation at the Benjamin Cardozo School of Law in William Jacobson attend the GRAMMY Foundation’s 13th Annual Entertainment 2011, as well as DePaul University and the South by Southwest Music Conference. Law Initiative Luncheon & Scholarship Presentation held at the Beverly Hills Hotel on February 11, 2011, in Beverly Hills, California. grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Community Feedback

“Words cannot describe the impact that GRAMMY Camp – Basic Training has had on me. When I was applying to Camp, I did not know what to expect. All I knew was that I had to find a way to be a part of this program. Once I got to Camp, I had no idea that in just 10 days I could have a completely different outlook on everything, my aspiration as a singer and even the person I am. I left Camp with so many new ideas, connections and new pieces of advice that I will always treasure. I was able to learn how to adapt and work with others better than I ever expected. I learned to be patient and to be open to all ideas, to be ready to handle any situation that I am put in. At Camp I had so many amazing opportunities, being able to record, compose, collaborate, and perform with so many inspiring people, instructors and peers. Thank you so much for dedicating so much time and effort, to a program that truly has the power to change lives.” — 2011 GRAMMY Camp

“I just wanted to truly and sincerely thank each and every staff member of GRAMMY Camp and along with the people who donated the scholarship funds. Without them, my daughter would not have had this incredible experience. I can’t seem to find the right words to describe exactly what this experience Music Journalism GRAMMY Camp – has done for her, but it was truly life changing. This has instilled confidence in her and it has showed Basic Training Camper Ryley Mueller her how much more she is capable of and how much more creativity she has inside herself. It has been reporting during LA Guest Professional beneficial and therapeutic on so many different levels. She has met so many wonderful people. I can’t Day at USC. thank you all enough.” — 2011 GRAMMY Camp Parent

“Since I began high school, it has been a dream and goal of mine to be in the GRAMMY Camp – Jazz 16 Session. Now as a senior, I am so happy to have been selected as a pianist in the GRAMMY Camp – Jazz Session for 2011. The honor is very inspiring to me as I broaden my musical experiences from the local, to the state, to now the national level.” — 2011 GRAMMY Camp – Jazz Session Participant

“[Music was] one of the last ways in which we could make a connection on a more personal, intimate emotional level with him.” — Caregivers participating in GRAMMY Foundation-funded research by Dr. Lola Cuddy at Queen’s University, exploring the connection between musical memories spared in Alzheimer’s patients

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Fundraising Initiatives

Throughout the year, the GRAMMY Foundation benefits from our GRAMMY Charity Online Auctions, which feature exclusive VIP experiences and memorabilia presented in partnership with Kompolt at www.ebay.com/grammy and CharityBuzz at www.charitybuzz.com.

Some highlights included the launch of the second annual “Black Friday” auction, which launched the day after-Thanksgiving and targets the massive amounts of shoppers looking for deals on the biggest shopping day of the year. The GRAMMY Foundation also brought one-of-a-kind experiences such as a VIP concert and meet- and-greets with Def Leppard, Keith Urban, an incredible New Years Eve VIP Experience with Coldplay and Jay-Z in Las Vegas and more! Our auctions also featured exclusive music memorabilia signed by Justin Bieber, Lady Gaga, Mick Jagger, Bruno Mars, Lea Michele, and many, many more.

In addition, at the beginning of fiscal year 2012 for its annualS tarry Night benefit, the GRAMMY Foundation hosted Coldplay in Concert presented by Samsung AT&T Summer Krush 2011 benefitting GRAMMY in the Schools music education programs for high school students and schools. The benefit was held at the UCLA Tennis Center in Westwood, Justin Bieber stops by to sign items for California. the GRAMMY Foundation & MusiCares while backstage at rehearsals for For the second year, the GRAMMY Foundation presented GRAMMY in the Schools Live! his performance at the 53rd Annual GRAMMY Awards on Feb. 13, 2011. — a celebration of music and education. Held during GRAMMY Week, this event raised funds and awareness to support the education efforts of the GRAMMY Foundation. GRAMMY In The Schools Live! 2011 featured performances by the GRAMMY Jazz Sessions and student alumni 17 from GRAMMY Camp and GRAMMY Signature Schools with a special guest performance by Sara Bareilles.

The GRAMMY Foundation initiated a series of House Concerts in 2010. These intimate evenings, which were hosted by Board members, featured acclaimed performances by Josh Groban, Corinne Bailey Rae, and LeAnn Rimes to benefit the GRAMMY Foundation.

Sara Bareilles performs with members of the GRAMMY Jazz Sessions at the 2nd Annual GRAMMY in the Schools Live! at the USC Grand Ballroom. grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Fundraising Initiatives

Sponsors

The GRAMMY Foundation’s GRAMMY in the Schools initiatives would not be possible without the remarkable support received from a number of corporate partners:

Best Buy Mobile At the National GRAMMY Camp in 2010, Best Buy pledged to partner with the GRAMMY Foundation to raise $1 million in funding to support music education programs in schools around the country. Funding will be raised from a variety of cause marketing activities over the course of the year. Campbell’s Labels for Education The GRAMMY Foundation continued its partnership with LFE in 2010. In-store promotions featuring the GRAMMY Foundation were run in regional supermarket chains. By the end of fiscal year 2010 the Discovery Through Music curriculum had been downloaded by over 12,000 schools nationwide. Converse Converse came aboard as a first time GRAMMY Camp sponsor in 2010. In addition to financial support, Converse incorporated students in their Connectivity Campaign. Ford Motor Company Fund The Ford Motor Company Fund provided support for GRAMMY Camp – Basic Training programs and GRAMMY Signature School Awards in six selected markets in 2009 and 2010. Additionally, a full scholarship to GRAMMY – Basic 18 Training was offered to a high school music student from each participating market. Gibson Foundation The Gibson Foundation continued its funding support for GRAMMY Signature Schools and GRAMMY Camp — Basic Training nationally.

Sound Matters Sound Matters is a cause marketing partnership between the GRAMMY Foundation, the Starkey Hearing Foundation and Best Buy. Launched in 2008 the campaign continued through both 2010 focusing on the sale of in-ear headphones at over 900 Best Buy stores around the country. The campaign also reinforces the importance of hearing conservation among young music fans.

All of the GRAMMY in the Schools initiatives benefit from the funds raised through these partnerships. We offer our deepest thanks and appreciation to these partners for their vision and creativity in finding new and unique ways to develop the funding necessary to continue our music education programs.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Your Support

As our industry responds to current technological and economic shifts, the need to broaden and sustain our mission increases. Your help is more important now than ever. When considering a charity for your personal contribution or corporate affiliation, please remember that you can make a real difference in the lives of the people we serve through support of the GRAMMY Foundation.

The GRAMMY Foundation Office

3030 Olympic Blvd. Santa Monica, CA 90404 Tel: 310.392.3777 Fax: 310.392.2188 www.grammyfoundation.org www.grammyintheschools.com www.facebook.com/grammyintheschools

The GRAMMY Foundation Community Services Report is published by: The GRAMMY Foundation © 2011 GRAMMY Foundation Contents may not be reprinted without express written permission. The GRAMMY Foundation, MusiCares, GRAMMY, and The Recording Academy and their respective logos are registered trademarks and service marks. Unless otherwise noted, photos courtesy of The Recording Academy, photographed by WireImage.

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2011 Statement of ASSETS Functional Expenses 2011 Financial Position 2011 2011 GRAMMY2010 2010 & 2011 CURRENT ASSETS: GRAMMY Cash and Cash Equivalents $1,503,891 Foundation $945,502 Accounts Receivable 28,208 2011 333,118 2011Foundation Prepaids and Deposits 111,872 GRAMMYFunctional 24,0212011 Revenue 2011 Product Inventory 21,600 Expenses 21,600GRAMMY GRAMMY ______Foundation______GRAMMY TOTAL CURRENT ASSETS ______1,665,571 ______1,324,241Foundation Foundation 44% Contribution/Sponsorship Functional 65% Program Services Foundation 32% The Recording Academy NON CURRENT ASSETS: Functional 15% Management and General Revenue Revenue 3% Grants Property and Equipment, Net 11,393 Expenses 30,385Expenses 20% Fundraising 9% Project Income Board-Designated Investments 3,966,948 3,456,601 44% Contribution/Sponsorship Deferred Compensation Asset 33,086 22,079 65% Program Services 144%2% Investment Contribution/Sponsorship Income 65% Program Services 32% The Recording Academy ______15% Management and General 32% The Recording Academy 15% Management and General 3% Grants TOTAL NONCURRENT ASSETS 4,011,427 3,509,065 20% Fundraising 3% Grants ______20% Fundraising 9% Project Income 9% Project Income TOTAL ASSETS $5,676,998 $4,833,306 12% Investment Income ______12% Investment Income LIABILITIES AND NET ASSETS

CURRENT LIABILITIES: Functional Expenses 2010 Accounts Payables and Accrued Liabilities $342,086 $203,017 Deferred Revenue 340,728 258,625 20 Payable to Affiliate 624,356 477,478 401K Discretionary Liability 2010 ______2010 2010 TOTAL CURRENT LIABILITIES ______1,307,170 ______GRAMMY 939,120 2010 GRAMMY GRAMMY Deferred Compensation Liability 33,086 22,079 ______2010Foundation GRAMMY TOTAL LIABILITIES 1,340,256 961,199Foundation Foundation ______Functional 2010 Foundation GRAMMYFunctional Revenue Revenue NET ASSETS: ExpensesExpenses GRAMMY Board Designated 3,966,948 Foundation 3,456,601 Other Unrestricted Net Assets 140,557 213,069 36% Contribution/Sponsorship 36% Contribution/Sponsorship 55% Program Program Services Services Foundation Temporarily Restricted 229,237 Functional 202,437 38% The Recording Academy 19% Management and General 38% The Recording Academy ______19% Management and General 2% Grants 20% Fundraising Revenue 2% Grants TOTAL NET ASSETS 4,336,742 Expenses 3,872,107 20% Fundraising 15% Project Income ______15% Project Income 9% Investment Income TOTAL LIABILITIES AND NET ASSETS $5,676,998 $4,833,306 ______36% 9% InvestmentContribution/Sponsorship Income ______55% Program Services 38% The Recording Academy 19% Management and General 20% Fundraising 2% Grantsgrammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org 15% Project Income 9% Investment Income Finances and Supporters

REVENUES Revenues 2011 2011 Statement 2011 2010 of Activities 2011 GRAMMY 2009 & 2010 Contributions/Sponsorships 1,992,242 1,469,035 Support from The Recording Academy 1,480,465 GRAMMY 1,561,062 2011Foundation Grants 125,000 65,000 2011 Project Income 384,043 2011Foundation 621,620 GRAMMYFunctional Investment Income 533,758 Revenue2011 385,418 GRAMMY Expenses In-Kind Donations 34,901 GRAMMY 18,639 Foundation ______GRAMMY______Foundation TOTAL REVENUES $4,550,409 Foundation $4,120,774 44% Contribution/Sponsorship Functional 65% Program Services ______Foundation______Functional RevenueRevenue 32% The Recording Academy Expenses Expenses 15% Management and General EXPENSES 3% Grants 20% Fundraising 9% Project Income 44% 44% Contribution/Sponsorship Contribution/Sponsorship 65% Program Services 65% Program Services Program Services $2,606,611 $1,790,102 1 32%2% TheInvestment Recording IncomeAcademy 15% Management and General Management and General 597,236 545,778 32% The Recording Academy 15% Management and General 3% Grants 20% Fundraising Fundraising and Special Events 847,025 1,041,916 3% Grants 20% Fundraising 9% Project Income In Kind Expenses 34,901 18,639 9% Project Income 12% Investment Income ______12% Investment Income TOTAL EXPENSES 4,085,774 3,396,435 ______NET INCOME (LOSS) ______$4,035,345 ______$724,339 ______

Financial information is excerpted from The GRAMMY Foundation audited reports. Revenues 2010 Functional Expenses information is as reported on the IRS 990 filings. 21 2010 2010 2010 GRAMMY GRAMMY2010 GRAMMY Foundation GRAMMY Foundation 2010 2010FoundationFoundation Functional GRAMMYFunctional GRAMMYRevenueRevenue Expenses FoundationExpenses

Foundation 36% 36% Contribution/Sponsorship Contribution/Sponsorship Functional55% Program Services 55% Program Services 38% 38% The The Recording Recording Academy Academy 19% Management and General 19% Management and General Revenue 2% Grants Expenses20% Fundraising 2% Grants 20% Fundraising 15% Project Income 15% Project Income 36% 9% Investment Contribution/Sponsorship Income 55% Program Services 9% Investment Income 38% The Recording Academy 19% Management and General 2% Grants 20% Fundraising grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org 15% Project Income 9% Investment Income Finances and Supporters

$1,000,000 AND ABOVE Ticketmaster “$4,999 TO $1,000” Robins, Kaplan, Miller & Gary Belz William Chavers Toms Shoes, Inc. Ciresi L.L.P. Charitable Cesar Benito William Cobham Best Buy AEG Live LA, LLC Foundation Universal Music Group Tamera Bennett Brittany Coney The National Academy AGM Partners, LLC Roland Corporation U.S. of Recording Arts & Warner Music Group Gary L. Arnold Michael Bereznak Cornelius Crawford Sciences, Inc. Services Frank Scibilia Artesian Entertainment Vincent Berry Carlynn Ferguson Davis Sidley Austin Brown & Group Wood LLP John Beug Douglas S. Davis $100,000 TO $999,999 “$9,999 TO $5,000” Black Women In SoundExchange Lisa Tomiko Blackburn Francis E. Delaney Entertainment Law Anomaly, LLC BET Tickets for Charity, LLC Richard Blackstone Gonzalo De La Torre (on Behalf of Converse) Foundation BMI John Blake D’Manti Diamond Campbell Sales Company Bobbitt & Roberts Bobbie Bailey Brumberger Foundation, UP TO $999 Nik Boca Dorothy G. Bender Ford Motor Company Fund Gary Borman Foundation Inc. Jerry Abbott Joseph Bonavita Tim Bucher Rick Duchateau Anthony Cordova Robyn Abraham Richard Boyd $50,000 TO $99,999 The Cain Foundation Khalel Dumaz Geoff Cottrill David G. Acosta Gabrielle Bozza Cossette Productions Melissa A. Dupee CMGRP, Inc. County of Wayne David Adler Aeden Braddock Fidelity Charitable Gift Fund David Rose Publishing Jeffrey Brabec Tiffany Pamela SanDisk Manufacturing Stephanie Adwar Edmondson John W. Carson Foundation Freecreditscore.com Ashley Brazeal Willard Ahdritz Harold Edwards George L. Jones Front Line Management Nicole Brown $49,999 TO $10,000 Mitra Ahouraian Lee Edwards Guy P. Kroesche Group, Inc. Sandra Brown ASCAP Lucien Allen David M. Ehrlich Lucasfilm Foundation Haber Corporation Vernell Brown California Community David Altschul Michael S. Elkin Mitchell Silberberg & Knupp Lisa Hilton Foundation Claus Altvater Paola Bulloch LLP Hilton Hotels Corporation Daniel Ellis 22 The Coca-Cola Company American Endowment Sonia A. Burda Notes For Education, Inc. Katten Muchin Rosenman Robert L. Emmer Converse Foundation James Byrd Neil R. Portnow LLP Lance A. Epps Davey Silverman Lisa Andazola Maxx Cabello Proskauer Rose LLP LaPolt Law, P.C. Epstein, Becker & Green The Ella Fitzgerald Francis Eldridge Anderson Rami Campbell Russell Rueff Lawrence R. Levy Sydney Everatt Charitable Foundation, Jameil Aossey Gene Caprioglio Sony Music Entertainment Manatt, Phelps & Phillips Jim E. Farmer Gibson Foundation Igor Arkhipov LaKisha Carpenter True Story Pictures Morgan Stanley Elissa Felman Goldman Sachs Ashley Askew Michael Carrasquillo Ziffren Brittenham LLP Munger, Tolles & Olson Corey Field Griffin Technology Jimmy Baldwin Carroll, Guido & Myman Abell Fineman Arlene Fishbach Loeb & Loeb Swagata Ban Banerjee Groffman LLP Greenspan Light LLP Dan Fletcher Mission Fish Brittany Barry Paul Carter The Northern Trust Jack Forman Morgan Keegan & Company Company Da’Marcus Baymon Crystal Cartier Fox Rothschild Nomura Securities Bea Perez Edward Bazel Chris Catalano International, Inc. Paulette Fox Phoenix Restorations, Inc. Jeff Becker Michael Catania Saban Family Foundation Don Erik Franzen Bryan Plater Charles Bein Mario Cepeda Studio One Media, Inc. Angelin Chang (continued on next page) grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org Finances and Supporters

Hillel Frankel Taynay Henderson Grant Larkin Sharon Moy Ritholz Levy Sanders Junior Spencer Dallas Frazier Henry & Elaine Kaufman Law Offices Of David Helfant Steven Nelms Chidekel & Fields LLP Michael Spindler Spencer Gamache Foundation, Inc. Beamen Lawrence Ron Nicolai Adam Ritholz Joseph Stallone Gang, Tyre, Ramer & Fred Hersch Chris Lee Deirdre O’Hara Daniela Rivera Candice Stephenson Brown, Inc. Howard Hertz Susan Lenihan Karen & Don O’Neill Tadric Robinson George Stein Edgar ‘Dino’ Gankendorff Tony Hibbert, Jr. Jonathan Leonard On Board Entertainment Leron Rogers Steve Sterling Grace Garland Willard Hill III Stephen Levitin Steven Pagano Alan H. Rolnick David O. Stiers David Gavilan Hilton HHonors Jeff Liebenson Dorothy J. Papadakos Lita Rosario Anne L. Stowell Giving Back Program Dara Gelbtuch Paul Lipson Richard Parker, Jr. Simon J. Rosen Structured Asset Sales, LLC David Hirshland George T. Gilbert, LLC Ruben Lira Nicholas Patronella Toam Rubinstein Brad Sullivan Jeanne Hoffman Reid Genauer Michele Locatelli Stephen Paul Don Russo Harold L. Sykes Elisabeth Howard Susan Genco Arietha I. Lockhart Corina Peila Mark Saku Thomas Taylor Michele Howard-Flynn Alan Gerber Michael Lowe Chris Pelcer Allon Sams Susan Thomas I-Deal, LLC Felix Girard Ebone Lundy Rupert Perry Amanda Sanchez Michelle Thorpe Stephen Inglis Genhi Givings Lisa Margolis Dhanraj Phagoo Anthony Sanchez William R. Traut Mark Ingram Gregg Goldman David Marshall Phillips, Erlewine & Given LLP Robert Sawyer Oliver Tuthill Frank Ingriselli Seth Goldstein David Mauk Paul Pilsneniks Christian Schmidt Mario Eduardo Vaz De Mello Yocontali Jackson Henry Golis, Jr. Nathan Mayes Jason Pittman Peter Schwinge Rosa Vela Kevin Janeway Tiffany Goolesby Polly Maynard Antoine Pitts Serling, Rooks & John Viguerie Ella Jenkins Ferrara LLP Jason Gordon Scott Mayo Johnny Polidano Fadua Villarroel Michael Johnson Stephanie Joy Schulman Natasha Graham Chuck McAuley Ryan Pool Steven Walz 23 Ella Johnston Robert L. Shames Robert Gregg Deborah McAuley Rikki Poulos Tamara Washington Jeff Jones Shaprio, Bernstein & Co. Miriam Grossman Edwin F. McPherson Eckart Preu Mark Watson Mira Kalyanee Andy Sikorski Ira Grylack Zachary McPherson Matthew Ramer Ayana Webb Michael Karlin Tommy Sims William J. Gunkel Carol McGraw Rick Rand Walt Weiskopf Robert Keen Carmen Skaggs Owen Gwyn Al McLean Rosalind Read Sean Wells John P. Kellogg Bradford Smith Tammy L. Hall Brian McNelis Divya Reddi Bradley G. Wickilund Michael Klvana Caitlin Smith Hard Rock Café Linda Mensch Brenda Reddix-Smalls David Winnie Foundation, Inc. Kobalt Music America Cozetta Smith Brette Meyers Elliot Resnik Sky Wixom Cindy Lou Harrington Heli Kools Taryn Smith Brian Miller Stephen Rich Samuel Woldenberg Maria Harrington Justin Kotraba Willie Smith Rae E. Mock Dorothy B. Richardson Daniel Workman Gabriel Hasselbach David S. Koz Alex Sok Brooke Monroe Warren Riggers April Young Nathan Haug Stacy Kray Erin Spahn Leni & David Moore David Rigney Alejandro Zamora Tom Hayden Keith Kula Dee Spencer Shanna Moore Ned Hearn Thomas Lane grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org