DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978 97th SEASON BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA A\usic Director . TRUST BANKING. A symphony in financial planning. Conducted by Boston Safe Deposit and Trust Company Decisions which affect personal financial goals are often best made in concert with a professional advisor. However, some situations require consultation with a number of professionals skilled in different areas of financial management. Real estate advisors. Tax consultants. Estate planners . Investment managers To assist people with these needs, our venerable Boston banking institution has developed a new banking concept which integrates all of these professional services into a single program. The program is called trust banking. Orchestrated by Roger Dane, Vice President, 722-7022, for a modest fee. DIRECTORS HansH. Estin George W. Phillips C. Vincent Vappi Vernon R. Alden Vice Chairman, North Executive Vice President, Vappi & Chairman, Executive American Management President Company, Inc. Committee Corporation George Putnam JepthaH. Wade Nathan H. Garrick, Jr. Partner, Choate, Hall DwightL. Allison, Jr. Chairman, Putnam Vice Chairman of the Chairman of the Board Management & Stewart Board Inc. David C. Crockett Company, William W. Wolbach Donald Hurley Deputy to the Chairman J. John E. Rogerson Vice Chairman Partner, Goodwin, of the Board of Trustees Partner, Hutchins & of the Board Proctor Hoar and to the General & Wheeler Honorary Director Director, Massachusetts Robert Mainer Henry E. Russell Sidney R. Rabb General Hospital Senior Vice President, President Chairman, The Stop & The Boston Company, Companies, inc. F. Stanton Deland, Jr. Mrs. George L. Sargent Shop Partner, Sherburne, Inc. Director of Various Powers & Needham William F. Morton Corporations Director of Various Charles W.Schmidt Corporations President, S.D. Warren LovettC. Peters Company (A Division Director of Various of Scott Paper Company) Corporations BOSTON SAFE DEPOSIT AND TRUST COMPANY <n> One Boston Place, Boston, Massachusetts 02106 \7 BOSTON SYMPHONY ORCHESTRA SEIJl OZAWA MuiK Dirrdor , Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Seventh Season 1977-1978 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, President Philip K. Allen, Vice-President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Treasurer Vernon R. Alden Nelson J. Darling, Jr. Albert L. Nickerson Allen G. Barry Archie C. Epps III Irving W. Rabb Leo L. Beranek E. Morton Jennings, Jr. Paul C. Reardon Mrs. John M. Bradley Edward M. Kennedy David Rockefeller Jr. Richard P. Chapman George Kidder Mrs. George Lee Sargent Dr. George Clowes Edward G. Murray John Hoyt Stookey Abram T. Collier Trustees Emeriti Harold D. Hodgkinson John T. Noonan Mrs. James H. Perkins Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Walter D. Hill Director of Development Director of Business Affairs Elizabeth A. Young CandiceL. Miller Richard C.White Assistant Director Assistant Director Assistant to the of Promotion of Development Manager Elizabeth Dunton Dorothy M. Sullivan Anita R. Kurland Director of Sales Controller Administrator of Youth Activities Charles Rawson Donald W. MacKenzie KatherineWhitty Manager of Box Office Operations Manager, Coordinator of Symphony Hall Boston Council Niklaus Wyss James F. Kiley Richard Ortner Advisor for Operations Manager, Assistant Administrator, the Music Director Tanglewood Berkshire Music Center Michael Steinberg Director of Publications Programs copyright © 1977 Boston Symphony Orchestra Inc. The Board of Overseers of the Boston Symphony Orchestra Inc. Leo L. Beranek Chairman Mrs. Norman L. Cahners Weston P. Figgins Mrs. Arthur I. Strang Vice Chairman Vice Chairman Secretary Charles F. Adams Mrs.- Thomas Gardiner David G. Mugar Mrs. Frank G. Allen Mrs. James Garivaltis Dr. Barbara W. Newell Mrs. Richard Bennink Mrs. Robert Gibb Stephen Paine David VV. Bernstein Jordan Golding Harry Remis David Bird Mrs. John L. Grandin Mrs. Peter van S. Rice Gerhard Bleicken Mrs. R. Douglas Hall III Mrs. Samuel L. Rosenberry Frederick Brandi Mrs. Howard E. Hansen Mrs. Jerome Rosenfeld Curtis Buttenheim Bruce Harriman Mrs. George Rowland Mrs. Henry B. Cabot Mrs. Richard D. Hill Mrs. A. Lloyd Russell Mrs. Mary Louise Cabot Mrs. Amory Houghton, Jr. Mrs. William Ryan Levin H. Campbell, III Richard S. Humphrey, Jr. Francis P. Sears, Jr. Johns H. Congdon Mrs. Jim Lee Hunt William A. Selke Arthur P. Contas Mrs. Louis I. Kane Gene Shalit Robert Cushman Leonard Kaplan Samuel L. Slosberg Michael J. Daly Benjamin Lacy Richard A. Smith Mrs. C. Russell Eddy Mrs. James F. Lawrence Mrs. Edward S. Stimpson Paul Fromm Roderick MacDougall Mrs. Richard H. Thompson Carlton P. Fuller John S. McLennan D. Thomas Trigg Mrs. Thomas J. Galligan, Jr. Colman M. Mockler, Jr. Roger Woodworth Mrs. Elting E. Morison Richard P. Morse We'd like to give handicapped Icids a free education."^ Yes, free. The Getting School for Handicapped Children offers a 12-year academic program for physically and medically handicapped children with mentally normal capabilities. Included in school services are both vocational and college preparatory training, transportation to and from, medical and dental care, speech and physical therapy, social development, noon meal, testing, recrea- tion and summer camping. Without any cost whatsoever to pai^ents. Right now, we have openings for handicapped children. Please pass the word. Call or write William J. Carmichael, Superintendent, The Cotting School for Handicapped Children, 241 St. Botolph St., Boston, Mass. 021 15, 536-9632. (Formerly Industrial School for Crippled Children.) , ^^.,_. The Cotting School for Handicapped Children is a private, nonprofit, nonsectarian, tuition-free institution supported ' primarily by private legacies, bequests and contributions. ¥^ J^>, ^^^ »< THE Backgammon Cruise. The ultimate Caribbean cruise for Backgammon enthusiasts. Here's your chance to play and learn this fascinating game with Prince Alexis Obolensky, his staff. Grandmasters Champion Tony Goble, and many international stars. Besides tournament play for the Grand Prize Scandinavian Cruise, there will be plenty of time for swimming, sauna, entertainment, and dancing. We leave Port Everglades, Florida, on November 19 and again on April 29, aboard the Vistafjord, flagship of the Norwegian America Line. Ports of call for this 14-night cruise include Haiti, Curacao, Venezuela, and many more. For detailed information, call the Masters of a Fine Art — Faneuil Hall Travel Associates. In Boston: 742-6070, or Cambridge: 661-7555. Faneuil Hall Travel 59 Beacon Street, Boston. 1105 Massachusetts Avenue, Cambridge. The Vistafjord is registered in Norway. Seiji Ozawa Seiji Ozawa became Music Director of the Boston Symphony Orchestra in the fall of 1973. He is the thirteenth conductor of the Orchestra since its founding in 1881. He was born in Hoten, Manchuria in 1935, and studied both Western and Oriental music as a child. He attended Toho School of Music in Tokyo and graduated with first prizes in composition and conducting. Shortly after his graduation, he won first prize at the International Competition of Conducting at Besan^on, France, and was invited by Charles Munch, then Music Director of the Boston Symphony and a judge at the competition, to spend a summer studying at Tanglewood. In 1964 and for the next five seasons, Mr. Ozawa was Music Director of the Ravinia Festival. At the beginning of the 1965-66 season he became Music Director of the Toronto Symphony, a position he relinquished four seasons later to study and guest conduct. In 1970 he accepted the position of Artistic Director of the Berkshire Music Festival, and in December of the same year he began his inaugural season as Conductor and Music Director of the San Francisco Symphony Orchestra, titles that he held concurrently with his position as Music Director of the Boston Symphony. In the spring of 1976 he resigned his San Francisco position although he remained Honorary Conductor for the 1976-77 season. Mr. Ozawa's recordings include: on the Deutsche Grammophon label, Berlioz's Symphonie fantastique, La damnation de Faust, Romeo et Juliette (which was awarded a Grand Prix du Disque), Ives's Symphony No. 4 and Central Park in the Dark, and De Falla's Three-cornered Hat, and, on the New World Records label, Griffes's Songs of Fiona McLeod. Recordings soon to be released are: Bartok's Miraculous Mandarin Suite and Music for Percussion, Strings, and Celeste, Tchaikovsky's Symphony No. 5, Brahms's Symphony No. 1, and Rimsky- Korsakov's Sheherazade, all on Deutsche Grammophon, and Sessions's When Lilacs Last in the Dooryard Bloom'd on New World Records. Violas Bass Clarinet Burton Fine Felix Viscuglia Charles S Dana chair Reuben Green BOSTON Bassoons Eugene Lehner SYMPHONY Sherman Walt Robert Barnes Edward A Tafi chair ORCHESTRA Jerome Lipson Roland Small SEIJl OZAWA Bernard Kadinoff Muiie Dirtctor Matthew Ruggiero Vincent Mauricci Earl Hedberg Contra Bassoon Joseph Pietropaolo Richard Plaster Michael Zaretsky Horns Marc Jeanneret Betty Benthin Charles Kavalovski BOSTON SYMPHONY Helen Sagoff Slosberg chair Charles Yancich ORCHESTRA Cellos Peter Gordon Jules Eskin 1977/78 Phillip R. Allen ohair David Ohanian Martin Hoherman Richard Mackey MischaNieland Ralph Pottle Jerome Patterson First Violins Robert
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • BENJAMIN BRITTEN's USE of the Passacagt.IA Bernadette De Vilxiers a Thesis Submitted to the Faculty of Arts University of the Wi
    BENJAMIN BRITTEN'S USE OF THE PASSACAGt.IA Bernadette de VilXiers A Thesis Submitted to the Faculty of Arts University of the Witwatersrand, Johannesburg for the Degree of Doctor of Philosophy Johannesburg 1985 ABSTRACT Benjamin Britten (1913-1976) was perhaps the most prolific cooposer of passaca'?' las in the twentieth century. Die present study of his use of tli? passac^.gl ta font is based on thirteen selected -assacaalias which span hin ire rryi:ivc career and include all genre* of his music. The passacaglia? *r- occur i*' the follovxnc works: - Piano Concerto, Op. 13, III - Violin Concerto, Op. 15, III - "Dirge" from Serenade, op. 31 - Peter Grimes, Op. 33, Interlude IV - "Death, be not proud!1' from The Holy Sonnets o f John Donne, Op. 35 - The Rape o f Lucretia, op. 37, n , ii - Albert Herring, Op. 39, III, Threnody - Billy Budd, op. 50, I, iii - The Turn o f the Screw, op . 54, II, viii - Noye '8 Fludde, O p . 59, Storm - "Agnu Dei" from War Requiem, Op. 66 - Syrrvhony forCello and Orchestra, Op. 68, IV - String Quartet no. 3, Op. 94, V The analysis includes a detailed investigation into the type of ostinato themes used, namely their structure (lengUi, contour, characteristic intervals, tonal centre, metre, rhythm, use of sequence, derivation hod of handling the ostinato (variations in length, tone colouJ -< <>e register, ten$>o, degree of audibility) as well as the influence of the ostinato theme on the conqposition as a whole (effect on length, sectionalization). The accompaniment material is then brought under scrutiny b^th from the point of view of its type (thematic, motivic, unrelated counterpoints) and its importance within the overall frarework of the passacaglia.
    [Show full text]
  • Berlioz's Les Nuits D'été
    Berlioz’s Les nuits d’été - A survey of the discography by Ralph Moore The song cycle Les nuits d'été (Summer Nights) Op. 7 consists of settings by Hector Berlioz of six poems written by his friend Théophile Gautier. Strictly speaking, they do not really constitute a cycle, insofar as they are not linked by any narrative but only loosely connected by their disparate treatment of the themes of love and loss. There is, however, a neat symmetry in their arrangement: two cheerful, optimistic songs looking forward to the future, frame four sombre, introspective songs. Completed in 1841, they were originally for a mezzo-soprano or tenor soloist with a piano accompaniment but having orchestrated "Absence" in 1843 for his lover and future wife, Maria Recio, Berlioz then did the same for the other five in 1856, transposing the second and third songs to lower keys. When this version was published, Berlioz specified different voices for the various songs: mezzo-soprano or tenor for "Villanelle", contralto for "Le spectre de la rose", baritone (or, optionally, contralto or mezzo) for "Sur les lagunes", mezzo or tenor for "Absence", tenor for "Au cimetière", and mezzo or tenor for "L'île inconnue". However, after a long period of neglect, in their resurgence in modern times they have generally become the province of a single singer, usually a mezzo-soprano – although both mezzos and sopranos sometimes tinker with the keys to ensure that the tessitura of individual songs sits in the sweet spot of their voices, and transpositions of every song are now available so that it can be sung in any one of three - or, in the case of “Au cimetière”, four - key options; thus, there is no consistency of keys across the board.
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • 07 – Spinning the Record
    VI. THE STEREO ERA In 1954, a timid and uncertain record industry took the plunge to begin investing heav- ily in stereophonic sound. They were not timid and uncertain because they didn’t know if their system would work – as we have seen, they had already been experimenting with and working the kinks out of stereo sound since 1932 – but because they still weren’t sure how to make a home entertainment system that could play a stereo record. Nevertheless, they all had their various equipment in place, and so that year they began tentatively to make recordings using the new medium. RCA started, gingerly, with “alternate” stereo tapes of monophonic recording sessions. Unfortunately, since they were still uncertain how the results would sound on home audio, they often didn’t mark and/or didn’t file the alternate stereo takes properly. As a result, the stereo versions of Charles Munch’s first stereo recordings – Berlioz’ “Roméo et Juliette” and “Symphonie Fanastique” – disappeared while others, such as Fritz Reiner’s first stereo re- cordings (Strauss’ “Also Sprach Zarathustra” and the Brahms Piano Concerto No. 1 with Ar- thur Rubinstein) disappeared for 20 years. Oddly enough, their prize possession, Toscanini, was not recorded in stereo until his very last NBC Symphony performance, at which he suf- fered a mental lapse while conducting. None of the performances captured on that date were even worth preserving, let alone issuing, and so posterity lost an opportunity to hear his last half-season with NBC in the excellent sound his artistry deserved. Columbia was even less willing to pursue stereo.
    [Show full text]
  • JOAN SUTHERLAND John Pritchard (1918–89)
    JOAN SUTHERLAND John Pritchard (1918–89). Walthamstow-born, John Pritchard learned his craft as principal conductor of the Derby String Orchestra, before joining the music staff of Glyndebourne in 1947. Appointed Chorus Master in 1949, he was soon sharing major Mozart productions with Fritz Busch, conducting the London Philharmonic Orchestra there and swiftly expanding his repertoire. The company’s Musical Director from 1969 to 1977, he was also a regular guest at the Royal Opera, where in 1955 he conducted the premiere of Tippett’s A Midsummer Marriage. His opera and concert work encircled the globe, with periods at the helm of many companies and orchestras, notably the Royal Liverpool Philharmonic and BBC Symphony. He was knighted in 1983. Though his full diary could result in perfunctory routine, fiery theatricality and a grasp of essentials inform his best work – not least in many studio and off-air recordings made with his ‘home’, Glyndebourne company, and for BBC radio. Joan Sutherland (1926–2010). The world-renowned soprano Joan Sutherland left her Sydney home for London in 1952, with the ultimate aim of singing Wagner. Contracted to Covent Garden, she felt her future lay in heavy, dramatic roles; and her early assignments there included Amelia in Verdi’s Un ballo in maschera and the title role in Aida. Soon her breathtaking agility, crystalline staccatos and unique stratospheric purity became evident – not least as Jenifer in Tippett’s The Midsummer Marriage, followed swiftly by the doll Olympia in Offenbach’s Les contes d’Hoffmann (both 1955). Although increasingly identified with the bel canto repertoire, until her 1959 Covent Garden triumph in Donizetti’s Lucia di Lammermoor she kept her options open.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978
    97th SEASON BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA AI//J-/C Director . TRUST BANKING. A symphony in financial planning. Conducted by Boston Safe Deposit and Trust Company Decisions which affect personal financial goals are often best made in concert with a professional advisor. However, some situations require consultation with a number of professionals skilled in different areas of financial management. Real estate advisors . Tax consultants Estate planners . Investment managers To assist people with these needs, our venerable Boston banking institution has developed a new banking concept which integrates all of these professional services into a single program. The program is called trust banking. Orchestrated by Roger Dane, Vice President, 722-7022, for a modest fee. DIRECTORS Hans H. Estin George W. Phillips C. Vincent Vappi Vernon R. Alden Vice Chairman, North Executive Vice President, Vappi & Chairman, Executive American Management President Company, Inc. Committee Corporation George Putnam JepthaH. Wade Nathan H. Garrick, Jr. DvvightL. Allison, Jr. Chairman, Putnam Partner, Choate, Hall Chairman of the Board Vice Chairman of the Management & Stewart Board David C. Crockett Company, Inc. William W.Wolbach Donald Hurley Deputv to the Chairman J. John E. Rogerson Vice Chairman Partner, of the Board of Trustees Goodwin, Partner, Hutchins & of the Board Proctor and to the General & Hoar Wheeler Honorarv Director Director, Massachusetts Robert Mainer Henry E. Russell Sidney R. Rabb General Hospital Senior Vice President, President Chairman, The Stop & The Boston Company, F. Stanton Deland, Jr. Mrs. George L. Sargent Shop Companies, mc. Partner, Sherburne, Inc. Director of Various Powers & Needham William F. Morton Corporarions Director of Various Charles W.
    [Show full text]
  • Journal of the Conductors Guild
    Journal of the Conductors Guild Volume 32 2015-2016 19350 Magnolia Grove Square, #301 Leesburg, VA 20176 Phone: (646) 335-2032 E-mail: [email protected] Website: www.conductorsguild.org Jan Wilson, Executive Director Officers John Farrer, President John Gordon Ross, Treasurer Erin Freeman, Vice-President David Leibowitz, Secretary Christopher Blair, President-Elect Gordon Johnson, Past President Board of Directors Ira Abrams Brian Dowdy Jon C. Mitchell Marc-André Bougie Thomas Gamboa Philip Morehead Wesley J. Broadnax Silas Nathaniel Huff Kevin Purcell Jonathan Caldwell David Itkin Dominique Royem Rubén Capriles John Koshak Markand Thakar Mark Crim Paul Manz Emily Threinen John Devlin Jeffery Meyer Julius Williams Advisory Council James Allen Anderson Adrian Gnam Larry Newland Pierre Boulez (in memoriam) Michael Griffith Harlan D. Parker Emily Freeman Brown Samuel Jones Donald Portnoy Michael Charry Tonu Kalam Barbara Schubert Sandra Dackow Wes Kenney Gunther Schuller (in memoriam) Harold Farberman Daniel Lewis Leonard Slatkin Max Rudolf Award Winners Herbert Blomstedt Gustav Meier Jonathan Sternberg David M. Epstein Otto-Werner Mueller Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis Gunther Schuller Thelma A. Robinson Award Winners Beatrice Jona Affron Carolyn Kuan Jamie Reeves Eric Bell Katherine Kilburn Laura Rexroth Miriam Burns Matilda Hofman Annunziata Tomaro Kevin Geraldi Octavio Más-Arocas Steven Martyn Zike Theodore Thomas Award Winners Claudio Abbado Frederick Fennell Robert Shaw Maurice Abravanel Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis Esa-Pekka Salonen Leon Barzin James Levine Sir Georg Solti Leonard Bernstein Kurt Masur Michael Tilson Thomas Pierre Boulez Sir Simon Rattle David Zinman Sir Colin Davis Max Rudolf Journal of the Conductors Guild Volume 32 (2015-2016) Nathaniel F.
    [Show full text]
  • A Midsummer Night's Dream Page 1 of 3 Opera Assn
    San Francisco War Memorial 1971 A Midsummer Night's Dream Page 1 of 3 Opera Assn. Opera House The Royal Opera House, Covent Garden Limited (General Administrator: JOHN TOOLEY) and the San Francisco Opera present THE ENGLISH OPERA GROUP ** (Director of Productions: COLIN GRAHAM) in A Midsummer Night's Dream (in English) Opera in three acts by Benjamin Britten Libretto by Peter Pears and Benjamin Britten Based on William Shakespeare Conductor CAST Steuart Bedford Oberon, King of the Fairies James Bowman Production and lighting by Tytania, Queen of the Fairies Jennifer Vyvyan Colin Graham Puck or Robin Goodfellow Clive Molloy Scenery and costumes The Indian Boy Peter Royer Emanuele Luzzati Peaseblossom Marc Beeby Choreographer Cobweb Leslie West Harry Haythorne Mustardseed Andrew Dance Wandsworth School Boys Choristers trained by Moth Peter Marsland Russell Burgess Fairy Neil Baugh Neville Williams John McKenzie Robert Carpenter Turner Angela Moran Patricia Blans David Jones Josephine Adams (10/10) Andrew Kettle Lysander, in love with Hermia Robert Tear Neville Williams (10/15) Demetrius, in love with Hermia Benjamin Luxon Hermia, in love with Lysander but betrothed to Demetrius Carolyn Maia (10/5) Maureen Morelle (10/10, 15) Helena, in love with Demetrius April Cantelo Bottom, a weaver Owen Brannigan Quince, a carpenter Norman Lumsden Flute, a bellows-maker Bernard Dickerson Snug, a joiner Brian Holmes Snout, a tinker Graham Allum Starveling, a tailor Peter Leeming Theseus, Duke of Athens Gerwyn Morgan Hippolyta, Queen of the Amazons, betrothed to Theseus Josephine Adams (10/5) Carolyn Maia (10/10, 15) Philostrate, Master of Ceremonies Paul Wade Courtier Margaret Teggin Alice Hynd Maureen Keetch Richard Gregson (10/15) Robert Carpenter Turner David Hartley John McKenzie Neville Williams *Role debut †U.S.
    [Show full text]
  • The Arts Council of Great Britain
    A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G.
    [Show full text]
  • Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
    Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,
    [Show full text]
  • Download Publication
    COUNCI L *The Lord Cottesloe, G .B.E . (Chairman) *Wyn Griffith, C .B.E ., D .Litt . (Vice-Chairman ) T. E . Bean, C .B.E . *Professor Anthony Lewis Alan L . C . Bullock *Sir John McEwen of Marchmont, Bart ., *Sir William Coldstream, C.B .E., D .Litt . LL .D. *Joseph Compton, C .B.E. The Viscount Mackintosh of Halifax , The Lady Dalton D.L., LL.D. Sir Emrys Evans, LL .D . Hugh Marshal l *Professor Gwyn Jones Miss C . V . Wedgwood, C.B .E . Councillor J . D. Kelly, C.B.E., D . L., J .P., *Hugh Willat t C .A. *Member of Executive Committee SCOTTISH COMMITTE E Sir John McEwen of Marchmont, Bart ., LL .D. (Chairman ) D . K. Baxandall, C .B.E . Charles Grave s Ernest , Boden Councillor J . D . Kelly, C .B.E ., D.L., J .P., Charles Carter, F.M .A., F .S.A. C .A. Colin Chandler Mrs. Eric Linklate r G. E . Geddes The Hon . Mrs . Michael Lyle Esme Gordon, A .R.S.A., F.R.I.B.A., Colin H . Mackenzie, C .M .G. F.R.I.A.S. J. McNaugh t T. Grainger Stewart, C .B., M.C ., T.D ., William MacTaggart, P .R.S.A., Hon .R.A. D.L. Hugh Marshall WELSH COMMITTE E Professor Gwyn Jones (Chairman ) S. Kenneth Davies, C .B.E . Dr . W . Moelwyn Merchan t T. Glyn Davies Principal Thomas Parry, D .Litt ., F .B.A. Sir Emrys Evans, LL.D. Lady Amy Parry-Williams Alex J . Gordon, Dip .Arch ., A .R.I .B.A. Robert E . Presswood David Dilwyn John, C .B.E ., T .D., D .Sc ., Miss Frances Rees, O .B.E .
    [Show full text]