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June 2018 Church of Scotland Scottish Charity No SC003938 Interim Moderator: Very Rev Dr Finlay Macdonald Locum Minister: Rev Nancy Norman
Parish of West Linton St Andrew’s June 2018 Church of Scotland Scottish Charity No SC003938 Interim Moderator: Very Rev Dr Finlay Macdonald Locum Minister: Rev Nancy Norman From our Interim Moderator experienced minister, ordained in 1991. For the past fifteen years he Last month I mentioned that, in terms has been minister at Craigsbank Parish of moving forward, one option under Church, Edinburgh and, prior to that, consideration was interim ministry. I he was minister at St Colm’s Dalry, am now very pleased to report that also in Edinburgh, for twelve years. He over the past few weeks much has is married to Marjory McPherson, also happened in this regard. On 25 April an ordained minister who is Clerk to representatives of Presbytery and 121 the Presbytery of Edinburgh. Before George Street met with the three kirk entering the ministry Stewart worked sessions to hear concerns over the with people with learning difficulties lengthy process and paucity of in health care and social services. information available during these past months of uncertainty. On 3 May In due course details of a service of an excellent presentation on Interim introduction will be intimated. This is Ministry, open to all church members, a very good appointment which will was well received by those who provide helpful leadership as the three attended. congregations move on from these past difficult months. Following this the three kirk sessions and congregations have voted strongly Grace and Peace be with us all, in favour of going down this road and I Finlay have now been informed that the Rev Stewart McPherson has been appointed as interim minister with effect from 16 July. -
2008 Romanesque in the Sousa Valley.Pdf
ROMANESQUE IN THE SOUSA VALLEY ATLANTIC OCEAN Porto Sousa Valley PORTUGAL Lisbon S PA I N AFRICA FRANCE I TA LY MEDITERRANEAN SEA Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology 85 Church of Saint Mary of Airães 87 1. The church in the Middle Ages 91 2. The church in the Modern Period 95 3. Conservation and requalification 95 Chronology 97 Castle Tower of Aguiar de Sousa 103 Chronology 105 Church of the Savior of Aveleda 107 1. The church in the Middle Ages 111 2. The church in the Modern Period 112 2.1. Renovation in the 17th-18th centuries 115 2.2. Ceiling painting and the iconographic program 119 3. Restoration and conservation 119 Chronology 121 Vilela Bridge and Espindo Bridge 127 Church of Saint Genes of Boelhe 129 1. The church in the Middle Ages 134 2. The church in the Modern Period 138 3. Restoration and conservation 139 Chronology 141 Church of the Savior of Cabeça Santa 143 1. -
'This Is Not an Easy Ask'
GENERAL ASSEMBLY SUPPLEMENT JUNE 2021 FREE ‘THIS IS NOT AN EASY ASK’ • Church told that progress so far will be for nothing unless reforms continue • Cut to 600 charges, plus 60 vacancies, by 2025. • Deficit budget of £11m agreed but losses ‘not sustainable in foreseeable future’. • Three presbytery mergers agreed • Disinvestment from fossil fuels companies welcomed • Same-sex weddings in Church of Scotland a step closer • Joint declaration with Scottish Episcopal Church Baron Wallace of Tankerness, Moderator of the General Assembly THE Church of Scotland must keep up its that this is not an easy ask. Every one of us sectarianism, refugees, mental health current pace of change or the sacrifices is a member or minister serving in parishes problems, nuclear weapons and violence in made so far will be for nothing, the 2021 that will be affected by this. We know re- the Holy Land, but warned that ‘there will be General Assembly was repeatedly told. shaping the Church around this will involve hardly any Church left to do all of that’ if it Only the Moderator, conveners and painful decisions. But in the goodness and doesn’t make the necessary reforms and officials were in the hall in Edinburgh for the grace of God we trust.” reverse its decline in numbers. Church’s first full General Assembly in two The Rev Rosie Frew, Convener of the Yet, by the end of the Assembly, the new years, while commissioners spoke and voted Faith Nurture Forum, said: “We are draining Moderator, Baron Wallace of Tankerness, remotely. the resources of the Church - people, was able to say that ‘significant progress’ They heard multiple stark warnings about morale, finance - just to keep this broken had been made. -
Romanesque Architecture and the Scenery
Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology Romanesque Architecture 35 Between the late 10th century and the early 11th century, Western Europe accuses a slow renovation accompanied by a remarkable building surge. In this period, the regional differences concerning ar- chitecture are still much accentuated. While the South witnesses the development of the so-called first meridional Romanesque art, in the North of France and in the territory of the Otonian Empire the large wood-covered constructions of Carolingian tradition prevail. However, it is throughout the second half of the 11th century and the early 12th century that a series of political, social, economical and religious transformations will lead to the appearance and expansion of the Romanesque style. A greater political stability is then followed by a slow but significant demographic growth. In the 11th century, progress in the farming techniques will provide better crops and a visible improvement in the population’s eating habits and life conditions. -
GOTHIC ADVENTURE Exploring the Gothic Style of Washington National Cathedral
ABSTRACT A three-part program that is Common Core friendly and introduces architectural concepts and explores the relationship between gothic architecture, math, science, and art. Each lesson is about an hour. Worksheets and handouts are attached at the end of each lesson. GOTHIC ADVENTURE Exploring the gothic style of Washington National Cathedral 1 1 Gothic Adventure TABLE OF CONTENTS Introduction and Welcome………………………………………………………………ii Curriculum Standards…..………………………………………………………………..iii Part I: The Architectural Landscape………………………………………………....1-12 Part II: It’s Bigger on the Inside…….……………………………………..………..14-22 Part III: What’s in an image? ........………………………….……………………….24-36 Photo Credits…………………………………………………………………………….37 i Gothic Adventure Objectives: After completing the three-part Gothic Adventure lesson plan, students will be better able to a. Analyze their surroundings; b. Identify architectural forms of a Gothic cathedral; c. Explain how those features work together to create a desired effect; d. Communicate and share different perspectives; and e. Cite ways in which math, science, and art achievements of the past have influenced modern architecture through ratios, area, writing, comparing/contrasting, and hands-on activities. Audiences: 1. The primary audience of this program is fifth-grade students (ages 10-11). 2. Teachers may also benefit from the program as a preparatory tool for a visit to Washington National Cathedral or as a primer for teaching fundamentals of gothic architecture in the classroom. Welcome to Washington National Cathedral Washington National Cathedral offers educational materials to enrich the learning experiences of students across the country by helping them connect with engaging content through the art, architecture, and history of the Cathedral. The programs help fulfill the Cathedral’s mission of hospitality and education and are separate from the Cathedral’s religious mission. -
World Mission Council
World Mission Council The Church of Scotland World Mission Council Final Minute 14-15 June 2016 Gillis Centre, 100 Strathearn Road, Edinburgh, EH9 1BB Present: Members: Iain Cunningham (Convener), Susan Brown (Vice-Convener), Val Brown (Vice-Convener), Anikó Schuetz Bradwell (Ecumenical Relations – 15 only), Tom Burnham, Pete Chirnside, Alistair Donald, David Frame, Aftab Gohar, Pamela Gordon, Maureen Jack, Ian Macaulay (15 only), Valerie Macniven, John McCulloch, Graham McGeoch (15 only), Janet Mathieson, Alan Miller, Miller Milloy, Charles Munn, Peter Murdoch, Roy Nelson, Jim Sharp (Presbytery of International Charges), Gordon Strang, Barbara Ann Sweetin, Lorna Tunstall Staff: Ian Alexander (Council Secretary), John Chalmers (Principal Clerk – item 31.3.3 only), Jennie Chinembiri (Africa and Caribbean Secretary), Marjorie Clark (HIV Programme Joint Co-ordinator), Carol Finlay (Twinning & Local Development Secretary), Sheilagh Kesting (Ecumenical Relations – 14 only), Dorothy McMonagle (Minute- taker), Sarah-Jayne McVeigh (HR – 14 only), Angela Ocak (HR – 14 only), Cati Ramsay (15 only), Malcolm Ramsay (Mission Partner – 15 only), Kenny Roger (Middle East Secretary), Catriona Scrimgeour, (Finance Manager), Sandy Sneddon (Asia Secretary), Nicola Whyte (Congregational Learning Development Worker – item 31.5 only), Mirella Yandoli (Interfaith Programme Officer – 14 only) Attending: Catherine MacMillan (Reformation 500 Ambassador), Ling Zaw (Moderator, Presbyterian Church of Myanmar – 14 only) Apologies: Alison Burnside, Tina Kemp, Margaret Lance, Gillian MacPherson, Mukami McCrum, Francis Murphy, Fay Platt (The Guild), Douglas Short Welcome and Introductions The Convener welcomed those present and extended a warm welcome to the six newly appointed Council members and to Rev Catherine MacMillan and Rev. Ling Zaw. Constitution The Convener led the Council in worship and the meeting was constituted with prayer. -
Rev. Susan Brown
Y PA RR RISH FE C S H N U E R Queensferry Parish Church E C U H Q G r r e o s w o i l ng C November 2017 W er MAGAZINE ider Deep Travelling together It’s that time of year again – on a blue sky clear day you might be out for a walk when above you in the sky you hear the sound of honking geese. Their pattern of flight is often beautiful to watch – a V formation ensures some vital energy saving features. Research has shown that there is good sound reasoning behind such a formation for as each bird flaps its wings it creates uplift for the bird behind it. By flying in a V formation, the whole flock adds 71 per cent greater flying range than if each bird flew on its own. Have you been in leadership for a while and feel you’ve lost something of that initial vision and passion – maybe Whether geese or people and yes even church – when time back in the team might refresh you and at the same sharing a common direction and sense of community then time enable someone else to step up and lead the way for we travel better and further than we would alone. a season. When the lead goose in the V formation begins to flag it Maybe you haven’t yet found your wings and hanging falls back into line to pick up a lift from the bird in front, about in the field is how you feel at the moment. -
1 Classical Architectural Vocabulary
Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice. -
Kalamazoo College Harry T
DonorHonor2012-2013 Roll July 1, 2012 - June 30, 2013 Kalamazoo, Michigan Associate Science Director for Research, Marketing Trustees Hans P. Morefield ’92 and Extramural Programs Senior Vice President, Strategic Members of the Board Walter Reed Army Institute of Partnerships Alexandra F. Altman ‘97 Research SCI Solutions Chicago, Illinois Silver Spring, Maryland Katonah, New York Eugene V. N. Bissell ‘76 Donald R. Parfet Gladwyne, Pennsylvania Emeriti Trustees Managing Director John W. Brown H’03 Roger E. Brownell ’68 Apjohn Group, LLC Portage, Michigan President Kalamazoo, Michigan Golf & Electric Carriages, Inc. Rosemary Brown Jody K. Olsen Fort Myers, Florida Portage, Michigan Visiting Professor University of Jevon A. Caldwell-Gross ‘04 Maryland Baltimore Lawrence D. Bryan Pastor Baltimore, Maryland Martinsville, Indiana Hamilton Memorial United Methodist Gail A. Raiman ‘73 Phillip C. Carra ’69 Church Arlington, Virginia Fennville, Michigan Atlantic City, New Jersey Christopher P. Reynolds ‘83 Joyce K. Coleman ’66 Erin M.P. Charnley ‘02 General Counsel and Chief Legal Dallas, Texas Dentist Officer Blue Water Dentistry, PLC James H. C. Duncan, Sr. Toyota Motor Sales, USA Inc. Hudsonville, Michigan Santa Fe, New Mexico Torrance, California James A. Clayton ‘78 Marlene C. Francis ’58 William C. Richardson Senior Managing Director Ann Arbor, Michigan College Professor of Policy General Electric Capital Kalamazoo College Harry T. Garland ’68 Norwalk, Connecticut Kalamazoo, Michigan Los Altos Hills, California Amy S. Courter ’83 James A. Robideau ’76 Alfred J. Gemrich ’60 President General Manager Kalamazoo, Michigan International Air Cadet Tecumseh Packaging Solutions, Inc. Exchange Association Otha Gilyard H’01 Van Wert, Ohio Ottawa, Ontario, Canada Columbus, Ohio Mary Beth Sarhatt Harold J. -
Old House Guide Glossary/Index of Terms -A- Abutment- a Solid
Old House Guide Glossary/Index of Terms -A- abutment- a solid piece of masonry used to support a projecting part of a structure acanthus- a common plant of the Mediterranean, whose leaves, stylized form the characteristic decoration of capitals of Corinthian and Composite orders. In scroll form it appears on friezes, panels, etc. adobe- mud brick dried in the sun; unburned brick of earth and straw; a structure made of such adaptive use- modifying a building for a use different from that for which it was originally designed. Old houses, for example are often adaptively used as professional offices. adobe- a sun-dried, unburned brick of earth and straw; a structure made of such bricks anthemion- a common Greek ornament based upon the honeysuckle or palmette; used singly or as a running ornament in friezes, cornices, iron work, etc; very adaptable decoration apron- “a decorative, raised panel immediately below a window sill. Particularly to be seen in Renaissance architecture” arcade- a series of arches supported by columns or piers; a building or part of a building with a series of arches often forming a covered passageway arch- “a structure of wedge-shaped blocks of material over an opening which support one another by mutual pressure basket- arch constructed with arcs from 3 centers resembling the handle of a basket compound, recessed- doorway, where a number of concentric arches are set within and behind each other; a series of arches, one on top of another, growing smaller as they move away from the surface and into the interior of the structure, a form of décor detailing used for the enhancement of the main portal or window. -
Burgundian Gothic Architecture
BURGUNDIAN GOTHIC ARCHITECTURE ROBERT BRANNER DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY COLUMBIA UNIVERSITY, NEW YORK A. ZWEMMER LTD LONDON tjj V1 © 1960 A. ZWEMMER LTD, 76-80 CHARING CROSS ROAD, LONDON WC2 MADE AND PRINTED IN GREAT BRITAIN BLOCKS ETCHED BY W. F. SEDGWICK LTD, LONDON SEI TEXT AND ILL USTRATIONS PRINTED BY PERCY LUND, HUMPHRIES AND CO. LTD, BRADFORD BOUND BY KEY AND WHITING LTD, LONDON NI Contents List of Plates I. Auxerre Cathedral, the interior of the chevet 2a. Anzy Ie Due, the nave 2b. Paray Ie Monial, the nave 3a. Fontenay, the nave 3b. Pontigny, the nave 4a. Fontenay, the chapter house 4b. Vermenton, detail of the nave sa. Bar sur Aube, St Pierre, the exterior of the chevet sb. Bar sur Aube, St Maclou, detail of the nave 6a. Chablis, St Pierre, the nave 6b. Montreal, the crossing and apse 7a. Langres Cathedral, the interior 7b. Bar sur Aube, St Maclou, the nave Sa. Sens Cathedral, the interior of the chevet sb. Chablis, St Martin, the hemicycle 9a. Auxerre, St Eusebe, the nave 9b. Vezelay, the interior of the chevet 10. Pontigny, the interior of the chevet lIa. Canterbury, a detail of Trinity Chapel IIb. Geneva, former Cathedral, a detail of the choir 12a. Troyes, Madeleine, a detail of the choir I2b. Sens Cathedral, a detail of the north tower wall 13a. Auxerre Cathedral, the north aisle of the chevet 13b. Clamecy, St Martin, the ambulatory wall 14. Auxerre Cathedral, an exterior detail of the hemicycle clerestory IS. Auxerre Cathedral, a detail of the clerestory and triforium 16a. -
The Theory of Gothic Architecture and the Effect of Shellfire at Rheims and Soissons
Archaeological Institute of America http://www.jstor.org/stable/497550 . Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Archaeological Institute of America is collaborating with JSTOR to digitize, preserve and extend access to American Journal of Archaeology. http://www.jstor.org rchtbaeotlogictal Ifntitute of •merica THE THEORY OF GOTHIC ARCHITECTURE AND THE EFFECT OF SHELLFIRE AT RHEIMS AND SOISSONS I THE PROBLEMS IN THE THEORY OF GOTHIC To the student who makes a careful review of the present writ- ers on Gothic, it is evident that there is a considerable diver- gence of opinion among them. This divergence is not only in regard to its origin and its historical development, about which there must always be differing theories, nor in the limitation of the term to a greater or less number of buildings and provinces, but it is a variance in the theory of the determining principles themselves and of the-main features of the buildings. Appar- ently the theory of Gothic is still undergoing modifications, in spite of the serious works of several authors who have endeav- ored to present a comprehensive and final view of it.