DOCSLIB.ORG

Law Students Rally to Support Faculty Diversity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Law Students Rally to Support Faculty Diversity 111v ilelp(11m4in lid Silos - aren't - ---- - square. NtOEoNl(ll OLUME r3a NdUthMBhh . Er4ly3l 4 od VOLUME 83, NUMBER 134 THURSDAY, APRIL 5, 1990 APPLAUSE Law students rally to support faculty diversity By GEOFF BOUCHER is to build on that, to educate students about One of the law students participating. become available This year the committee looked at more than 500 resumes for about Alligator Staff Writer the importance of a diverse faculty and to Neal Stanley, said variety among the back- let the faculty know we are concerned with ground of instructors will improve the learn- five spots, Rush said. Law students across the country will boy- diversity " ing process for all students 1The National Student Strike for Diversity cott classes today to protest faculty hiring College of Law Dean Jeffrey Lewis said Day was set up by the New York-based practices, but students at UF have decided .Having people who reflect society's di- he shares Rosenberg's concern about a fac- versity creates a better understanding of National lawyers Guild, a 9,000-member patting their school on the back may accom- ulty that has 55 professors who have tenure group of attorneys, legal workers and law plish more than slapping it in the face differences, which builds a greater sensitiv- or qualify for it. Of (hose, seven are women ity to those differences," Stanley said. "It students. Guild Executive Director Michael While protesters at Florida State Univer- and four are black. Two of those female Cowan said the annual event was inspired sity and Harvard University skip lectures, also provides role models Students can, professors were hired this year, along with identify with professors with similar back- by a University of California at Berkeley UP law students will stage a rally and wear the college's first Hispanic professor, Lewis student protest in 1988 and wii have stu- rainbow-striped ribbons to symbolize the grounds and experiences a little easier It's said. just another way to help out students.' dents from moe than 40 law schools partic- racial diversity they want in the faculty. Rally ipating this year. organizers say their plans are a sign of "When Icame here in 1972, we didn't have Law Professor Sharon Rush said the 11- support, not protest anywomenon thefacultyandwedidn'thave member committee that screens candidates The Informed Student Coalition, the I7he committee (responsible for faculty any blacks on the faculty," Lewis said. "Isee for law faculty spots has done a good job of Black Law Student Association, the John nominations) is doing a fine job and the the hirings we've made as a sign of change, identifying qualified women and minorities. Marshall Bar Association, the Law Associa- students in the college are doing better with of progress. We're not by any means where Rush said its "sincere commitment" to di- tion for Women and the Environmental Law showing interest in faculty hiring," rally we should be. We have a good long way to versity may not be reflected by overall ratios Association are all uniting to sponsor UF's organizer Robin Rosenberg said. "iis rally go. because of the low number of positions that awareness day. Workers unaware of dorm's exposed asbestos air readings where unaware By GEOFF BOUCHER it'spretty much a caseofiiscom- Alligator Staff Writer munication," Grimm said "As workers may have disturbed the long as they don't touch it or insulation. Electrical workers have spent bump into it, everything should Housing custodian Anthony three weeks working within be fine." Smith, 24, says he didn't know arm's reach of asbestos-lined UF Environmental Health and there was any asbestos in the pipes in Hume Hall ceilings, as Safety Director William Pro- building he has spent the last unaware of the cancer-causing perzio said workers should al- three months working in. material as the students walking ways be notified about the "I really think it's bad," Smith beneath their ladders. presence of possiblehazards, but said. "I'll tell my workers about Workers for electrician Carlos he also said this specific location it. Why are they working around Hope am wiring fire alarms and may not be dangerous. He said it now? They should do it when the back-up power system as manyas 400 campusbuildings there's nobody here " throughout the building's hall- contain asbestos, but none have While the electrical workers ways, but an apparent communi- the carcinogen in an "air-carried stood on ladders in the narrow cation lapse kept some workers form," theonly threatening form. hallways Wednesday, students in the dark about the presence of 'We took air samples and we squeezed through on their way asbestos above their heads. didn't find a building, or a site to the bathroom or kitchen "I don't know if it's asbestos or within a building, where there Sophomore Dan Margrey, a not, said a worker who asked was a reading indicatingiany dan- ground floor resident, said the not to be identified. "I'm really ger," Properzio said. 'When it's students have to leave their fate not qualified to say. If it is, I'd be air-carried, it can be inhaled, to the expertise of workers. worried about it though. When then it can get lodged in the lung. "I don't know what require- you work around pipes, you do Since it's almost chemically what you hase to do, what you're ments there are," Margrey mid. inert, it doesn't get dissolved by "You just have to hope they take told to do. But I'd be worded. I the body." don't like having my lungs all the precautions necessary. I blocked up." Asbestos, a combination of don't know if they are or not." UF Housing Director James several minerals, is an effective Wednesday afternoon, Grimm Grimm said he Informed Hope's insulator, but the microscopic fi- said he called Hope Electricians firm about the asbestos in Hume bers were identified in the 1960s; to remind them of the asbestos. Hall before the project began. ABA cause of cancer and diseases "I just got off the phone with "Miscommunlcation. I think similar to the "black lung" found the contractor and I told him in coal miners, Propertio said. 'Hey, tell your workers we have "We perform follow-up sur- asbestos up there' and he said veys every six months because 'Ihey know, I told them already' the situation can change," Pro- and I said, 'Well, maybe you perzio said. "If something falls didn't,'" Grimm said. "in any down, or a pipe leaks and some- case, I told them to come out in thing slips, the asbestos can be- the morning and tell their guys come air-carried. le' something they're working about 18 inches we have to keep up continual away from the stuff, work on." "I also told them that if they In areas where workers had come across anything of con- removed ceiling panels Wednes- cern, to call me up and well take day, there were visible rips in the a look at it," Grimm said. asbestos lining, frayed edges one Employees at Hope's firm said MT St SUZEm CO -m ST Above: A UF student walks pst open ceiling tiles in Hume Han worker said were present before only the owner could comment whoe, right, pipes expose the cancer-causing material asbestos. their work began. Properlo said on the situation. He did not re- he would send a survey team to turn phone calls Wednesday al. Hume Hall this morning to take ternoon. 3 LA - 24 ALLGATIOR. THURSDAY. APRIL S I990 I RAMADA INN SURFSIDE - I WHAT'S HAPPENING I 3125 S ATLANTIC AVE DAYTONA BEA DCHAYTNAC, FIL32118 1 Education: Joseph Reozulli and Consolidation: The Alachua fiction writer Karen Gilchrist will * UNIVERSITY OF FLORIDA e Sally Reis from the University of County Consolidation Commission read from their works tonight at 8 at Connecticut will speak today at I in will meet today at 5 30 Call Grace Goerings. Call 395-0777. "BEACH PASS" the P K. Yonge Laboratory School Knight. 374-5210. Project 99: Nikita IMani will ALL OCEANFRONT ROOMS. RESTAURANT. AND LOUNGE AAA RATED I Auditorium. Open to the public Call Video club: The Crosscut Film give a Black History Lecturetomnght WEEKDAYS INCLUDES) WEEKDAYS I 392 1554. ext.39. and Video Society will meet tonight at 7 in Turlington Hall Room 2336. $4400- WELC EKTAt Fo 2 $48" Po11s: The Political Science at 6 in Turlingion Hall Room 2322. Call David, 3778875 1 TO 4 PEOPLE Cc MFNTA EAST Fo 2 1 TO4 PEOPLE Honorary will meet today at 4 30 in Call Rob 336-4349. spring Filing: Friday's celebration VIDAT-E-ATCEK-N- Fine Ars Building C Room 120 The Pe-legal: The Pre-legal last from 10to 230 on the Reitz - EA-CHPA -T - banquet is tonight at 7:30 at Great Honorary Society will meet tonight Union North Lawn and will include LIMrTEDSaCE Steaks. Call Sherri. 332-7867 or Dan, at7.30 in Reitz Union Room 349. Call robotic boxing, tug-of-war, a limbo L CALL NOW I-WD255-383M 373-8025. Eric, 375-4119. contest and more. Call 392-1655. FUm The Center for Latin Ideal man: Alpha Kappa Alpha is Easter gifts: The Gainesville American Film Series is showing sponsoring a Men of the '909 Jaycees ar collecting canoed goods JunglePharacy todayat5:15in Tur- Pageant tonight at 7 in the Shands and small toys for the needy for lna c,,%% IC 495-9562orthe lington Hall Room 2353.
Load more

Recommended publications
  • Tactical Biopolitics: Art, Activism, and Technoscience (Leonardo Books)
    Tactical Biopolitics Art, Activism, and Technoscience edited by Beatriz da Costa and Kavita Philip Popular culture in this “biological century” seems to feed on proliferating representations of the fears, anxieties, and hopes around the life sciences, at a time when such basic concepts as scientific truth, race and da Costa and Philip, Tactical Biopolitics gender identity, and the human itself are destabilized Beatriz da Costa does interventionist art using new media/biology/art in the public eye. Public and expert discourses have computing and biotechnologies, and Kavita Philip converged to grapple with the ethical and creative studies colonialism, neoliberalism, and technoscience “Scientists and engineers, if they care for a better world, must more fully understand Tactical Biopolitics challenges that lie at the intersections of life, science, using history and critical theory. Both are Associate the consequences of their actions. Artists must learn more about science and take up and art. What do inquiring, curious, or anxious publics Professors at the University of California, Irvine. the challenge of illuminating our technological world to those who are shaping it. Both need to understand about biology and its current communities, in making their work more accessible to the other, will benefit. Not everyone Art, Activism, and Technoscience research frontiers? How might scientists assess myriad A Leonardo Book will agree with the politics argued here—but that is fine. The need for dialogue has now and often contradictory concerns about
    [Show full text]
  • VIDEO COLLECTION: North Carolina Biotechnology Center
    North Carolina Biotechnology Center Video Loan Program V-1 VIDEO COLLECTION: North Carolina Biotechnology Center Note: All videos are in VHS tape format, except where otherwise noted. Biotechnology Career-Related Videos 1. Agricultural Biotechnology: A World of Opportunity (1996), 14 min., Careers 2. Bioscience: Real Jobs, Real People (1999), 10 min., Careers This short video follows four high school students as they visit working companies on "Bioscience Career Day." Students talk with individuals representing a broad range of career tracks such as research, product development, manufacturing and management. Employees explain their day-to- day responsibilities and offer advice about pursuing a bioscience career. In addition, some common misconceptions about employment in the bioscience industry are discussed. For example: A Ph.D. is not a requirement for employment, as many believe... in fact, entry-level positions are often available at all education levels. The video is accompanied by a lesson plan that provides a motivational activity, a class activity and suggestions for closure and extensions. 3. Biotechnology: The Choice for Your Future (1992), 9 min., Careers 4. BioWork Process Overview (2001), 16 min., Careers This video can be used to enhance student career awareness of the growing employment opportunities within the bioprocess manufacturing industry. Opportunities presented here might be particularly attractive to vocationally-oriented students that have taken a biology or chemistry course. The piece features interviews with bioprocess technicians and managers employed by North Carolina biotechnology and pharmaceutical manufacturers Novozymes, Biogen, and Wyeth-Lederle. Viewers get a virtual tour of the manufacturing environment and hear first hand from employees about the significance of and satisfaction they receive from their jobs.
    [Show full text]
  • Oct/Nov 2019
    CTAVIANTHE Octavia Books’ bi-monthly newsletter for booklovers Voted Best Locally Owned Bookstore Octob er / No vemb er 2 019 Epic Human Experiences Olive, Again The Water by Elizabeth OCTAVIA BOOKS Dancer Strout 513 Octavia Street by Ta-Nehisi #1 NYT bestselling New Orleans, LA 70115 author and Pulitzer 504-899-READ (7323) Coates Prize winner Elizabeth octaviabooks.com Hiram Walker was born Strout continues the into bondage. When his life of Olive Kitteridge, [email protected] mother was sold, Hiram a character who has cap- was robbed of all memory tured the imaginations STORE HOURS of her—but was gifted with of millions. Prickly, wry, Open 10 am - 6 pm a mysterious power that, resistant to change yet years later, saves him from a empathetic and ruthlessly Monday - Saturday near drowning. This brush honest, the iconic Olive Sunday 10 am - 5 pm with death inspires Hiram to escape from the only home he’s ever struggles to understand not only her own life but the known, and the resulting journey takes him from Virginia’s planta- lives of those around her in Crosby, Maine. Whether tions to guerrilla cells in the wilderness. Even as he’s enlisted in the with a teenager coming to terms with the loss of her underground war between slavers and the enslaved, Hiram resolves father, a woman about to give birth during a hilariously to rescue the family he left behind. This is the story of an atrocity inopportune moment, a nurse who confesses a high inflicted on generations of women, men, and children—the violent school crush, or a lawyer who struggles with an unwanted and capricious separation of families—and the war they waged to inheritance, the unforgettable Olive will continue to simply make lives with the people they loved.
    [Show full text]
  • Project LIFE, 1963-1975. Final Report. INSTITZTION National Foundation for the Improvement of Education
    'DOCUMENT RESUME , ,ED 117 878 95 EC 081 113 AUTHOR jPfau, Gleiln S. TITLE 'Project LIFE, 1963-1975. Final Report. INSTITZTION National Foundation for the Improvement of Education, - S-PiaNIRC-J,r---=-13tg==o-f- -Um-oat-ion- foi the Handicapped -CDH-EM/OE), washing'or, D C- PUBDATE Nov-75 NOTE , 182p.; For related information; see.ED 073.609, 085 9.84, and 098 764 ..- EDRS PRICE MF-$0.83 HC-$10.0.3 Plus Postage DESCRIPTORS *Aurally Handicapped; Elementary Seconder Education; Exceptional Child Research; *Filmstrips; Infwmation Dissemination; Instructional Materials; *InstrUctional Media; *Language Programs; *Programed. Instruction IDENTIEILRS Final Reports; Project LIFE ABSTRACT Presen d is the final report on Project Life (Language Improvement o Facilitate Education), a 12-year (1963-75) project which developed filmstrips and supplementary materials for teach±ng,language to deaf children. General-overview and historical review sections include information on proj ' goals and objectives, administration agencies and associated ind viduals, and funding. Discussed is the rationale underlying the(e.'"hree instructional content areas: perceptual training, perceptual thinking, and language Feeding. The next three sections focus on a historical tracing of hardware development, marketing/dissemination, and evaluation of Project LIFE materials. Summariied in a final chapter on 1971 systems development accomplishments are the contents of a picture dictionary, 12 biography filmstrips,. and 104 programed filmstrips on topics such as plants, health, and the universe. Appendixes include lists of project:LIFE field test centers, consultants, publications, research and evaluation studies, research and evaluation forms, and marketing and consultant.critique information. (LS) ********************************Ic****************#******************* Documents acquired by ERIC include many informal unpublished * materials not available from other sources.
    [Show full text]
  • Report Log for Bibliography Report Bibliography Scheduled As Science
    Report Log for Bibliography Report bibliography scheduled as science/technology books added 2012-2013 Bibliography using full text searching with selection qualification. Symphony catalog selection 3.4.1 started on Tuesday, September 3, 2013, 9:26 AM The catalog file will be read sequentially by primary key. The catalog key will be written to standard output. The author key will be written to standard output. The title key will be written to standard output. Catalog records will be selected if format is MARC. Catalog records will be selected if the date modified is later than 6/30/2012 and earlier than 9/4/2013. Catalog records will be selected if the last modification login name is CLOVE or JCORREA. Catalog records will be selected if they are NOT review records. Symphony catalog selection finished on Tuesday, September 3, 2013, 9:26 AM SQL: SELECT catalog_key,marc,marc_file,format FROM catalog WHERE (review = 0) AND FORMAT IN (2) AND (CAST(CAST(DATE_MODIFIED AS Date) As datetime2) > convert(datetime2,'20120630',112)) AND (CAST(CAST(DATE_MODIFIED AS Date) As datetime2) < convert(datetime2,'20130904',112) AND DATE_MODIFIED > convert(datet ime2,'19000101',112)) AND MODIFY_NAME IN ('CLOVE','JCORREA') Symphony call number selection 3.4.1 started on Tuesday, September 3, 2013, 9:26 AM The catalog key will be read from standard input. The callnum primary key will be written to standard output. The shelving key will be written to standard output. The string from standard input will be written to standard output. Callnums will be selected if the call number is more than Q and less than TZ.
    [Show full text]
  • The Alchemist
    Contents International Acclaim for Paulo Coelho’s Foreword Prologue Part One Part Two Epilogue A Preview of Paulo Coelho’s: Warrior of the Light Warrior of the Light: Prologue About the Author Also by Paulo Coelho Back Ads Copyright About the Publisher International Acclaim for Paulo Coelho’s THE ALCHEMIST “The story has the comic charm, dramatic tension, and psychological intensity of a fairy tale, but it’s full of specific wisdom as well. A sweetly exotic tale for young and old alike.” —Publishers Weekly “Beneath this novel’s compelling story and the shimmering elegance with which it’s told lies a bedrock of wisdom about following one’s heart.” —Booklist “As memorable and meaningful as Saint-Exupéry’s The Little Prince.” —Austin American-Statesman “A touching, inspiring fable.” —Indianapolis Star “A little poke in the ribs from on high.” —Detroit Free Press “The Alchemist is a fabulous success.” —Der Spiegel (Germany) “A remarkable tale about the most magical of all journeys: the quest to fulfill one’s destiny. I recommend The Alchemist to anyone who is passionately committed to claiming the life of their dreams—today.” —Anthony Robbins, author of Awaken the Giant Within “An entrepreneurial tale of universal wisdom we can apply to the business of our own lives.” —Spencer Johnson, M.D., author of Who Moved My Cheese “An adventure story full of magic and wisdom.” —Rudolfo Anaya, author of Bless Me, Ultima “The Alchemist is a beautiful book about magic, dreams, and the treasures we seek elsewhere and then find at our doorstep.” —Madonna in Sonntag Aktuell (Germany) “The Alchemist is an unabashed delight and inspirational wonder.
    [Show full text]
  • Language Parasites
    language parasites Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press @ https://punctumbooks.com/support If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contributions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our adventure is not possible without your support. Vive la open-access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) language parasites: of phorontology. Copyright © 2017 by Sean Braune. This work carries a Creative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute thew work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoev- er, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2017 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-0-9985318-6-1 ISBN-10: 0-9985318-6-3 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J.
    [Show full text]
  • Making Metadata: the Case of Musicbrainz
    Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation.....................................................................................
    [Show full text]
  • A SINGER PREPARES Act II. Musicality
    A SINGER PREPARES Act II. Musicality Anne Sofie von Otter teaching during the Udo Reinemann sessions in Brussels, February 2016 (photo from personal archive). Aphrodite Patoulidou Voice Scholar of Onassis Foundation Professor: Dinah Bryant Koninklijk Conservatorium Brussel June 2016 35 TABLE OF CONTENTS ACT II: MUSICALITY 1. Bridge 38 2. Episode 4: Travel Documents 39 Identification 40 Choice of repertoire and Pandora’s “Fach” 41 Episode 5: Take The Trip 43 Conquering land 43 Inspiration 45 Fear 46 Emotion and La Vie Intérieur 47 Frustration 48 Conviction 49 Maintenance 51 Actors 53 Vibrancy and Buoyancy 55 Control is an illusion 56 Episode 6: Arrive, Appear and be Free 57 Episode 7: My suitcase Part II 58 3. Epilogue 65 4. Bibliography 66 36 37 Bridge In Act I we received an Invitation to a Trip – we have known the desire to make music, to tell a story. We gladly accepted and started packing our things – training in order to obtain the craftsmanship required to do music and finally tell the story. Act I shows how does a singer prepare for that trip to unknown, how does one gain musicianship. In Act II we are taking the first of the millions of steps a singer will take on his/her way of becoming a vibrant performer, a sensitive interpreter and an exciting communicator. This journey could also be what will make the singer meet his/her true self as one gains self- consciousness throughout the journey. Act II shows scenes from the trip - the daily friction with the musical text, the physical, emotional, mental, spiritual and intellectual approach, the coloring and redirecting of the story.
    [Show full text]
  • ARTIFACTS: SELECTED POEMS by Laurie Perry Vaughen Earl Braggs
    ARTIFACTS: SELECTED POEMS By Laurie Perry Vaughen Earl Braggs Joe Wilferth Professor of English Professor of English (Thesis Director) (Committee) Allen Wier Professor of English (Committee) ARTIFACTS: SELECTED POEMS By Laurie Perry Vaughen A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements for a Master of Arts: English The University of Tennessee at Chattanooga Chattanooga, Tennessee May 2015 ii Copyright © 2015 By Laurie Perry Vaughen All Rights Reserved iii ABSTRACT The title, Artifacts, is a compost of words art and fact —with fact as Latin for “something made.” A poet recreates language from syllable, word, and shard, and ropes off sacred or desecrated places. The movement of the imagination from small to sublime, from clay shard or carved flint arrow to cultural landscape, is a useful analogy for poetics – a field school approach influenced by my studies in anthropology. Artifacts ’ poems vary in context ( place ), but each explores emblematic structure , kinetic tension, eco-poetics and a language-driven (vs. idea-driven) process. Sections include: Turning the Field: Structure and Surprise; Examining Shards: Emblematic Poems; Piecework Expertise: Poet as Archaeologist and Curator; and, The Nature of Dig Sites: Locality, Language and Transformation. In conclusion: “The artist, poet, ecologist and archaeologist each use imagination, locality, and all of experience to recreate a whole from fragments, emblems, syllables, and the tension of words, wire and line.” iv DEDICATION The collection of poems in this manuscript is dedicated to my children, Lorna Josephine Vaughen and Jared Victor Vaughen, my magnum opus. May you always find astonishment in the vox humana.
    [Show full text]
  • Santiago's Psyche and Self-Defense Mechanism
    PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SANTIAGO’S PSYCHE AND SELF-DEFENSE MECHANISM DEVELOPMENT IN PAULO COELHO’S THE ALCHEMIST AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By NICHOLAS PRAMUDYA ARDHANA ISWARA Student Number: 134214105 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SANTIAGO’S PSYCHE AND SELF-DEFENSE MECHANISM DEVELOPMENT IN PAULO COELHO’S THE ALCHEMIST AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By NICHOLAS PRAMUDYA ARDHANA ISWARA Student Number: 134214105 ENGLISH LETTERS STUDY PROGRAM DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI AD MAIOREM DEI GLORIAM vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First of all, I would like to thank Jesus Christ, for His never ending blessing and guidance throughout the whole life. I would like to show my gratitude for my advisor, Dra. Theresia Enny Anggraini M.A., Ph.D., for the precious advices and guidance throughout this thesis making processes. Also, to all the lecturers in English Department, I would like to thank you for sharing the knowledge and experiences during my study. To the secretariat officers, thank you for helping with all the administration processes. To all friends from John de Britto batch 2013, especially for Dibi, Jati, Arief, Prabu, Joko, Bodro, Gilang, Arga, Yayan, Boris, Ganang, Ardian, Misel, Bimo, Bambeng, and Elang.
    [Show full text]
  • In the Words of a Woman
    AN ABSTRACT OF THE THESIS OF Kerin G. Rose for the degree of Master of Arts in Interdisciplinary Studies in English, English, and Women Studies presented on June 26, 1997. Title: In the Words of a Woman. Redacted for Privacy Abstract approved: Lisa Ede I am a woman who writes. I am a writer who is a woman. In the Words of a Woman is an exploration of how these two facts of my life merge and influence each other. It is a work written to mediate between the supposed dichotomies of creative and critical, personal and academic, imaginative and scholarly. My desire is that this text will serve as autobiography, critical inquiry, creative response, and credo. The form of this thesis dances between prose and poetry. I have thoughts that need to be expressed sometimes in one form, sometimes in the other, and sometimes in the interplay of the two. As a collection of essays, I have brought together works that are primarily concerned with my story as a woman and a writer with essays that articulate my engagement in other women's writing. Within and between the prose pieces, I have included poems that touch on the same topics, giving different shadings to these themes. This text is a May Day dance, a joyous enactment of a performance long in the creating and rehearsing, not without struggles and challenges, but I hope for the reader a pleasure to participate in. In the Words of a Woman by Kerin G. Rose A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies Presented June 26, 1997 Commencement June 1998 Master of Arts in Interdisciplinary Studies thesis of Kerin G.
    [Show full text]