Aurangzeb and the Decline of the Mughals
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Mughal Paintings of Hunt with Their Aristocracy
Arts and Humanities Open Access Journal Research Article Open Access Mughal paintings of hunt with their aristocracy Abstract Volume 3 Issue 1 - 2019 Mughal emperor from Babur to Dara Shikoh there was a long period of animal hunting. Ashraful Kabir The founder of Mughal dynasty emperor Babur (1526-1530) killed one-horned Department of Biology, Saidpur Cantonment Public College, rhinoceros and wild ass. Then Akbar (1556-1605) in his period, he hunted wild ass Nilphamari, Bangladesh and tiger. He trained not less than 1000 Cheetah for other animal hunting especially bovid animals. Emperor Jahangir (1606-1627) killed total 17167 animals in his period. Correspondence: Ashraful Kabir, Department of Biology, He killed 1672 Antelope-Deer-Mountain Goats, 889 Bluebulls, 86 Lions, 64 Rhinos, Saidpur Cantonment Public College, Nilphamari, Bangladesh, 10348 Pigeons, 3473 Crows, and 10 Crocodiles. Shahjahan (1627-1658) who lived 74 Email years and Dara Shikoh (1657-1658) only killed Bluebull and Nur Jahan killed a tiger only. After study, the Mughal paintings there were Butterfly, Fish, Bird, and Mammal. Received: December 30, 2018 | Published: February 22, 2019 Out of 34 animal paintings, birds and mammals were each 16. In Mughal pastime there were some renowned artists who involved with these paintings. Abdus Samad, Mir Sayid Ali, Basawan, Lal, Miskin, Kesu Das, Daswanth, Govardhan, Mushfiq, Kamal, Fazl, Dalchand, Hindu community and some Mughal females all were habituated to draw paintings. In observed animals, 12 were found in hunting section (Rhino, Wild Ass, Tiger, Cheetah, Antelope, Spotted Deer, Mountain Goat, Bluebull, Lion, Pigeon, Crow, Crocodile), 35 in paintings (Butterfly, Fish, Falcon, Pigeon, Crane, Peacock, Fowl, Dodo, Duck, Bustard, Turkey, Parrot, Kingfisher, Finch, Oriole, Hornbill, Partridge, Vulture, Elephant, Lion, Cow, Horse, Squirrel, Jackal, Cheetah, Spotted Deer, Zebra, Buffalo, Bengal Tiger, Camel, Goat, Sheep, Antelope, Rabbit, Oryx) and 6 in aristocracy (Elephant, Horse, Cheetah, Falcon, Peacock, Parrot. -
Typesetting Khalfaoui
Pluralism and Plurality in Islamic Legal Scholarship The Modern Muslim World 11 Series Editorial Board Marcia Hermansen Martin Nguyen Hina Azam Joas Wagemakers Ussama Makdisi Advisory Editorial Board Talal Asad Tijana Krstic Khaled Abou El Fadl Ebrahim Moosa Amira Bennison Adam Sabra Islam Dayeh Armando Salvatore Marwa Elshakry Adam Talib Rana Hisham Issa This series will provide a platform for scholarly research on Islamic and Muslim thought, emerging from any geographical area and dated to any period from the 17th century until the present day. Pluralism and Plurality in Islamic Legal Scholarship The Case of the Fatāwā l-ʿĀlamgīrīya Mouez Khalfaoui gp 2021 Gorgias Press LLC, 954 River Road, Piscataway, NJ, 08854, USA www.gorgiaspress.com 2021 Copyright © by Gorgias Press LLC All rights reserved under International and Pan-American Copyright Conventions. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise without the prior written permission of Gorgias Press LLC. 2021 ܘ 1 ISBN 978-1-4632-4231-2 gp Library of Congress Cataloging-in-Publication Data A Cataloging-in-Publication Record is available at the Library of Congress. Printed in the United States of America TABLE OF CONTENTS Author’s Preface for the English Translation ............................ ix Introduction .............................................................................. 1 1. The Historical Context: South Asia in the Seventeenth Century ...................................................................... 2 2. Interfaith Relations in Seventeenth-Century South Asia ........................................................................... 6 3. Pluralism: More Than Just Tolerance ........................... 12 4. Corpus, Hypothesis and Research Method ................... 14 5. Aims and Methodology ................................................ 20 Chapter One. -
The Taj: an Architectural Marvel Or an Epitome of Love?
Australian Journal of Basic and Applied Sciences, 7(9): 367-374, 2013 ISSN 1991-8178 The Taj: An Architectural Marvel or an Epitome of Love? Arshad Islam Head, Department of History & Civilization, International Islamic University Malaysia Abstract: On Saturday 7th July 2007, the New Seven Wonders Foundation, Switzerland, in its new ranking, again declared the Taj Mahal to be one of the Seven Wonders of the World. The Taj Mahal is not just an architectural feat and an icon of luminous splendour, but an epitome of enormous love as well. The Mughal Emperor Shahjahan (1592-1666) built the Taj Mahal, the fabulous mausoleum (rauza), in memory of his beloved queen Mumtaz Mahal (1593-1631). There is perhaps no better and grander monument built in the history of human civilization dedicated to love. The contemporary Mughal sources refer to this marvel as rauza-i-munavvara (‘the illumined tomb’); the Taj Mahal of Agra was originally called Taj Bibi-ka-Rauza. It is believed that the name ‘Taj Mahal’ has been derived from the name of Mumtaz Mahal (‘Crown Palace’). The pristine purity of the white marble, the exquisite ornamentation, use of precious gemstones and its picturesque location all make Taj Mahal a marvel of art. Standing majestically at the southern bank on the River Yamuna, it is synonymous with love and beauty. This paper highlights the architectural design and beauty of the Taj, and Shahjahan’s dedicated love for his beloved wife that led to its construction. Key words: INTRODUCTION It is universally acknowledged that the Taj Mahal is an architectural marvel; no one disputes it position as one of the Seven Wonders of the World, and it is certainly the most fêted example of the considerable feats of Mughal architecture. -
Phoolwalon Ki Sair.Indd 1 27/07/12 1:21 PM 1
CORONATION To the south of the western gateway is the tomb of Qutb Sahib. was meant for the grave of Bahadur Shah Zafar, who was however PARK It is a simple structure enclosed by wooden railings. The marble exiled after the Mutiny and died in Burma. balustrade surrounding the tomb was added in 1882. The rear wall To the north-east of the palace enclosure lies an exquisite mosque, Phoolwalon was added by Fariduddin Ganj-e-Shakar as a place of prayer. The the Moti Masjid, built in white marble by Bahadur Shah I in the early western wall is decorated with coloured fl oral tiles added by the eighteenth century as a private mosque for the royal family and can be Delhi Metro Mughal Emperor Aurangzeb. approached from the palace dalan as well as from the Dargah Complex. Route 6 ki Sair The screens and the corner gateways in the Dargah Complex were Civil Ho Ho Bus Route built by the Mughal emperor Farrukhsiyar. The mosque of Qutb Lines Heritage Route Sahib, built in mid-sixteenth century by Islam Shah Suri, was later QUTBUDDIN BAKHTIYAR KAKI DARGAH AND ZAFAR added on to by Farrukhsiyar. MAHAL COMPLEX The Dargah of Qutbuddin Bakhtiyar Kaki continues to be a sacred place for the pilgrims of different religions. Every week on Thursday 5 SHAHJAHANABAD Red Fort and Friday qawwali is also performed in the dargah. 5. ZAFAR MAHAL COMPLEX 6 Kotla 9 Connaught Firoz Shah Adjacent to the western gate of the Dargah of Place Jantar Qutbuddin Bakhtiyar Kaki, this complex Mantar 2 7 8 NEW DELHI has various structures built in 3 Route 5 1 Rashtrapati the eighteenth and nineteenth 4 Bhavan Purana century. -
Mumtaz Mahal - the Inspiration
Mumtaz Mahal - The Inspiration Taj Mahal – a symbol of true love built in the memory of beautiful Mumtaz Mahal or Arjumand Banu, still stands as the supreme unparalleled grand monument ever built in the history of human civilization. Arjumand Banu was the daughter of Asaf Khan, who was married to Shahjahan at an early age of 14 years. Imperial city of Agra was already agog with stories of her charm and beauty. She was the third wife of Shahjahan (Prince Khurram) and the most favourite one throughout his life. She was named Mumtaz Mahal in 1612 after her marriage and remained as an inseparable companion of her husband till death. As a symbol of her faith and love, she bore Shahjahan 14 children and died during the birth of their last child. For the love and affection she showed to her husband, Mumtaz Mahal received highest honour of the land – with Royal seal – ‘Mehr Uzaz’ from the Emperor - Shahjahan. The emperor and his empress moved towards Maharashtra or Deccan in the year 1630 to supress Lodi Empire that was gaining strength at that time. This was the last journey that Mumtaz Mahal ever took. She breathed her last after delivering their 14th child (a daughter) in the city of Burhanpur in June 17, 1631. It is said that Mumtaz Mahal on her deathbed asked Shahjahan to create a symbol of their Love for its posterity, and her loyal husband accepted it immediately. Though, many historians do not agree with this story, saying that it was the grief-stricken emperor himself who decided to build the most memorable symbol of love in the world. -
Women at the Mughal Court Perception & Reality
Women at the Mughal Court Perception & Reality What assumptions or questions do you have about the women depicted in the following nine paintings? What was life like in the zenana or women’s quarters? How much freedom did they have? With our new online catalogue we are drawing attention to this under-explored area. We look at the fascinating lives and achievements of these women, and how they have been represented, or misrepresented. Women at the Mughal Court Perception & Reality When we look at cat. 1, ‘A Princess is attended by her Women’, one can imagine how such an image could be misinterpreted. For centuries, the women of the Mughal court and the space of the zenana (the women’s quarters of a household) in particular have often been neglected by art historians and represented by European visitors and later writers and artists in Orientalist terms. This is the idea of the ‘exotic’ harem as a place of purely sensuous languor, where thousands of nubile young women are imprisoned and lead restricted lives as sex objects, full of jealousy and frustration. As we might expect, the truth is far more complex, rich, and surprising. Certainly, as the wonderful details of cat. 1 attest, the highest-ranking women of this society enjoyed an extremely sophisticated luxury and beauty culture. Our princess’ every need is being attended to: women on the left bring her fruit and a covered cup with a drink; one woman shampoos her feet to cool them while others hold a peacock, a morchhal, attend the incense burner, and sing and play on the tambura as musical accompaniment. -
City Overview
Agra, India April 2018 City Overview Welcome to the amazing tourism city of the Taj Mahal - Agra, India. The seat of the great Mughal rulers for ages Agra, India offers its treasure trove for all the tourists from India and abroad. Even though Agra, India is synonymous with the Taj, the city stands in testimony to the great amount of architectural activity of the Mughals. TajMahal is the epitome of love, poem in white marble, one of the Seven Wonders of the World besides being the pride of India. In fact all the monuments of Agra, India have contributed to Agra Tourism. Terrific Agra Packages from us will ensure you plan your Agra Travel soon. Delhi to Agra to Jaipur make the famous Golden Triangle tour of India. 2 Your Trip: Your travel just pulled into the romantic city of Agra. Check out some of the things you saw while you were riding the train into the city. https://www.youtube.com/watch?v=fMpV94vzSHA https://www.youtube.com/watch?v=P5aw8DzYUa0 The first thing you want to do once you get to this amazing city is go check out the Taj Mahal! Make sure to spend plenty of time at this incredible building. Taj Mahal, "the epitome of love", is "a monument of immeasurable beauty". https://www.airpano.ru/files/Taj-Mahal-India/2-2 Taj Mahal The Taj Mahal of Agra is one of the Seven Wonders of the World, for reasons more than just looking magnificent. It's the history of Taj Mahal that adds a soul to its magnificence: a soul that is filled with love, loss, remorse, and love again. -
The Great Mughal Empire (1526-1707)
THE GREAT MUGHAL EMPIRE (152 6-1707) THE GREAT MUGHAL EMPERORS EMPEROR REIGN START REIGN END BABUR 1526 1530 HUMAYUN 1530 1556 AKBAR 1556 1605 JAHANGIR 1605 1627 SHAH JAHAN 1627 1658 AURANGZEB 1658 1707 BABUR Birth name:Zāhir ud-Dīn Maham Begum Mohammad Masumeh Begum Family name:Timurid Nargul Agacheh Title:Emperor of Mughal Sayyida Afaq Empire Zainab Sultan Begum Birth:February 14, 1483 Death:December 26, 1530 Children: Succeeded by:Humayun Humayun, son Marriage: Kamran Mirza, son Ayisheh Sultan Begum Askari Mirza, son Bibi Mubarika Yusufzay Hindal Mirza, son Dildar Begum Gulbadan Begum, daughter Gulnar Agacheh Fakhr-un-nisa, daughter Gulrukh Begum HUMANYUN Birth name: Nasiruddin Children: Akbar, son Humayun Muhammad Hakim, son Family name: Timurid Title: Emperor of Mughal Empire Birth: March 6, 1508 Place of birth: Kabul, Afghanistan Death: February 22, 1556 Succeeded by: Akbar Marriage: Hamida Banu Begum AKBAR Birth name: Jalaluddin Ruqayya Sultan Begum Muhammad Akbar Sakina Banu Begum Family name: Timurid Salima Sultan Begum Title: Emperor of Mughal Empire Children: Jahangir, son Shah Murad, son Birth: October 15, 1542 Danyal, son Place of birth: Umarkot, Shahzada Khanim, Sindh daughter Death: October 27, 1605 Shakarunnisa Begum, Succeeded by: Jahangir daughter Marriage: Jodhabai (?) or Aram Banu Begum, Jodhi Bibi daughter Mariam-uz-Zamani Ximini Begum, daughter JAHANGIR Birth name: Nuruddin Children: Nisar Begum, Jahangir daughter Family name: Timurid Khurasw, son Title: Emperor -
MEI Report Sunni Deobandi-Shi`I Sectarian Violence in Pakistan Explaining the Resurgence Since 2007 Arif Ra!Q
MEI Report Sunni Deobandi-Shi`i Sectarian Violence in Pakistan Explaining the Resurgence Since 2007 Arif Ra!q Photo Credit: AP Photo/B.K. Bangash December 2014 ! Sunni Deobandi-Shi‘i Sectarian Violence in Pakistan Explaining the Resurgence since 2007 Arif Rafiq! DECEMBER 2014 1 ! ! Contents ! ! I. Summary ................................................................................. 3! II. Acronyms ............................................................................... 5! III. The Author ............................................................................ 8! IV. Introduction .......................................................................... 9! V. Historic Roots of Sunni Deobandi-Shi‘i Conflict in Pakistan ...... 10! VI. Sectarian Violence Surges since 2007: How and Why? ............ 32! VII. Current Trends: Sectarianism Growing .................................. 91! VIII. Policy Recommendations .................................................. 105! IX. Bibliography ..................................................................... 110! X. Notes ................................................................................ 114! ! 2 I. Summary • Sectarian violence between Sunni Deobandi and Shi‘i Muslims in Pakistan has resurged since 2007, resulting in approximately 2,300 deaths in Pakistan’s four main provinces from 2007 to 2013 and an estimated 1,500 deaths in the Kurram Agency from 2007 to 2011. • Baluchistan and Karachi are now the two most active zones of violence between Sunni Deobandis and Shi‘a, -
Sufism in South Punjab, Pakistan: from Kingdom to Democracy
132 Journal of Peace, Development and Communication Volume 05, Issue 2, April-June 2021 pISSN: 2663-7898, eISSN: 2663-7901 Article DOI: https://doi.org/10.36968/JPDC-V05-I02-12 Homepage: https://pdfpk.net/pdf/ Email: [email protected] Article: Sufism in South Punjab, Pakistan: From kingdom to democracy Dr. Muzammil Saeed Assistant Professor, Department of Media and Communication, University of Author(s): Management and Technology, Lahore, Pakistan. Maria Naeem Lecturer, Department of Media and Communication, University of Management and Technology, Lahore, Pakistan. Published: 30th June 2021 Publisher Journal of Peace, Development and Communication (JPDC) Information: Saeed, M., & Naeem, M. (2021). Sufism in South Punjab, Pakistan: From kingdom to To Cite this democracy. Journal of Peace, Development and Communication, 05(02), 132–142. Article: https://doi.org/https://doi.org/10.36968/JPDC-V05-I02-12. Dr. Muzammil Saeed is serving as Assistant Professor at Department of Media and Communication, University of Management and Technology, Lahore, Pakistan. Corresponding Author’s Email: [email protected] Author(s) Note: Maria Naeem is serving as Lecturer at Department of Media and Communication, University of Management and Technology, Lahore, Pakistan. Email: [email protected] From kingdom to democracy 133 Abstract Sufism, the spiritual facet of Islam, emerged in the very early days of Islam as a self- awareness practice and to keep distance from kingship. However, this institution prospered in the times of Muslim rulers and Kings and provided a concrete foundation to seekers for spiritual knowledge and intellectual debate. Sufism in South Punjab also has an impressive history of religious, spiritual, social, and political achievements during Muslim dynasties. -
(Impact Factor- 3.25) Syncretic Philosophy and Eclecticism in the Religious Views of Dara Shikoh
IJMSS Vol.03 Issue-02, (February, 2015) ISSN: 2321-1784 International Journal in Management and Social Science (Impact Factor- 3.25) Syncretic philosophy and eclecticism in the religious views of Dara Shikoh -Chandni Sengupta Research Scholar, Department of History, School of Social Sciences Indira Gandhi National Open University (IGNOU), New Delhi “Here is the secret of unity (tawhid), O friend, understand it; Nowhere exists anything but God. All that you see or know other than Him, Verily is separate in name, but in essence one with God.” -Dara Shikoh, Risala-i-Haqnuma Islam in the subcontinent displayed two distinct trends- the inclusive, mystical trend and the exclusive, prophetic trend. Throughout history, there was a tussle between these two trends in which there was no clear victor. Different historical phases were marked by distinct epochal changes that varied swung from liberalism to catholicity and from rigidity to fluidity. These trends were in existence from the very beginning and became more evident in the conflict between Akbar’s ideals of Sulh-e-kul and the reactionary ideals of the Naqshbandiyya order at the beginning of the 17th century.1 This conflict later aggravated and took the shape of a blood bath during the War of Succession between Aurangzeb and his brother Dara Shikoh. It was not a clash of personalities; it was a clash of ideas, and as scholars in the past have interpreted, it was a contest between religious bigotry and religious harmony, fanaticism and eclecticism. 1 Annemarie Schimmel, ‘Religious Policies of the Great Mughals,’ in Zeenut Ziad ed., The Magnificent Mughals, Oxford University Press, 2002, p. -
Aesthetics of the Qur'anic Epigraphy on the Taj Mahal
Aesthetics of the Qur’anic Epigraphy on the Taj Mahal by Rio Fischer B.A. Philosophy & Middle Eastern Studies Claremont McKenna College, 2012 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY June 2017 ©2017 Rio Fischer. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 25, 2017 Certified by: __________________________________________________________ James Wescoat Aga Khan Professor Thesis Supervisor Accepted by:__________________________________________________________ Sheila Kennedy Professor of Architecture Chair, Department Committee on Graduate Students Committee: James Wescoat, PhD Aga Khan Professor Thesis Supervisor Nasser Rabbat, MArch, PhD Aga Khan Professor Thesis Reader 3 Aesthetics of the Qur’anic Epigraphy on the Taj Mahal by Rio Fischer Submitted to the Department of Architecture on May 25, 2017 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT This thesis examines the Qur’anic epigraphic program of the Taj Mahal. Following the 1989 Begley & Desai book Taj Mahal: an Illustrated Tomb, the flourish of scholarship that would expectedly follow a complete epigraphical catalog never arrived. Despite being well-known and universally cherished as indicated by the Taj Mahal’s recognition as a UNESCO world heritage monument and as one of the New 7 Wonders of the World, there is insufficient research directed towards the inscription program specifically.