DOCSLIB.ORG

Batik Overwhelming Heritage

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ditjen PEN/MJL/02A/I/2016 January ExportNews INDONESIA Indonesia’sBatik Overwhelming Heritage What's Inside One of Indonesia’s cultural richness is its awesome traditional fabrics, created by local craftsmen in various provinces with batik being the most well-known. There are still many other beautiful ethnic fabrics in this country. Therefore, this edition of Export News provides huge information on this cultural heritage, which also provides economic potential to increase the welfare of Indonesian people. Export News January 2016 1 EDITOR’S DESK Advisor : Dear awesome readers, Nus Nuzulia Ishak Happy New Year! Here we are in the year of 2016. In this first month, we wish you already have determined new goals to be achieved. We believe trade relations between Indonesia and Editor in Chief : its trading partners can be further improved. Tuti Prahastuti To begin with, the January edition of Export News provides information about the awesome Indonesian batik. This fabric has obtained international recognition from the UNESCO as Managing Editor : one of the world’s cultural heritages. RA. Marlena In addition to the cultural aspect, batik also has economical aspect that generates additional income for local residents, Editor : mostly the craftsmen to improve their welfare. This increase in welfare will in turn provide positive impact for Indonesia Sugiarti as a nation. The development of batik industry has eventually enhanced the image of Indonesia by global consumers. Writer : Besides batik, Indonesia also has other beautiful traditional Roesfitawati fabrics from various provinces, such as rangrang from Lombok, tapis from Lampung, ulos from North Sumatera, songket from West Sumatera, sasirangan from South Kalimantan and many Design : others. It is expected that these local ethnic fabrics will also gain the recognition from the UNESCO as the world’s invaluable Dewi heritage. As an effort to promote the variety of Indonesia’s traditional Editorial Addresses : fabrics, the Adiwastra Nusantara exhibition will be held on March 23-27 at Jakarta Convention Center in Jakarta. This DIRECTORATE GENERAL OF event was first organized in 2008. This year, in accordance to NATIONAL EXPORT DEVELOPMENT the implementation of the ASEAN Economic Community (AEC), the Adiwastra Nusantara exhibition will also display traditional Ministry of Trade of The Republic of Indonesia fabrics from other nations in the Southeast Asia region. Jl. MI. Ridwan Rais No. 5 To sum up, the government and entrepreneurs must Jakarta 10110 – Indonesia collaborate cooperatively to explore the economic potentials Phone : +62 21 3858171 from the existing resources. This way, the citizens will reap economic benefits and at the same time improving the Fax : +62 21 23528652 country’s economic level. Email : [email protected] Website : http://djpen.kemendag.go.id Thank you. Published by : DIRECTORATE GENERAL OF NATIONAL EXPORT DEVELOPMENT Ministry of Trade of The Republic of Indonesia Ditjen PEN/MJL/XXVI/01/2016 2 Export News January 2016 Ditjen PEN/MJL/05/I/2015 January ExportNews INDONESIA Table of Contents Indonesia’sBatik Overwhelming Heritage What's Inside One of Indonesia’s cultural richness is its awesome traditional fabrics, created by local craftsmen in various provinces with batik being the most well-known. There are still many other beautiful ethnic fabrics in this country. Therefore, this edition of Export News provides huge information on this cultural heritage, which also provides economic potential to increase the welfare of Indonesian people. Export News January 2016 1 02 Editor’s Desk 03 Table of Contents 04 Hot Issue Batik is only one of numerous traditional fabrics which come from Indonesian 06 Market Review Batik 10 List of Exporters 11 Commercial Attaches 12 Indonesian Trade Promotion Center (ITPC) Export News January 2016 3 Hot Issue Batik is only one of numerous traditional fabrics which come from Indonesian. There are still a number of other ethnic fabrics such as rangrang, ikat woven, tapis, songket, ulos, sasirangan, besurek, and many others. Batik The huge variety of Indonesia beautiful Synergizing the ASEAN Economic traditional fabrics will be displayed in a Community nation-wide exhibition, the Adiwastra The ASEAN Economic Community (AEC) Nusantara. This event is an annual agenda has already started in December 2015. that attracts visitors from Indonesia and In this era, all entrepreneurs in ASEAN abroad. This year, the Adiwastra Nusantara member countries must be prepared to will be held on March 23-27 at the Jakarta compete with other businesspeople from Convention Center in Jakarta. their neighboring nations. Only the best will be the winner. Only superior product Adiwastra Nusantara was first held in will reap the benefits from a huge single 2008. At the 9th edition in March, the market of some 500 million people. exhibition will have a theme of “Endless Creation in Fibers and Patterns”. Based However, in addition to the trade on the theme, the Adiwastra Nusantara performance, it will also be awesome Foundation keen to explore and promote to gather all wonderful fabrics from a number of Indonesian traditional fabrics 10 ASEAN member countries. Thus, in from all provinces. More importantly, the organizing the 2016 Adiwastra Nusantara, fabrics are designed and produced the by the organizing committee also encourage small and medium enterprises (SMEs). craftsmen from 9 other ASEAN members 4 Export News January 2016 Hot Issue Batik is only one of numerous traditional fabrics which come from Indonesian. There are still a number of other ethnic fabrics such as rangrang, ikat woven, tapis, songket, ulos, sasirangan, besurek, and many others. The huge variety of Indonesia beautiful traditional fabrics will be displayed in a nation-wide exhibition, the Adiwastra Nusantara. This event is an annual agenda that attracts visitors from Indonesia and abroad. This year, the Adiwastra Nusantara will be held on March 23-27 at the Jakarta Convention Center in Jakarta. Adiwastra Nusantara was first held in 2008. At the 9th edition in March, the exhibition will have a theme of “Endless Creation in Fibers and Patterns”. Based on the theme, the Adiwastra Nusantara Foundation keen to explore and promote a number of Indonesian traditional fabrics from all provinces. More importantly, the fabrics are designed and produced the by small and medium enterprises (SMEs). Synergizing the ASEAN Economic Community The ASEAN Economic Community (AEC) has already started in December 2015. In this era, all entrepreneurs in ASEAN member countries must be prepared to compete with other businesspeople from their neighboring nations. Only the best will be the winner. Only superior product will reap the benefits from a huge single market of some 500 million people. However, in addition to the trade performance, it will also be awesome to gather all wonderful fabrics from 10 ASEAN member countries. Thus, in organizing the 2016 Adiwastra Nusantara, the organizing committee also encourage craftsmen from 9 other ASEAN members to participate in the exhibition which is supported by the Indonesian government. to participate in the exhibition which is The industry of traditional fabric is supportedThe Government by the Indonesian Support government. classified into one of the creative economy The Ministry of Trade of Republic ofsectors. Indonesia Fabric plays is part a role of fashion to boost industry, the trade sector in TheIndonesia Ministry domestically, of Trade of regionall Republicy ofand globally.which is Onethe secondof the biggestefforts contributorto develop trade is by Indonesiasupporting plays and aparticipating role to boost in thevarious toexhibitions Indonesia’s asGDP. a Fashionway t oindustry promote is Indonesian tradecommodities, sector in including Indonesia traditional domestically, fabrics. also able to create a large number of regionallyThe and industry globally. of One traditional of the efforts fabric is classifiedemployments. into Therefore,one of the the creat Ministryive economy of sectors. toFabric develop is part trade of isfashion by supporting industry, and which Tradeis the through second thebiggest Directorate contributor General to Indonesia’s participatingGDP. Fashion in industry various isexhibitions also able toas a createof aNational large number Export of employments.Development has Therefore, the wayMinistry to promote of Trade Indonesian through commodities, the Directorate committed General toof supportNational and Export participate Development in has includingcommitted traditional to support fabrics. and participate in the the2016 2016Adiwastra Adiwastra Nusantara Nusantara exhibitionexhibition. “Ulos” from North “Besurek” from “Tapis” from Lampung “Gringsing” from Bali Sumatera Bengkulu Market Review Export News January 2016 5 Market Review BatikBatik TheThe HistoryHistory Comprehensively, batik is defined as a fabric fabric, for example, guitars, cars, home with ornament (pattern and color) as an decorations, ceramics, and many others. For batik applied on a fabric, it is important expression of a culture that has symbolic to know the tool used to draw the motifs meaning which is believed by the local people, or patterns. The original batik uses a and is created by human resources with specific device called canting to incise liquid wax skill, by using ‘canting’ and/or stamp to carve a called ‘malam’. The process is conducted manually by a craftsman, which took hot liquid wax called ‘malam’ as the color several days or even weeks. Afterwards,
Recommended publications
  • The Protection of Indonesian Batik Products in Economic Globalization

    The Protection of Indonesian Batik Products in Economic Globalization

    Advances in Social Science, Education and Humanities Research, volume 192 1st International Conference on Indonesian Legal Studies (ICILS 2018) The Protection of Indonesian Batik Products in Economic Globalization Dewi Sulistianingsih1a, Pujiono1b 1Department of Private and Commercial Law , Faculty of Law, Universitas Negeri Semarang (UNNES), Indonesia a [email protected], b [email protected] Abstract— Batik is one of Indonesia’s cultural heritage whose existence has been recognized by UNESCO since 2009. It has become the identity and characteristic of Indonesia that needs to be preserved and developed. Indonesian people can preserve it by recognizing its products’ existence and conducting development efforts by improving the quality of its products. In Indonesia, batik has been passed down from generations by wearing, producing and marketing its products. The article is the result of a study using a socio-legal method. The data collection was conducted through interview and observation techniques. The research subjects are batik business owners in Indonesia. This paper reveals the challenges and obstacles faced by the local batik product business people in Indonesia in the face of economic globalization. There have been legal efforts to provide protection for the Indonesian batik products. The problems are how the protection is applied and how the country and the community perform the protection. The other objective of this paper is to analyze the readiness of the local batik businesspeople in Indonesia in the face of economic globalization especially from the legal perspective. The article exposes the batik business owners’ weaknesses and seeks to give sound solutions which is hoped to be applied by the batik business owners in Indonesia in order to survive in the globalization era.
  • Analysis of Chiang Mai Initiative (CMI) Within ASEAN+3 Framework

    Analysis of Chiang Mai Initiative (CMI) Within ASEAN+3 Framework

    Multilateralism in East Asia 101 Jurnal Kajian Wilayah, Vol. 1, No. 1, 2010, Hal. 101-118 © 2010 PSDR LIPI ISSN 021-4534-555 Multilateralism in East Asia: Analysis of Chiang Mai Initiative (CMI) within ASEAN+3 Framework M. Sigit Andhi Rahman1 Abstrak Sektor finansial merupakan sektor kerjasama yang paling intensif di dalam ASEAN+3. Penandatangan Chiang Mai Initiative (CMI) pada Mei 2000 dan kemudian diperluas melalui Chiang Mai Initiative multilateralization (CMIM) atau Common Fund Agreement pada bulan Mei 2009, menandakan sebuah babak baru dalam relasi antara negara-negara tersebut dan juga dalam perdebatan akademik mengenai multilateralisme dan regionalisme di wilayah Asia Timur. Makalah ini menganalisis CMI dalam konteks multilateralisme, bukan dengan cara membandingkan dengan Uni Eropa misalnya, akan tetapi dari segi prinsip-prinsip multilateralisme itu sendiri sebagaimana diformulasikan oleh John Gerard Ruggie. Kata kunci : Chiang Mai initiative, multilateralisme, regionalisme, ASEAN +3 Introduction The ASEAN+3 framework (China, Japan, and the Republic of South Korea)2 has broadened and deepened in many areas of cooperation (20 areas). It ranges from political cooperation and security to youth and women. Researchers have been debating whether ASEAN+3 can be considered as multilateralism in East Asia or not (See Acharya 2008, Liu and Yan 2004, Mahbubani 2008, 1 Master Program of IRIO RUG (International Relations & International Organizations), the Netherlands. He can be reached at [email protected] 2 Although many discussion on whether East Asia Community should include Australia, New Zealand, and India as stated in the first East Asia Summit (EAS) in 2005, ASEAN+3 has being considered as the main vehicle for East Asian regional integration and carrying out many cooperative activities compare to EAS.
  • Representation of 212 Rallies in the Jakarta Post Articles: a Hybridity of CDA

    Representation of 212 Rallies in the Jakarta Post Articles: a Hybridity of CDA

    328 | Studies in English Language and Education, 8(1), 328-345, 2021 Representation of 212 Rallies in the Jakarta Post Articles: A Hybridity of CDA and SFL Analysis P-ISSN 2355-2794 E-ISSN 2461-0275 Siti Sarah Fitriani1 Rizki Ananda2 Andi Muhammad Irawan3 Iskandar Abdul Samad*1 Sukardi Weda4 1English Education Department, Faculty of Teacher Training and Education, Universitas Syiah Kuala, Banda Aceh 23111, INDONESIA 2English Education Department, Faculty of Teacher Training and Education, STKIP An-Nur, Banda Aceh 23115, INDONESIA 3English Literature Department, Faculty of Languages and Arts, Universitas Negeri Padang, Padang, 25131, INDONESIA 4English Literature Department, Faculty of Language and Literature, Universitas Negeri Makassar, Makassar 90222, INDONESIA Abstract For decades, newspapers have become a daily need for people across the globe to update information. There is a tendency of the people to believe in the news published in newspapers, for media is considered neutral. In Indonesia, 212 rallies are the events that were widely reported as headlines for weeks by national and international newspapers. This study showcases the brief portrait of The Jakarta Post representations on the 212 rallies by its use of linguistic properties, to see whether The Jakarta Post is impartial in delivering the news. This study employs Critical Discourse Analysis (CDA) strategies and applies the analytical tools drawn from Systemic Functional Grammar (SFG). The data were taken from sixteen 212 rallies related news, including seven headlines, collected from The Jakarta Post archives. The result of this study reveals that by using transitivity and conceptual metaphor, The Jakarta Post tends to stand on the side of the one being protested, and oppose the rallies.
  • New Museum of Indonesian Batik: an Architecture of “Showing Off”

    New Museum of Indonesian Batik: an Architecture of “Showing Off”

    Journal of Civil Engineering and Architecture 11 (2017) 305-312 doi: 10.17265/1934-7359/2017.03.010 D DAVID PUBLISHING “A” New Museum of Indonesian Batik: An Architecture of “Showing off” Yuke Ardhiati Architecture Department, Universitas Pancasila, Jakarta, 12640, Indonesia Abstract: For the “A” New Museum of Indonesian Batik, Ivan Saputra was the architect winner of the Museum Design Competition in 2013. Preparation for the competition required architectural design guidelines, which were an important part of the terms of reference for the project. This paper aims to provide an overview of the issues surrounding the work involved in the collaboration work between the Indonesian government and multi-disciplinary participants to establish museum design guidelines for this competition. By articulating and elaborating the characteristics of several famous museums design in the world, by defining relevant architectural theories, and by exploring an in-depth analysis of “batik”, which UNESCO designated as Intangible Heritage of Humanity of UNESCO in 2009, the architectural design guidelines were developed based onfindings revealedby inserting “batik” itself as the museum storyline into contemporary architecture. By referring to trans-disciplinary methods and concepts, then the process of batik making is potentially a kind of architectural “showing off” to expose the uniqueness of Indonesian batik as well as the Architecture-Event theory promoted by French philosopher Jacques Derrida. Key words: Architecture-event, architectural guidelines, Indonesian batik, museum storyline, “showing off”. 1. Introduction strict heritage guidelines result in the fact that museums are limited in regard to museum design. The “Love Our National Museums Movement” According to the author, with such restrictions, the started in the year 2010 as part of Indonesian Museum general public often perceive the final design to be Reform initiative to reform iconic museums.
  • A Lesson from Borobudur

    A Lesson from Borobudur

    5 Changing perspectives on the relationship between heritage, landscape and local communities: A lesson from Borobudur Daud A. Tanudirjo, Jurusan Arkeologi, Fakultas Ilmu Budaya, Universitas Gadjah Mada, Yogyakarta Figure 1. The grandeur of the Borobudur World Heritage site has attracted visitors for its massive stone structure adorned with fabulous reliefs and stupas laid out in the configuration of a Buddhist Mandala. Source: Daud Tanudirjo. The grandeur of Borobudur has fascinated almost every visitor who views it. Situated in the heart of the island of Java in Indonesia, this remarkable stone structure is considered to be the most significant Buddhist monument in the Southern Hemisphere (Figure 1). In 1991, Borobudur 66 Transcending the Culture–Nature Divide in Cultural Heritage was inscribed on the World Heritage List, together with two other smaller stone temples, Pawon and Mendut. These three stone temples are located over a straight line of about three kilometres on an east-west orientation, and are regarded as belonging to a single temple complex (Figure 2). Known as the Borobudur Temple Compound, this World Heritage Site meets at least three criteria of the Operational Guidelines for the Implementation of the World Heritage Convention: (i) to represent a masterpiece of human creative genius, (ii) to exhibit an important interchange of human values over a span of time or within cultural area of the world, on developments in architecture or technology, monumental arts, town planning or landscape design, and (iii) to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literacy works of outstanding universal value (see also Matsuura 2005).
  • Case Study of Kubrosiswo Cultural Art Commodification

    Case Study of Kubrosiswo Cultural Art Commodification

    Harmonia: Journal of Arts Research and Education 18 (1) (2018), 1-12 p-ISSN 2541-1683|e-ISSN 2541-2426 Available online at http://journal.unnes.ac.id/nju/index.php/harmonia DOI: 10.15294/harmonia.v18i1.11363 Traditional Art Strategy in Responding Capitalization: Case Study of Kubrosiswo Cultural Art Commodification Agus Maladi Irianto, Arido Laksono, Hermintoyo Faculty of Humanities, Universitas Diponegoro, Indonesia Received: November 6, 2017. Revised: April 23, 2018. Accepted: June 10, 2018 Abstract The aim of this study is to describe traditional art capitalization as the cultural identity of a so- ciety and a strategy of the society which supports traditional art in developing cultural comodi- fication in line with the demands of the tourism industry. The paper is based on field research presenting a case study of the existence of Kubrosiswo traditional art from Magelang Regency, Central Java, Indonesia which develops the cultural comodification as a strategy to respond to the economic capitalization demands, especially the emergence of the tourism industry which appeared in this globalization era. One alternative strategy which is developed in this research is by making a documentary film. The documentary film is one of the strategies to present the real- ity based on the description in the field, and it is also expected to create awareness in recognizing and comprehending the knowledge of Kubrosiswo traditional art. Keywords: Art Capitalization; Cultural Commodification; Kubrosiswo; Documentary Film How to Cite: Irianto, A. M., Laksono, A., & Hermintoyo. (2018). Traditional Art Strategy in Responding Capitalization: Case Study of Kubrosiswo Cultural Art Commodification. Harmonia: Journal of Arts Research And Education, 18(1), 1-12.
  • The Perceived Destination Image of Indonesia: an Assessment on Travel Blogs Written by the Industry’S Top Markets

    The Perceived Destination Image of Indonesia: an Assessment on Travel Blogs Written by the Industry’S Top Markets

    The perceived destination image of Indonesia: an assessment on travel blogs written by the industry’s top markets By Bernadeth Petriana A thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Tourism Management Victoria University of Wellington 2017 1 Abstract The tourist gaze theory suggests that tourists are taught by the destination marketing organisation to know how, when, and where to look. However, the birth of travel blogs has challenged this image as they offer the public “unfiltered” information. Travel bloggers have become more powerful in influencing the decision making of potential tourists. This study employs textual and photographic content analysis to investigate the destination image of Indonesia held by the industry’s key markets; Singapore and Australia. 106 blog entries and over 1,500 pictures were content analysed, and the results suggest that overall tourists tended to have positive images of Indonesia. International tourists are still very much concentrated in the traditionally popular places such as Bali and Jakarta. Negative images of Indonesia include inadequate infrastructure, ineffective wildlife protection, and westernisation of Bali. Natural and cultural resources are proven in this thesis to be Indonesia’s top tourism products. Influenced by their cultural backgrounds, Singaporean and Australian bloggers have demonstrated a dissimilar tourist gaze. The current study also analysed the bloggers’ image of Indonesia as opposed to the image projected by the government through the national tourism brand “Wonderful Indonesia”. The results indicate a narrow gap between the two images. Implications for Indonesian tourism practitioners include stronger law enforcement to preserve local culture and natural attractions, and recognising the market’s preference to promote other destinations.
  • CHAPTER I INTRODUCTION 1.1 Background of the Study Joko

    CHAPTER I INTRODUCTION 1.1 Background of the Study Joko

    CHAPTER I INTRODUCTION 1.1 Background of The Study Joko Widodo's figure, which in few back years ago has become known as a major of Solo and managed to launch local production cars, as known as ESEMKA cars. Joko Widodo is also known by people because he officiate as The Governor of DKI Jakarta on period 2012-2014. After that, Joko Widodo's name skyrocketed because of that time many policies made by Joko Widodo are populist. Through his good track record and pragmatic approach, as shown through the "blusukan" program, Jokowi dominated the presidential candidate surveys and get rid of other candidates, so the discourse appears for make it a presidential candidate. Joko Widodo has become a hot issue that has been discussed in the media, especially online newspaper. His popularity during his leadership, particularly as the governor of Jakarta, the presidential candidate, and the President of Indonesia, is reflected in the news reporting what he does. The Jakarta Post and The Jakarta Globe are online newspaper that has several times presented Joko Widodo as their news headline. 1 2 There are two leading Indonesian online media in English that report the issue about Joko Widodo as a president candidate, they are The Jakarta Post and The Jakarta Globe. Both media are the representative of Indonesia perspective on global flow of information. They also provide the readers forum in every article where the readers can put their comments related to the article. However, the two news publications have different histories which contribute the ways they construct the meaning or represent the issues.
  • Indonesia's Transformation and the Stability of Southeast Asia

    Indonesia's Transformation and the Stability of Southeast Asia

    INDONESIA’S TRANSFORMATION and the Stability of Southeast Asia Angel Rabasa • Peter Chalk Prepared for the United States Air Force Approved for public release; distribution unlimited ProjectR AIR FORCE The research reported here was sponsored by the United States Air Force under Contract F49642-01-C-0003. Further information may be obtained from the Strategic Planning Division, Directorate of Plans, Hq USAF. Library of Congress Cataloging-in-Publication Data Rabasa, Angel. Indonesia’s transformation and the stability of Southeast Asia / Angel Rabasa, Peter Chalk. p. cm. Includes bibliographical references. “MR-1344.” ISBN 0-8330-3006-X 1. National security—Indonesia. 2. Indonesia—Strategic aspects. 3. Indonesia— Politics and government—1998– 4. Asia, Southeastern—Strategic aspects. 5. National security—Asia, Southeastern. I. Chalk, Peter. II. Title. UA853.I5 R33 2001 959.804—dc21 2001031904 Cover Photograph: Moslem Indonesians shout “Allahu Akbar” (God is Great) as they demonstrate in front of the National Commission of Human Rights in Jakarta, 10 January 2000. Courtesy of AGENCE FRANCE-PRESSE (AFP) PHOTO/Dimas. RAND is a nonprofit institution that helps improve policy and decisionmaking through research and analysis. RAND® is a registered trademark. RAND’s publications do not necessarily reflect the opinions or policies of its research sponsors. Cover design by Maritta Tapanainen © Copyright 2001 RAND All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying,
  • Art Gallery of New South Wales Annual Report 2001

    Art Gallery of New South Wales Annual Report 2001

    ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2001 1 TABLE OF CONTENTS ART GALLERY OF NEW SOUTH WALES HIGHLIGHTS PRESIDENT’S REPORT 2 NEW ATTENDANCE RECORD SET FOR THE POPULAR ARCHIBALD, WYNNE AND SULMAN PRIZES, WHICH HAD MORE THAN 98,000 VISITORS. DIRECTOR’S REPORT 4 1 YEAR IN REVIEW 8 TWO NEW MAJOR AGNSW PUBLICATIONS, AUSTRALIAN ART IN THE ART GALLERY OF NEW SOUTH WALES AND PAPUNYA TULA: GENESIS AIMS/OBJECTIVES/PERFORMANCE INDICATORS 26 2 AND GENIUS. CORPORATE GOVERNANCE 32 DEDICATION OF THE MARGARET OLLEY TWENTIETH CENTURY EUROPEAN LIFE GOVERNORS 34 3 GALLERIES IN RECOGNITION OF HER CONTINUING AND SUBSTANTIAL SENIOR MANAGEMENT PROFILE 34 ROLE AS A GALLERY BENEFACTOR. ORGANISATION CHART 36 COLLECTION ACQUISITIONS AMOUNTED TO $7.8 MILLION WITH 946 FINANCIAL STATEMENTS 41 4 PURCHASED AND GIFTED WORKS ACCESSIONED INTO THE PERMANENT COLLECTION.TOTAL ACQUISITIONS HAVE GROWN BY MORE THAN $83.4 APPENDICES 62 MILLION IN THE PAST 10 YEARS. INDEX 92 MORE THAN 1.04 MILLION VISITORS TO OVER 40 TEMPORARY, TOURING GENERAL INFORMATION 93 5 AND PERMANENT COLLECTION EXHIBITIONS STAGED IN SYDNEY, REGIONAL NSW AND INTERSTATE. COMMENCED A THREE-YEAR, $2.3 MILLION, NSW GOVERNMENT 6 FUNDED PROGRAMME TO DIGITISE IMAGES OF ALL WORKS IN THE GALLERY’S PERMANENT COLLECTION. Bob Carr MP Premier, Minister for the Arts, and Minister for Citizenship DEVELOPED GALLERY WEBSITE TO ALLOW ONLINE USERS ACCESS TO Level 40 7 DATABASE INFORMATION ON THE GALLERY’S COLLECTION, INCLUDING Governor Macquarie Tower AVAILABLE IMAGES AND SPECIALIST RESEARCH LIBRARY CATALOGUE. 1 Farrer Place SYDNEY NSW 2000 CREATED A MAJOR NEW FAMILY PROGRAMME, FUNDAYS AT THE 8 GALLERY, IN PARTNERSHIP WITH A FIVE-YEAR SPONSORSHIP FROM THE Dear Premier, SUNDAY TELEGRAPH.
  • Indonesia to the UN, WTO, and Other International Organizations in Geneva

    Indonesia to the UN, WTO, and Other International Organizations in Geneva

    Permanent Mission of the Republic of Indonesia to the UN, WTO, and Other International Organizations in Geneva No. ~o’,/POL-llNl/201 3 The Permanent Mission of the Republic of Indonesia to the United Nations, WTO and Other International Organizations presents its compliments to the Office of the High Commissioner for Human Rights, Special Procedures Branch, and, with reference to the latter’s Note dated 18 June 2013, has the honour to transmit the response of the Government of the Republic of Indonesia as attached. The Permanent Mission of the Republic of Indonesia to the United Nations, WTO and Other International Organizations avails itself of this opportunity to renew to the Office of the High Commissioner for Human Rights, Special Procedures Branch, the assurances of its highest consideration. Geneva, -~9June 2013 Special Rapporteur on Adequate Housing UNOG-OHCHR United Nations Office at Geneva CH-1 211 (fax No. +41 22 917 90 06) RESPONSES SUBMITTED BY THE GOVERNMENT OF INDONESIA QUESTIONNAIRE ON SECURITY OF TENURE Legal Security of tenure, including from forced eviction 1. Lawslregulations recognizing or ensuring legal security of tenure: Indonesia has laws/regulations that recognize or ensure legal security of tenure, as follows: a. Law No 5 Year 1960 on Basic Regulation on Agrarian Principles (UUPA) b. Government Regulation replacing Law No.51 Year 1960 on the Prohibition of the use of Land without the consent of the owner or the assigned authority. c. Law no. 20 Year 1961 on Revocation of Rights of Land and the Objects Over The Land ci. Law No. 1 Year 2011 on Housing and Areas for Settlements.
  • An Analysis of the Characteristics of Balinese Costume -� Focus� On� The� Legong� Dance� Costume

    An Analysis of the Characteristics of Balinese Costume - Focus On The Legong Dance Costume

    Print ISSN 1229-6880 Journal of the Korean Society of Costume Online ISSN 2287-7827 Vol. 67, No. 4 (June 2017) pp. 38-57 https://doi.org/10.7233/jksc.2017.67.4.038 An Analysis of the Characteristics of Balinese Costume - Focus on the Legong Dance Costume - Langi, Kezia-Clarissa · Park, Shinmi⁺ Master Candidate, Dept. of Clothing & Textiles, Andong National University Associate Professor, Dept. of Clothing & Textiles, Andong National University⁺ (received date: 2017. 1. 12, revised date: 2017. 4. 11, accepted date: 2017. 6. 16) ABSTRACT1) Traditional costume in Indonesia represents identity of a person and it displays the origin and the status of the person. Where culture and religion are fused, the traditional costume serves one of the most functions in rituals in Bali. This research aims to analyze the charac- teristics of Balinese costumes by focusing on the Legong dance costume. Quantitative re- search was performed using 332 images of Indonesian costumes and 210 images of Balinese ceremonial costumes. Qualitative research was performed by doing field research in Puri Saba, Gianyar and SMKN 3 SUKAWATI(Traditional Art Middle School). The paper illus- trates the influence and structure of Indonesian traditional costume. As the result, focusing on the upper wear costume showed that the ancient era costumes were influenced by animism. They consist of tube(kemben), shawl(syal), corset, dress(terusan), body painting and tattoo, jewelry(perhiasan), and cross. The Modern era, which was shaped by religion, consists of baju kurung(tunic) and kebaya(kaftan). The Balinese costume consists of the costume of participants and the costume of performers.