Products guide
SUMMER 2011 REDNET...... 4 Liquid Saffire 56...... 6 Saffire PRO 40 ...... 8 Saffire PRO 24 ...... 9 Saffire PRO 24 DSP...... 10 Dear Reader, Our new Scarlett USB 2.0 and second- VRM Box ...... 11 generation Saffire Audio Interfaces are truly Thanks for taking an interest in Focusrite! What is VRM ...... 12 State-of-the-Art delivering on one simple Since 1985 Focusrite remains the go-to promise – the best sound in their class. Saffire PRO 14 ...... 13 brand for the best in analogue signal The growing range includes products for Saffire 6 USB ...... 14 processing. But time moves on and we have all pockets and requirement levels, from Scarlett 8i6...... 15 kept up with the changes in the recording the Saffire 6 USB - our entry-level interface industry with the move to Digital Audio - to the Liquid Saffire 56, which combines Interface Comparison Chart...... 15 Workstations (DAWs). Our product range two channels of Liquid mic-pre emulation Scarlett 18i6...... 16 now not only includes our “heritage” ISA with six Focusrite Saffire mic pres, specially Saffire /Scarlett MixControl...... 17 series, which has its roots in the 1980’s with designed for the Saffire Range. RedNet transformer-coupled microphone preamps goes one step further, using innovative Pro Tools 9 Now Focusrite Ready...... 18 and the legendary Focusrite EQ, but also networking technology and standard Midnight...... 19 hybrid analogue / digital signal processing ethernet protocols to completely redefine found in the Liquid family. how we see the modern recording studio. OctoPre MkII...... 20 OctoPre MkII Dynamic...... 21 Digital conversion is today as much our So we are both Focusrite - the Heritage expertise as is microphone pre-amplifier Analogue Audio Company, and Focusrite - Focusrite Artists ...... 22 design. The ISA One Digital features A/D The Interface Company. Old School and The Liquid Channel ...... 24 conversion that out-performs any other New School. We aim to continue to be the Liquid Mix HD ...... 26 product anywhere near its price bracket in best of both. I hope you will join our family terms of dynamic range, noise and jitter. of satisfied customers. ISA430 MkII ...... 27 Indeed, all our ISA A/D converter cards are ISA828 ...... 28 the equal of, and in some cases out-perform, the best converter brands available, and ISA428 MkII ...... 29 often at a fraction of the price. Phil Dudderidge Digital Card Options ...... 29 Which brings me to our fastest-growing Owner & Managing Director ISA One ...... 30 business segment today: Audio Interfaces.
Focusrite would like to thank the Academy of Contemporary Music, Guildford and Simon Changer at The Church Studios for allowing us to photograph their facilities. 2 The Components
RedNet 1 and 2: 8 and 16 channel AD-DA Interfaces RedNet 3: Digital I/O RedNet 1 and 2 feature Focusrite’s precision 24-bit AD and DA conversion for superb audio RedNet 3 interfaces existing digital audio systems and components up to a maximum of 32 inputs performance, with 120dB dynamic range at sample rates up to 192kHz. RedNet 1 provides eight and outputs. Sixteen ADAT optical ports provide a full 32 digital channels in and out at up to RedNet is Focusrite’s powerful new scalable professional channels; RedNet 2, 16 channels. 96kHz (S-MUX2). Support for AES, S/PDIF and ADAT digital audio formats and word clock. digital audio networking system, delivering everything you need in a studio environment. Using standard, robust and reliable Internet Protocol (IP) networking technology to carry high resolution audio over a standard Ethernet network, RedNet makes studio design, installation and configuration easier than ever before.
RedNet 4: Eight Microphone preamps/line inputs RedNet 4 provides eight specially-designed Focusrite mic preamps and line inputs with two selectable DIs – plus Focusrite world-class precision AD conversion and specially-crafted mic preamps. Front panel or remote control.
At its heart is the robust, tried-and-tested Dante™ digital audio networking technology, from Audinate. Dante uses standard Gigabit Ethernet networking components to carry up to 128 inputs and 128 outputs over standard Ethernet. Dante has become a standard in live sound, frequently SIGN UP TO THE REDNET NEWSLETTER relied on for major events. Get access all the latest updates and news
Focusrite brings Dante into the heart of the studio with The Range www.focusrite.com/rednetnewsletter versatile, superb-quality audio interfaces that will revolutionise everything in your studio – from wiring to RedNet initially comprises five products. Four high-quality, Every analogue interface features 120dB dynamic range, 24-bit workflow. And unlike other digital audio systems, RedNet versatile interfaces deliver traditional Focusrite ethos and resolution and sample rates up to 192kHz. Each embodies the RedNet Low-Latency PCIe Card is non-proprietary, working with any ASIO or Core Audio performance, where sound is everything, with exceptional most advanced conversion designs and components on the Where low latency is critical, such as tracking, the RedNet PCIe card for Mac or Windows delivers sub-3mS compliant DAW software including Pro Tools 9, Logic value for money. Accompanying these is the optional RedNet market. Each includes JetPLL™ for ultra-low-jitter clock latency, 128 inputs and outputs, and sample rates from 44.1 to 192kHz. A standard Ethernet RJ45 connects to and Nuendo. PCIe card, delivering under 3mS latency at any sample rate*. recovery. The result: quality that is, quite literally, second to none. your network. Alternatively, use the Dante Virtual Soundcard (DVS) and your machine’s built-in Ethernet port, for latency comparable to Focusrite FireWire interfaces. 4 *Latency under 3mS requires the RedNet PCIe card and a DAW buffer setting of 32 samples or less 5 Liquid Saffire 56 FEATURED EMULATIONS: ® Professional Firewire Audio Interface featuring Liquid MIC PREAMPS RED 1 H - Based on the Focusrite RED 1 Quad class A mic-pre DUNK - Based on the Manley SLAM! Transformer / Valve mic-pre
Liquid Saffire 56 is Focusrite’s flagship 2U multi-channel • Two Liquid mic preamps CLASS A 2A - Based on the Neve 1073 mono mic-pre NEW AGE 1 - Based on the Millenia HV-3D 8 channel mic-pre
FireWire audio interface. Liquid technology combines with The marriage of a flexible analogue front end with TRANY H - Based on the API 3124+ discrete quad mic-pre OLD TUBE - Based on the PULTEC MB-1 fixed gain valve mic-pre Saffire PRO FireWire interfacing to deliver a host of authentic cutting-edge Dynamic Convolution™ DSP. Each Liquid preamp SILVER 2 - Based on the Avalon VT-737SP Valve channel strip DEUTSCH 72 - Based on the TELEFUNKEN V72 valve mic-pre preamp flavours, seamless software integration, excellent lets you choose from ten different classic preamp emulations. STELLAR 1B - Based on the UNIVERSAL AUDIO M610 mono tube mic-pre routing flexibility and future-proof, rock-solid driver stability. • Six high quality award-winning Focusrite mic preamps SAVILLEROW - Based on the HELIOS Console mic-pre / EQ module Six Saffire mic preamps complement two Liquid preamps. All eight preamps demonstrate the same wide bandwidth philosophy behind the early vintage Focusrite units. Saffire MixControl
• High quality 24-bit/192kHz FireWire Interface Professional digital conversion and JetPLL™ jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed.
• Total I/O count of 28 inputs and 28 outputs A host of I/O options are provided, including a unique loop-back facility for routing audio between software applications via Saffire MixControl.
• Saffire MixControl ultra-low-latency DSP mixer/router Liquid preamp remote control Provides an 18 x 16 DSP mixer with excellent routing flexibility, intuitive one-click mixing configurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!).
IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY and the LIQUID logo, and SAFFIRE are trademarks of Focusrite Audio Engineering Limited. DYNAMIC CONVOLUTION is a trade mark of Sintefex Ltd. All other product names, trade marks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated with Focusrite or its LIQUID SAFFIRE 56 product and which have not endorsed Focusrite’s LIQUID SAFFIRE 56 product. These other product names, trade marks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID SAFFIRE 56 product, and Focusrite VST/AU plug-in suite to accurately describe the functionality of the LIQUID SAFFIRE 56 product. The LIQUID SAFFIRE 56 product is an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied.
FireWire and the FireWire symbol are trademarks of Apple Inc., registered in the U.S. and other countries. 6 The FireWire logo is a trademark od Apple Inc. 7 Saffire PRO 40 Saffire PRO 24 Firewire Audio Interface featuring Eight Focusrite MIC Preamps 16 In / 8 Out FireWire audio interface featuring two Focusrite MIC preamps
The Focusrite Saffire PRO 40 represents the latest generation • Total I/O count of 20 inputs and 20 outputs • Saffire MixControl ultra-low-latency DSP mixer/router The Focusrite Saffire PRO 24 is a 16 in / • Two high quality award-winning of Focusrite multi-channel FireWire audio interfaces. An A host of I/O options are provided, including a unique Provides an 18 x 16 DSP mixer with excellent routing 8 out FireWire audio interface designed Focusrite mic pres
unparalleled preamp legacy forms the foundation, with loop-back facility for routing audio between software flexibility, intuitive one-click mixing configurations, and for the modern home studio environment. • High Quality 24-bit/96kHz eight award-winning Focusrite preamps. Legendary sonic applications via Saffire MixControl. lower than 1.4ms latency (less than the time it takes sound An unparalleled preamp legacy forms FireWire interface performance is combined with the very latest in FireWire to travel two feet through air!). the foundation, with two award-winning • Suite of Focusrite VST/AU plug-ins • Total I/O count of 16 inputs and 8 outputs interfacing technology to deliver seamless integration, Upgrade your standard sequencer effects with Focusrite preamps. Legendary sonic • Saffire MixControl ultra-low-latency excellent routing flexibility and, rock-solid driver stability. all-new Focusrite Compression, Reverb, Gating and EQ performance and a host of I/O options DSP mixer/router VST/AU plug-ins. combine with the very latest in MixControl • Eight high quality award-winning Focusrite preamps software to deliver seamless integration, • Class-leading LED metering • Two separate headphone buses Upholding Focusrite’s high bandwidth (20Hz to 200kHz!) excellent routing flexibility and rock-solid Two artists can receive independent and fully customised • Focusrite VST/AU plug-in suite, for use philosophy, ensuring low noise and distortion whilst driver stability. delivering clarity without unwanted artefacts. monitor mixes. Each output has an independent level in the mix control available on the front panel. • High quality 24-bit/96kHz FireWire interface • Unmatched routing flexibility • Two Hi-Z instrument inputs Features high quality A-D / D-A conversion and JetPLL™ ADDITIONAL FEATURES: jitter reduction technology; pristine audio quality No need for a separate DI. The first two channels feature Dedicated front-panel headphone bus, Bus-powering, Two Hi-Z instrument inputs, Tactile and reliable synchronisation are guaranteed. instrument inputs with switchable Hi-Z. main monitor dial, Switchable phantom power, Software PFL
8 9 Saffire PRO 24 DSP VRM Box FIREWIRE AUDIO INTERFACE WITH REAL-TIME DSP-POWERED TRACKING AND MIXING SOLUTIONS COMPACT HEADPHONES MONITORING SYSTEM WITH VIRTUAL REFERENCE MONITORING
The Focusrite Saffire PRO 24 DSP is a 16 in • Virtual Reference Monitoring (VRM)
/ 8 out FireWire audio interface, featuring • Two high quality award-winning real-time DSP-powered tracking and mixing Focusrite preamps solutions tailor-made for the modern home • Onboard DSP-powered, tracking studio environment. Alongside DSP-powered and mixing tools Compression and EQ for ultra-low-latency Pocket sized and built to last, VRM Box • Hear Everything tracking and ‘comfort’ reverb, is VRM; • High Quality 24-bit/96kHz places Focusrite’s Virtual Reference Boasting a dynamic range of 108dB, VRM a Virtual Reference Monitoring technology FireWire interface Monitoring (VRM) technology in a robust, Box delivers a high-quality reproduction of that lets you hear your mix in different • Total I/O count of 16 inputs and 8 outputs palm-sized audio interface. VRM Box your sound, ensuring you hear everything. environments, through different speakers • Saffire MixControl ultra-low-latency functions as a high-quality 24-bit/48kHz USB and from different positions, all just • Ultimate Playback Interface DSP mixer/router audio playback interface, compatible with using headphones. Whether you’re mixing, creating music • Focusrite VST/AU plug-in suite, for use Pro Tools 9 or any other open DAW software. or simply listening to tracks, VRM Box is in the mix VRM Box also features a digital (S/PDIF) the perfect playback interface for your input, which supports sample rates up to • Two dedicated front-panel digital audio software. 192kHz, allowing you to run it in conjunction headphone busses with Pro Tools HD or any other interface with • Pro Tools Friendly • Bus-powered for mobile recording an S/PDIF output. VRM Box features a digital input, allowing you to run it alongside your • 24 Different Mix References Pro Tools interface or any interface with Virtual Reference Monitoring (VRM) from an S/PDIF output. Focusrite lets you audition your mix in different environments, through different speakers, just using headphones.
Listen to VRM in action here: www.focusrite.com/vrm_sampler 10 11 What is VRM? Saffire PRO 14
Convenient though headphones may be, they’re simply not the same as listening on a pair 8 IN / 6 OUT FIREWIRE AUDIO INTERFACE FEATURING TWO FOCUSRITE MIC PREAMPS of monitor loudspeakers. And yet… listening on one pair of monitor speakers isn’t enough either. To tell how your music will sound in the real world, you need to listen in different environments, with different speakers. Until now, you had to burn a CD or transfer a file and play it back on real systems in actual environments to A/B your mixes in different places. But now, there’s a better way.
Virtual Reference Monitoring
The answer is Focusrite’s unique and well-established VRM™ (Virtual Reference Monitoring) The Saffire PRO 14 is an 8 in / 6 out audio • Two award-winning Focusrite preamps technology – a room and loudspeaker simulation system for headphone monitoring. While VRM GUI featured on the Saffire 24 DSP (part of Saffire MixControl) interface with legendary sonic performance • High quality 24-bit/96kHz listening on conventional monitoring headphones, VRM lets you select your listening and unmatched flexibility at a truly FireWire interface environment – pro studio, bedroom studio or living room – and choose from an extensive list of affordable price. The latest in Focusrite’s • Total I/O count of 8 inputs and 6 outputs industry-standard studio monitors and loudspeaker systems to listen on. new generation of FireWire audio interfaces, • Two Hi-Z instrument inputs VRM’s extensive selection of built-in loudspeakers and listening environments is based the Saffire PRO 14 is designed to make home on precise mathematical models derived from convolutions of actual impulse responses studio recording and mixing easy without • Saffire MixControl ultra-low-latency measured using the original loudspeakers. The use of mathematical modelling provides sacrificing audio quality. Twenty-five years DSP mixer/router of mic pre excellence form the foundation of maximum flexibility of combinations of loudspeakers and listening environments for the • Focusrite VST/AU plug-in suite, for use this new interface, with two award-winning highest possible accuracy of the virtual monitoring simulation. in the mix Focusrite preamps. Combined with a host VRM allows you to choose between 10 pairs of industry-standard nearfield monitors in an of additional I/O options, the Saffire PRO 14 • Xcite+ software bundle acoustically-treated control room. In addition, two extra rooms are provided – a large living helps you get the tracks you want without • Bus-powered for a tidy mobile room and a smaller bedroom – where you can choose between speakers such as quality hi-fi, VRM GUI featured on the VRM Box having to constantly re-patch your studio. recording rig computer, cheap stereo and TV speakers.
CHOOSE FROM 15 INDUSTRY-STANDARD STUDIO MONITORS AND SPEAKERS
12 13 Saffire PRO 24 DSP
Liquid Saffire 56 Saffire 6 USB Scarlett 8i6 Saffire PRO 40 Saffire PROSaffire 24 PRO 14 Saffire 6 USB Scarlett 18i6 Scarlett 8i6 2 In / 4 Out USB audio interface featuring two Focusrite MIC preamps 8 In / 6 Out USB 2.0 audio interface featuring two Focusrite MIC preamps
Connection / Protocol FW400 FW400 FW400 FW400 FW400 USB USB 2.0 USB 2.0
Number of Analogue Ins 8 8 4 4 4 2 4 8
The Focusrite Saffire 6 USB focuses on just • 4 RCA outputs make Saffire 6 USB The Scarlett 8i6 is an 8 in / 6 out audio • Two high-quality award-winning Number of Digital Ins 18 10 10 10 2 0 2 10
one thing – quality of sound. Whether you’re the ideal interface for the laptop DJs interface with outstanding sonic Focusrite preamps Number of Analogue Outs 10 10 6 6 4 4 4 4 a singer song-writer who wants to record, performing live performance and flexibility at a truly • High-quality 24-bit/96kHz USB interface Number of Digital Outs 18 10 2 2 2 0 2 2 or a laptop DJ, Saffire 6 USB will make the • Xcite+ pack, including Ableton Live Lite, affordable price. Part of Focusrite’s new • Total I/O count of 8 inputs and 6 outputs ViRtual Loopback Ins 2 2 2 2 2 0 2 0 most of your sound. Two Focusrite mic Novation’s Bass Station and 1 gig of loops range of USB audio interfaces, the Scarlett preamps, professional digital conversion and 8i6 is designed to make home studio • Scarlett MixControl ultra-low-latency ADAT Optical Input Yes Yes Yes Yes No No NO YES • Focusrite Compression, Reverb, Gating custom drivers with super-low latency, make recording and mixing easy without sacrificing DSP mixer/router ADAT Optical Output Yes Yes No No No No NO NO and EQ plug-in suite Saffire 6 USB the best sounding interface audio quality. Twenty-five years of mic pre • Scarlett VST/AU/RTAS Plug-in Suite, Stereo S/PDIF I/O Yes Yes Yes Yes Yes No YES YES in its class. Flexible monitoring, four phono • Monitor either the main mix or cue mix excellence form the foundation of this new for use in the mix Headphone Output 2 2 2 1 1 1 1 1 outputs and a professional high-level via headphones, all switchable from the interface, with two award-winning Focusrite • Xcite+ Software Bundle headphone output make it ideal for DJs too. front panel preamps. Combined with a host of additional Analogue Input Pads 2 2 2 2 2 2 2 0 • Two Hi-Z instrument inputs • Dedicated Mixer dial lets you blend I/O options, the Scarlett 8i6 helps you get the Number of Mic Pres 8 8 2 2 2 2 2 2 • Two high quality award-winning your monitor mix between what you’re tracks you want without having to constantly • Dedicated front-panel headphone bus Liquid Preamps 2 0 0 0 0 0 0 0 Focusrite preamps re-patch your studio. recording and the DAW audio, for true BNC WordClock I/O Yes No No No No No NO NO • High-quality 24-bit/48kHz USB interface zero-latency monitoring VRM No No Yes No No No NO NO with super-low driver latency DSP inputs processing No No Yes No No No NO NO
Maximum Sample Rate 192kHz 96kHz 96kHz 96kHz 96kHz 48kHz 96 kHz 96kHz
Standalone Operation Yes Yes Yes Yes Yes No NO NO
Mixing / Routing Software Yes Yes Yes Yes Yes No YES YES
Xcite+ Pack No Yes Yes Yes Yes Yes YES YES
Bus-powered No No Yes Yes Yes Yes NO NO
Rackmountable Yes Yes No No No No NO NO
14 15 SHIPS FREE WITH Scarlett 18i6 Scarlett Plugin Suite EVERY SCARLETT Saffire /Scarlett MixControl 2 1 INTERFACE 18 In / 6 Out USB 2.0 audio interface featuring EIGHT Focusrite Analogue inputs Professional RTAS/VST/AU Plug-in Suite by Focusrite MixControl software is a powerful ultra-low-latency monitoring package that enables you to create several independent mixes and send each of them out to any interface output. Each Scarlett Plug-in Suite from Focusrite is a • Unmatched sonic quality at an mix can be built up using a combination of input signals and DAW outputs. Intuitive one-click 3 professional set of tools for tracking and incredible price 4 configurations help you track, monitor and mix as quickly as possible. mixing, including Compression, Gating , EQ, • A faithful recreation of classic Focusrite and Reverb. Each powerful plug-in has a host compressors and gates of fast and easy-to-use presets, providing • Stunning GUI with life-like classic a great starting point for a huge number port-hole VU meters of popular sound sources, from vocals The Focusrite Scarlett 18i6 is an 18 in / 6 • Total I/O count of 18 inputs and 6 outputs • Multi-modes enable creative and guitars to synth bass and percussion. 5 6 gating techniques out USB 2.0 audio interface designed to • Two high-quality award-winning In addition, every plug-in parameter can make home multitrack recording a breeze. Focusrite preamps be finely tuned to bring out the optimum • Classic Focusrite EQ curves and controls Alongside two award-winning Focusrite sound you want, exactly the way you want • High-quality 24-bit/96kHz • Professional reverb based on classic 7 preamps, six high-quality analogue inputs it. So whether you want a fast set-up or an USB 2.0 interface studio designs allow you to simultaneously record guitar, advanced set-up, Scarlett is destined to bass, vocals and keys. You don’t need to stop • Scarlett MixControl ultra-low-latency become your new 'go-to' plug-in. Scarlet MixControl GUI there either – pop in the ADAT optical cable DSP mixer/router includes the most popular formats including Saffire MixControl utilises a unique tab system for mixes, allowing you to send from an outboard eight-channel mic pre unit • Scarlett VST/AU/RTAS Plug-in Suite, for VST/AU and RTAS (Pro Tools). whatever you want, wherever you want! such as the Focusrite OctoPre MkII and you use in the mix can track drums at the same time. Eighteen 1 • Xcite+ Software Bundle Fully-featured mix window with clear input and output metering high-quality inputs feed cutting-edge digital conversion combined with the very latest • Two Hi-Z instrument inputs 2 Multiple independent mixes can be created, each accessible via their own tab in USB 2.0 interfacing technology, making • Dedicated front-panel headphone bus 3 Solos, mutes, pans and PFL’s available on every channel Scarlett 18i6 the perfect tracking interface. The software window comprises of four main sections: a mixer, a router, a monitor section and a device status section: 4 Mixer output channels can be routed to any number of outputs
• The mixer section allows you to create independent mixes - each of which can be routed out 5 Routing section provides a clear indication of all audio routing to physical outputs for monitoring, headphone cues or external processing.
• The router section is used to send any combination of physical inputs, DAW outputs or user- 6 Monitor section lets you switch between different monitoring set-ups quickly created mixes of these streams to any outputs. 7 Clear device status section shows sample rate, sync source and more • The monitor section provides control of Volume, Dim, Mute and independent left or right cut.
• The device set-up section shows the status of synchronisation and connection, as well as allowing the user to change the sample rate and the synchronisation source for clocking.
16 The image above is for representation purposes. The configuration of MixControl changes depending on the interface in use. 17 Midnight THE CLASSIC PLUG-IN SUITE By FOCUSRITE
Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them simplicity itself to use.
The Midnight modules deliver incredible power and flexibility into your digital studio in VST, AU and RTAS formats. Now you can take a massive step up and incorporate the pure, warm, delicious sound and straightforward controllability of these classic analogue processors in your own tracks - at a price you can actually afford.
Pro Tools 9 Now Focusrite Ready In 2000, Digidesign chose Focusrite as their hardware partner to deliver what was to become the most successful Pro Tools interface ever - the original Mbox.
Now, with the introduction of Pro Tools 9, Focusrite interfaces are once again the best choice for Pro Tools users.
18 All Focusrite audio interfaces are Pro Tools 9 compatible. 19 OctoPre MkII OctoPre MkII Dynamic EIGHT FOCUSRITE MIC PREAMPS WITH BUILT-IN 24-BIT / 96KHZ ADAT OUTPUT EIGHT FOCUSRITE MIC PRES WITH COMPRESSION AND BUILT-IN 24-BIT / 96KHZ ADAT I/O
With eight channels of Focusrite pre-amplification and • Eight high quality award-winning Focusrite preamps • Direct outputs on every channel With eight channels of Focusrite microphone pre- • Compress transparently or with effect • State-of-the-art clocking a built-in 24-bit / 96kHz ADAT output, OctoPre MkII is The best sounding multi-channel mic pre in its class. For routing and flexibility, especially in the live amplification, eight VCA-based Red 3-derived compressors The classic soft-knee design achieves beautifully OctoPre MkII Dynamic’s internal clock delivers a jitter
Focusrite’s powerful input upgrade for your Pro Tools system, • Built-in eight channel 24-bit / 96 kHz digital output environment. Each mic pre can be routed to the mixer’s and built-in 24-bit / 96 kHz digital inputs and outputs, OctoPre transparent compression that caresses your sound. performance of +/- 20 PPM. For external clocks, industry- or any digital audio workstation. It’s also a great expansion Make the most of your interface’s ADAT input. OctoPre analogue channels, with two mirrored ADAT outputs MkII Dynamic is Focusrite’s feature-rich expansion upgrade Focusrite’s unique “More” switch doubles the ratio to standard JetPLL™ jitter reduction technology is employed. for any analogue or digital console, or hard disk recorder. MkII connects via its built-in ADAT Optical output, with (44.1 kHz) left free to send to digital recorders. for any digital audio workstation. It’s equally an deliver ‘compression with effect’. • Two high-quality instrument inputs a ‘real world’ dynamic range performance of 110dB. • 48V phantom power available on every channel ideal expansion for any analogue or digital console, • Built-in eight channel 24-bit / 96 kHz digital outputs OctoPre MkII Dynamic’s first two channels feature DI’s, The digital output allows users to make the most of often Switched in two groups (1-4 and 5-8) every channel is or hard disk recorder. Make the most of your interface’s ADAT input for tracking, ready for you to plug in your guitars and bass. neglected ADAT inputs; ideal for expanding the number of • Mic pres optimised for tracking drums capable of supplying phantom power, for use with most with eight channels of analogue to digital conversion via No expensive external DI required. mic preamp inputs on your interface. Connect OctoPre MkII OctoPre MkII is designed not to clip, with 10dB pads and • Eight award-winning Focusrite preamps condenser microphones. ADAT, boasting a ‘real world’ dynamic range performance to your audio interface’s ADAT input to create a high quality, preamps optimised to handle extreme levels from sound Focusrite’s unparalleled preamp legacy forms the of 110dB. OctoPre MkII Dynamic ‘More’ Function multi-channel recording solution, ideal for tracking drums, sources like kick drum and snare. • State-of-the-art clocking foundation of this device, with mic pres optimised to handle Each compressor on the OctoPre vocals, guitars and more. • Two quality Hi-Z instrument inputs OctoPre MkII’s internal clock delivers a jitter performance extreme levels from sound sources like acoustic drums. • Built-in eight channel 24-bit / 96 kHz digital inputs of less than 10 PPM. For external clocks, a BNC Switchable from the front panel, digital to analogue MkII Dynamic features a ‘More’ OctoPre MkII’s first two channels feature DI’s, ready for • Eight ‘single-dial’ Focusrite compressors connector is provided and industry-standard JetPLL™ conversion via ADAT provides analogue monitoring of button for an enhanced compression you to plug in your guitars and bass, instantly accessible A single dial gets you to the right amount of compression, jitter reduction technology is employed. any digital ADAT feed, as well as the ability to clock from effect. The More button doubles the on the front fascia. fast. These new VCA-based, feed-forward compressors any ADAT device. ratio from 2:1 to 4:1 and shifts the • 5 LED input metering on every channel model the character of the celebrated Focusrite Red 3. threshold range, so you have more OctoPre MkII’s fast-acting 5-LED input meters provide sensitivity on control. clear reference of input levels, helping you to avoid analogue or digital clipping.
Working together - OctoPre MkII & Saffire PRO 40
20 21 Focusrite Artists Focusrite Artists La Roux Andreya Triana La roux are singer-synth player Elly Jackson and co-writer/producer Ben Langmaid. There From a young age, Andreya wanted to sing. She taught herself how to play guitar and was self titled debut album has delivered some of the years biggest tracks in No.1 selling single soon taking every opportunity she could to play. Her determination has brought her to the Bulletproof and In for the Kill charting at No.2. The album has been nominated for the 2009 forefront of the electronic music fraternity, and is now signed to Ninja Tune, one of the most Mercury Prize. well-respected record labels in the field.
We caught up with Ben during a busy live touring schedule to chat about how La Roux have Recent collaborations include Flying Lotus, Mr Scruff and Bonobo, with whom she toured the utilised Focusrite products on the current and forthcoming albums. US and Canada in 2010.
Your sound is very electro based… Did your routes begin in dance music? Andreya uses the Focusrite Saffire 6 USB audio interface to record guitar and vocal demos. I started as a DJ and moved into production after helping a friend of mine (Rollo) set up the Its portability makes it perfect for use on the road, while its quality preamps and A-D band Faithless. I went on to produce my own records under the guises of Huff & Puff and Huff conversion let Andreya get professional results. & Herb to name a few. www.andreyatriana.com How are you using the liquid channel in the studio? I’m using the liquid channel Mainly for vocals and currently testing out all the combinations of vintage compressors, eq’s and pre-amps to see how it performs!
What are your main reasons for going with Focusrite Hardware? They’re a solid company with a very strong reputation. I used the Saffire Pro 26 and the ISA430MKII to record all of Elly’s vocals on the first La Roux album and they produced some quality results.
And the key features you love on the Liquid Channel? Simon Changer Matt Robertson KWIZ
I’m into the different combinations of compression and pre-amps. The precise emulations The ISA428 lets me get good, I trust the sound, and I know I can emulate any monitors offer me a lot of variety and access to a vast array of classic units in the studio, which I’d clean gain, to complement it’s not going to let me down. so I can have a familiar otherwise spend a small fortune on! Being able to save my presets is a handy feature as well… my vintage gear. Recording engineer sound just with my headphones. What benefits have the liquid channel brought to your studio work? Engineer - Credits include: Quite simply its quick to setup and easy to use. You can tailor the kit to your vocalist’s sound David Gray, Bjork Beyoncé’s programmer and tone whilst tapping into the vast bank of presets. I’m only just scratching the sides of its ISA 428 MkII full potential.
How have you found the linkup with the liquid channel to your DAW? Octopre MkII Dynamic Saffire 24 DSP The seamless linkup with my mac made it quick and easy to setup. We had it plugged in straight out the box and running in a few minutes. I’m also able to back up my presets.
www.laroux.co.uk
22 23 Focusrite Artists The Liquid Channel™ Liquid Channel Perfects MIX Any mic pre and compressor in history Carl Cox’s Live Mix
“My Liquid Channels are transparent but warm and big in their sound and, as testament to their quality, our FOH engineer said it was the first time in his career that he didn’t need to add any EQ or processing!” remarks Carl Cox, one of the world’s premier DJs.
A pair of the hardware processors acts as the last stage in his chain, before the signal from the stage hits the enormous PA system, whether he’s playing a beach party in Miami, a superclub in Berlin, or a global music festival. “They fit the bill perfectly. They are the solid final link in my audio chain for my live show, something that gives me a sonic edge. EQ, compression, limiting: you just set it and forget it.”
The Liquid Channel™ is a revolutionary channel strip that What is Dynamic Convolution? can emulate any classic mic pre and compressor. Combining Dynamic Convolution is a unique, patented technology that Liquid Channels will be rocking radical new analogue mic preamp technology with Dynamic emulates the sonic properties of original compressors, EQs Convolution™ techniques, and augmented by fully digital and the amplification element of mic preamps. Essentially, the Carl Cox Live Show for some controls and remote software, it provides the ultimate it samples (as opposed to models), the effect a processor has “ time to come! fluid vintage collection. on the audio signal through the application of a unique, level- dependant set of responses to that signal. These measured • Loaded with 40 classic mic preamp and 40 responses, sampled at numerous levels and with a multitude compressor emulations of setting combinations, are applied to the input stream on a Cox is no stranger to the DJ booth, and has picked up numerous accolades in his tremendous • 100 programme memories provide full recall of sample-by-sample basis for extremely convincing results. every setting career. He was the first ever winner of DJ Magazine’s” Top 100 poll in 1997, and he still packs venues worldwide. But he also has serious studio chops, with three albums, countless singles • LiquidControl software allows comprehensive remote Liquid Channel Remote Control Software (via USB) and a glut of remixes to his name. operation via USB www.carlcox.com • 192kHz internal processing and ADC/DAC as standard
• Focusrite digital EQ based on the Forte Suite software
• Adjustable harmonic distortion accounts for variance in vintage originals
24 25 Liquid Mix HD ISA430 MkII – Producer Pack MIX ANY CLASSIC COMPRESSOR AND EQ IN HISTORY FOR THE PRICE OF A SINGLE PLUG-IN The pinnacle of Focusrite’s analogue channel strip technology
Why pay for one plug-in, when you can have 60? • Unrivalled variety of classic emulations • Optimised for Pro Tools HD Only Liquid technology gives you genuine emulations of 40 compressors and 20 EQs, sampled from vintage Over one hundred simultaneous mono instances can be run the most revered signal processors used on countless hits originals with a free expanding library online. at 44.1/48kHz on an HD3 system.
throughout recording history. • Dynamic Convolution technology • Ultra-low latency for recording The unique patented Dynamic Convolution process With the ultra-low latency of Liquid Mix HD (just 12 Each Liquid Mix channel provides compressor and EQ delivers unparalleled EQ and compression emulations. samples), it can now be used for recording and live emulations selected from a huge pool of high-quality vintage sound applications. and modern day classics. 40 compressors and 20 EQs are • Unique Hybrid super EQ available straight out of the box, with an expanding library Create your own totally unique 7-band super EQ, built • Full control surface mapping online. Furthermore, a totally unique hybrid 7-band ‘super out of separate classic EQ bands. Pro Tools TDM format ensures full control mapping on all EQ’ can be built out of separate classic EQ sections in every major Pro Tools control surfaces, including ICON and VENUE. channel. The ISA 430 MKII represents the pinnacle of Focusrite’s • Classic Focusrite transformer-based mic • Proprietary Focusrite discrete Class A VCA gate analogue channel strip technology, bringing together all preamp with variable impedance and ‘Air’ feature and expander designs Each channel appears as a separate effect within the the classic designs in one comprehensive production tool. sequencer. Liquid Mix HD seamlessly integrates Liquid • Multi-format compressor; transparent VCA • Optical de-esser featuring ‘De-esser Listen’ for Augmented with additional features and flavours, alongside technology with the Pro Tools HD environment, potentially circuit and two vintage optical solutions precise control over sibilance unmatched internal routing and connectivity, the ISA 430 providing over 60 simultaneous channels (dependent on • Classic Focusrite EQ design; an expanded • Soft Limiter to avoid critical digital overload MKII confirms Focusrite’s iconic status as the leading the HD system). version of the original ISA 110 (requires optional A-D converter) manufacturer of channel strips. • Post mic pre output for the shortest possible • Optional stereo A-D converter with 120dB dynamic range signal path
Multiple instances of Liquid Mix running simultaneously
Pro Tools HD is a trademark of Avid Technology Inc. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated, 26 connected nor affiliated with Focusrite or its LIQUID MIX products and which have not endorsed Focusrite’s LIQUID MIX products. 27 ISA828 ISA428 MkII EIGHT CLASSIC MIC PREAMPS ALONGSIDE A PREMIUM EIGHT-CHANNEL A-D CONVERTER OPTION FOUR CLASSIC MIC PREAMPS WITH DI INPUTS AND A PREMIUM EIGHT-CHANNEL CONVERTER OPTION
Combining the best of yesterday with the best • The classic Focusrite mic pre at its lowest The ISA428 MkII provides four of Focusrite’s • Four classic Focusrite transformer- Why go digital with Focusrite? of tomorrow, Focusrite’s ISA828 eight channel cost-per-channel to date prestigious transformer based microphone preamps. based preamps For 15 years now, we’ve been tirelessly perfecting our digital mic preamp features exactly the same classic • The best A-D performance on the market, It features the same classic circuitry and renowned • 8 channels of cutting-edge A-D conversion, conversion technology. By simply slotting into the back of the microphone preamplifier design as Focusrite’s bar none (requires optional ADC) audio quality found in the original at a new level of running at up to 192kHz (requires optional ADC) analogue unit, audio signals travel the shortest possible distance critically acclaimed Forté console. To partner affordability. With switchable input impedance, direct • Integrates quickly and seamlessly with • Switchable impedance setting, ideal for mic and remain free from extraneous clocks or other sources of seamlessly with Pro Tools HD and other professional instrument inputs and an optional eight channels ProTools HD matching or extended microphone creativity digital noise. Fine tuning the marriage between analogue and DAW platforms, the ISA828 integrates with our of high quality analogue to digital conversion, the digital audio circuitry enables our A-D converters to achieve finest eight-channel A/D converter option. • Switchable impedance to suit any microphone ISA428 MkII creates the perfect front end for the • Four front panel instrument inputs - no separate superb dynamic range with extremely low noise and jitter. • Multiple front panel instrument - No separate discerning recording professional. DI box required DI box required • Dedicated analogue insert points on
• High pass filter, phase reverse and phantom every channel power on every channel • Classic high pass filters on every channel
ISA 8-channel ADC ISA Stereo ADC
Eight channels of precision Two channels of cutting-edge Focusrite A-D conversion for A-D conversion for ISA430 MkII ISA428, ISA428 MkII and ISA828, and ISA One, with 120dB dynamic with 121.5dB dynamic range and range and jitter below 300 jitter below 250 picoseconds. picoseconds. Digital connections Digital connections include AES/ include AES/EBU, ADAT Optical, EBU, ADAT Optical and S/PDIF and S/PDIF (coaxial and optical). (coaxial and optical). 28 29 Focusrite Artists ISA One Focusrite Preamps From CLASSIC MICROPHONE PREAMP WITH INDEPENDENT DI AND PROFESSIONAL DIGITAL OUTPUT OPTION The Very Beginning
The ISA One microphone preamplifier delivers Focusrite’s • ISA Series transformer-based preamp More than a mic preamp Focusrite have been behind Amy Macdonald’s sound from the very first sessions in producer prestigious ISA transformer-based preamp in a rugged and Encased in a rugged and portable chassis, offering the Pete Wilkinson’s home studio, “we worked in a very lo-fi way where Amy came to my little portable chassis, at a groundbreaking price. ISA One shares classic Focusrite microphone preamp at its lowest studio at home and put down her vocals. All of Amy’s original vocals were recorded through my the same preamplifier topology as Focusrite’s classic ISA110, cost to date. Voicemaster Pro; it was the vocal that the mix engineer and mastering house ended up with.”
featuring the original Lundhal LL1538 transformer and • Flexible independent DI channel bespoke Zobel network. ISA One is ideal both for engineers and demanding performers alike, featuring independent gain control, The ISA One Digital gives the Focusrite sound an output for routing to an amp and an independent XLR output on the rear. that I have on my ISA rackmount gear in a • Switchable impedance preamp I can take on the road to extend my Choose one of four carefully selected input impedances, “ system. As a clock source it’s rock solid, and including the original ISA 110 setting, to suit The ISA One features an independent D.I. channel with its any microphone. own gain control, an output for routing to an amp, and an it’s great value for money. It’s an outstanding • Class-leading stereo A-D conversion independent XLR output on the rear. Stereo cue mix inputs little preamp. Easily installed in any ISA One, this card embodies and a dedicated insert point are also available. cutting-edge conversion technology, incorporating James Stone Focusrite analogue circuitry to deliver the best A-D Session Engineer, Amy Macdonald performance in its class. This preamp topology formed the cornerstone of Focusrite’s • Dedicated insert point legendary Forté console and ISA Series preamplifiers have But it’s not just Amy’s vocal that gets the” Focusrite treatment. Joe Fields, Pete’s engineer of Allowing you to place extra processing between the pre been used on countless hit records over the last two decades. choice, continues: “When Pete brings the template in, we replace the instruments to try to get amp or DI and the optional converter, such as an EQ With its robust construction, the ISA One has made the it sounding how he had it in his studio. We start with drums then bass and guitars, then live or compressor. classic Focusrite signature sound more portable and more strings. We tracked the strings and most of the drums through Focusrite ISA428s.” affordable than ever before. • Phantom power, phase reverse and high-pass filter These days, Amy and her team use the ISA One Digital preamp on her vocals. To hear the All available from the angled front fascia. The quality of the Focusrite mic pre, check out Amy’s second album, A Curious Thing, which is high-pass filter operates at 75Hz, 18 dB/octave. available now.
www.amymacdonald.co.uk
30 Model pictured has the optional ISA Stereo A-D Converter installed 31 It’s always nice to have something that you know gives good results. I was a tape op when Focusrite came along, and whenever I got the chance to try Focusrite equipment, it always sounded amazing. It’s something that I’ll always go for if it’s in a room, because I trust it and I know it always comes through.
The Focusrite sound is always nice on anything you want a lot of high fidelity to. Drum overheads always sound great, and it’s the same with strings recordings. It works really well on vocals; It helps me make the mix.
Adrian Bushby Double GRAMMY Award-winning Recording Engineer Muse, Foo Fighters, Band Of Skulls, Two Door Cinema Club
www.focusrite.com
FA0135-06