City- & Landscapes Outdoor lighting Albertslund & Toldbod Post. Christianshavn, Copenhagen, Denmark. Photo: Torben Petersen. Outdoor lighting in sync with its environment
Louis Poulsen’s every solution for shaping light outdoors is rooted in a deep knowledge of the demands of city- and landscape illumination – and an understanding of the combination of design and technology that results in optimal human experiences outdoors.
The way we shape light can be traced back to Poul Henningsen and his views on the dualities of light and design: darkness and illumination, form and function, modern and classic. In our con- tinued work with lighting innovation, we strive to achieve the ideal balance among these elements.
Outdoor lighting is about more than safety. It needs to create an inviting space within the larger surroundings and interplay with architecture and landscape. We devote considerable attention to every aspect of every design, working with reflection, refraction and effects to create the best lighting experiences. Flindt Wall. Set Location, Den Blå Planet, Copenhagen, Denmark. Photo: Wichmann+Bendtsen. Design to Shape Light
At Louis Poulsen, we shape light. We For us, shaping light means creating strive to create an atmosphere where an atmosphere that helps people feel people feel comfortable, welcome and good, wherever they are. To that end, our relaxed. Every design decision is based outdoor product portfolio combines high on the illumination each shape creates, and low lighting and offers solutions that with every single surface and curve enter into harmonious dialogue with any working to create precisely the right outdoor environment. ambience. Form follows function, resulting in unforgettable luminaires that humanise spaces. Every space in its right light
We use and navigate the city in many different ways: we drive, walk, bike and skate. The new mixed industrial- recreational areas such as harbour front lead to new ways of designing and combining different lighting.
Both the purposes and functions of an urban space need to be considered when planning the lighting in an area. City Centres Piers Parks, Buildings and Residential pathway & architectural & local roads landscapes spaces City centres Flindt Bollard. Larvik Torv, Larvik, Norway. Photo: Frank Jørstad. Albertslund Post. Set location, Nordhavn, Copenhagen, Denmark. Photo: Wichmann+Bendtsen Photography. A vision for modern cities
For millennia, town and city lights have enhanced our safety, allowing us to navigate the outdoors at any time of day or night. Today, light plays an ever-more important and varied role in urban setting as we move between home, work, shopping, and leisure activities – or simply explore and enjoy our surroundings. Intelligent, aestheti- cally pleasing lighting systems are essential to helping us to feel our best. What’s more, they help strengthen our connection to our natural and man-made surroundings.
Lighting in city centres can be as diverse as the areas themselves. Numerous light sources – from post tops and bollards to various wall- and surface-mounted fixtures – create an inviting, unified flow through streets and squares, and draw our attention to urban elements of particular beauty and importance.
Louis Poulsen’s solutions for urban areas range from the classic to the ultra-modern, allowing planners and design- ers to speak to a city’s history while projecting its vision of the future. Waterfront Bollard. Fukuoka Sanno Hospital, Fukuoka, Japan. Photo: Shinji Aratani. Flindt Bollard. Johanneskirketrappen, Bergen, Norway. Photo: Frank Jørstad. LP Nest Post. Agder Energi, Kristiansand, Norway. Photo: Jiri Havran. Kipp Post. Bean Tower, Denver, USA. Photo: Frank Ooms. Parks pathways & landscapes LP Capsule Post. Recreation area Jørpelandsholmen, Norway. Photo: Kristofer Ryde. Albertslund Post. Sjølundsparken, Hellebæk, Denmark. Photo: Kim Matthai Leland. Guiding while delighting
Outdoor landscapes – from public parks to university campuses – can be transformed through thoughtfully designed lighting plans that balance aesthetics and functionality.
Landscape lighting is critical for making these spaces useful, not to mention safer, after dark. But it’s also essential that the lighting design highlights the identity of a place as well as its uses – and helps lend form and ambience to the landscape architecture. When lighting is integrated into landscape planning from a project’s earli- est phases, the overall impact of the completed space is always dramatically enhanced.
Light bollards, for instance, are discreet little helpers that can illuminate steps, highlight walkways, and indicate level changes. They ensure visibility next to paths and passages so that we can be safe in the dark. Thanks to their low height, they create a comfortable and non-in- trusive atmosphere and do not interrupt our view of our surroundings. Post tops, on the other hand, focus less on creating a sense of intimacy and more on broad illumi- nation that enhances our awareness of our location. And wall-mounted outdoor lights accentuate architectural elements – and show us to our destinations. All these lighting elements work in concert to create light layering that addresses both our aesthetic and practical needs as darkness falls.
Toldbod Post. Nesodden Cemetery, Nesodden, Norway. Photo: Jiri Havran. Flindt Bollard. Recreation area Frøylandsvatnet, Norway. Photo: Kristofer Ryde. Bysted Bollard. Christianshavn, Copenhagen, Denmark. Photo: Torben Petersen. Piers Waterfront Bollard. Skovshoved Harbour, Denmark. Photo: Torben Petersen. Homann Park Post. Set Location, Sydhavn, Denmark. Photo: Kim Matthai Leland. Beacons of light
In these multi-purpose waterfront zones, which often invite recreational use, the ideal atmosphere is created through a pairing of soft lighting installed close to build- ings and numerous posts and bollards that define the parameters of the space while guiding passers-by.
Placing the right bollards close to the waterfront is par- ticularly important, as they not only help people navigate on the pier but also ensure that the light does not disturb maritime traffic.
The Louis Poulsen outdoor collection offers a wide range of lighting concepts that facilitate the process of safe placemaking, helping planners and designers maximise the appeal of waterfront spaces at all hours. Albertslund Post. Christianshavn, Copenhagen, Denmark. Photo: Torben Petersen. Kipp Post. Miami Yacht Club, Miami, USA. Photo: Carlos Domenech. Waterfront Bollard. Skovshoved Harbour, Skovshoved, Denmark. Photo: Lars Kaslov. Rubbie Bollard. OS Sjöfront, Os, Norway. Photo: Frank Jørstad.
Bysted Bollard. Smedsvig Landskap, Bergen, Norway. Photo: Frank Jørstad. Buildings & architectural spaces Flindt Wall. Set Location, Den Blå Planet, Copenhagen, Denmark. Photo: Wichmann+Bendtsen. Flindt Bollard, Toldbod 220/290 Wall, Radiis 109. Glasgow Fort, Glasgow, Scotland. Lighting Designer: LDPI. Lighting that defines our experience of architecture
The process of illuminating architecture must address quite a few considerations. How and when are the build- ings used? Are they residential or public? Places of work or leisure? And, essentially: how can they be made more accessible, more beautiful, and more in sync with their surroundings through outdoor lighting?
Louis Poulsen’s outdoor product portfolio offers solutions to complement and enhance spaces around building from the thoroughly classic to the ultra-modern. They accen- tuate our sense of a place’s history and context, and give us a new perspective on structures we might overlook in the daytime. At the same time, our wall, bollard, post and other outdoor designs address the many areas outside a building that require thoughtful illumination to ensure the desired overall experience and flow, from courtyards, pathways and entryways to the buildings themselves. Radiis. Cinecittà World, Via Tuscolana, Italy. Photo: Germano Borrelli. AL 600. Tunnel below highway, Sønderborg, Denmark. Photo: Jens Thybo. PH Wall. Christianshavn, Copenhagen, Denmark. Photo: Torben Petersen.
Albertslund Wall. Christianshavn, Copenhagen, Denmark. Photo: Torben Petersen. Skot Wall. Ordrup Station, Ordrup, Denmark. Photo: Jacob Termansen. Nyhavn Wall. The Prime Minister’s office, Copenhagen, Denmark. Photo: Kaslov Studio. Kipp Wall. Theis Vine, Charlottenlund, Denmark. Photo: Kim Matthai Leland.
Flindt Bollard. Johanneskirketrappen, Bergen, Norway. P. Frank Jørstad
AJ 50 Wall. Taishi Town Hall, Taishi-Cho, Japan. Photo: Azumi Takahashi. Residential & local roads LP Icon Post. Christianshavn, Copenhagen, Denmark. Photo: Torben Petersen. LP Icon Post. Eastside Cannery Hotel & Casino, Las Vegas, USA. Photo: Saari & Forrai Photography. Thoughtful, efficient light for our roads
Today, architects, municipalities and installers working on outdoor illumination are asked to meet a wide range of requirements and expectations – all while selecting lighting that provides a sense of security, is robust, and carries the right aesthetic expression. At the same time, the designs are expected to deliver efficient illumination that exploits the full potential of LED technology.
Louis Poulsen’s post top designs consider requirements, aesthetics, and optimal human comfort and safety on local and residential roads. The designs incorporate our well-known principles for pleasant atmospheric illumina- tion and maximise the impact of LED technology. Efficient ample illumination with a sculptural, human feel: this is our vision for the roads of the future. LP Xperi Post. Set location, Skjoldagervej, Gentofte, Denmark. Photo: Kim Matthäi Leland. LP Xperi Post. Set Location. Marmorvej, Nordhavn, Denmark. Photo: Torben Petersen. Product offering
Post tops Bollards Ceiling fixtures Wall fixtures Accent lighting Flindt Wall. Set Location, Den Blå Planet, Copenhagen, Denmark. Photo: Wichmann+Bendtsen. Post tops – Reflected light
Albertslund Mini Albertslund Maxi Designer: Jens Møller-Jensen Designer: Jens Møller-Jensen
Piers Piers Parks, pathways, & landscapes Parks, pathways, & landscapes City centres City centres Buildings & architectural spaces Buildings & architectural spaces
Options Options Standard colours: Standard colours: Alu. colour textured, Graphite grey textured, Grey Alu. colour textured, Graphite grey textured, Grey
Wattage: 34 Wattage: 55
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP66, IK10 Classes: IP66, IK10
Light technique: Symmetric Light technique: Symmetric
Dimming: Night time, CLO, DALI Dimming: Night time, CLO, DALI
Performance example* Performance example* Wattage Initial 34 Wattage Initial 55 Lumen 2800 Lumen 4500 Lm/Watt 82 Lm/Watt 82
Pole height 3m Pole height 4m
Pole distance 19 - 20m Pole distance 25 - 27m
Parks & Pathway Parks & Pathway Path width 3m P3 - P5 Path width 4m P3 - P5
Please refer to our website for latest data Kipp Nest Designer: Alfred Homann Designer: Bystrup Architects
Piers Piers Parks, pathways, & landscapes Parks, pathways, & landscapes City centres City centres Buildings & architectural spaces Buildings & architectural spaces
Options Options Standard colours: Standard colours: Alu. colour textured, Graphite grey textured Alu. colour textured, Graphite grey textured, Grey
Wattage: 30, 66 Wattage: 53
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP66, IK10 Classes: IP66, IK09
Light technique: Symmetric Light technique: Symmetric
Dimming: Night time, CLO, DALI Dimming: Night time, CLO, DALI
Performance example* Performance example* Wattage Initial 30 66 Wattage Initial 53 Lumen 3000 6200 Lumen 3400 Lm/Watt 100 93 Lm/Watt 63
Pole height 3m Pole height 3m
Pole distance 19 - 21m Pole distance 16 - 17m
Parks & Pathway Parks & Pathway Path width 3m P2 - P5 Path width 3m P3 - P5
*All performance examples are based on 3000K, Alu. colour textured Post tops – Reflected light
Toldbod 290 LP Icon Designer: Louis Poulsen A/S Designer: Mads Odgård
Piers Local roads Parks, pathways, & landscapes Residential roads City centres Buildings & architectural spaces
Options Options Standard colours: Standard colours: Alu. colour textured, Black textured Alu. colour textured
Wattage: 20 Wattage: 35, 47
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP65, IK08 Classes: IP66, IK06
Light technique: Symmetric Light technique: Asymmetric, Symmetric
Dimming: Night time, CLO, DALI Dimming: Night time, CLO, DALI
Performance example* Performance example* Wattage Initial 20 Wattage Initial 35 47** Lumen 1950 Lumen 3200 4650 Lm/Watt 96 Lm/Watt 90 99 **For variant with polish reflector
Pole height 3m Pole height 7m
Pole distance 10m Pole distance 35m
Parks & Pathway Local & residential roads Path width 3m P3 - P5 Road width 7m P3 - P5
Please refer to our website for latest data Post tops – Direct LED
LP Capsule Homann Park Designer: Carsten Fischer/Henning Larsen Designer: Alfred Homann
Piers Piers Parks, pathways, & landscapes Parks, pathways, & landscapes City centres City centres Buildings & architectural spaces Buildings & architectural spaces
Options Options Standard colours: Standard colours: Alu. colour textured Alu. colour textured
Wattage: 17, 32 Wattage: 17, 33
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP66, IK08 Classes: IP66, IK10
Light technique: Asymmetric, Symmetric Light technique: Asymmetric, Symmetric
Dimming: Night time, CLO, DALI Dimming: Night time, CLO, DALI
Performance example* Performance example* Wattage Initial 17** 32** Wattage Initial 17 33 Lumen 1700 3100 Lumen 1750 3150 Lm/Watt 99** 96 Lm/Watt 103 95 **For asymmetric light distribution variant
Pole height 4m Pole height 4m
Pole distance 23 - 24m Pole distance 24m
Parks & Pathway Parks & Pathway Path width 4m P2 - P5 Path width 4m P2 - P5
*All performance examples are based on 3000K, CLO, Alu. colour textured Post tops – Direct LED Bollards
LP Xperi Designer: Christian Flindt
Local roads Bysted Residential roads Designer: Peter Bysted Options Piers Standard colours: Parks, pathways, & landscapes Alu. colour textured City centres Buildings & architectural spaces Wattage: 33, 66 Options Kelvin: 3000K, 4000K Standard colours: Corten steel Classes: IP66, IK10 Wattage: 24 Light technique: Asymmetric Kelvin: 3000K Dimming: Night time, CLO, DALI Classes: IP65, IK09 Performance example* Wattage Initial 33** 66** Dimming: CLO, DALI Lumen 3500 6400 Lm/Watt 106 97 **For ASY3 variant Performance example Wattage Initial 24 Lumen 700 Lm/Watt 29 Pole height 7m
Pole distance 32m
Local & residential roads Road width 7m P2 - P5, M5
Please refer to our website for latest data Flindt Kipp Designer: Christian Flindt Designer: Alfred Homann
Piers Piers Parks, pathways, & landscapes Parks, pathways, & landscapes City centres City centres Buildings & architectural spaces Buildings & architectural spaces
Options Options Standard colours: Alu. colour textured, Standard colours: Corten coloured textured Alu. colour textured, Graphite grey
Wattage: 14 Wattage: 28
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP65, IK10 Classes: IP55, IK10
Dimensions: 800mm, 1100mm Dimming: Night time, CLO, DALI
Dimming: Night time Performance example* Wattage Initial 28 Performance example* Lumen 1450 Wattage Initial 14 Lm/Watt 52 Lumen 600 Lm/Watt 41
*All performance examples are based on 3000K, CLO, Alu. colour textured PH 3-2 1/2 Waterfront Designer: Poul Henningsen Designer: Dan Borgen Hasløv
Parks, pathways, & landscapes Piers Buildings & architectural spaces Parks, pathways, & landscapes City centres Buildings & architectural spaces Options Standard colours: Options Black Standard colours: Alu. colour textured, Graphite grey textured Light source: 1X60W E27 Wattage: 28 Classes: IP44 Kelvin: 3000K, 4000K
Classes: IP65, IK10
Performance example* Wattage Initial 28 Lumen 670 Lm/Watt 24*
Please refer to our website for latest data Rubbie Toldbod 155 Designer: Peter Bysted Designer: Louis Poulsen A/S
Piers Piers Parks, pathways, & landscapes Parks, pathways, & landscapes City centres City centres Buildings & architectural spaces Buildings & architectural spaces
Options Options Standard colours: Standard colours: Black rubber Alu. colour textured, Black textured
Wattage: 12 Light source: 1X40W E14
Kelvin: 3000K, 4000K Classes: IP44, IK05
Classes: IP65, IK10
Dimming: Switch-dim, DALI
Performance example* Wattage Initial 12 Lumen 850 Lm/Watt 70
*All performance examples are based on 3000K, Alu. colour textured Ceiling fixtures
Skot Skot Wall/Ceiling Designer: LK as Designer: LK as
City centres Buildings & architectural spaces Parks, pathways, & landscapes Piers Buildings & architectural spaces
Options Options Standard colours: Standard colours: Alu. colour, Graphite grey textured Alu. colour, Graphite grey textured
Wattage: 8,5 Wattage: 8,5
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP66, IK10 Classes: IP66, IK10
Shield/diffuser: Shield/ diffuser: Clear Clear Opal Opal Half-shaded clear Half-shaded opal
Performance example* Performance example* Wattage Initial 8,5** Wattage Initial 8,5** Lumen 650 Lumen 650 Lm/Watt 77 Lm/Watt 77
**For variant with clear shield/diffuser in alu. colour **For variant with clear shield/diffuser
Please refer to our website for latest data Wall fixtures
AL 600 Ceiling AJ 50 Wall Designer: Mads Odgård Designer: Arne Jacobsen
Buildings & architectural spaces Buildings & architectural spaces Residential houses
Options Options Standard colours: Standard colours: Alu. colour textured Alu. colour textured, Black textured, White textured
Wattage: 7,6 , 12 Wattage: 7,6
Kelvin: 3000K Kelvin: 3000K
Classes: IP65, IK10 Classes: IP65, IK60
Performance example* Performance example* Wattage Initial 7,6 12 Initial Wattage 7,6 Lumen 600 800 Lumen 450 Lm/Watt 77 68 Lm/Watt 56
*All performance examples are based on 3000K, Alu. colour textured Wall fixtures
Toldbod 155 Toldbod 220/290 Designer: Louis Poulsen A/S Designer: Louis Poulsen A/S
Buildings & architectural spaces Buildings & architectural spaces Residential houses Residential houses
Options Options Standard colours: Standard colours: Alu coloured textured, Black Alu coloured textured, Black
Light source: 1X40W E14 Light source: 27W, 1X100W E27
Classes: IP44, IK05 Kelvin: 3000K, 4000K
Classes: Ø220: IP43, IK09 Ø290: IP43, IK08
Performance example* Wattage Initial 27** Lumen 2000 Lm/Watt 74 **Ø290
Please refer to our website for latest data Kipp Icon Designer: Alfred Homann Designer: Mads Odgård
Buildings & architectural spaces Buildings & architectural spaces
Options Options Standard colours: Standard colours: Alu. colour textured, Graphite grey Alu. colour textured
Wattage: 28 Wattage: 35, 47
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP55, IK10 Classes: IP66, IK06
Light technique: Asymmetric, Symmetric Light technique: Asymmetric, Symmetric
Performance example* Performance example* Wattage Initial 28 Wattage Initial 35** 47** Lumen 1450 Lumen 3200 3900 Lm/Watt 52 Lm/Watt 90 83 **With matt reflector
*All performance examples are based on 3000K, Alu. colour textured Wall fixtures
PH 3-2 1/2 Albertslund Wall Designer: Poul Henningsen Designer: Jens Møller-Jensen
Buildings & architectural spaces Buildings and architectural spaces Residential houses Residential houses
Options Options Standard colours: Standard colours: Black Galvanised, Grey, White
Light source: 1X60W E27 Light source: 1X100W E27, 1x180TC-TEL 6x24Q-2HF
Classes: IP44 Classes: IP44, IK06
Shield/ diffuser: Clear, Part frosted
Please refer to our website for latest data Nyhavn Wall Skot Wall/Ceiling Designer: Alfred Homann & Ole V. Kjær Designer: LK as
Buildings and architectural spaces Buildings & architectural spaces Residential houses Residential houses
Options Options Standard colours: Standard colours: Brushed copper, White Alu. colour, Graphite grey textured
Light source: 1X100W E27 Wattage: 8,5
Classes: IP44 Kelvin: 3000K, 4000K
Shield/ diffuser: Classes: IP66, IK10 Clear Performance example* Wattage Initial 8,5** Lumen 650 Lm/Watt 77* **For variant with clear diffuser
*All performance examples are based on 3000K, Alu. colour Wall fixtures
AJ Eklipta Flindt Wall Designer: Arne Jacobsen Designer: Christian Flindt
Buildings & architectural spaces Buildings & architectural spaces Residential houses Residential houses
Options Options Standard colours: Standard colours: White Alu coloured texture, White, Corten coloured textured
Wattage: Wattage: 10, 16, 20 1 X 60 W E27 1 X 100 W E27 Kelvin: 2700K, 3000K
Classes: IP44 Classes: IP65
Shield/ diffuser: Dimming: DALI, Phase dimming White opal Performance example* Wattage Initial 16** Lumen 500 Lm/Watt 32
**Ø300
Please refer to our website for latest data Accent lighting
Radiis 109 Radiis 210
Buildings & architectural spaces Buildings & architectural spaces
Options Options Standard colours: Standard colours: Glass stainless steel Glass stainless steel
Wattage: 11, 14 Wattage: 14, 36
Kelvin: 3000K, 4000K Kelvin: 3000K, 4000K
Classes: IP66, IP67, IK10 Classes: IP66, IP67, IP69K, IK10
Insulation class: II Insulation class: II
Reflector: Reflector: 11° 106° X 66° 11° HO 11-62° 15-63° 28° 18° HO 43° X 30° 31° 9° 40° HO
Body: Gimbal, High output, Zoom Body: Gimbal, Wall washer, Zoom
Performance example Performance example Wattage Initial 14** Wattage Initial 14,5** Lumen 750 Lumen 650 Lm/Watt 53 Lm/Watt 44
**For Class II variant with Reflector 15-63°, 3000K **For Class II variant with Reflector 28°, Body:Gimbal, 3000K
*All performance examples are based on 3000K, Alu. colour textured Colour options
The capability to develop and choose colours following trends and application needs is one of our core compe- tencies. We offer one or more standard colours for each product. Besides that, products in our outdoor portfolio are available in 11 different colours. It is also possible to order custom colours. Please contact us for further information.
Alu. colour, texture (162) Black effect fine texture (723) RAL 7021* Black texture matt (734) RAL 9005*
Corten (954) RAL 9016* Graphite grey texture (163) RAL 7022*
Grey Texture (231) RAL 7004* Light Grey texture (229) RAL 7004*
Dark brown texture (647) RAL 8017* Grey texture (230) RAL 230*
Dark green texture (637) RAL 6005* White texture matt (044) RAL 9016*
*Similiar til RAL colour definition. Direct light vs. reflected light
In outdoor lighting it is important to ensure We work with different ways of reducing the contrast reducing elements. contrast and offer post tops with either reflected light or direct light – depending on The luminous intensity of the light source the application needs. stands out in high contrast to the black sky in the background. To ensure comfort and improve a sense of safety it is important to reduce the contrast.
Direct light
Diffused light
Reflected light
Direct light
LP Capsule
Why choose fixtures with direct LED? Contrast reducing elements In LP Capsule there are three contrast reducing • High efficiency layers between the LED and the dark night sky. • Precise distribution of light • Selection of different light distributions Reflector • Smaller light engine for slimmer design. The reflector redirects a small portion of the light softening the shadows on the ground, but also it creates a horizontal element with a lower luminance than the LEDs. This is the first step in the transition.
Diffuser The opal diffuser positioned on the outside of the reflector catches some of the light creating a soft glow with a low comfortable luminance
The top diffuser adds the final layer with a subtle glow defining the top of the fixture. Diffused and reflected light
Diffused light
Reflected light
Kipp
Why choose fixtures with reflected light? Contrast reducing elements For Kipp there are two contrast reducing layers • High proportion of vertical illumination between the LED and the dark night sky. • Combination of diffused and reflected light for the highest comfort. Diffuser • High degree of ambience On top of the LED a cone shaped diffusers softens the light and distributes it out in a horisontal and downwards direction. The main proportion of light is distributed out close to 45 degrees downwards providing a high level of vertical illumination. The cone shape of the diffuser ensures the luminance is low.
Top The top of the fixture functions as the main reflector providing a wide downward reflected light while ensuring the contrast between the dark night sky and the light source is reduced. Toldbod Post. Christianshavn, Copenhagen, Denmark. Photo: Torben Petersen
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