DOCSLIB.ORG

American Splendor the Life and Times of Harvey Pekar 1St Edition Download Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
American Splendor the Life and Times of Harvey Pekar 1St Edition Download Free AMERICAN SPLENDOR THE LIFE AND TIMES OF HARVEY PEKAR 1ST EDITION DOWNLOAD FREE Val Mayerik | 9780345468307 | | | | | Happy Birthday, Harvey Pekar, Author of the 'American Splendor' Comic Books By Austin Ratner. Taking the same public transportation, driving on the same bridges. The few witticisms in the screenplay taken directly from Pekar's comic strip are no solve to the already unsalvageable mess. Report abuse. I thought it would be one of those movies that are hyped to the max by the adoring critics, but that it would turn out to be a darling of the reviewers and not the great film everyone was making it to be. Help Learn to edit Community portal Recent changes Upload file. Jul 21, Mike Wilson rated it it was amazing. Also effective, James Urbaniak as the illustrator Bob Crumb who American Splendor The Life and Times of Harvey Pekar 1st edition in Harvey's stories the potential for great comic books. Best of American Splendor. Harvey is neurotic, paranoid and jumpy but is also fun to be around, relatable and cathartic. For the film, see American Splendor The Life and Times of Harvey Pekar 1st edition Splendor film. Shelves: graphic-novelly-stuffautobiography-memoir. Pekar lived in Cleveland and worked as a clerk in a hospital for the major part of his life. This is the beginning of underground, anti-superhero 'adult' comics. I should have stuck with just the movie. Rogers Neighborhood" of the 60s and 70s underground comics scene. Read more Read less. Top reviews Most recent Top reviews. He's the epitome of your average man, and not even just American. You've got classic R. I could just as well just start following any guy on the street and probably see more interesting things. Uriah43 12 February The first story really sets the tone. At any rate, the entire film traces his boring life over the course of several years. This man is not honest. Inthe series inspired a critically acclaimed film adaptation of the same name. But there is no rooting interest, and the story is void of noble qualities. See all reviews. Pekar's unscripted and authentic interaction with Letterman's attempts at humor and ingratiation was American Splendor The Life and Times of Harvey Pekar 1st edition closer to what the average man on the street might say than to what a seasoned television personality could come up with. I'm not a comic book fan at alland I've never heard of Harvey Pekar though perhaps vaguely remember his appearances on David Letterman, since seeing this film. The acting and writing are what is usually praised about this film, but frankly the script is disgustingly exploitive and gimmicky. The originality of the material is reflected in its postmodern style of presentation, self-awareness of audience-manipulation blending seamlessly with entertainment and artistic delivery. Cek virabey rated it really liked it Mar 13, It was lauded by critics, and it received an Academy Award nomination for best adapted screenplay. The other incredible casting is the one of Hope Davis as Joyce Brabner. This includes but is not necessarily limited to our database schema and data distribution format. Namespaces Article Talk. Community Reviews. Comic Books and Graphic Novels When you have the pear-shaped and balding Giamatti cast as a fairly accurate Harvey Pekar, then the same should apply for his female counterpart. Overall a very different film about a strange little man who managed to get much more success than he ever though possible but yet never let it change his unhappy and normal ways. Sep 03, Kevin Wright rated it really liked it Shelves: graphic-novelsindie-comics. Uriah43 12 February For all his faults, Harvey had a lot of faults, and he never spares himself. Read more Now that Pekar has passed away, and his descriptions of life in s Cleveland have become like a historical drama, it is perhaps more important to read about how normal people of that era lived because, you know, sooner or later, all of them will pass away, and it will be a lot like they never lived. He began his career in at the s…. American Splendor The Life and Times of Harvey Pekar 1st edition needs to threaten Harvey Pekar's existence and hopefully that will bring him to life, otherwise he should do himself, society, the world, and Charles Darwin a favor and off himself. You wouldn't think that two dull introverts like this could be made to look so interesting, but they are. Apr 09, J. In previous decades he might have written an unreadable social realist novel, but in s Cleveland he thought of comics. That's fine and maybe there are plenty of people who really enjoy this type of movie. The overall vibe reminds me of "The Good Girl". And the idea of a depressed loser isn't all that new, people. Read more Readers also enjoyed. I feel is rhythm in the writing is very good, and reminded me jazz music, with smart American Splendor The Life and Times of Harvey Pekar 1st edition. In the same year, a new American Splendor mini-series is published by Vertigo. Other editions. The post office and other shippers are overwhelmed and some shipments may experience significant delays. Categories: Culture. It was a rare instance of reality breaking through into the scripted world of TV. Other Editions 1. Bob and Harv's Comics. He does a great job of portraying a grump with a heart. Goodreads helps you keep track of books you want to read. Giamatti "Planet of the Apes", "Big Fat Liar"the most recognizable face, is stellar as the grumpy Pekar, embodying him so perfectly that Pekar himself comes across as just a poor imitation. More Details There aren't even any stock characters, the kind whose story arc you can pinpoint from the minute they appear on the screen. Here is the best of American Splendor and other comics by Harvey Pekar, including never- before-seen material. What a testimony to the job the filmmakers did here Contrastingly, Giamatti gives us a younger, sloven mope. Crumb] Genre biography Characters Jack; Mr. Some of the stories in this collection American Splendor The Life and Times of Harvey Pekar 1st edition American Splendor made their way into the film, including the monologue concluding with, "Who is Harvey Pekar? User Reviews But I digress Perhaps someday, like I did in the case of Greek and Roman myths, I will learn that there is some redeeming quality in today's superhero comic book genre that I was just too dense to comprehend. Other editions. Nicola and adapted for the stage by Llyod Rose. An Argument at Work - A tragic chronicle of the life of Herschel, an underappreciated intellectual. This page collection was issued on the heels of the film "American Splendor," and it includes material previously published in the first two collecte Harvey Pekar is a true American original, known by many as the blue-collar Mark Twain. I'm surprised this won sundance. James Datoon rated it did not like it Jul 23, The Book of Genesis Illustrated. Open Preview See a Problem? See all free Kindle reading apps. Sometimes I wonder if today's electronic storage medium will go the way of the eight-track tape and the floppy disk, and if only paper medium will remain. For the film, see American Splendor film. For example, Hope Davis plays Pekar's love interest, and while she nails the look and mannerisms, her character often seems to be making decisions for no apparent reason. Pekar also wrote two graphic novels which are not officially labeled American Splendor but which should arguably be considered part of it: Our Cancer Year Four Walls Eight Windows, co-written with Pekar's wife Joyce American Splendor The Life and Times of Harvey Pekar 1st edition and illustrated by Frank Stackcovering the year when Pekar was diagnosed with cancer; and The Quitter DC Comics, illustrated by Dean Haspielwhich deals with Pekar's youth. Universal recommendation. It's odd, I assumed his stuff would be pretty cynical, but it's quite the opposite. Look at it this way: change Pekar's monochromatic crabbiness with a spunky guy who's always giddy and smiling, and you get the same, irritatingly simplistic, exaggerated, and petty version on another extreme that no critic would be calling "refreshing" or "different. The filmmakers attempt to make Hope Davis into a plain Jane by draping her in a Lily Munster wig and setting a pair of wide-rimmed spectacles on her nose. Gerry Shamray Illustrator. Autobiographical comic books written by Harvey Pekar. The movie "American Splendor" portrayed Pekar as a charmingly and harmlessly eccentric crank, but in the comic, Pekar portrays himself as a much nastier human being, and often it's too much for this reader American Splendor The Life and Times of Harvey Pekar 1st edition take. I first learned about him during the s when he would appear on The David Letterman Showwhich are also featured in the movie. It also analyses reviews to verify trustworthiness. Main article: American Splendor film. Here, we learn about Harvey's months-long struggle with laryngitis which unfortunately took place during his honeymoon. At least that's how I saw it. The other device is the one that is supposed to sustain us, the folding of the three layers, and some interaction among the three. Bryan Wendorf rated it it was amazing Nov 10, Reprints from American Splendor Harvey Pekar, series 5 However, watching it has made me shun, just a little bit more, larger, Hollywood productions, including typical, cookie-cutter romantic comedies as for another mass-produced Hollywood genre This lack of high qualities makes the characters difficult to invest in emotionally.
Load more

Recommended publications
  • Jnt£Rnationa1 Journal of Comic Art
    JNT£RNATIONA1 JOURNAL OF COMIC ART Vol. 14, No. 1 Spring2012 112 113 Graphic Tales of Cancer catharsis, testimonies, and education. Michael Rhode and JTH Connor1 Cartoons, Comics, Funnies, Comic Books "Cancer is not a single disease," said Robert A. Weinberg, a cancer While names work against it, and demagogues have railed against it, biologist at the Whitehead Institute and the Massachusetts Institute comic art has not necessarily been for children. 8 And cancer is not the only of Technology. "It's really dozens, arguably hundreds of diseases."' illness seen in comic art-- characters have died of AIDS in the "Doonesbury" comic strip and the Incredible Hulk comic book, and survived AIDS in Peeter's autobiographical Blue Pills; "Doonesbury"'s football-star-turned-coach B.D. Few people in North America are unaware of or unaffected by the popular suffered a traumatic amputation of his leg in Iraq; "Crankshaft" coped with and professional publicity related to the incidences of the various forms of Alzheimer's disease; Frenchman David B. cartooned a graphic novel on his cancer, the search for a "cure for cancer," the fund-raising runs and other brother's epilepsy; Haidee Merritt drew gag cartoons about her diabetes; similar campaigns in support of research into its causes and treatment, or the "Ziggy"'s Tom Wilson wrote a prose book on his depression, and Keiko To be pink-looped ribbon that is immediately identifiable as the "logo" for breast won awards for her 14-volume fictional manga about autism. 9 Editorial cancer awareness. Study of the history of cancer through professional medical cartoonists have long addressed the link between tobacco use and cancer, 10 and surgical literature is an obvious and traditional portal to understanding as did Garry Trudeau who has long opposed smoking as seen in his Mr.
    [Show full text]
  • Alternative Comics: an Emerging Literature
    ALTERNATIVE COMICS Gilbert Hernandez, “Venus Tells It Like It Is!” Luba in America 167 (excerpt). © 2001 Gilbert Hernandez. Used with permission. ALTERNATIVE COMICS AN EMERGING LITERATURE Charles Hatfield UNIVERSITY PRESS OF MISSISSIPPI • JACKSON www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2005 by University Press of Mississippi All rights reserved Manufactured in the United States of America First edition 2005 ϱ Library of Congress Cataloging-in-Publication Data Hatfield, Charles, 1965– Alternative comics : an emerging literature / Charles Hatfield. — 1st ed. p. cm. Includes bibliographical references and index. ISBN 1-57806-718-9 (cloth : alk. paper) — ISBN 1-57806-719-7 (pbk. : alk. paper) 1. Underground comic books, strips, etc.—United States—History and criticism. I. Title. PN6725.H39 2005 741.5'0973—dc22 2004025709 British Library Cataloging-in-Publication Data available CONTENTS Acknowledgments vii Introduction ix Alternative Comics as an Emerging Literature 1 Comix, Comic Shops, and the Rise of 3 Alternative Comics, Post 1968 2 An Art of Tensions 32 The Otherness of Comics Reading 3 A Broader Canvas: Gilbert Hernandez’s Heartbreak Soup 68 4 “I made that whole thing up!” 108 The Problem of Authenticity in Autobiographical Comics 5 Irony and Self-Reflexivity in Autobiographical Comics 128 Two Case Studies 6 Whither the Graphic Novel? 152 Notes 164 Works Cited 169 Index 177 This page intentionally left blank ACKNOWLEDGMENTS Who can do this sort of thing alone? Not I. Thanks are due to many. For permission to include passages from my article, “Heartbreak Soup: The Interdependence of Theme and Form” (Inks 4:2, May 1997), the Ohio State University Press.
    [Show full text]
  • A Thesis Submitted to the Faculty of the Graduate School of Arts And
    CANCERTAINMENT: HOW COMICS AND THE INTERNET ARE CHANGING THE FACE OF CANCER A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture and Technology By Rachel Anne Plotnick, B.A. Washington, DC April 20, 2007 CANCERTAINMENT: HOW COMICS AND THE INTERNET ARE CHANGING THE FACE OF CANCER Rachel Anne Plotnick, B.A. Thesis Advisor: Michael Coventry, Ph.D. ABSTRACT Traditionally, individuals diagnosed with cancer feel stigmatized, victimized and often hopeless -- the very word "cancer" symbolizes a pernicious attack on the body that leads individuals with the disease to succumb to despair, or to play the role of hero or survivor. Rather than remaining silent in the face of this kind of trauma, the ill person who translates her experience into narrative empowers herself by claiming ownership over her story. Recently, the Internet and its complementary new technologies have paved the way for new kinds of expression about cancer for the cancer patient community, enabling individuals with cancer to reinterpret their diagnosis and reclaim authority both over their illness and the medical system. In particular, cancer patients now use the Internet as a safe place to share humor and other forms of entertainment in order to cope with their illness through a number of channels including web comics, blogs, message boards, games and web sites. This project investigates how the Internet and other new technologies enable individuals to use humor and other kinds of "cancertainment" to reclaim authority over their illness, refigure their relationship to those with cancer and those without, and reimagine how society should make meaning from cancer as a disease and as a social and personal experience.
    [Show full text]
  • Best of American Splendor Ebook
    BEST OF AMERICAN SPLENDOR PDF, EPUB, EBOOK Harvey Pekar | 332 pages | 06 Jul 2005 | Random House USA Inc | 9780345479389 | English | New York, NY, India Best of American Splendor PDF Book He was an ordinary, schlubby, unassuming man. He was subsumed in records and comics and books and art, constantly collecting artifacts of culture and absorbing them into his world. Shelve American Splendor: On the Job. How can there be three people with such an unusual name in the world, let alone in one city? Photographs of scenic splendor from every corner of America are featured on this calendar. There were multiple references to the percentage of his income that he would earn in retirement, therefore making retirement not an option, and also many mentions of how no one likes his comics due to the lack of intelligence of the general comic audience. I'll do my best to keep this…. Want to Read saving…. Toby Radloff: I consider myself a nerd. What I found most interesting about Pekar is that his stories don't have a beginning, middle, and end, but are basically all middles. Good blend of strips, but they're so much more enjoyable in their original sequences. Giamatti is not a million miles away from other characters he has played, in movies such as " Storytelling ," " Private Parts " and " Man on the Moon ," but Davis achieves an uncanny transformation. American Splendor. Jan 24, Ledena rated it it was amazing. Now imagine my surprise when I looked up my name and saw that in addition to me, another Harvey Pekar was listed.
    [Show full text]
  • Miranda, 8 | 2013 Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Rob
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 8 | 2013 In Umbra Voluptatis : Shades, Shadows, and their Felicities / Film Adaptations, New Interactions Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003) Matthew Bolton Electronic version URL: http://journals.openedition.org/miranda/3537 DOI: 10.4000/miranda.3537 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Matthew Bolton, “Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)”, Miranda [Online], 8 | 2013, Online since 28 June 2013, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/3537 ; DOI: https://doi.org/ 10.4000/miranda.3537 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Rob... 1 Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003) Matthew Bolton 1 It should come as no surprise that Hollywood has historically looked to canonical and contemporary novels for its source material. After all, both film and print fiction have tended to succeed or fail depending on their ability to provide audiences with a compelling narrative structure, complete with a cohesive and coherent plot. Indeed, the predisposition toward narrativity is so strong and so pervasive that, as Christian Metz puts it, even supposedly non-narrative films … are governed essentially by the same semiological mechanisms that govern the “feature films”(144).
    [Show full text]
  • Frank Stack Collection
    Special Collections 401 Ellis Library Columbia, MO 65201 & Rare Books (573) 882-0076 [email protected] University of Missouri Libraries http://library.missouri.edu/specialcollections/ Frank Stack Collection Stack, Frank. b. 1937. Papers, 1957- MU Ellis Special Collections Comic Collection 2 1/2 linear feet Scope and Contents Note The collection contains material published from Stack’s college days, through the early underground comic book period, and to the publication of our Cancer Year in 1995. An extensive collection of letters from Gilbert Shelton, William Helmer, the Rip Off Press and others is included. Continuities by Harvey Pekar for which Stack prepared art work are in the collection. Provenance The material in the collection was originally donated by Frank Stack, with several subsequent additions. Photocopies of articles about the artist and his work have been made for inclusion in the collection. Restrictions on Access Most of the collection is available to all researchers, however, permission to use Folders 32-34 must be obtained from Frank Stack. Permission to publish material in the collection must be obtained from the Head of Special Collections. Selected items may also require permission from Frank Stack. Inquire with Special Collections for details. Biographical Sketch Frank Stack was born October 31, 1937 in Houston, Texas. He was educated at the University of Texas (B.F.A.), University of Wyoming (M.A.) and received additional training at the School of Art Institute of Chicago and Academie Grande Chaumiere of Paris. Stack was editor of Texas Ranger magazine 1957-1959 while at the University of Texas. Stack names his biggest creative influences as Gustave Dore, Roy Crane and V.T.
    [Show full text]
  • Comics As Film, Film As Comics: the Examples of Alan Moore, Daniel Clowes, and Harvey Pekar Rachel A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenSIUC Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program May 2015 Comics as Film, Film as Comics: The Examples of Alan Moore, Daniel Clowes, and Harvey Pekar Rachel A. Atherton Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Atherton, Rachel A., "Comics as Film, Film as Comics: The Examples of Alan Moore, Daniel Clowes, and Harvey Pekar" (2015). Honors Theses. Paper 378. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. COMICS AS FILM, FILM AS COMICS: THE EXAMPLES OF ALAN MOORE, DANIEL CLOWES AND HARVEY PEKAR Rachel Atherton A thesis submitted to the University Honors Program in partial fulfillment of the requirements for the Honors Degree Southern Illinois University May 7, 2015 Atherton 2 This project adds to the ongoing study of adaptation in media, specifically adaptation from graphic novels or comic books to film. The body of work on novel to film or novel to stage adaptations is considerably larger than that of comics to film. In recent years, however, comics have begun to be recognized as able to transcend the label of “childish” or “mass culture” to make meaning on a level with the novel or play. The comic book and comic book-film adaptation have exploded in popularity in accordance with that increase in recognition.
    [Show full text]
  • Doctor, Doctor: Gimme Your Views
    Doctor, Doctor: Gimme Your Views By Karen Green Friday March 5, 2010 06:00:00 am Our columnists are independent writers who choose subjects and write without editorial input from comiXology. The opinions expressed are the columnist's, and do not represent the opinion of comiXology. While my graphic novels exhibition is certainly--well, um, hopefully--influencing faculty to use comics in their coursework in innovative ways from one end of the Morningside Heights campus to the other, a whole new front in the comics-in-higher-education invasion has opened a few miles uptown, at Columbia's medical school, located up in Washington Heights, amidst the buildings of New York Presbyterian Hospital. On top of their already intense med-school curriculum, Columbia's aspiring doctors have a required humanities component: a choice of several six-week courses in anything from "The Philosophy of Death" to "Fiction Workshop." The course that brought me uptown for a discussion with twelve second-year med students is called "From Spoken Word to Sick Tats," and my contribution was to be a look at illness narratives in graphic novels. I'd been invited to lead this class by Marsha Hurst, a faculty member in Columbia's Masters of Science program in Narrative Medicine. Hurst is team-teaching this med-school humanities seminar with Sayantani DasGupta, a pediatrician with a background in oral history. I'd met Marsha over a year ago through an old friend who'd had a business meeting with her and dropped my name as a Columbian of her acquaintance, and Marsha leapt on the notion of including graphic novels in her syllabus.
    [Show full text]
  • Comics As Film, Film As Comics: the Examples of Alan Moore, Daniel Clowes, and Harvey Pekar Rachel A
    Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program May 2015 Comics as Film, Film as Comics: The Examples of Alan Moore, Daniel Clowes, and Harvey Pekar Rachel A. Atherton Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Atherton, Rachel A., "Comics as Film, Film as Comics: The Examples of Alan Moore, Daniel Clowes, and Harvey Pekar" (2015). Honors Theses. Paper 378. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. COMICS AS FILM, FILM AS COMICS: THE EXAMPLES OF ALAN MOORE, DANIEL CLOWES AND HARVEY PEKAR Rachel Atherton A thesis submitted to the University Honors Program in partial fulfillment of the requirements for the Honors Degree Southern Illinois University May 7, 2015 Atherton 2 This project adds to the ongoing study of adaptation in media, specifically adaptation from graphic novels or comic books to film. The body of work on novel to film or novel to stage adaptations is considerably larger than that of comics to film. In recent years, however, comics have begun to be recognized as able to transcend the label of “childish” or “mass culture” to make meaning on a level with the novel or play. The comic book and comic book-film adaptation have exploded in popularity in accordance with that increase in recognition. This project examines three sets of graphic novels and their film adaptations.
    [Show full text]
  • The Transformations of Harvey Pekar's American Splendor: 'Ordinary Life Is
    The transformations of Harvey Pekar’s American Splendor: ‘Ordinary life is pretty complex stuff’ Julia Round (Bournemouth University) Harvey Pekar’s comic book American Splendor tells the story of ‘our man’ across four decades, giving us his observations on everyday American life – and, in the case of Our Movie Year, the not-so-everyday. It’s a brilliant combination of the universal experience and the individual human condition, as Harvey offers us his acerbic opinions on everything from shopping queues to politics. Throughout its run it has been illustrated by a stellar range of underground comics artists, including R. Crumb, Kevin Brown, Greg Budgett, Sean Carroll, Sue Cavey, Gary Dumm, Val Mayerik, and Gerry Shamray. The flexibility of the visuals attached to Pekar’s instantly identifiable voice makes it an excellent example of adaptation in action, as this article will discuss. Much has been written on the power of autobiography and the benefits of understanding this type of writing as a transformative and adaptive process in itself: where selection, point of view and multiple other narrative devices are used to fictionalise the real (e.g. see William Labov and Joshua Waletzky’s (1967) oral storytelling categories and Allan Bell’s (1991) application of these to news stories. This article discusses the specific challenges of narrating ‘real life’ in comics and documentary film, focusing on Harvey Pekar’s American Splendor (both the comic book series and the 2003 movie). It will explore the conventions used in both to argue that the themes of the American Splendor comic and the movie’s exploration of these, together with its use of a comics aesthetic, allows this ‘documentary’ to coexist in an intertextual relationship with the entire body of work that makes up the American Splendor story, rather than being outside it and ‘about it’.
    [Show full text]
  • The Aesthetics of Comics
    PHIL308F: The Aesthetics of Comics 07/11/05-07/29/05 M/Tu/W/Th/F 1:00-3:40 pm Skinner 0108 University of Maryland, College Park Summer 2005, Session II Instructor: Darren Hudson Hick Telephone: (301) 439-4151 E-mail: [email protected] Web site: http://www.wam.umd.edu/dhick Office: TBD Office Hours: I will be available after each class for further discussion; otherwise, by appointment. Outline The primary aim of this course is to investigate the aesthetic issues at play in the medium of comics, beginning with determining what, exactly, qualifies as a comic. From here, we will investigate a number of topics of particular philosophical interest, including the language and form of comics, as well as the metaphysics and ontology of the medium. We will look to differentiate comics from similar and related art forms, including film, literature, and the visual arts (with ‘pop’ art in particular), and we will investigate how comics operate with regard to expression, function, and aesthetic experience. Readings for the course will be taken from Scott McCloud’s Understanding Comics: The Invisible Art, as well as a wide selection of readings on comics and core aesthetics (as listed below). Aside from McCloud’s book, specific comics will generally not be assigned for reading, though a wide range of examples will be used during class. Students are encouraged to discuss and write on comics that particularly interest them, and/or to consult the list of Recommended Comics (below) for suggested reading. Students of this course will receive a 10% discount on purchases at Liberty Books & Comics on Rte.
    [Show full text]
  • Lila a Novel Marilynne Robinson
    Lila A Novel Marilynne Robinson A new American classic from the Pulitzer Prize–winning author of Gilead and Housekeeping Marilynne Robinson, one of the greatest novelists of our time, returns to the town of Gilead in an unforgettable story of a girlhood lived on the fringes of society in fear, awe, and wonder. Lila, homeless and alone after years of roaming the countryside, steps inside a small­town Iowa church—the only available shelter from the rain—and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the days of suffering that preceded her newfound security. FICTION Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on Farrar, Straus and Giroux | 10/7/2014 the run, living hand to mouth with nothing but their sisterly bond and a ragged 9780374187613 | $26.00 Hardback | 272 pages blade to protect them. Despite bouts of petty violence and moments of Carton Qty: 12 | 5.500 in W | 8.250 in H desperation, their shared life was laced with moments of joy and love. When Brit., trans., 1st ser., audio, dram.: Ellen Levine, Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family Trident Media Group and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves. MARKETING Revisiting the beloved characters and setting of Robinson’s Pulitzer Prize– winning Gilead and Home, a National Book Award finalist, Lila is a moving Author Tour: New York City, San Francisco, Iowa expression of the mysteries of existence that is destined to become an National Publicity National Advertising American classic.
    [Show full text]