Volume 102 July, 2015 Monitor Your System with Conky, Part 2 Game
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Lightweight Distros on Test
GROUP TEST LIGHTWEIGHT DISTROS LIGHTWEIGHT DISTROS GROUP TEST Mayank Sharma is on the lookout for distros tailor made to infuse life into his ageing computers. On Test Lightweight distros here has always been a some text editing, and watch some Linux Lite demand for lightweight videos. These users don’t need URL www.linuxliteos.com Talternatives both for the latest multi-core machines VERSION 2.0 individual apps and for complete loaded with several gigabytes of DESKTOP Xfce distributions. But the recent advent RAM or even a dedicated graphics Does the second version of the distro of feature-rich resource-hungry card. However, chances are their does enough to justify its title? software has reinvigorated efforts hardware isn’t supported by the to put those old, otherwise obsolete latest kernel, which keeps dropping WattOS machines to good use. support for older hardware that is URL www.planetwatt.com For a long time the primary no longer in vogue, such as dial-up VERSION R8 migrators to Linux were people modems. Back in 2012, support DESKTOP LXDE, Mate, Openbox who had fallen prey to the easily for the i386 chip was dropped from Has switching the base distro from exploitable nature of proprietary the kernel and some distros, like Ubuntu to Debian made any difference? operating systems. Of late though CentOS, have gone one step ahead we’re getting a whole new set of and dropped support for the 32-bit SparkyLinux users who come along with their architecture entirely. healthy and functional computers URL www.sparkylinux.org that just can’t power the newer VERSION 3.5 New life DESKTOP LXDE, Mate, Xfce and others release of Windows. -
Monitoring Your System with Conky
C@ELOLJ<I Conky System Monitor Dfe`kfi`e^pflijpjk\dn`k_:febp This light-weight system monitor keeps you informed about your com- At this point you will see a number of options that are enabled or disabled by puter’s performance. BY JAN RÄHM default. For example, if you use the Audacious media player, you will want ystem monitoring utilities help and provides information on a media to enable matching support in Conky by users keep track of performance player if a player happens to be active. specifying --enable-audacious=yes. If Jmetrics, and the Linux environ- To configure what you want the system your computer does not have sensors ment offers a variety of useful monitor- monitor to show and how you want it that check the hard disk temperature, ing utilities. One of the simplest and eas- shown to you is quite simple. you might want to disable the corre- iest of these monitoring tools is a desk- sponding feature, enabled by default, by top gem called Conky [1]. @ejkXccXk`fe Conky’s history goes back more than Conky is available from the repositories Listing 1: conky.ds four years. At the time, the project was of most, but not all, popular distribu- (if launched under the name Torsmo. After tions. Unless your choice of distribution (is (window_class) "Conky") just one year, Conky forked from Tor- does not come with Conky or – and this (begin smo. The project founders were inspired is more likely – you want to do some- (pin) by the Canadian TV show “Trailer Park thing special with the tool, you will not (undecorate) Boys” and chose one if its protagonists need to build the system monitor your- (wintype "dock") as the project name. -
Interactive Music Visualization – Implementation, Realization and Evaluation MASTER DISSERTATION
DM DM Interactive Music Visualization – Implementation, Realization and Evaluation MASTER DISSERTATION Nome Autor do Marco Filipe Ganança Vieira MASTER IN INFORMATICS ENGINEERING Interactive Music Visualization – Implementation, Interactive Music Visualization Realization and Evaluation Marco Filipe Ganança Vieira September | 2012 Nome do Projecto/Relatório/Dissertação de Mestrado e/ou Tese de Doutoramento | Nome do Projecto/Relatório/Dissertação de Mestrado e/ou Tese DIMENSÕES: 45 X 29,7 cm NOTA* PAPEL: COUCHÊ MATE 350 GRAMAS Caso a lombada tenha um tamanho inferior a 2 cm de largura, o logótipo institucional da UMa terá de rodar 90º , para que não perca a sua legibilidade|identidade. IMPRESSÃO: 4 CORES (CMYK) ACABAMENTO: LAMINAÇÃO MATE Caso a lombada tenha menos de 1,5 cm até 0,7 cm de largura o laoyut da mesma passa a ser aquele que consta no lado direito da folha. Interactive Music Visualization – Implementation, Realization and Evaluation MASTER DISSERTATION Marco Filipe Ganança Vieira MASTER IN INFORMATICS ENGINEERING ORIENTAÇÃO Mon-Chu Chen Abstract This thesis describes all process of the development of music visualization, starting with the implementation, followed by realization and then evaluation. The main goal is to have to knowledge of how the audience live performance experience can be enhanced through music visualization. With music visualization is possible to give a better understanding about the music feelings constructing an intensive atmosphere in the live music performance, which enhances the connection between the live music and the audience through visuals. These visuals have to be related to the live music, furthermore has to quickly respond to live music changes and introduce novelty into the visuals. -
Ubuntu: Unleashed 2017 Edition
Matthew Helmke with Andrew Hudson and Paul Hudson Ubuntu UNLEASHED 2017 Edition 800 East 96th Street, Indianapolis, Indiana 46240 USA Ubuntu Unleashed 2017 Edition Editor-in-Chief Copyright © 2017 by Pearson Education, Inc. Mark Taub All rights reserved. Printed in the United States of America. This publication is protected Acquisitions Editor by copyright, and permission must be obtained from the publisher prior to any prohib- Debra Williams ited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. For information Cauley regarding permissions, request forms and the appropriate contacts within the Pearson Managing Editor Education Global Rights & Permissions Department, please visit www.pearsoned.com/ permissions/. Sandra Schroeder Many of the designations used by manufacturers and sellers to distinguish their Project Editor products are claimed as trademarks. Where those designations appear in this book, and Lori Lyons the publisher was aware of a trademark claim, the designations have been printed with initial capital letters or in all capitals. Production Manager The author and publisher have taken care in the preparation of this book, but make Dhayanidhi no expressed or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in Proofreader connection with or arising out of the use of the information or programs contained Sasirekha herein. Technical Editor For information about buying this title in bulk quantities, or for special sales opportunities (which may include electronic versions; custom cover designs; and content José Antonio Rey particular to your business, training goals, marketing focus, or branding interests), Editorial Assistant please contact our corporate sales department at [email protected] or (800) 382-3419. -
Live Performance Where Congruent Musical, Visual, and Proprioceptive Stimuli Fuse to Form a Combined Aesthetic Narrative
Soma: live performance where congruent musical, visual, and proprioceptive stimuli fuse to form a combined aesthetic narrative Ilias Bergstrom UCL A thesis submitted for the degree of Doctor of Philosophy 2010 1 I, Ilias Bergstrom, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract Artists and scientists have long had an interest in the relationship between music and visual art. Today, many occupy themselves with correlated animation and music, called ‗visual music‘. Established tools and paradigms for performing live visual music however, have several limitations: Virtually no user interface exists, with an expressivity comparable to live musical performance. Mappings between music and visuals are typically reduced to the music‘s beat and amplitude being statically associated to the visuals, disallowing close audiovisual congruence, tension and release, and suspended expectation in narratives. Collaborative performance, common in other live art, is mostly absent due to technical limitations. Preparing or improvising performances is complicated, often requiring software development. This thesis addresses these, through a transdisciplinary integration of findings from several research areas, detailing the resulting ideas, and their implementation in a novel system: Musical instruments are used as the primary control data source, accurately encoding all musical gestures of each performer. The advanced embodied knowledge musicians have of their instruments, allows increased expressivity, the full control data bandwidth allows high mapping complexity, while musicians‘ collaborative performance familiarity may translate to visual music performance. The conduct of Mutable Mapping, gradually creating, destroying and altering mappings, may allow for a narrative in mapping during performance. -
Post-Cinematic Affect
Post-Cinematic Affect Steven Shaviro 0 BOO KS Winchester, UK Washington, USA r First published by 0-Books, 2010 O Books ls an imprint of John Hunt Publishing Ltd., The Bothy, Deershot Lodge, Park Lane, Ropley, CONTENTS Hants, S024 OBE, UK [email protected] www.o-books.com For distributor details and how to order please visit the 'Ordering' section on oUr website. Text copyright Steven Shaviro 2009 Preface vii ISBN: 978 1 84694 431 4 1 Introduction All rights reserved. Except for brief quotations in critical articles or reviews, no part of 1 this book may be reproduced in any manner without prior written permission from 2 Corporate Cannibal the publishers. 11 3 Boarding Gate The rights of Steven Shaviro as author have been asserted in accordance with the Copyright, 35 1988. 4 Designs and Patents Act Southland Tales 64 5 A CIP catalogue record for this book is available from the British Library. Gamer 93 6 Coda Design: Stuart Davies 131 Printed In the UK by CPI Antony Rowe Works Cited 140 Endnotes 153 We operate a distinctive and ethical publishing philosophy in all areas of its business, from its global network of authors to production and worldwide distribution. Preface This book is an expanded version of an essay that originally appeared in the online journal Film-Philosophy. Earlier versions of portions of this book were delivered as talks sponsored by the Affective Publics Reading Group at the University of Chicago, by the film and media departments at Goldsmiths College, Anglia Ruskin University, University of the West of England, and Salford University, by the "Emerging Encounters in Film Theory" conference at Kings College, by the Experience Music Project Pop Conference, by the Nordic Summer University, by the Reality Hackers lecture series at Trinity University, San Antonio, and by the War and Media Symposium and the Humanities Center at Wayne State University. -
COMPLETE GUIDE to INSTALL UBUNTU LINUX with OPENBOX Ubuntuopenbox.Com/Udemy
UbuntuOpenbox.com Copyright © 2016 by Dat H. Nguyen UDEMY COURSE MATERIAL COMPLETE GUIDE TO INSTALL UBUNTU LINUX WITH OPENBOX UbuntuOpenbox.com/udemy Section 3 – Install Ubuntu Operating System 1. Repositories: A repository is a server storing packages that are suitable to be installed right away (packages as well as all of their dependencies) /etc/apt/source.list file will have a list of repository addresses. *PPA: A Personal Package Archives (PPA) is a repository maintained by an individual or an independent group; as oppose to the official repository maintained by Ubuntu. 2. Update apt information (from source.list file) sudo apt-get update It will go to the addresses listed in the /apt/etc/source.list file and update the information about what are on there (which packages are on there) and what have been changed (what the current packages’ versions are). You need to execute this command whenever you want to install any package. 3. Install packages sudo apt-get install [packages' name] For example: sudo apt-get install firefox openbox will install both firefox and openbox at the same time. 4. Remove packages sudo apt-get remove firefox * remove packages and all their configuration file. sudo apt-get remove --purge firefox 5. nano to edit text file sudo nano /directory/to/text/file Navigate through the text file using up/down/left/right keys. * shortcut keys: “Ctrl + X” to exit nano, “Y” to save and “N” to abort the saving. Section 4 – Install Openbox And Configure It Last updated in February, 2016 1 of 7 UbuntuOpenbox.com Copyright © 2016 by Dat H. -
MX-19.2 Users Manual
MX-19.2 Users Manual v. 20200801 manual AT mxlinux DOT org Ctrl-F = Search this Manual Ctrl+Home = Return to top Table of Contents 1 Introduction...................................................................................................................................4 1.1 About MX Linux................................................................................................................4 1.2 About this Manual..............................................................................................................4 1.3 System requirements..........................................................................................................5 1.4 Support and EOL................................................................................................................6 1.5 Bugs, issues and requests...................................................................................................6 1.6 Migration............................................................................................................................7 1.7 Our positions......................................................................................................................8 1.8 Notes for Translators.............................................................................................................8 2 Installation...................................................................................................................................10 2.1 Introduction......................................................................................................................10 -
A NIME Reader Fifteen Years of New Interfaces for Musical Expression
CURRENT RESEARCH IN SYSTEMATIC MUSICOLOGY Alexander Refsum Jensenius Michael J. Lyons Editors A NIME Reader Fifteen Years of New Interfaces for Musical Expression 123 Current Research in Systematic Musicology Volume 3 Series editors Rolf Bader, Musikwissenschaftliches Institut, Universität Hamburg, Hamburg, Germany Marc Leman, University of Ghent, Ghent, Belgium Rolf Inge Godoy, Blindern, University of Oslo, Oslo, Norway [email protected] More information about this series at http://www.springer.com/series/11684 [email protected] Alexander Refsum Jensenius Michael J. Lyons Editors ANIMEReader Fifteen Years of New Interfaces for Musical Expression 123 [email protected] Editors Alexander Refsum Jensenius Michael J. Lyons Department of Musicology Department of Image Arts and Sciences University of Oslo Ritsumeikan University Oslo Kyoto Norway Japan ISSN 2196-6966 ISSN 2196-6974 (electronic) Current Research in Systematic Musicology ISBN 978-3-319-47213-3 ISBN 978-3-319-47214-0 (eBook) DOI 10.1007/978-3-319-47214-0 Library of Congress Control Number: 2016953639 © Springer International Publishing AG 2017 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Pipenightdreams Osgcal-Doc Mumudvb Mpg123-Alsa Tbb
pipenightdreams osgcal-doc mumudvb mpg123-alsa tbb-examples libgammu4-dbg gcc-4.1-doc snort-rules-default davical cutmp3 libevolution5.0-cil aspell-am python-gobject-doc openoffice.org-l10n-mn libc6-xen xserver-xorg trophy-data t38modem pioneers-console libnb-platform10-java libgtkglext1-ruby libboost-wave1.39-dev drgenius bfbtester libchromexvmcpro1 isdnutils-xtools ubuntuone-client openoffice.org2-math openoffice.org-l10n-lt lsb-cxx-ia32 kdeartwork-emoticons-kde4 wmpuzzle trafshow python-plplot lx-gdb link-monitor-applet libscm-dev liblog-agent-logger-perl libccrtp-doc libclass-throwable-perl kde-i18n-csb jack-jconv hamradio-menus coinor-libvol-doc msx-emulator bitbake nabi language-pack-gnome-zh libpaperg popularity-contest xracer-tools xfont-nexus opendrim-lmp-baseserver libvorbisfile-ruby liblinebreak-doc libgfcui-2.0-0c2a-dbg libblacs-mpi-dev dict-freedict-spa-eng blender-ogrexml aspell-da x11-apps openoffice.org-l10n-lv openoffice.org-l10n-nl pnmtopng libodbcinstq1 libhsqldb-java-doc libmono-addins-gui0.2-cil sg3-utils linux-backports-modules-alsa-2.6.31-19-generic yorick-yeti-gsl python-pymssql plasma-widget-cpuload mcpp gpsim-lcd cl-csv libhtml-clean-perl asterisk-dbg apt-dater-dbg libgnome-mag1-dev language-pack-gnome-yo python-crypto svn-autoreleasedeb sugar-terminal-activity mii-diag maria-doc libplexus-component-api-java-doc libhugs-hgl-bundled libchipcard-libgwenhywfar47-plugins libghc6-random-dev freefem3d ezmlm cakephp-scripts aspell-ar ara-byte not+sparc openoffice.org-l10n-nn linux-backports-modules-karmic-generic-pae -
An Introduction to Processing and Music Visualization
An Introduction to Processing and Music Visualization Christopher Pramerdorfer∗ Vienna University of Technology Figure 1: Processing is used in various disciplines, from art to visualization. This Figure is a composition of visualizations created with Processing. Some of the projects these visualizations come from are discussed in section 3.3. Abstract information through vision than through all the other senses combined [Ware 2004]. With the help of modern computers, interactive visualizations can be prepared automatically at Processing is a programming language and environment tar- time of use and according to the users needs. geted at artists and designers. It is used in various environ- ments for different purposes, from scientific data visualization Processing is a programming language and environment based to art installations. This paper is comprised of two parts. on the Java programming language [Oracle 2010]. Originally The purpose of the first part is to provide an insight into targeted at artists and designers, Processing has evolved Processing and its community as well as to showcase some into a full-blown design and prototyping tool used for large- projects that were created using Processing. The second part scale installation work, motion graphics, and complex data focuses on visualization of music. It gives a concise introduc- visualization [Fry 2008]. Processing runs on all common tion to the theory of how information can be derived from operating systems, is free to use, easy to learn, and provides sound signals and presents examples of how that information sophisticated drawing functionality. This makes Processing can be visualized using Processing. a great tool for visualization tasks, amongst others. -
Real Time Music Visualization: a Study in the Visual Extension of Music
REAL TIME MUSIC VISUALIZATION: A STUDY IN THE VISUAL EXTENSION OF MUSIC A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Matthew Neil Bain, B.F.A. The Ohio State University 2008 Master’s Examination Committee: Approved by Professor Alan Price, Advisor Professor Maria Palazzi ____________________________________ Dr. Gregory Proctor Advisor Graduate program in the department of Industrial, Interior, and Visual Communication Design Copyright by Matthew Neil Bain 2008 ABSTRACT This work documents a design-led process of discovery for artistic development of real time 3D animations functioning as a visual extension to a live music performance. Musical dynamics, patterns, and themes are transposed into a visual form that develops over time through a carefully orchestrated process driven by the artist and the computer. Historical animations by Fischinger, Whitney, and “light organ” projections by Wilfred inform the work’s conceptual development. Various systems automate camera controls, audio analysis, and layers of motion in addition to providing the artist with a unique set of controls that demonstrate the effectiveness of the computer as a visual instrument for the artist. The complete system balances artistic responses, live multi-channel audio input, and computer control systems to orchestrate a real time visualization of a live music performance. The artist’s sensibilities and the computer’s generative capabilities combine to create a visually-focused member in the performing music ensemble. ii Dedicated to my Grandad iii ACKNOWLEDGMENTS I would like to thank my advisor, Alan Price, for his guidance, thought provoking conversations, and lunches.