Anglophone Historicism: from Modernist Method to Post-Analytic Philosophy
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Historiography of Musical Historicism: the Case Of
A HISTORIOGRAPHY OF MUSICAL HISTORICISM: THE CASE OF JOHANNES BRAHMS THESIS Presented to the Graduate Council of Texas State University-San Marcos in Partial Fulfillment of the Requirements for the Degree Master of MUSIC by Shao Ying Ho, B.M. San Marcos, Texas May 2013 A HISTORIOGRAPHY OF MUSICAL HISTORICISM: THE CASE OF JOHANNES BRAHMS Committee Members Approved: _____________________________ Kevin E. Mooney, Chair _____________________________ Nico Schüler _____________________________ John C. Schmidt Approved: ___________________________ J. Michael Willoughby Dean of the Graduate College COPYRIGHT by Shao Ying Ho 2013 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work, I, Shao Ying Ho, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGEMENTS My first and foremost gratitude is to Dr. Kevin Mooney, my committee chair and advisor. His invaluable guidance, stimulating comments, constructive criticism, and even the occasional chats, have played a huge part in the construction of this thesis. His selfless dedication, patience, and erudite knowledge continue to inspire and motivate me. I am immensely thankful to him for what I have become in these two years, both intellectually and as an individual. I am also very grateful to my committee members, Dr. -
Protecting Postmodern Historicism: Identification, Ve Aluation, and Prescriptions for Preeminent Sites
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2013 Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Jonathan Vimr University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Vimr, Jonathan, "Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites" (2013). Theses (Historic Preservation). 211. https://repository.upenn.edu/hp_theses/211 Suggested Citation: Vimr, Jonathan (2013). Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/211 For more information, please contact [email protected]. Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Abstract Just as architectural history traditionally takes the form of a march of styles, so too do preservationists repeatedly campaign to save seminal works of an architectural manner several decades after its period of prominence. This is currently happening with New Brutalism and given its age and current unpopularity will likely soon befall postmodern historicism. In hopes of preventing the loss of any of the manner’s preeminent works, this study provides professionals with a framework for evaluating the significance of postmodern historicist designs in relation to one another. Through this, the limited resources required for large-scale preservation campaigns can be correctly dedicated to the most emblematic sites. Three case studies demonstrate the application of these criteria and an extended look at recent preservation campaigns provides lessons in how to best proactively preserve unpopular sites. -
Against Historicism/ for Theory: a Reply to Levine Author(S): Jeffrey Alexander Source: Sociological Theory, Vol
Against Historicism/ for Theory: A Reply to Levine Author(s): Jeffrey Alexander Source: Sociological Theory, Vol. 7, No. 1 (Spring, 1989), pp. 118-120 Published by: American Sociological Association Stable URL: http://www.jstor.org/stable/202067 Accessed: 26/05/2010 11:26 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=asa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. John Wiley & Sons and American Sociological Association are collaborating with JSTOR to digitize, preserve and extend access to Sociological Theory. http://www.jstor.org AGAINST HISTORICISM/ FOR THEORY: A REPLY TO LEVINE JEFFREY ALEXANDER U.C.L.A. -
What's Neo About the Neo-Avant-Garde? Author(S): Hal Foster Source: October, Vol
What's Neo about the Neo-Avant-Garde? Author(s): Hal Foster Source: October, Vol. 70, The Duchamp Effect (Autumn, 1994), pp. 5-32 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/779051 Accessed: 02/05/2010 20:55 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October. http://www.jstor.org What's Neo about the Neo-Avant-Garde? HAL FOSTER It is no secret that postwar culture in North America -
Historicism As an Aspect of a Pragmatist Theory of Architecture A
Historicism as an aspect of a pragmatist theory of architecture A. Coetzee January 1999. Department of Architecture and Landscape Architecture, University of Pretoria, Pretoria 0002. Tel: (011) 646-2605 (home) Tel: (011) 406-2184 (work) Abstract interpreters of architecture should value region al and cultural differences. It is observed that the In this essay an attempt is made to validate the beliefs and habits of life at a particular time and historicist theories that architectural practices place inform architects and that architecture change over time and that architecture can be could be interpreted as the products of regional interpreted as manifestations of the beliefs exist and temporal interests. Lastly the ideas are 4 ing in particular communities at a specific time. advanced that interpretations of architectural To support these theses comparisons are made practices vary according to the purposes of vari between the philosophy of Hegel and the archi ous communities and that the aims of architec tectural theories of Pugin and Ruskin. The aspect tural practitioners are' conditioned by the goals of Hegel's philosophy that is studied is his con of the communities that they work for. viction that arbitrary and contingent aspects of a particular historical existence influenced human beliefs. Pugin postulated that the beliefs and Abstrak customs of the communities that architectural designers worked for influenced their designs. In hierdie artikel word 'n poging aangewend om Ruskin also theorised that architecture was die historistiese teorie te ondersteun dat argitek informed by local beliefs of a particular time. The tuurpraktyke verander met tyd en dat argitektu results of the comparisons between the theories ur ge'lnterpreteer kan word as manifestasies van of Hegel, Pugin and Ruskin are used in the essay dit waarin bepaalde gemeenskappe glo op 'n to formulate guidelines for present-day architec sekere tyd. -
Popper on Historicism and Marxism
Popper on Historicism and Marxism WHILE in New Zealand during the Second World War, Karl Popper developed a theory concerning the methods of history and of the social sciences that had its origins in the new account of scientific method that he had given in his book Logik der Forschung.1 An investigation into the methods of history and social science also seemed to Popper to be an extremely urgent undertaking given his experience of the marxism and fascism that came to dominate the intellectual and political climate of Austria during the inter-war period, and nearly all of Europe by the time he had arrived in New Zealand. Most of his work in this area subsequently appeared in the books The Poverty of Historicism2 and The Open Society and its Enemies (in two volumes).3 These Popper regarded as his 'war effort' since they were his 'defence of freedom against totalitarian and authoritarian ideas and a warning about historicist superstitions'.4 History and the social sciences, Popper argued, were beset by certain deep methodological misconceptions that he labelled 'historicist' (a term Popper has largely helped introduce into English). It is not clear precisely what doctrine the term refers to, though Popper is sure that historicism has had a 'persistent and pernicious influence upon the philosophy of society and of politics',5 and consequently upon society and politics itself. However, it is clear that Popper thinks that Marx is an historicist along with Plato, Hegel, Comte, J.S. Mill and sociologists such as Karl Mannheim. The purpose of this article is, first, to single out some important aspects of historicism and, second, to discover whether or not these aspects of historicism can be found in Marx. -
On the Difference Between a Pupil and a Historian of Ideas
Journal of the Philosophy of History 6 (2012) 84–110 brill.nl/jph On the Difference Between a Pupil and a Historian of Ideas Jeffrey Edward Green University of Pennsylvania [email protected] Abstract This essay takes up the fundamental question of the proper place of history in the study of political thought through critical engagement with Mark Bevir’s seminal work, The Logic of the History of Ideas. While I accept the claim of Bevir, as well as of other exponents of the so-called “Cambridge School,” that there is a conceptual di)ference between historical and non-historical modes of reading past works of political philosophy, I resist the suggestion that this conceptual di)ferentiation itself justi*+es the specialization, among practicing intellectuals, between histori- ans of ideas and others who read political-philosophical texts non-historically. Over and against the *+gure of the historian of ideas, who interprets political thought only in the manner of a historian, I defend the ideal of the pupil, who in studying past traditions of political thought also seeks to extend and modify them in light of contemporary problems and concerns. Against Bevir, I argue that the mixture of historical and non-historical modes of learning, in the manner of the pupil, need not do damage to the historian of ideas’ commitment to scholarship that is non-anachronistic, objective, and non-indeterminate. Keywords Mark Bevir, Logic of the History of Ideas, Historicism, Historian of Ideas, Methodol- ogy of Political Theory/Philosophy, Pupil My intent is to write something useful to whoever understands it. -
Slavoj Zizek, "History Against Historicism"
European Journal of English Studies 1382-5577/00/0402-0101$15.00 2000, Vol. 4, No. 2, pp. 101-110 © Swets & Zeitlinger History Against Historicism Slavoj Zizek Ljubljana, Slovenia In the perception of its critics as well as of some of its partisans, so-called ‘deconstruction’ is often identified with the stance of radical historicism – as if to ‘deconstruct’ a certain notion equals demonstrating how its univer- sality is secretly marked, overdetermined, by the concrete circumstances of its emergence and development, or how its purely notional inconsisten- cies and contradictions ‘reflect’ actual social and ideological antagonisms. For that reason, it is more than ever crucial to distinguish the strict decon- structionist stance from the historicism which pervades today’s Cultural Studies. Cultural Studies as a rule involves the cognitive suspension character- istic of historicist relativism. Cinema theorists in Cultural Studies no long- er ask basic questions like ‘What is the nature of cinematic perception?’; they simply tend to reduce such questions to historicist reflection upon conditions in which certain notions emerged as the result of historically specific power relations. In other words, we are dealing with the historicist abandonment of the very question of the inherent ‘truth-value’ of a theory under consideration: when a typical Cultural Studies theorist deals with a philosophical or psychoanalytical edifice, the analysis focuses exclusively on unearthing its hidden patriarchal, Eurocentrist, identitarian or other ‘bias’, without -
Polish Painting Between Historicism and Modernism
Originalveröffentlichung in: Wasilewska, Joanna (Hrsg.): Poland - China : art and cultural heritage, Kraków 2011, S. 73-77 Maria Poprzgcka University of Warsaw Polish Painting between Historicism and Modernism In order to understand the specificity of the Polish art of the nineteenth century, it is worth recalling a few historical facts. Key among these is that throughout the nine teenth century Poland did not exist as an independent state. In the course of successive Partitions in the late eighteenth century, the Polish lands had been divided among Russia, Prussia and Austria. The three partitioning powers then proceeded, with vary ing degrees of severity, to denationalize their newly-gained territories. It was this lack of statehood in the nineteenth century that gave Polish art the exalted status of an upholder of national consciousness with the mission to consolidate the nation divided between three hostile states. In the words of a poet, artists were to exercise a “reign of souls” over the enslaved nation. The great prestige enjoyed by the towering Romantic Poets of the first half of the nineteenth century led to art being treated as a national religion and a path toward moral and national revival. The great hopes that accompanied the emergence of national painting stemmed from the belief thatthe medium was uniquely qualified to rouse and promote patriotic sentiment. National art obviously needed to be based on subjects taken from history. Historical painting was conceived as a sort of visual Bible of national consciousness. Hie growing hopes for a “Polish epic in painting were the most serious challenge with wruch the generation of artists coming of age around the mid-1800s had to contend, Sensational historicalromances devoid of any moral dimension popular in Western European painting of the time were inappropriate for such a purpose. -
Kuhn and the Historiography of Science
Kuhn and the Historiography of Science Alexander Bird University of Bristol Abstract This article discusses Kuhn conception of the history of science by focussing on two respects in which Kuhn is an historicist historian and philosopher of sci- ence. I identify two distinct but related aspects of historicism in the work of Hegel and show how these are also found in Kuhn’s work. First, Kuhn held tra- dition to be important for understanding scientific change and that the tradi- tion from which a scientific idea originates must be understood in evaluating that idea. This makes Kuhn a historicist in a sense we may call conservative (drawing on Mannheim). Secondly, Kuhn held that there is a pattern to the de- velopment of science. In the light of the fact that he held scientific change to be law-like, we can call this second aspect of Kuhn’s historicism determinist (in a parallel with Marx). I discuss the relationship of Kuhn’s historicist historiog- raphy to the philosophical purposes he had for his history of science, namely to refute a conception of scientific progress as driven towards increasing truth by something like ‘the scientific method’. I argue that while this determinism refutes certain positivist conceptions of scientific change, it also requires inter- nalism—the view that the causes of scientific change come from within science, not from outside. Consequently, Kuhn historiography of science contrasts with that implicit in much of post-Kuhnian science studies. 1 Introduction A useful way to understand Kuhn’s thinking about the nature of the history of science is to see it as embodying two principal strands of historicism, both of which we can find in Hegel. -
European Architecture 1750-1890
Oxford History of Art European Architecture 1750-1890 Barry Bergdoll O X fO R D UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford 0 x2 6 d p Oxford New York Athens Auckland Bangkok Bombay Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Mumbai Nairobi Paris Sao Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the U K and in certain other countries © Barry Bergdoll 2000 First published 2000 by Oxford University Press All rights reserved. No part of this publication maybe reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the proper permission in writing o f Oxford University Press. Within the U K, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Design and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above. This book is sold subject to the condition that it shall not, byway o f trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Romantic Historicism and the Afterlife Author(S): Ted Underwood Source: PMLA, Vol
Romantic Historicism and the Afterlife Author(s): Ted Underwood Source: PMLA, Vol. 117, No. 2 (Mar., 2002), pp. 237-251 Published by: Modern Language Association Stable URL: http://www.jstor.org/stable/823271 . Accessed: 12/08/2013 17:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. http://www.jstor.org This content downloaded from 130.126.32.13 on Mon, 12 Aug 2013 17:56:44 PM All use subject to JSTOR Terms and Conditions 117.2 2 Romantic Historicism and the Afterlife TED UNDERWOOD WIA{IRITING ABOUTWILLIAM WORDSWORTH'S VISION OF the British past on SalisburyPlain, Alan Bewell has remarked that "Wordsworthbelieved he had a special sense that enabled him to 'look into past times as prophetslook / Into futurity'and to hear in the distant winds 'the ghostly language of the ancient earth'" (43). The observationis also applicableto many of Wordsworth'scontempo- raries.Romantic-era representations of history often dependon a special sense that sees or hears historical depth in the inanimateworld. Felicia Hemans's "Voice of the Wind"(1828), for instance, is premised on the conceit that the wind carriesthe sounds of vanished civilizations, which merge into a single hollow note as they echo down "the darkaisles of a thousand years" (487).