Performing Photographs: Memory, History, and Display Melanie A
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December 2006
Midwest Art History Society NEWSLETTERNumber 33 Fall 2006 MAHS Conference 2007, Indianapolis, Indiana, March 28-31, 2007 The Midwest Art History Society’s Following afternoon sessions at the “Ed Paschke Nonplussed: 1967- 34th annual meeting will be held Eiteljorg Museum, the conference 2004” will be on view at the March 28-31, 2007 in Indianapolis. will culminate in an exciting keynote Herron Galleries. Additional art The primary hosting institution is the event on Friday evening: a perfor- spaces around the city include Herron School of Art and Design at mance by renowned Native American the Indianapolis Museum of Indiana University-Purdue University performance artist James Luna. The Contemporary art (iMOCA), the at Indianapolis. Co-hosts for the Friday events are supported by a grant gallery districts on Massachusetts meeting are the Indianapolis Museum through the Indiana University “New Avenue and in Fountain Square, of Art and the Eiteljorg Museum of Frontiers in the Arts and Humanities” and the Indianapolis Arts Center. American Indians and Western Art. program. Registration forms and travel and All three institutions feature new facil- Indianapolis offers many attrac- lodging information are available ities built within the past two years, tions for visitors interested in the arts. in the back pages of this newsletter with expanded gallery spaces at each. Special exhibitions on view during the and online at the MAHS website. In addition to a full range of topical conference include “Maria Magdelena Proposals for papers are due by session held at the three hosting sites, Campos-Pons: Everything is December 15 to the session chairs. -
July-August 1994 CAA News
Information Wanted Miscellaneous Datebook Guy Pene du Bois (American, 1884-1958): Mississippi Visual Arts Interactive. The art July 29 information is sought on the whereabouts of department at the University of Mississippi is Deadline for submitting material for the paintings executed in the 19205 for an exhibition creating a comprehensive, state-wide visual September/October CM News titled "Guy Pene du Bois: TIle Twenties at Home artists directory. If you are an artist working in and Abroad," at the Sordoni Art Gallery, Wilkes new or traditional media in two or three August 20 University, May 21-August 13, 1995. Stanley dimensions, or in performance where the Deadline for nominations to the Nominating Grand, Sordoni Art Gallery, Wilkes University, aesthetics depend more on the visual than the Committee (see p. 3) Wilkes Barre, PA 18766; 717/831-4325; fax 717/ performing, then you are eligible for inclusion. 829-2434. The directory, which will be accessible via September 1 Internet, and on interactive multimedia CO Deadline for nominations for CAA awards (see CAAlCarnegie Grants~in-Aid to Graduate ROM, will be used by artists and those seeking p.1) s Students: from 1942 to 1946 the Carnegie artists, such as museums, galleries, patrons, Corporation gave money to CAA to offer grants institutions of higher learning, and K-12 schools. September 9 in-aid to outstanding graduate students of the For an application: MiSSissippi Visual Arts Deadline for submissions for October Careers, to history of art for the purpose of assisting them to Interactive, Dept. of Art, Bryant Hall, University be published October 10 complete their graduate work. -
Criticizing Photographs: an Introduction to Understanding Images
PPStijj^ • as ••"• <•'. " ..•.••. '••••.:: V; . Criticizing Photographs /\n iiiLiuu-ULLion LU unutisianQing linages Third Edition Terry Barrett Criticizing Photographs An Introduction to Understanding Images THIRD EDITION Terry Barrett The Ohio State University Boston Burr Ridge, IL Dubuque, IA Madison, Wl New York San Francisco St. Louis Bangkok Bogota Caracas Kuala Lumpur Lisbon London Madrid Mexico City Milan Montreal New Delhi Santiago Seoul Singapore Sydney Taipei Toronto McGraw-Hill Higher Education eg A Division of The McGraw-Hill Companies Criticizing Photographs: An Introduction to Understanding Images Published by McGraw-Hill, an imprint of The McGraw-Hill Companies, Inc. 1221 Avenue of the Americas, New York, NY, 10020. Copyright © 2000, 1996, 1990 by The McGraw-Hill Companies, Inc. All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written consent of The McGraw-Hill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. Some ancillaries, including electronic and print components, may not be available to customers outside the United States. This book is printed on acid-free paper. 9 10 11 12 DOC/DOC 9 8 7 6 5 ISBN 0-7674-1186-2 Sponsoring editor, Janet M. Beatty; production editor, Melissa Williams Kreischer: manuscript editor, Joan Pendleton; design manager, Jean Mailander; text and cover designer, Amy Evans McClure; cover art, © William Wegman, Ocean View, 1997, 20" X 24" Polaroid; manu facturing manager, Randy Hurst. The text was set in 10/13 Berkeley Oldstyle Medium by TBH Typecast, Inc. -
Finding Aid for the Bill Jay Collection, Circa 1802-2007 AG 184
Center for Creative Photography The University of Arizona 1030 N. Olive Rd. P.O. Box 210103 Tucson, AZ 85721 Phone: 520-621-6273 Fax: 520-621-9444 Email: [email protected] URL: http://creativephotography.org Finding aid for the Bill Jay collection, circa 1802-2007 AG 184 Finding aid updated by Sarah Jardini, 2019 AG 184: Bill Jay Collection - page 2 Bill Jay collection, ca. 1802-2007 AG 184 Creator Bill Jay Abstract Papers, writings, research files, teaching materials, audiovisual and photographic materials, books, periodicals, and computerized database of photographer and educator Bill Jay (1940 - 2009). Quantity/ Extent 149 Boxes, 2 poster tubes, 18 cabinets, and 1 shelf; approx. 114 linear feet Language of Materials English Biographical Note Born in Maidenhead in 1940 Jay received a grammar school education and spent two years at the Berkshire College of Art. He joined a consumer photographic magazine and worked for a number of others before becoming the first Editor/Director of Creative Camera and Album magazines. During this time, he earned a living as a picture editor of a large circulation news/feature magazine and as the European manager of an international picture agency. Jay was the first Director of Photography at the Institute of Contemporary Arts and gave over 400 lectures to art schools, camera clubs, and universities and wrote hundreds of articles for his own and other photographic journals. In his own view his crusade met with a limited response and in 1972 he left Britain to study photography at the University of New Mexico with Beaumont Newhall and Van Deren Coke. -
Nancy Burson
Nancy Burson Born: 1948, St. Louis Missouri Solo exhibitions and projects: 2016 What If He Were, Pop-Up Exhibition/Project for ROSEGALLERY, LA, CA 2014 Nancy Burson, ClampArt, New York City New York Festival of Light, Projection: “Light the World with Love” video, Brooklyn, NY Berlin Festival of Light: Projection on the Berliner Dom 2006 Nancy Burson, ClampArt, New York City 2005 Looking Up: Truth, the Human Face, and the Human Race Machine, 60 Wall Street Atrium and Storefront (Co-sponsored by Deutsche Bank and the Lower Manhattan Cultural Council), New York City The Human Race Machine, William Benton Museum of Art, Storrs, Connecticut 2002 Focus on Peace (A project of Lower Manhattan Cultural Council in Partnership with Creative Time, NYC Seeing and Believing: The Art of Nancy Burson, Grey Art Gallery, New York City (Curated by Lynn Gumpert and Terrie Sultan)—Traveling to Blaffer Gallery, Houston, Texas; Weatherspoon Museum, University of North Carolina, North Carolina; PhotoEspana, Madrid, Spain New Works, SouthFirst, Williamsburg, New York 2000 There’s No Gene For Race (billboard), Creative Time, New York City 1998 The Forum, St. Louis, Missouri 1997 Museum of Contemporary Photography, Chicago Ricco/Maresca Gallery, New York City 1996 Nancy Burson: Volte-Face, Espace Van Gogh, Recontres Internacionales de la Photographie, Arles, France 1993 Jayne H. Baum Gallery, New York City University of Rhode Island, Fine Arts Center Galleries, Kingston, Rhode Island 1992 Jayne H. Baum Gallery, New York City Faces, Contemporary Arts Museum, Houston Texas (Curated by Lynn Herbert)—Traveling to Denver Art Museum, Denver, Colorado; Center for the Fine Arts, Miami, Florida; Contemporary Arts Center, New Orleans, Louisiana (book) The New Museum, New York City (installation) 1991 Galerie Michéle Chomette, Paris, France Jan Kesner Gallery, Los Angeles 1990 Museum of Contemporary Photography, Columbia College, Chicago The Age Machine and Composite Portraits, List Visual Arts Center, (MIT) Cambridge, MA (Curated by Dana Friis-Hansen) Jayne H.