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Our Coalition CreativeFuture is a coalition made up of more than 500 companies and organizations – encompassing film, television, music, and book publishing – that promotes the value of creativity, expanded digital access to legitimate content, and the fundamental right of creators to determine how their works are distributed. 1. 1812 Productions 28. American Society of Media 2. 1821 Media Photographers (ASMP) 3. 21st Century Fox 29. Anchor Bay 4. 3-Legged Dog 30. Annapurna Pictures 5. 3ality Technica 31. Aperture Media Partners 6. 3ants Development and Strategies 32. App Radar 7. 323 Talent Management 33. Arclight Films International 8. 50 EGGS 34. Arise Pictures 9. 5100 Films 35. The Arlook Group 10. Abramorama 36. Arrow Entertainment International 11. Acting Out Management 37. Art House Convergence 12. Agency for the Performing Arts (APA) 38. Arthur Sarkissian Productions 13. Alamo Drafthouse Cinema 39. Artisans PR 14. Alchemy 40. Artist International Group 15. Alcon Entertainment 41. Artist View Entertainment 16. Alfa Films s.a. 42. Arts and Letters Entertainment 17. Alfred Haber Inc. 43. Aspire Talent Management 18. Amarte 44. Association of Talent Agents (ATA) 19. AMBI Distribution 45. The Asylum 20. AMC Networks 46. Atlantic Picture Company Ltd. 21. AMC Theatres 47. Atlas Entertainment 22. The American Black Film Festival (ABFF) 48. Atlas Independent 23. American Cinematheque 49. The Authors Guild 24. American Collegiate Adventures (ACA) 50. Avary 25. American Film Institute (AFI) 51. Avenue Pictures 26. The American Pavilion 52. Barnstorm Films 27. American Photographic Artists (APA) 53. Base FX CreativeFuture Coalition 6.25.19 1 54. BASED ON media 85. Candy Factory Films 55. The Bauer Company 86. The Cartel 56. Beautimus LLC 87. Castle Rock Entertainment 57. The Bedford Falls Company 88. CBS Corporation 58. Belga Films 89. CBS Films 59. Beverly Nero Productions, LLC 90. Celsius Entertainment 60. Big Door 91. Central Casting 61. Big Time PR & Marketing 92. Channel One 62. Biometric Technology International Inc. 93. Chantier Films (BTI) 94. Chestnut Ridge Productions 63. Black Bear Pictures 95. Chicago Pacific Entertainment 64. Black Label Media 96. Chicken Soup for the Soul 65. Blue Galaxy Films 97. Chimere 66. Blue Jay Way Productions 98. Chromavision 67. Bluegrass Films 99. Cindy Cowan Entertainment 68. Bluewater Ranch Entertainment 100. Cine’-@ 69. Blumhouse 101. Cine Mosaic 70. Bohemia Group 102. Cinedigm 71. Bold Films 103. Cinehost 72. Bona Fide Productions 104. Cinelytic 73. Borden & Rosenbush Entertainment 105. Cinema Collet 74. Bragtag Child Care Foundation 106. Cinema Management Group (CMG) 75. Brainstorm Media 107. CinemArt a.s. 76. Brandium LLC 108. CineTel Films 77. British Academy of Film and Television Arts 109. Cinetic Media Los Angeles (BAFTA/LA) 110. Cineverse 78. Broken Road Productions 111. Cinnafilm 79. Bruce Cohen Productions (BCP) 112. Citadel Information Group 80. Buddha Jones 113. Cité Films 81. C2M 114. Claire Best & Associates 82. California Pictures 115. Code Entertainment 83. Campus MovieFest (CMF) 116. Color Force 84. Canadian Media Production Association 117. Colorado Film School (CMPA) 118. Columbia College Hollywood (CCH) CreativeFuture Coalition 6.25.19 2 119. Comedy Dynamics, a Nacelle Company 152. Dinah Perez, Attorney at Law 120. Comscore 153. Directors Guild of America (DGA) 121. Conquistador Entertainment 154. Disruption Entertainment 122. Constantin Film 155. Distant Horizon 123. Content Delivery & Security Association 156. DK Media (CDSA) 157. DMI Music & Media 124. Content Media 158. Don Carmody Productions 125. Cool Cat Productions 159. Double Hope 126. Corbis 160. DramaFever 127. Cornerstone Films 161. DreamWorks Studios 128. Coronet Entertainment 162. DubinMedia 129. Court Five 163. Ductape 130. Creative Artists Agency (CAA) 164. Dustin Stanton Creative 131. Creative Projects Group 165. Eagle Pictures 132. Creative Venture Agency 166. Ealing Studios 133. Cross Creek Pictures 167. East West Artists 134. Crystal Sky 168. East West Pictures 135. Crystalis Entertainment LG 169. Echo Lake Entertainment 136. CTP Media Partners, Inc. 170. Eden Rock Media 137. Cultural Weekly 171. Edmonds Entertainment Group 138. Curtis Brown, Ltd. 172. Electric City Entertainment 139. Dada Films 173. Element Pictures 140. DahlHouse Productions 174. Elevated Film Sales 141. The Dan Jinks company 175. Elsewhere Works Management, LLC 142. Daniel Ostroff Productions 176. Embolden Entertainment 143. Daniel L. Paulson Productions 177. Emperor Motion Pictures 144. The De Laurentiis Company 178. EndemolShine North America 145. The Denver Film Society 179. Endgame Entertainment 146. DG Entertainment 180. Entertainment Media Partners 147. Di Bonaventura Pictures 181. Entertainment Media Ventures (EMV) 148. Di Novi Pictures 182. Entertainment Partners 149. DIALED-IN ENTERTAINMENT 183. Entract 150. Different by Design 184. Epic Pictures 151. Digital Watermaking Alliance 185. Equitable Stewardship for Artists (ESA) CreativeFuture Coalition 6.25.19 3 186. Escape Artists 218. Global Entertainment Strategies 187. Evamere Entertainment 219. Globalgate Entertainment LLC 188. Evolution Entertainment 220. Gold Circle 189. The Exchange 221. The Gotham Group 190. .Film 222. GoWatchIt 191. The Film Arcade 223. Gran Via Productions 192. Film Colony 224. Grand Electric Entertainment 193. Film Domain 225. Grand View Management 194. Film Movement 226. Grandview 195. FilmLA., Inc. 227. Grantworks Productions 196. Film McQueen 228. Graphic Artists Guild 197. FilmNation Entertainment 229. Gravitas Ventures 198. Fintage House 230. Gravity Squared Entertainment 199. First Entertainment Credit Union 231. GreenLight 200. First Street Films 232. Greenwich Entertainment 201. Fischbach, Perlstein, Lieberman & Almond, 233. Gregg Hurwitz LLP 234. Groundswell Productions 202. Flashpoint Entertainment 235. H-FILMS 203. Flynn Productions 236. The Hal Lieberman Company 204. Foresight Unlimited 237. HanWay Films 205. Fortium Technologies 238. The Harris Company 206. Forward Pass 239. HBO 207. Fredell Pogodin & Associates 240. Hola Mexican Film Festival 208. Fubar Films 241. Hollywood Gang Productions 209. Furst Films 242. Hollywood In Pixels, Inc. 210. Fuse Media, Inc. 243. House of Film 211. Fusion Films 244. Hypothetical Productions 212. Gathr 245. I AM FILM 213. Geena Davis Institute on Gender in Media 246. IATSE International 214. Generate 247. ICM Partners 215. The Gersh Agency 248. ID PR 216. GFM Films 249. Illumination Entertainment 217. Glaser, Weil, Fink, Jacobs, Howard, Avchen 250. IM Global & Shapiro 251. ImageRights CreativeFuture Coalition 6.25.19 4 252. Imagine Entertainment 285. The Kerner Entertainment Company 253. IMAX 286. Key Creatives 254. IMN Creative 287. Killer Films 255. Impact Global Media (IGM) 288. Kinepolis Film Distribution (KFD) 256. Independent Film & Television Alliance 289. Kleinberg Lange Cuddy & Carlo LLP 257. Independent Filmmaker Project (IFP) 290. The Koch Company 258. Innovative Artists 291. Krasnoff/Foster Productions 259. Intellectual Property Group 292. Lakeshore Entertainment 260. International Pacific Artists 293. Lance Entertainment Inc. 261. International Screenwriters’ Association 294. Latin American Training Center (LATC) (ISA) 295. Laurence Mark Productions 262. Interstar Entertainment 296. The Law Office of Sergio Munoz Sarmiento 263. Intuition Productions 297. The Law Offices of Greg S. Bernstein 264. Intuitive Entertainment 298. Lawrence Bender Productions 265. IPE Films 299. Ledafilms 266. Ironworks Productions 300. Lefont Film Society 267. Is It Funny Or Offensive?.com 301. Legendary Entertainment 268. Italian Film Commission 302. Legion M 269. Ivanhoe Pictures 303. Lev Cinemas LTD 270. Jack Freedman Productions 304. Lightning Entertainment Group 271. The Jackal Group 305. LINK Entertainment 272. Jackson Group Entertainment 306. Lionsgate 273. Jessica’s A-List 307. Lithium Studios Productions 274. The Jim Henson Company 308. The Little Film Company 275. JLA Talent Agency 309. Lofty Sky Entertainment 276. Joanne Horowitz Management 310. Lone Star Film Group 277. Joy Factory Gallery 311. Los Angeles Area Chamber of Commerce 278. Jump Cut Creative 312. The Los Angeles Coalition for the Economy 279. Junction Entertainment & Jobs 280. The Kaplan Stahler Agency 313. Los Angeles County Economic Development 281. The Karlin Connection Corporation 282. Kasbah Films 314. Los Angeles Media Fund 283. Kathy Morgan International 315. Los Angeles Post Production Group 284. The Kennedy Marshall Company 316. Lotus Entertainment CreativeFuture Coalition 6.25.19 5 317. Lucky Red 351. Mis. Label 318. Luna Park, Inc. 352. Misher Films 319. Mack Sennett Studios 353. Mission Pictures 320. Macro 354. Mississippi Film Office 321. Madhouse Entertainment 355. Mister Smith Entertainment Ltd. 322. Magnolia Pictures 356. Mongrel Media 323. Main Street Films 357. Motion Picture Corporation of America 324. The Major Seventh Corp. (MPCA) 325. Manage-ment 358. Motion Picture Licensing Corporation 326. Management 360 (MPLC) 327. Mandeville Films 359. Mousetrap Films 328. manzalab group 360. MPRM Communications 329. Marc Platt Productions 361. MRC 330. Marilyn Atlas Management 362. Muse 331. The Mark Gordon Company 363. Myriad Pictures 332. Mark Leibowitz Motion / Stills 364. n3 Media 333. MarVista Digital Entertainment 365. The Nacelle Company 334. Mavrick Artists Agency 366. Nancy Nayor Casting 335. The Media Institute for Social Change 367. National Association of Latino Independent 336. Media Science International
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    EMMY®- AND GOLDEN GLOBE® NOMINATED ACTOR ANTONIO BANDERAS TO STAR AS PABLO PICASSO IN GENIUS SEASON TWO FROM NATIONAL GEOGRAPHIC, FOX 21 TELEVISION STUDIOS, AND IMAGINE TELEVISION Season Two of the 10-Episode Anthology Series Again Hails from Showrunner Ken Biller with Executive Producers Brian Grazer, Ron Howard, Ken Biller, Francie Calfo and Gigi Pritzker For additional media material please visit the Corus Media Centre To share this release socially use: bit.ly/2xPuDys Antonio Banderas. Image courtesy of National Geographic. Toronto, September 6, 2017 – As National Geographic heads into this year’s Emmys with 10 nominations for the first season of Genius, Emmy- and Golden Globe nominated actor Antonio Banderas (Evita, The Mask of Zorro, El Mariachi) has been cast as Pablo Picasso in season two, which will chronicle the life and work of the Spanish painter, one of the 20th century’s most influential and celebrated artists. The new season, from Fox 21 Television Studios, will again be executive produced by Brian Grazer and Ron Howard’s Imagine Entertainment, Madison Wells Media’s OddLot Entertainment and EUE/Sokolow, and will premiere in 2018. “The life story of Pablo Picasso has long since fascinated me and I have so much respect for this man, who also comes from my birthplace Málaga,” said Banderas. “I am thrilled to work with National Geographic, Brian, Ron, Ken and the rest of the Genius team to tell an authentic story of one of the most innovative painters in the world.” “Antonio was the natural choice. He, like Picasso, has a no-holds barred approach to life that will add to the geniuneness that we’re looking for,” said Ron Howard.
  • Conspiracy Theory? the Ethical Paradox of “Big Is Bad”

    Conspiracy Theory? the Ethical Paradox of “Big Is Bad”

    757 CONSPIRACY THEORY? THE ETHICAL PARADOX OF “BIG IS BAD” ARNOLD J. JOHNSON† I. INTRODUCTION The late 1950s and early 1960s elicit fond memories amongst to- day’s baby boomers, who annoy successor generations with their em- bellished reflections on the “good ol’ days.” A dawning of America they would say, as the store fronts of a plethora of thriving middle class towns struck a seemingly perfect balance between small business and retail juggernauts the likes of F.W. Woolworth Company, J.C. Penny, Sears, Roebuck & Company, and Montgomery Ward. The local banker was the pillar of the community, the family doctor kept everyone well, and the town dentist filled teeth–quite a few of them it would seem. More importantly, there was simply no problem, legal or personal, too big for that iconic lawyer in the small Main Street office. It was a time of optimism and a “can do” attitude, as the Ameri- can business machine that would eventually be disparaged as “big” was creating jobs and building chrome-laden cars and trucks, washers and dryers, televisions and radios, and countless other contraptions that would bring convenience to everyday life. Ethics and profession- alism were a given, as reputations mattered in these communities where everyone knew everyone else. For the first and last time in this article it might be said that big was good, or at least not presumed bad. What happened? Could it simply be that business itself changed, becoming more detached from the public as it grew larger and more complex? Perhaps the world evolved, with big business falling out of favor with inevitable shifts in pop culture and politics.