MHL 204 Hip Hop Music and Culture C
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Vinyl, Digital & MP3 Internet Music Pool
S.U.R.E. DJ COALITION Vinyl, Digital & MP3 Internet Music Pool “EAR 2 THA Headphone” THE BI-MONTHLY E-MAIL PUBLICATION THAT DEALS SOLELY WITH MP3 SERVICED TO S.U.R.E.’S MEMBERSHIP WITHIN THE LAST SIX WEEKS. THE VARIOUS CHARTS PROVIDE DJ’S WITH AN INSIGHT TO UNRELEASED AND CURRENT TITLES THAT ARE CIRCULATING ON THE STREETS AND AVAILABLE FOR THEM TO PROGRAM. VOLUME # 2 / ISSUE # 2 / MARCH 15 - 31 2007 NEW & HOT S.U.R.E.SHOTS! Ahmir – Right To Left - Echo Paul Wall – I’m Throwed - Asylum Slim Thug – Problem Wit Dat - Geffen Crime Mob – 2nd Look – BME / Reprise Young Chris – Coast To Coast – Def Jam TOP TUNES IN THE BIG APPLE! Musiq Soul Child – Buddy - Atlantic Mims – This Is Why I’m Hot - Capitol Wayne Wonder - Gonna Lve You - VP Consequence – Callin’ Me - Columbia Pretty Ricky – On The Hotline - Atlantic PRIME CHART MOVERS! Young Buck – Haters – G Unit Mike Jones – Mr Jones – Warner Brick & Lace – Never Never - Geffen Timbaland – Give It To Me – Interscope Kelly Rowland ft Eve – Like This - Columbia TOP TURNTABLE ADDS! Clyde Carson – 2 Step - Capitol Notch – Guaya Guaya – Machete Rich Boy – Boy Looka Here - Interscope Ms Triniti – Bongce Along – Unseen Lab Fabolous ft Young Jeezy – Diamond – Def Jam THE TOP INDIES RELEASES! Rizz – Ready 4 It – The Outfit Em J ft Beenie Man – Get Loose – Emjay Sugar Kaine – Just Another Booty Song - Kolor Drag On ft Tahmeik – Ok Daddy - B Boy Records Euricka ft Calvin Richardson – On My Own - Echo HOT PROMOTIONAL CD’S! Vi ft Glc – Hurta - Mathaus D Lee – TNA – Trump Tight Carl Henry – Encore – Cesoul K Janai – Checkin Me – Blaq Roc J Peezy – This Old School – APB B.O.B – Heavy Breather – Atlantic Papa Reu - “Cellular – R E Umuzik Mardi Gra – Freak Off – Klique City Ill Nature – U Know What’s Up – I.N. -
Jall 20 Great Extended Play Titles Available in June
KD 9NoZ ! LO9O6 Ala ObL£ it sdV :rINH3tID AZNOW ZHN994YW LIL9 IOW/ £L6LI9000 Heavy 906 ZIDIOE**xx***>r****:= Metal r Follows page 48 VOLUME 99 NO. 18 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 2, 1987/$3.95 (U.S.), $5 (CAN.) Fla. Clerk Faces Obscenity Radio Wary of Indecent' Exposure Charge For Cassette Sale FCC Ruling Stirs Confusion April 20. She was charged with vio- BY CHRIS MORRIS lating a state statute prohibiting ington, D.C., and WYSP Philadel- given further details on what the LOS ANGELES A Florida retail "sale of harmful material to a per- BY KIM FREEMAN phia, where Howard Stern's morn- new guidelines are, so it's literally store clerk faces felony obscenity son under the age of 18," a third -de- NEW YORK Broadcasters are ex- ing show generated the complaints impossible for me to make a judg- charges for selling a cassette tape gree felony that carries a maximum pressing confusion and dismay fol- that appear to have prompted the ment on them as a broadcaster." of 2 Live Crew's "2 Live Crew Is penalty of five years in jail or a lowing the Federal Communications FCC's new guidelines. According to FCC general coun- What We Are" to a 14- year -old. As a $5,000 fine. Commission's decision to apply a "At this point, we haven't been (Continued on page 78) result of the case, the store has The arrest apparently stems from broad brush to existing rules defin- closed its doors. the explicit lyrics to "We Want ing and regulating the use of "inde- Laura Ragsdale, an 18- year -old Some Pussy," a track featured on cent" and /or "obscene" material on part-time clerk at Starship Records the album by Miami-based 2 Live the air. -
The BG News February 11, 1994
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-11-1994 The BG News February 11, 1994 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 11, 1994" (1994). BG News (Student Newspaper). 5650. https://scholarworks.bgsu.edu/bg-news/5650 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ^ The BG News "A Commitment to Excellence" Friday, February 11, 1994 Bowling Green, Ohio Volume 77, Issue 96 Train strikes student's vehicle Railway crossing collision kills senior criminal justice major by David Coehrs and Michael traveling at approximately 30 Zawacki to 35 mph when the accident The BC News occured, said BUI Aldridge, conductor. A University student was "I saw him hit the brakes killed Thursday morning and tried to stop, but he slid when his car was struck by a out in front of us," Aldridge train at the Pike Street rail- said. road crossing. Rick Engle, public works in- Stephen Seely, a 23-year-old spector, said he witnessed the senior criminal justice major train hit the passenger side of from Toledo, lost control of his Seely's car. red Honda Civic hatchback "The car was carried for and slid into the path of the about 500 feet, from Pike oncoming train at approxi- Street to Court Street," Engle mately 9:15 am., according to said. -
Thegovernor'sproposalanditseffectoncuny the Reaction
Vol. 70, Number 9 Information Now January 29, 1997 ,Pataki pillages CUNY: Calls for $400 Tuition Hike Large Cuts to FinacialAid and Budget Proposed; Baruch Stands to Lose $4 Million TheGovernor'sProposalandItsEffectonCUNY The Reaction By Deirdre A. Hussey By Dusan Stojkovic ~ For the third year in a row State $109 million. States and will continue to be a Governor George E. Pataki has Also proposed is a change in bargain. Even with the Governor George E. Pataki's proposed a decrease in the bud- the procedure ofcomputinghouse- Governor's suggestions, New latest proposal to slash the State «get to the City University ofNew York has the most gerier- Budget for Higher Education has York (CUNY), makingspringtime ous Tuition Assistance pro- disconcerted and outraged CUNY b~dget battles a yearly ritual. gram in the country." students. At least the ones who This year, Pataki has proposed Every year the Gover- have heard of it. his most ambitious plan to date, nor proposes a budget to "That's the worst thing they suggests a $400 tuition hike, a the statelegislature, which could do," states Isra Prince $56.9 millio in the operating the legislature debates and Sammy, emphasizing that educa budget for highe cation and eventually ratifies a bud- tion must be a top priority of gov $176 million reduction in state get based on his sugges ernment, "not just for the sake of finical aid. tions and their own modifi- handing people diplomas, but As Governor Pataki enters cation proposals. Ifthe leg- rather preparing them to function 1 . third year of a promised " Islataire passes a budget as productive members within so reductio ate taxes and fac- that severely deereases ciety." ing a 1998 re-e bid, the funding to CUNY, it is the Pei-Cen Lin, a surprised Ac proposal for CUNY has x final decision of the Board countaney major, says, "Nobody pected . -
MHL Number: 204 Title: Hip Hop Music and Culture Credits: 3
GENERAL STUDIES COURSE PROPOSAL COVER FORM (ONE COURSE PER FORM) 1.) DATE: 3/1/16 2.) COMMUNITY COLLEGE: Maricopa Co. Comm. College District 3.) COURSE PROPOSED: Prefix: MHL Number: 204 Title: Hip Hop Music and Culture Credits: 3 CROSS LISTED WITH: Prefix: Number: ; Prefix: Number: ; Prefix: Number: ; Prefix: Number: ; Prefix: Number: ; Prefix: Number: 4.) COMMUNITY COLLEGE INITIATOR: CHRISTOPHER SCINTO PHONE: 602-787-6686 FAX: 602-787-6674 ELIGIBILITY: Courses must have a current Course Equivalency Guide (CEG) evaluation. Courses evaluated as NT (non-transferable are not eligible for the General Studies Program. MANDATORY REVIEW: The above specified course is undergoing Mandatory Review for the following Core or Awareness Area (only one area is permitted; if a course meets more than one Core or Awareness Area, please submit a separate Mandatory Review Cover Form for each Area). POLICY: The General Studies Council (GSC) Policies and Procedures requires the review of previously approved community college courses every five years, to verify that they continue to meet the requirements of Core or Awareness Areas already assigned to these courses. This review is also necessary as the General Studies program evolves. AREA(S) PROPOSED COURSE WILL SERVE: A course may be proposed for more than one core or awareness area. Although a course may satisfy a core area requirement and an awareness area requirement concurrently, a course may not be used to satisfy requirements in two core or awareness areas simultaneously, even if approved for those areas. With departmental consent, an approved General Studies course may be counted toward both the General Studies requirements and the major program of study. -
Electronium:The Future Was Then
BAM 2013 Next Wave Festival #Electronium Brooklyn Academy of Music Alan H. Fishman, Karen Brooks Hopkins, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Adam E. Max, Vice Chairman of the Board Electronium:The Future Was Then Produced by BAM In association with Questlove and Richard Nichols BAM Howard Gilman Opera House Oct 25 & 26 at 8pm Approximate running time: two hours including one intermission Ahmir “Questlove” Thompson Kirk Douglas Jeremy Ellis — Live Drum Machine How To Dress Well Rahzel Sonnymoon Emily Wells Metropolis Ensemble conducted by Andrew Cyr BAM 2013 Next Wave Festival sponsor Viacom is the BAM 2013 Music Sponsor Commission support for Electronium provided by The Virginia B. Toulmin Foundation Electronium Metropolis Ensemble conducted by Andrew Cyr: Kristin Lee, violin (concertmaster) Francisco Fullana, violin Karen Kim, viola Hiro Matsuo, cello Mellissa Hughes, soprano Virginia Warnken, alto Geoffrey Silver, tenor Jonathan Woody, bass-baritone ADDITIONAL PRODUCTION CREDITS Arrangements by Daniel Felsenfeld, DD Jackson, Patrick McMinn and Anthony Tid Lighting design by Albin Sardzinski Sound engineering by John Smeltz Stage design by Alex Delaunay Stage manager Cheng-Yu Wei Electronium references the first electronic synthesizer created exclusively for the composition and performance of music. Initially created for Motown by composer-technologist Raymond Scott, the electronium was designed but never released for distribution; the one remaining machine is undergoing restoration. Complemented by interactive lighting and aural mash-ups, the music of Electronium: The Future Was Then honors the legacy of the electronium in a production that celebrates both digital and live music interplay. -
The Revive Big Band Resource Guide
THE REVIVE BIG BAND RESOURCE GUIDE ABOUT REVIVE MUSIC GROUP Revive Music launched in 2006 as a boutique live music agency that specializes in producing genre-bending, creative-concept live music shows that tour worldwide with the purpose of educating and inspiring audiences about artistic and authentic forms of music. In effort further provide an advocacy platform for musicians, Revive launched the leading online journal, www.revive-music.com, for the burgeoning jazz community dedicated to their musicianship, artistry and creative expression as a part of www.okayplayer.com and a label imprint with the legendary Blue Note Records. ABOUT THE REVIVE BIG BAND “We’re carrying on within the tradition of big bands, what would be relevant today – modifying the message and making it translatable and accessible to the people, so that they have something to connect to. We represent that bridge” -Igmar Thomas Heralded by the Village Voice for having New York City’s “most electrifying young lions in jazz, Revive Big Band has a finger on the pulse of today’s emerging progressive sound while pointing to things yet to come for a new era of music. Formed in 2010 by trumpeter, composer and arranger Igmar Thomas, this multi-generational ensemble knows no limits while seeking to advance, celebrate and re-imagine sonic freedom in big band form. The Revive Big Band’s well-honed musical sensibilities powerfully synthesize the art of the beat, treatment of melody, reverence of the standard, and nuances of time. Expanding the contemporary canon of composition as it dwells at the intersection of jazz, hip hop, soul and beyond, the band's repertoire features original compositions and inventive orchestrations of jazz standards and contemporary classics by artists ranging from Oliver Nelson, Wayne Shorter and Freddie Hubbard to A Tribe Called Quest, J Dilla, Gangstarr, Bilal and more, in rare live performances. -
Cultural and Musical Implications of Live-Instrumental Hip-Hop" (2016)
University of Vermont ScholarWorks @ UVM UVM College of Arts and Sciences College Honors Theses Undergraduate Theses 2016 From The Ground Up: Cultural and Musical Implications of Live- Instrumental Hip-Hop Jonah Ullman Follow this and additional works at: https://scholarworks.uvm.edu/castheses Recommended Citation Ullman, Jonah, "From The Ground Up: Cultural and Musical Implications of Live-Instrumental Hip-Hop" (2016). UVM College of Arts and Sciences College Honors Theses. 28. https://scholarworks.uvm.edu/castheses/28 This Undergraduate Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM College of Arts and Sciences College Honors Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. From The Ground Up: Cultural and Musical Implications of LiveInstrumental HipHop A thesis submitted by Jonah Ullman In fulfillment of the requirements for College Honors UNIVERSITY OF VERMONT College of Arts and Sciences May, 2016 ADVISER: Alex Stewart ii ABSTRACT Traditional live instruments have played an important role in hiphop production in various capacities since the earliest stages of the genre’s development. The dominant historical narrative often omits the frequency with which live instruments have been used in hiphop. The authenticity of their use has been a point of contention in the discourse of hiphop producers, consumers, critics and scholars. When used in accordance with hiphop’s aesthetic sensibilities, however, they become a vehicle for innovative and authentic hiphop. Tasteful use of live instruments opens up a range of possibilities in the realms of arrangement techniques and compositional freedom. -
Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena
Cultural Remix: Polish Hip-Hop and the Sampling of Heritage by Alena Gray Aniskiewicz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Slavic Languages and Literatures) in the University of Michigan 2019 Doctoral Committee: Associate Professor Benjamin Paloff, Chair Associate Professor Herbert J. Eagle Professor Charles Hiroshi Garrett Visiting Assistant Professor Jodi C. Greig, University of Wisconsin-Madison Alena Gray Aniskiewicz [email protected] ORCID iD: 0000-0002-1922-291X © Alena Gray Aniskiewicz 2019 To my parents, for everything. (Except hip-hop. For that, thank you, DH.) ii Acknowledgements To Herb Eagle, whose comments and support over the years have been invaluable. To Jodi Greig, whose reputation preceded her, but didn’t do her justice as a friend or scholar. To Charles Hiroshi Garrett, who was my introduction to musicology fourteen years ago and has been a generous reader and advisor ever since. And to Benjamin Paloff, who gave me the space to figure out what I wanted and then was there to help me figure out how to get it. I couldn’t have asked for a better committee. To my peers, who became friends along the way. To my friends, who indulged all the Poland talk. To Culture.pl, who gave me a community in Warsaw and kept Poland fun. To the Department of Slavic Languages and Literatures, the Copernicus Program in Polish Studies, the Rackham Graduate School, and the Sweetland Writing Center, whose generous funding made this dissertation possible. I’m thankful to have had you all in my corner. -
Syllabus: MUS 362 Rap Music and Hip Hop Culture – Spring Session a (2021) #16641, #16642
Syllabus: MUS 362 Rap Music and Hip Hop Culture – Spring Session A (2021) #16641, #16642 Staff: Prof. Jerry Rulon-Maxwell Contact Information: Class E-mail: [email protected] Students will use this email address for any questions or concerns. Office visits or telephone conferences may sometimes be necessary, and can be arranged via email. Course URL: http://hiphop.hol.asu.edu/ Required Text (ebook): Mook, Rulon-Maxwell, ed. Rap Music and Hip Hop Culture, Third Edition. ISBN: 9781465295736 Dubuque, IA: Kendall Hunt, 2015. Purchase direct from publisher here: https://he.kendallhunt.com/mook_rulon-maxwell This book is required, and you will be tested on information from readings and listening guides. You may also purchase the ebook from the ASU Bookstore. Students are also encouraged to purchase and read Strunk and White, The Elements Of Style, if they have not done so already. All assignment answers, student emails, and any other writings for this course should follow the rules of English composition explained in Strunk. Listening Assignments: Our listening assignments for this term will be streamed from the ASU library system. To access our listening assignments, follow these instructions: • Go to: http://lib.asu.edu/access/reserves/ • Click “Find Reserves By Course” • Enter “MUS362” (no spaces) • Select “MUS362 Hip Hop Streaming Audio” • Select “MUS362 HipHop” on the left • Click the box that reads “Click here to view to accept the copyright policy above and listen to the streaming audio.” Course Description: This upper-division course has three objectives: first, it will introduce students to the general history of rap music from its origins to about 2007. -
ASK the COMPOSER a Program of Original Music by Area Musicians
JazzErie notes The Monthly Newsletter of JazzErie April 2010 Vol. 16, Issue. 4 16 Years Serving the Jazz Community ASK THE COMPOSER A Program of Original Music by Area Musicians. Saturday, May 1 • 8:00 – 10:00 PM • Station Dinner Theater, 4940 Peach St. Dinner special available before the performance. Musicians, in addition to Singer and for Contemporary Composition (1980), Tickets for the Show: Grey, will include many of the area’s a composition commission by Gannon JazzErie members..........$15 elite: Joe Dorris – drums, Tony Stefanelli University for the Erie Bicentennial Non-members................$20 – fretless electric bass, Phil Papotnik (1995) and recognition as a finalist in the Students........................$5 – reeds, Jeff Gibbens – trumpet; Stan John Lennon Song writing Contest, World Bialomizy – reeds. Music Category (1999.) Call the Station Dinner Theater for dinner reservations and special * * * * * * Recorded compositions include prices: 864-2022. The two featured composers/ “Generations” (1995), a product of the Gannon commission, “Unity and The program will include five original performers both have well-demonstrated compositional chops. Diversity,” One World Tribe’s debut compositions by area guitarist Frank CD which earned him the Lennon Singer and international star six-string Multi-instrumentalist Frank Singer, recognition, and many of the originals bassist Tony Grey, newly settled in Girard. well known in the Erie area, earned and arrangements recorded by Cats A Sheet music will be handed out and there a Composition Degree from Berklee Bear, One World Tribe, J.D. and the Sons will be question/answer period during the College of Music in 1980. Compositional of Rhythm, James Lignons, and more performance.