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Index to Academy Oral Histories Howard W. Koch

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Index to Academy Oral Histories Howard W. Koch Howard W. Koch (Producer, Director) Call number: OH149 Abdo, Laurie, 66, 88 Abrahams, Jim, 39 Academy Awards, 14, 18–25, 28–30, 40–42, 57–63, 66–113, 117, 120–122, 126–127 Academy Awards 1979 Oscar Annual (book), 112 Academy Film Scholars Program, 124 Academy Headquarters (Beverly Hills), 26–27, 124 Academy Nicholl Fellowships in Screenwriting, 124 Academy of Motion Picture Arts and Sciences, 12, 17–30, 40–42, 57–61, 63, 66–91, 93–113, 117–126 Academy of Television Arts and Sciences, 31, 87 accounting, 50–51;99-100 acting, 12, 46–47, 53–54, 78–79, 83, 87, 95-97, 115, 117 advertising, 117 AFFLICTION, 93 African-Americans in the film industry, 120 agents, 29, 78 AIRPLANE!, 25, 39, 54 AIRPLANE II; THE SEQUEL, 39 alcoholism in films, 100 Allen, Woody, 57 Allyson, June, 48 Alton, John, 53 American Broadcasting Company (ABC), 79, 82, 91, 98, 118, 125 American Federation of Television and Radio Artists, 12 ANCHORS AWEIGH, 41 Andrews, Julie, 106 ANDY HARDY COMES HOME, 54 ANGELS IN THE OUTFIELD (1951), 11; 46–47, 49 ANGELS IN THE OUTFIELD (1994), 46 Archerd, Army, 68 art direction, 84 assistant directing, 10–12, 15, 40, 42–49, 105, 126 Association of Motion Picture Producers, 121 Atlas, Jack, 18 attorneys in motion pictures, 78, 84 Aubrey Schenck Productions, 17 A-Z Productions, 54 BADGE 373, 55–56, 65, 114 Bailey, John, 120 Balaban, Barney, 32 Bancroft, Anne, 50 Barker, Lex, 52 Basehart, Richard, 53 Bates, Kathy, 30 BEACHHEAD, 17 Bel-Air Productions, 15–17 Bell, Carl, 22–23 Bell System, 123 Benigni, Roberto, 24–25 Benjamin, Jean, 68–69 Benjamin, Robert, 16, 68–69 Bergen, Candice, 73 Bernstein, Elmer, 18 BEST BOY, 109 Beverly Hills (California), 20–21 Beverly Hills High School (California), 45 Beverly Hills Police Department, 9 THE BIG FIX, 43 BIG HOUSE U.S.A., 44, 49, 55 billing, 42 blacklisting, 40–42 THE BLACK SLEEP, 50 Bluhdorn, Charles, 34, 36–37, 63 BOB HOPE--ON THE ROAD WITH BING (television), 80 BOP GIRL GOES CALYPSO, 52 BORDER INCIDENT, 45, 48 BORN RECKLESS, 51 BORN TO SPEED, 43 Bowen, Sid, 12 BOWFINGER, 105 Brando, Marlon, 66–68, 86 Braverman, Charles, 111 THE BROKEN STAR, 50 Bronson, Charles, 49 Brown, Clarence, 11, 46, 126 Brown, Russ, 35 Brugge, Gerte, 36–37 budgets, 19, 37, 43–44, 50–52, 83, 91, 111, 114–115 Burnett, Carol, 66 Caine, Michael, 66 Camden Productions, 44 Capra, Frank, 18, 105 Carey, Macdonald, 18 CASABLANCA, 40–41 casting, 36 Cates, Gilbert, 81 censorship, 55, 70, 82, 117 Champlin, Charles, 98 Chandler, Dorothy Buffum, 108 Chaplin, Charles, 57–59, 62, 76, 82–83, 92 Chaplin, Oona, 58, 92 CHARIOTS OF FIRE, 41 Chayefsky, Paddy, 109 choreography, 60 Christie's (auction house), 41 cinematography, 53, 91–92 CITIZEN KANE, 41 Clark Productions, 52 Clinton, William J. Bill, 14 THE COBRA STRIKES, 45, 48 Coburn, James, 93 Coen, Ethan, 115 Coen, Joel, 115 Columbine, Colorado (1999), 14 comedy films, 25, 104–105 Conti, Bill, 75, 83 contracts, 36, 117 Cooper, Martin M., 111 Corcoran, Donna, 46 Cort, Robert, 65 costume design, 60–61, 66, 90 craft services, 57 cranes and dollies, 44, 49, 80 Crawford, Broderick, 49 credits, 11, 42, 47 CRIME AGAINST JOE, 50 CRISIS, 48 Crosby, Bing, 80 THE DALTON GIRLS, 50 David O. Selznick Lifetime Achievement Award, 106 Davis, Bette, 41 Davis, Bruce, 21, 27, 40 Davis, Sammy Jr., 59 Dax Foundation (charitable organization), 41 de Havilland, Olivia, 106 DESERT SANDS, 50 directing, 10–16, 33, 37-39, 43–46, 49–55, 61–64, 66, 77, 80–83, 85, 90, 106, 110, 113–115, 126–127 Directors Guild of America, 12–14, 105 Directors Guild of America Assistant Director Training Program, 13 Directors Guild of America Award, 31 Directors Guild of America Frank Capra Award, 13 distribution, 23–24, 39–40, 55, 65, 115–117 documentary film, 22–23 Dorian, Charles, 12 Dorothy Chandler Pavilion (Los Angeles), 24, 59, 66, 108 Douglas, Paul, 46–47 DRAGNET (radio), 53–54 DRAGNET (television), 53–54 drive-in theaters, 52 Duvall, Robert, 57 Eagle Lion Pictures, 15–17, 42–45, 53, 105 EAST SIDE, WEST SIDE, 48 Eastwood, Clint, 74–75 Elias, Hal, 17–18, 102 EMERGENCY HOSPITAL, 50 Emmy Awards, 87 Essex Productions, 31-32 THE EVE OF ST. MARK, 10 executives, 13–14, 31–40, 52, 115 exhibition, 23–24, 38–40, 52, 55, 65, 96, 116 extras, 10 fan mail, 52 Farelly, Bobby, 115 Farelly, Peter, 115 Fields, Verna, 111 Fifty Golden Years of Oscar: The Official History of the Academy of Motion Picture Arts and Sciences (book), 112 film libraries, 9 Fletcher, Louise, 80–81, 92 Fonda, Jane, 61–62 Foray, June, 22–23 foreign-language versions of Hollywood films, 82 FORT BOWIE, 51 FOR THOSE WHO THINK YOUNG, 55 THE FORTUNE COOKIE, 64, 88 FORT YUMA, 50 Frank Capra Achievement Award, 105 FRANKENSTEIN 1970, 54 Frank, Melvin, 19 Frankovich, Michael J., 18 Freed, Arthur, 19, 101–102 THE FRENCH CONNECTION, 56, 61 Friedkin, William, 68 FRONTIER SCOUT, 50 Fryman Productions, 54 Gable, Clark, 41 Garnett, Tay, 11 Garson, Greer, 109 Gavin, John, 73 THE GENERAL'S DAUGHTER, 38 GHOST, 25, 39 GHOST TOWN, 48, 50 ghostwriting, 113 Gibbons, Cedric, 112 THE GIRL IN BLACK STOCKINGS, 50 THE GODFATHER, 57 Goldberg, Whoopi, 60, 70 Goldwyn, Samuel, 26, 98, 125 GONE WITH THE WIND, 41, 106 Graver, Gary, 41 grips and electricians, 45 Gulf & Western Corporation, 34, 37–38 Hackman, Gene, 56–57, 62 Haley, Jack Jr., 101-102 Hamburger Hamlets (restaurants), 56 Hawn, Goldie, 91 Hayes, Helen, 59 Head, Edith, 61 HEARTS AND MINDS, 70 HELL BOUND, 50 Hepburn, Audrey, 63, 69 Herrick, Margaret, 25–26, 111, 122 Heston, Charlton, 66, 74, 86 HE WALKED BY NIGHT, 43–45, 52–54 Higgins, John, 49 Holden, William, 106 Hollywood Chamber of Commerce, 121 Hope, Bob, 70, 80, 106 Hornbeck, William, 18 HOT CARS, 50 Hudson, Rock, 66 Hughes, Albert, 115 Hughes, Allen, 115 Hynes, Fred, 18 I CHEATED THE LAW, 48 Inside Oscar (book), 67 internet, 116–117 Irving Thalberg Memorial Award, 89 IT HAPPENED ONE NIGHT, 41 IT'S A WONDERFUL LIFE, 45 Jackson, Michael, 41 Jean Hersholt Humanitarian Award, 68–69, 88–89, 104 JEZEBEL, 41 Johnson, Ben, 60 journalism, 68, 77, 81–82, 96 JULIUS CAESAR (1953), 86 JUNGLE HEAT, 50 Kanin, Fay, 84–85, 90, 102, 111 Kaper, Bronislau, 18 Karp, Jacob, 31–32 Kelly, Gene, 91, 106 THE KEYS OF THE KINGDOM, 10 King, Alan, 59–60 Koch, Emily (granddaughter), 88 Koch, _____ (father), 9–10, 16 Koch, Howard W. -- childhood, 9, 88–89, 126 Koch, Howard W. -- enters motion pictures, 9–10 Koch, Howard W. -- at Twentieth Century-Fox, 9 Koch, Howard W. -- and World War II civil defense, 9, 22 Koch, Howard W. -- as assistant director, 10–12, 16, 42–43, 45–48 Koch, Howard W. -- and Aubrey Schenck, 15–17 Koch, Howard W. -- and Bel-Air Productions, 15–17 Koch, Howard W. -- and Eagle Lion Pictures, 15–16 Koch, Howard W. -- as director, 15–16, 54–56, 80 Koch, Howard W. -- and Directors Guild of America, 12–14 Koch, Howard W. -- and television directing, 31 Koch, Howard W. -- and Frank Capra Award, 13, 105 Koch, Howard W. -- as producer, 16-28, 31, 63–66, 98–103, 105–106, 110, 112–113, 117–118, 126 Koch, Howard W. -- and Frank Sinatra, 31–33 Koch, Howard W. -- as Paramount Pictures studio head, 31–39 Koch, Howard W. -- and the Academy, 17–18, 20–28, 31, 98–103, 105–106, 110, 112–113, 117–118, 126 Koch, Howard W. -- and Academy Awards, 19–20, 57–58, 60–63, 66–84, 86–96, 101, 117–118, 121–122, 126–127 Koch, Howard W. -- as Academy President, 89, 100–103, 110–113, 118–125 Koch, Howard W. -- as Academy Life Member, 104 Koch, Howard W. -- and the Jean Hersholt Humanitarian Award, 88–89, 104 Koch, Howard W. Hawk Jr. (son), 12, 40-42 Koch, Lucy, 40–41 Koch, Ruth (wife), 33, 35, 88 Koch, William (grandson), 23 Kodak Theater (Los Angeles), 20–21 Krim, Arthur, 16 labor unions, 10–14, 114–115, 126–127 Lansing, Sherry, 65 Lantz, Walter, 121 THE LAST MILE, 54–55 LAST OF THE RED HOT LOVERS, 65 Latinos in motion pictures, 55 LAURA, 36 LEAVE HER TO HEAVEN, 10 Legion of Decency, 55 Leigh, Janet, 11, 46 Lemmon, Jack, 59, 64, 74, 111 Leroy, Mervyn, 11 LET'S LIVE A LITTLE, 45 Lipstone, Howard, 98 litigation, 37–38 Littlefeather, Sacheen (Maria Cruz), 66–68, 86 Littlejohn, William, 22–23 Littleton, Carol, 120 location shooting, 17, 45–46, 50, 56 Loew's Inc, 15 Los Angeles County Music Center, 108 Los Angeles District Attorney, 100 Los Angeles Fire Department, 28 Los Angeles Police Department, 28 Lubitsch, Ernst, 40 Ludwig, William, 106 Madden, Dave, 65 MAGNAVOX PRESENTS FRANK SINATRA (television), 31, 80 Mahnken, Elaine, 54 THE MAN FROM TEXAS, 45 Mankiewicz, Joseph, 10–11 Mann, Anthony, 44 Margaret Herrick Library, 22 marketing, 117 Martin, Steve, 105 Mason, Marsha, 106 Matthau, Walter, 37, 64–65, 88, 91, 106 May, Elaine, 37–38 McDowall, Roddy, 121 MacLaine, Shirley, 71 Metro-Goldwyn-Mayer, 16, 33, 46–47, 54 Metzler, Fred L., 95 Metzler, Robert F., 95, 101 MICKEY (1948), 17 Miller, Arthur C., 18 Mirisch, Marvin, 102 Mirisch, Walter, 17, 26, 84, 91–92, 104, 118 Mohr, Hal, 17–18 Motion Picture Association of America (MPAA), 14 Motion Picture Country House and Hospital, 121 Motion Picture Producers Association, 15 Moulin Productions, 17 Murphy, Eddie, 104–105 Museum of Modern Art (New York City), 121–122 music, film, 52, 75–76, 92-93 music, television, 75-76, 83, 92 National Broadcasting Company (NBC), 79–82, 91, 118 nepotism in the film industry, 15-17 A NEW LEAF, 37–38 A NIGHTMARE ON ELM STREET, 114 THE NOOSE HANGS HIGH, 45, 48 Oak Pictures, 50–51 O'Brien, Edmond, 44–45, 49 occupational safety and health, 14 O'Connor, Carroll, 57 THE ODD COUPLE, 30, 63–65 THE ODD COUPLE II, 65 Ohmart, Carol, 51 Olivier, Laurence, 108–109 ON A CLEAR DAY YOU CAN SEE FOREVER, 17, 30, 65–66 ONCE IS
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    REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins M. Phil. 2006 . HESISfc tc o:> COL g REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the degree of Master of Philosophy March 2006 ACKNOWLEDGEMENTS I would like to thank my supervisors, Andrew Dawson, for his patient encouragement and for gently keeping me focused, and Michael Zell, for his very pertinent comments, also the library staff at Greenwich who have always been most helpful. My thanks, too, to my son Dan and my friends May Clarke and Jim Murray for struggling through a rather large first draft and Alan Rose for his help in obtaining many of the films on video. Also, my sister Tessa, for her proof reading, and Jacob Veale for his computer expertise. Finally, my partner Sarah for her continual encouragement and support and my daughters Hannah and Esther, who accepted that 'Dad was doing his thing.' in ABSTRACT This study is an examination of America's evolving sense of racial and national identity in the period from 1945 to the mid 1970s as refracted through Hollywood's representation of the American Civil War - a powerful event in American memory which still resonates today. Civil War films have been the subject of study by film studies specialists and historians but they have concentrated on the early years highlighting the iconic films The Birth of a Nation (1915) and Gone with the Wind (1939).
  • ELEITORAL PELO PEHDE DE CONSULTO Prévinlfsn

    ELEITORAL PELO PEHDE DE CONSULTO Prévinlfsn

    ^¦WWBSS?M£ ¦ * ¦• • • - -^y> _j c ^v ¦ .:¦' .,: ' ¦'¦(¦¦¦¦ \ «Não Será a Cafeicultura a Derrotada Mas a Própria Nação» RIO, 1» (Meridional) ,— Na" sessão do hojodeixaria de atender as reivindicações dos cafei- rr ^r»i»iiiiTrnn»yw<niWiiJJ..Mjw»WiLli'II''"'"**^^^!Ü!*^?^_!?!1. o PIfjr »—»««r"J*'^^M^w^^r^^^^"'^""^M^^^^^|^^^.. mL.jnn--n"niiiíiiiin"iinr-rmiin^wwii»ji|i|intj»jfi'i" ,,,Z^í da Junta Administrativa do IBC, sr. Arnaldocultores.' O assunto cafeeiro foi então amplamen deu conhecimento à Casa dote debatido, inclusive a abolição .;'-:?¦¦.¦¦, ¦ ' . æ¦.'"::<".~:' Setti, presidente, do chamado ^¦'«.•*"f-l, ,'":-:".''.\ » . « S)T#» OOI 1 encontro havido com o sr. Lucas Lopes e à'pro-confisco cambial: Levantando dúvidas sobre a l; • ª'.f*'fi F**H *' 1 messa deste de dar solução aos problemas quecompetência do Senado legislar sobre tal màté- I lhe foram aprasentadoã ainda no decorrer destaria, o sr. Atilio Vivaqua sugeriu que a própria semana. Foi convidado pelos membros da. Juntajunta do IEC elaborasse o anteprojeto a ser en- a comparecer na reunião de hoje o senador Ati.caminhado ao Congresso. O sr. Atilio Vivaqua lio Vivaqua. Saudando o visitante,-o sr. João Ri-não atinava como poderiam vir recursos para o beiro Júnior, após ter historiado.o podei"econô-pagamento aos lavradores, ao que o sr. Nelson IT:-:Í^': A1 ¦' mico que exerce o governo federal sobre os Es.Maculan afirmou que 2(1 milhões de sacas re- reunidos tados disse que ali estavam todos parapresentariam um dispendio de 60 bilhões de cru- encontrar a solução do problema que não é sòzeiros; mas o café rende para o pais, ao cambio do Paraná São Paulo ou Espirito Santo, masatual, 160 bilhões.