Index to Academy Oral Histories Howard W. Koch

Total Page:16

File Type:pdf, Size:1020Kb

Index to Academy Oral Histories Howard W. Koch Index to Academy Oral Histories Howard W. Koch Howard W. Koch (Producer, Director) Call number: OH149 Abdo, Laurie, 66, 88 Abrahams, Jim, 39 Academy Awards, 14, 18–25, 28–30, 40–42, 57–63, 66–113, 117, 120–122, 126–127 Academy Awards 1979 Oscar Annual (book), 112 Academy Film Scholars Program, 124 Academy Headquarters (Beverly Hills), 26–27, 124 Academy Nicholl Fellowships in Screenwriting, 124 Academy of Motion Picture Arts and Sciences, 12, 17–30, 40–42, 57–61, 63, 66–91, 93–113, 117–126 Academy of Television Arts and Sciences, 31, 87 accounting, 50–51;99-100 acting, 12, 46–47, 53–54, 78–79, 83, 87, 95-97, 115, 117 advertising, 117 AFFLICTION, 93 African-Americans in the film industry, 120 agents, 29, 78 AIRPLANE!, 25, 39, 54 AIRPLANE II; THE SEQUEL, 39 alcoholism in films, 100 Allen, Woody, 57 Allyson, June, 48 Alton, John, 53 American Broadcasting Company (ABC), 79, 82, 91, 98, 118, 125 American Federation of Television and Radio Artists, 12 ANCHORS AWEIGH, 41 Andrews, Julie, 106 ANDY HARDY COMES HOME, 54 ANGELS IN THE OUTFIELD (1951), 11; 46–47, 49 ANGELS IN THE OUTFIELD (1994), 46 Archerd, Army, 68 art direction, 84 assistant directing, 10–12, 15, 40, 42–49, 105, 126 Association of Motion Picture Producers, 121 Atlas, Jack, 18 attorneys in motion pictures, 78, 84 Aubrey Schenck Productions, 17 A-Z Productions, 54 BADGE 373, 55–56, 65, 114 Bailey, John, 120 Balaban, Barney, 32 Bancroft, Anne, 50 Barker, Lex, 52 Basehart, Richard, 53 Bates, Kathy, 30 BEACHHEAD, 17 Bel-Air Productions, 15–17 Bell, Carl, 22–23 Bell System, 123 Benigni, Roberto, 24–25 Benjamin, Jean, 68–69 Benjamin, Robert, 16, 68–69 Bergen, Candice, 73 Bernstein, Elmer, 18 BEST BOY, 109 Beverly Hills (California), 20–21 Beverly Hills High School (California), 45 Beverly Hills Police Department, 9 THE BIG FIX, 43 BIG HOUSE U.S.A., 44, 49, 55 billing, 42 blacklisting, 40–42 THE BLACK SLEEP, 50 Bluhdorn, Charles, 34, 36–37, 63 BOB HOPE--ON THE ROAD WITH BING (television), 80 BOP GIRL GOES CALYPSO, 52 BORDER INCIDENT, 45, 48 BORN RECKLESS, 51 BORN TO SPEED, 43 Bowen, Sid, 12 BOWFINGER, 105 Brando, Marlon, 66–68, 86 Braverman, Charles, 111 THE BROKEN STAR, 50 Bronson, Charles, 49 Brown, Clarence, 11, 46, 126 Brown, Russ, 35 Brugge, Gerte, 36–37 budgets, 19, 37, 43–44, 50–52, 83, 91, 111, 114–115 Burnett, Carol, 66 Caine, Michael, 66 Camden Productions, 44 Capra, Frank, 18, 105 Carey, Macdonald, 18 CASABLANCA, 40–41 casting, 36 Cates, Gilbert, 81 censorship, 55, 70, 82, 117 Champlin, Charles, 98 Chandler, Dorothy Buffum, 108 Chaplin, Charles, 57–59, 62, 76, 82–83, 92 Chaplin, Oona, 58, 92 CHARIOTS OF FIRE, 41 Chayefsky, Paddy, 109 choreography, 60 Christie's (auction house), 41 cinematography, 53, 91–92 CITIZEN KANE, 41 Clark Productions, 52 Clinton, William J. Bill, 14 THE COBRA STRIKES, 45, 48 Coburn, James, 93 Coen, Ethan, 115 Coen, Joel, 115 Columbine, Colorado (1999), 14 comedy films, 25, 104–105 Conti, Bill, 75, 83 contracts, 36, 117 Cooper, Martin M., 111 Corcoran, Donna, 46 Cort, Robert, 65 costume design, 60–61, 66, 90 craft services, 57 cranes and dollies, 44, 49, 80 Crawford, Broderick, 49 credits, 11, 42, 47 CRIME AGAINST JOE, 50 CRISIS, 48 Crosby, Bing, 80 THE DALTON GIRLS, 50 David O. Selznick Lifetime Achievement Award, 106 Davis, Bette, 41 Davis, Bruce, 21, 27, 40 Davis, Sammy Jr., 59 Dax Foundation (charitable organization), 41 de Havilland, Olivia, 106 DESERT SANDS, 50 directing, 10–16, 33, 37-39, 43–46, 49–55, 61–64, 66, 77, 80–83, 85, 90, 106, 110, 113–115, 126–127 Directors Guild of America, 12–14, 105 Directors Guild of America Assistant Director Training Program, 13 Directors Guild of America Award, 31 Directors Guild of America Frank Capra Award, 13 distribution, 23–24, 39–40, 55, 65, 115–117 documentary film, 22–23 Dorian, Charles, 12 Dorothy Chandler Pavilion (Los Angeles), 24, 59, 66, 108 Douglas, Paul, 46–47 DRAGNET (radio), 53–54 DRAGNET (television), 53–54 drive-in theaters, 52 Duvall, Robert, 57 Eagle Lion Pictures, 15–17, 42–45, 53, 105 EAST SIDE, WEST SIDE, 48 Eastwood, Clint, 74–75 Elias, Hal, 17–18, 102 EMERGENCY HOSPITAL, 50 Emmy Awards, 87 Essex Productions, 31-32 THE EVE OF ST. MARK, 10 executives, 13–14, 31–40, 52, 115 exhibition, 23–24, 38–40, 52, 55, 65, 96, 116 extras, 10 fan mail, 52 Farelly, Bobby, 115 Farelly, Peter, 115 Fields, Verna, 111 Fifty Golden Years of Oscar: The Official History of the Academy of Motion Picture Arts and Sciences (book), 112 film libraries, 9 Fletcher, Louise, 80–81, 92 Fonda, Jane, 61–62 Foray, June, 22–23 foreign-language versions of Hollywood films, 82 FORT BOWIE, 51 FOR THOSE WHO THINK YOUNG, 55 THE FORTUNE COOKIE, 64, 88 FORT YUMA, 50 Frank Capra Achievement Award, 105 FRANKENSTEIN 1970, 54 Frank, Melvin, 19 Frankovich, Michael J., 18 Freed, Arthur, 19, 101–102 THE FRENCH CONNECTION, 56, 61 Friedkin, William, 68 FRONTIER SCOUT, 50 Fryman Productions, 54 Gable, Clark, 41 Garnett, Tay, 11 Garson, Greer, 109 Gavin, John, 73 THE GENERAL'S DAUGHTER, 38 GHOST, 25, 39 GHOST TOWN, 48, 50 ghostwriting, 113 Gibbons, Cedric, 112 THE GIRL IN BLACK STOCKINGS, 50 THE GODFATHER, 57 Goldberg, Whoopi, 60, 70 Goldwyn, Samuel, 26, 98, 125 GONE WITH THE WIND, 41, 106 Graver, Gary, 41 grips and electricians, 45 Gulf & Western Corporation, 34, 37–38 Hackman, Gene, 56–57, 62 Haley, Jack Jr., 101-102 Hamburger Hamlets (restaurants), 56 Hawn, Goldie, 91 Hayes, Helen, 59 Head, Edith, 61 HEARTS AND MINDS, 70 HELL BOUND, 50 Hepburn, Audrey, 63, 69 Herrick, Margaret, 25–26, 111, 122 Heston, Charlton, 66, 74, 86 HE WALKED BY NIGHT, 43–45, 52–54 Higgins, John, 49 Holden, William, 106 Hollywood Chamber of Commerce, 121 Hope, Bob, 70, 80, 106 Hornbeck, William, 18 HOT CARS, 50 Hudson, Rock, 66 Hughes, Albert, 115 Hughes, Allen, 115 Hynes, Fred, 18 I CHEATED THE LAW, 48 Inside Oscar (book), 67 internet, 116–117 Irving Thalberg Memorial Award, 89 IT HAPPENED ONE NIGHT, 41 IT'S A WONDERFUL LIFE, 45 Jackson, Michael, 41 Jean Hersholt Humanitarian Award, 68–69, 88–89, 104 JEZEBEL, 41 Johnson, Ben, 60 journalism, 68, 77, 81–82, 96 JULIUS CAESAR (1953), 86 JUNGLE HEAT, 50 Kanin, Fay, 84–85, 90, 102, 111 Kaper, Bronislau, 18 Karp, Jacob, 31–32 Kelly, Gene, 91, 106 THE KEYS OF THE KINGDOM, 10 King, Alan, 59–60 Koch, Emily (granddaughter), 88 Koch, _____ (father), 9–10, 16 Koch, Howard W. -- childhood, 9, 88–89, 126 Koch, Howard W. -- enters motion pictures, 9–10 Koch, Howard W. -- at Twentieth Century-Fox, 9 Koch, Howard W. -- and World War II civil defense, 9, 22 Koch, Howard W. -- as assistant director, 10–12, 16, 42–43, 45–48 Koch, Howard W. -- and Aubrey Schenck, 15–17 Koch, Howard W. -- and Bel-Air Productions, 15–17 Koch, Howard W. -- and Eagle Lion Pictures, 15–16 Koch, Howard W. -- as director, 15–16, 54–56, 80 Koch, Howard W. -- and Directors Guild of America, 12–14 Koch, Howard W. -- and television directing, 31 Koch, Howard W. -- and Frank Capra Award, 13, 105 Koch, Howard W. -- as producer, 16-28, 31, 63–66, 98–103, 105–106, 110, 112–113, 117–118, 126 Koch, Howard W. -- and Frank Sinatra, 31–33 Koch, Howard W. -- as Paramount Pictures studio head, 31–39 Koch, Howard W. -- and the Academy, 17–18, 20–28, 31, 98–103, 105–106, 110, 112–113, 117–118, 126 Koch, Howard W. -- and Academy Awards, 19–20, 57–58, 60–63, 66–84, 86–96, 101, 117–118, 121–122, 126–127 Koch, Howard W. -- as Academy President, 89, 100–103, 110–113, 118–125 Koch, Howard W. -- as Academy Life Member, 104 Koch, Howard W. -- and the Jean Hersholt Humanitarian Award, 88–89, 104 Koch, Howard W. Hawk Jr. (son), 12, 40-42 Koch, Lucy, 40–41 Koch, Ruth (wife), 33, 35, 88 Koch, William (grandson), 23 Kodak Theater (Los Angeles), 20–21 Krim, Arthur, 16 labor unions, 10–14, 114–115, 126–127 Lansing, Sherry, 65 Lantz, Walter, 121 THE LAST MILE, 54–55 LAST OF THE RED HOT LOVERS, 65 Latinos in motion pictures, 55 LAURA, 36 LEAVE HER TO HEAVEN, 10 Legion of Decency, 55 Leigh, Janet, 11, 46 Lemmon, Jack, 59, 64, 74, 111 Leroy, Mervyn, 11 LET'S LIVE A LITTLE, 45 Lipstone, Howard, 98 litigation, 37–38 Littlefeather, Sacheen (Maria Cruz), 66–68, 86 Littlejohn, William, 22–23 Littleton, Carol, 120 location shooting, 17, 45–46, 50, 56 Loew's Inc, 15 Los Angeles County Music Center, 108 Los Angeles District Attorney, 100 Los Angeles Fire Department, 28 Los Angeles Police Department, 28 Lubitsch, Ernst, 40 Ludwig, William, 106 Madden, Dave, 65 MAGNAVOX PRESENTS FRANK SINATRA (television), 31, 80 Mahnken, Elaine, 54 THE MAN FROM TEXAS, 45 Mankiewicz, Joseph, 10–11 Mann, Anthony, 44 Margaret Herrick Library, 22 marketing, 117 Martin, Steve, 105 Mason, Marsha, 106 Matthau, Walter, 37, 64–65, 88, 91, 106 May, Elaine, 37–38 McDowall, Roddy, 121 MacLaine, Shirley, 71 Metro-Goldwyn-Mayer, 16, 33, 46–47, 54 Metzler, Fred L., 95 Metzler, Robert F., 95, 101 MICKEY (1948), 17 Miller, Arthur C., 18 Mirisch, Marvin, 102 Mirisch, Walter, 17, 26, 84, 91–92, 104, 118 Mohr, Hal, 17–18 Motion Picture Association of America (MPAA), 14 Motion Picture Country House and Hospital, 121 Motion Picture Producers Association, 15 Moulin Productions, 17 Murphy, Eddie, 104–105 Museum of Modern Art (New York City), 121–122 music, film, 52, 75–76, 92-93 music, television, 75-76, 83, 92 National Broadcasting Company (NBC), 79–82, 91, 118 nepotism in the film industry, 15-17 A NEW LEAF, 37–38 A NIGHTMARE ON ELM STREET, 114 THE NOOSE HANGS HIGH, 45, 48 Oak Pictures, 50–51 O'Brien, Edmond, 44–45, 49 occupational safety and health, 14 O'Connor, Carroll, 57 THE ODD COUPLE, 30, 63–65 THE ODD COUPLE II, 65 Ohmart, Carol, 51 Olivier, Laurence, 108–109 ON A CLEAR DAY YOU CAN SEE FOREVER, 17, 30, 65–66 ONCE IS
Recommended publications
  • |As the Dorms Empty. . .|
    VOLUME 16 NUMBER 56 STONY BROOK, N.Y. TUESDAY, MAY 15, 1973 |As The Dorms Empty. .| * Delivery and installation of IRCs new equipmentf is delayed - w I Athletes Player of the Year Awards Stories on pages 12, 13 k%__________________.. _I News Briefs 1 The Watergate Open Hearings : , _ A Look Towards the Future... International By JONATHAN D. SALANT (WNET) wlo cary the aremdy esed before X While school is eading for aive. gand jury that be was present at Hanoi Tota Le Duc TM said he will refuse to meet with Dr. Stony Brook dents he Fired as White House counsd discussions rding the Hon Kiser it the U.S. continues bombg in Vietnam. Tho Wateigate investi bon is only on Ap4l 30, Dean is reportedy d bgng and when arrived in Pahs for talks that ae delived the ultimatum be beoning. The next few days ready to testify that Nixon knew that he turned tee plan down. scheduled to begoon ursday with i t Nixon"'s National will see the appointment of an of the Wateigte cover-up. He And Nixon himself might be Security Advisz. The was a d to discuss dains by idedent ppr, and the has offered to tell all he knows called to testify. He is not on the both sides of violations of- the Vietnam eefire. The Vietcong beginning of the open televised about the Afftir in retum for in South it of 20 wi elesed by charged last weekend that U.S. panes have bombed heaing of the Senate immunity, and will be granted Vietnam in violation of the eeasefwe aement.
    [Show full text]
  • Friday, Jan. 1
    Friday, Jan. 1 B = LIVE SPORTS MOVIES MOVIE PREMIERE EASTERN 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 11AM 11:30 CENTRAL 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 10AM 10:30 MOUNTAIN 2AM 2:30 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 9AM 9:30 PACIFIC 1AM 1:30 2AM 2:30 3AM 3:30 4AM 4:30 5AM 5:30 6AM 6:30 7AM 7:30 8AM 8:30 PREMIUM MOVIES Die Another Day (( (’02, Action) Pierce (:15) Mr. Mom ((6 (’83, Comedy) Michael (7:50) Tommy Boy (( (’95, WarGames ((( (’83, Suspense) Matthew (:25) Ghost SHO-E 318 Brosnan, Halle Berry ‘PG-13’ Keaton, Teri Garr ‘PG’ Comedy) Chris Farley ‘PG-13’ Broderick, Dabney Coleman ‘PG’ (’90) SHO-W 319 ¨Full Metal Jacket (’87) The Last of the Mohicans ((( (’92) ‘R’ Die Another Day (( (’02, Action) ‘PG-13’ (:15) Mr. Mom ((6 (’83, Comedy) ‘PG’ (10:50) Tommy Boy ¨Scary Stories to Tell (:05) Belushi (’20, Documentary) John Landis, (6:55) The Current War: Director’s (:40) Meet the Parents ((( (’00, Comedy) Meet the Fockers ((6 (’04, SHO2-E 320 in the Dark (’19) ‘PG-13’ Lorne Michaels ‘NR’ Cut (’19, Historical Drama) ‘PG-13’ Robert De Niro, Ben Stiller ‘PG-13’ Comedy) Robert De Niro ‘PG-13’ SHOBET 321 ¨She Hate Me (( (’04) ‘R’ Beneath a Sea of Lights (’20) Jim Sarbh ‘NR’ Against the Tide Surge (’20, Documentary) ‘NR’ (:15) The Express ((6 (’08, Biography) ‘PG’ SHOX-E 322 (:05) A Most Violent Year (’14) Oscar Isaac ‘R’ (:10) The Tuxedo (6 (’02, Comedy) ‘PG-13’ Top Gun ((( (’86, Action) Tom Cruise ‘PG’ Miami Vice (’06, Crime Drama) Colin Farrell ‘R’ SHOWTIME SHOS-E 323
    [Show full text]
  • Allen Rostron, the Law and Order Theme in Political and Popular Culture
    OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills.
    [Show full text]
  • Degolyer Library 2016-2017 [Accounting] Jackson, William. Book
    Selected Acquisitions: DeGolyer Library 2016-2017 [Accounting] Jackson, William. Book-keeping, in the true Italian form of debtor and creditor by way of double entry; or, Practical book-keeping, exemplified from the precepts of the late ingenious D. Dowling ... With the addition of computations in exchange, and tables ... By William Jackson, accountant. New York: Smith & Forman, 1811. 288 pp. Purchased in honor of Donna Cotter, 2017. Adams, Jeremy. Books and papers. Several hundred books and pamphlets from the estate of this beloved and esteemed professor of medieval history. We were able to add Adams books to all the libraries, Fondren, Hamon, Bridwell, and DeGolyer. Notable accessions for DeGolyer include numerous books on New Orleans, his hometown. The Jeremy Adams papers, including lecture notes from his undergraduate days at Harvard, will be processed and housed in the University Archives. Gift of Bonnie Wheeler, 2016. [Addresses, essays, lectures] Emerson, George B. An Address, delivered at the opening of the Boston Mechanics’ Institution, February 7, 1827. Boston Mass.: Hilliard, Gray, Little, and Wilkins, 1827. 24 pp. [Addresses, essays, lectures] England, John. Address delivered before the Demosthenian and Phi Kappa Societies of Franklin College, Athens, Ga., on Thursday, August 5th, 1840 ... Athens, Printed at the Whig Office, 1840. 33 pp. [Addresses, essays, lectures] Everett, Edward. An address delivered before the Massachusetts Charitable Mechanic Association, 20th September, 1837: on occasion of their first exhibition and fair. Boston: Dutton & Wentworth, 1837. 24 pp. [Addresses, essays, lectures] Ewing, Thomas. Speech of Maj. Gen. Thomas Ewing, Jr., of Kansas, at the Soldiers’ and Sailors’ National Convention, at Cooper Institute, July 4, 1868: reported and published by order of the convention.
    [Show full text]
  • Or, Early Times in Southern California. by Major Horace Bell
    Reminiscences of a ranger; or, Early times in southern California. By Major Horace Bell REMINISCENCES —OF A— RANGER —OR,— EARLY TIMES —IN— SOUTHERN CALIFORNIA, By MAJOR HORACE BELL. LOS ANGELES: YARNELL, CAYSTILE & MATHES, PRINTERS. 1881. Entered according to Act of Congress, in the year 1881, by HORACE BELL, In the office of the Librarian of Congress, at Washington, D.C. TO THE FEW Reminiscences of a ranger; or, Early times in southern California. By Major Horace Bell http://www.loc.gov/resource/calbk.103 SURVIVING MEMBERS OF THE LOS ANGELES RANGERS, AND TO THE MEMORY OF THOSE WHO HAVE ANSWERED TO THE LAST ROLL-CALL, THIS HUMBLE TRIBUTE IS AFFECTIONATELY DEDICATED BY THE AUTHOR. PREFACE. No country or section during the first decade following the conquest of California, has been more prolific of adventure than our own bright and beautiful land; and to rescue from threatened oblivion the incidents herein related, and either occurring under the personal observation of the author, or related to him on the ground by the actors therein, and to give place on the page of history to the names of brave and worthy men who figured in the stirring events of the times referred to, as well as to portray pioneer life as it then existed, not only among the American pioneers, but also the California Spaniards, the author sends forth his book of Reminiscences, trusting that its many imperfections may be charitably scrutinized by a criticising public, and that the honesty of purpose with which it is written will be duly appreciated. H. B.
    [Show full text]
  • Introduction
    Introduction Crime Film and the Messy City Many a commercial film or television production is a genuine achievement besides being a commodity. Germs of new beginnings may develop within a thoroughly alienated environment. —Siegfried Kracauer, Theory of Film ❧ n 1974, Vincent Canby wrote a piece for the New York Times, titled “New York Woes Are Good For Box Office,” that puzzled over the Ispate of films that had been made in the city over the last few years. What confused Canby was why so many recent films that portrayed New York so unfavorably—he cites Serpico (1973), The Super Cops (1974), Law and Disorder (1974), Mean Streets (1973), Death Wish (1974), For Pete’s Sake (1974), and The Taking of Pelham One Two Three (1974)—were seemingly so popular: New York is a mess, say these films. It’s run by fools. Its citi- zens are at the mercy of its criminals who, as often as not, are protected by an unholy alliance of civil libertarians and crooked cops. The air is foul. The traffic is impossible. Services are diminishing and the morale is such that ordering a cup of coffee in a diner can turn into a request for a fat lip. (1) 1 © 2018 State University of New York Press, Albany 2 Welcome to Fear City Pointing out that New York has been a mess for much of its history, Canby was less fretful about the negative portrayal of the city in these films than curious as to why, at this moment, the mess of the city had become a subject of interest.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Proquest Dissertations
    ARIZONA DURING THE CIVIL WAR; THE IMPACT OF THE CALIFORNIA VOLUNTEERS, 1861-1866 Item Type text; Thesis-Reproduction (electronic) Authors Masich, Andrew Edward Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 03:28:53 Link to Item http://hdl.handle.net/10150/291194 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of mov.-^ment during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame.
    [Show full text]
  • Der US-Amerikanische Western in Den Deutschen Kinos (1933-1960): Eine Filmografie 2011
    Repositorium für die Medienwissenschaft Jonas Wegerer Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie 2011 https://doi.org/10.25969/mediarep/12759 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wegerer, Jonas: Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 128). DOI: https://doi.org/10.25969/mediarep/12759. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0128_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 128, 2011: Western. Redaktion und Copyright dieser Ausgabe: Jonas Wegerer. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0128_11.html Letzte Änderung: 13.9.2011. Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie Zusammengestellt von Jonas Wegerer Liste 1: Zwischen 1949 und 1960 in deutschen Kinos 1960 sind mehr als 650 Western erstaufgeführt wor- erstaufgeführte amerikanische Western den, fast ein neuer Western pro Woche. Liste 2: Zwischen 1933 und 1940 in deutschen Kinos erstaufgeführte amerikanische Western In Liste 1 sind alle Western, die zwischen 1945 und 1960 in den deutschen Kinos erstaufgeführt wurden, mit deutschem Verleihtitel, Datum der Erstauffüh- rung und Originaltitel und Produktionsjahr, verzeich- Der Western, das „amerikanische Genre par excel- net.
    [Show full text]
  • Reginald Le Borg Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Reginald Le Borg 电影 串行 (大全) The Black Sleep https://zh.listvote.com/lists/film/movies/the-black-sleep-1059488/actors Wyoming Mail https://zh.listvote.com/lists/film/movies/wyoming-mail-14631568/actors The Flight that Disappeared https://zh.listvote.com/lists/film/movies/the-flight-that-disappeared-15040826/actors Adventure in Music https://zh.listvote.com/lists/film/movies/adventure-in-music-15378689/actors The Dalton Girls https://zh.listvote.com/lists/film/movies/the-dalton-girls-15576097/actors Young Daniel Boone https://zh.listvote.com/lists/film/movies/young-daniel-boone-15615582/actors The Great Jesse James Raid https://zh.listvote.com/lists/film/movies/the-great-jesse-james-raid-15631701/actors Deadly Duo https://zh.listvote.com/lists/film/movies/deadly-duo-16249793/actors Destiny https://zh.listvote.com/lists/film/movies/destiny-16980398/actors Little Iodine https://zh.listvote.com/lists/film/movies/little-iodine-18349897/actors Susie Steps Out https://zh.listvote.com/lists/film/movies/susie-steps-out-18386658/actors The Adventures of Don https://zh.listvote.com/lists/film/movies/the-adventures-of-don-coyote-18393352/actors Coyote The White Orchid https://zh.listvote.com/lists/film/movies/the-white-orchid-18393965/actors San Diego, I Love You https://zh.listvote.com/lists/film/movies/san-diego%2C-i-love-you-20949958/actors War Drums https://zh.listvote.com/lists/film/movies/war-drums-2134993/actors Joe Palooka in Fighting Mad https://zh.listvote.com/lists/film/movies/joe-palooka-in-fighting-mad-21869463/actors Joe Palooka
    [Show full text]
  • Reel Wars: Cold War, Civil Rights and Hollywood's
    REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins M. Phil. 2006 . HESISfc tc o:> COL g REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the degree of Master of Philosophy March 2006 ACKNOWLEDGEMENTS I would like to thank my supervisors, Andrew Dawson, for his patient encouragement and for gently keeping me focused, and Michael Zell, for his very pertinent comments, also the library staff at Greenwich who have always been most helpful. My thanks, too, to my son Dan and my friends May Clarke and Jim Murray for struggling through a rather large first draft and Alan Rose for his help in obtaining many of the films on video. Also, my sister Tessa, for her proof reading, and Jacob Veale for his computer expertise. Finally, my partner Sarah for her continual encouragement and support and my daughters Hannah and Esther, who accepted that 'Dad was doing his thing.' in ABSTRACT This study is an examination of America's evolving sense of racial and national identity in the period from 1945 to the mid 1970s as refracted through Hollywood's representation of the American Civil War - a powerful event in American memory which still resonates today. Civil War films have been the subject of study by film studies specialists and historians but they have concentrated on the early years highlighting the iconic films The Birth of a Nation (1915) and Gone with the Wind (1939).
    [Show full text]
  • ELEITORAL PELO PEHDE DE CONSULTO Prévinlfsn
    ^¦WWBSS?M£ ¦ * ¦• • • - -^y> _j c ^v ¦ .:¦' .,: ' ¦'¦(¦¦¦¦ \ «Não Será a Cafeicultura a Derrotada Mas a Própria Nação» RIO, 1» (Meridional) ,— Na" sessão do hojodeixaria de atender as reivindicações dos cafei- rr ^r»i»iiiiTrnn»yw<niWiiJJ..Mjw»WiLli'II''"'"**^^^!Ü!*^?^_!?!1. o PIfjr »—»««r"J*'^^M^w^^r^^^^"'^""^M^^^^^|^^^.. mL.jnn--n"niiiíiiiin"iinr-rmiin^wwii»ji|i|intj»jfi'i" ,,,Z^í da Junta Administrativa do IBC, sr. Arnaldocultores.' O assunto cafeeiro foi então amplamen deu conhecimento à Casa dote debatido, inclusive a abolição .;'-:?¦¦.¦¦, ¦ ' . æ¦.'"::<".~:' Setti, presidente, do chamado ^¦'«.•*"f-l, ,'":-:".''.\ » . « S)T#» OOI 1 encontro havido com o sr. Lucas Lopes e à'pro-confisco cambial: Levantando dúvidas sobre a l; • ª'.f*'fi F**H *' 1 messa deste de dar solução aos problemas quecompetência do Senado legislar sobre tal màté- I lhe foram aprasentadoã ainda no decorrer destaria, o sr. Atilio Vivaqua sugeriu que a própria semana. Foi convidado pelos membros da. Juntajunta do IEC elaborasse o anteprojeto a ser en- a comparecer na reunião de hoje o senador Ati.caminhado ao Congresso. O sr. Atilio Vivaqua lio Vivaqua. Saudando o visitante,-o sr. João Ri-não atinava como poderiam vir recursos para o beiro Júnior, após ter historiado.o podei"econô-pagamento aos lavradores, ao que o sr. Nelson IT:-:Í^': A1 ¦' mico que exerce o governo federal sobre os Es.Maculan afirmou que 2(1 milhões de sacas re- reunidos tados disse que ali estavam todos parapresentariam um dispendio de 60 bilhões de cru- encontrar a solução do problema que não é sòzeiros; mas o café rende para o pais, ao cambio do Paraná São Paulo ou Espirito Santo, masatual, 160 bilhões.
    [Show full text]