TELLURIDE CAMPUS Immersion Experience
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A/V Material Resources Webinars, Videos Connecting to Collections
A/V Material Resources Webinars, Videos Connecting to Collections – Caring for Audiovisual material https://www.connectingtocollections.org/av/ CCAHA – A Race Against Time: Preserving AV Media https://ccaha.org/sites/default/files/attachments/2018- 07/A%20Race%20Against%20Time%20Summary.pdf ALCTS – Moving Image Preservation 101 https://www.youtube.com/watch?v=rb77uztb_IU Leaflets / Quick Reference Library of Congress https://www.loc.gov/preservation/care/record.html https://www.loc.gov/preservation/about/faqs/audio.html Video Format Id Guide Sarah Stauderman & Paul Messier https://cool.culturalheritage.org/videopreservation/vid_id/ Texas Commission on the Arts- Videotape Identification and Assessment Guide https://www.arts.texas.gov/wp-content/uploads/2012/04/video.pdf Film Care https://filmcare.org/ mini Disc http://www.minidisc.org/index.php In depth reference NEDCC - Fundamentals of AV Preservation Texbook https://www.nedcc.org/fundamentals-of-av-preservation-textbook/chapter1-care-and- handling-of-audiovisual-collections National Film and Sound Archive of Australia https://www.nfsa.gov.au/preservation/guide/handbook Washington State Film Preservation Manual https://www.lib.washington.edu/specialcollections/collections/film-preservation-manual/ National Film Preservation Foundation – guide to film preservation https://www.filmpreservation.org/preservation-basics/the-film-preservation-guide http://www.folkstreams.net/vafp/guide.php The State of Recorded Sound Preservation in the United States http://www.clir.org/wp-content/uploads/sites/6/pub148.pdf -
Review (Abridged) of Bogle, Sophia S.W. Book Restoration Unveiled: an Essential Guide for Bibliophiles. [N.P.]: First Editions Press, 2019
Syracuse University From the SelectedWorks of Peter D Verheyen June, 2019 Review (Abridged) of Bogle, Sophia S.W. Book Restoration Unveiled: An Essential Guide for Bibliophiles. [n.p.]: First Editions Press, 2019. Peter D Verheyen This work is licensed under a Creative Commons CC_BY-NC-SA International License. Available at: https://works.bepress.com/peter_verheyen/54/ BOOK REVIEW by Peter D. Verheyen Book Restoration Unveiled - An Essential Guide for Bibliophiles <' ~ Sophia S. w Bogle I.... -::-,·::.. :-;:v->~~-.•;,-/..-ic·-<-.· -.. ,<:-/s-'.'7-.-·::-.)-_;.;~-':-"li-/}-~.\..... ~\-,,:~-;t-,\t-\'.?,.....,~~~j--.;t'.--;.;·-j~-}l: .....}-l-f.J ~ u 0 (Ashland, OR: First Editions Press, 2019) :::0 (D o' 5: In Book Restoration Unveiled, Sophia S.W Bogle Book Restoration (D r6 sets out "to provide the tools to spot restorations so ~ that everyone can make more informed decisions s'-I when buying or selling books." The second reason was CJ UnvedJ c% p.J her realization that "instead of a simple list of clear "D 8 0 0 terminology, [there] was a distressing lack of agreement ~ ~ (") (D and even confusion about the most basic of book repair 0 () 8 ~ If ......__ (D terms." She writes, "this book [is] a bridge between the Iv :::0 /,8'~.4' 0 ....... world of collecting, buying, and selling books, and that <..O-< (D ......__ '-I of book repair, restoration, and conservation." In the ~ 0 (D case of the latter, she describes some of the minutiae ::: ~- 8" ~ 0 (") of the book such as structure, and treatments, good ;;,;- p.J ~ :::0 as well as bad. But, "this is not a 'how-to' manual." (D u ~ (D Rather, it is a "guide to help you understand the world S; o' of restoration, to recognize restorations, and to choose §. -
Bioarchaeology (Anthropological Archaeology) - Mario ŠLAUS
PHYSICAL (BIOLOGICAL) ANTHROPOLOGY - Bioarchaeology (Anthropological Archaeology) - Mario ŠLAUS BIOARCHAEOLOGY (ANTHROPOLOGICAL ARCHAEOLOGY) Mario ŠLAUS Department of Archaeology, Croatian Academy of Sciences and Arts, Zagreb, Croatia. Keywords: Bioarchaeology, archaeological, forensic, antemortem, post-mortem, perimortem, traumas, Cribra orbitalia, Harris lines, Tuberculosis, Leprosy, Treponematosis, Trauma analysis, Accidental trauma, Intentional trauma, Osteological, Degenerative disease, Habitual activities, Osteoarthritis, Schmorl’s nodes, Tooth wear Contents 1. Introduction 1.1. Definition of Bioarchaeology 1.2. History of Bioarchaeology 2. Analysis of Skeletal Remains 2.1. Excavation and Recovery 2.2. Human / Non-Human Remains 2.3. Archaeological / Forensic Remains 2.4. Differentiating between Antemortem/Postmortem/Perimortem Traumas 2.5. Determination of Sex 2.6. Determination of Age at Death 2.6.1. Age Determination in Subadults 2.6.2. Age Determination in Adults. 3. Skeletal and dental markers of stress 3.1. Linear Enamel Hypoplasia 3.2. Cribra Orbitalia 3.3. Harris Lines 4. Analyses of dental remains 4.1. Caries 4.2. Alveolar Bone Disease and Antemortem Tooth Loss 5. Infectious disease 5.1. Non–specific Infectious Diseases 5.2. Specific Infectious Disease 5.2.1. Tuberculosis 5.2.2. Leprosy 5.2.3. TreponematosisUNESCO – EOLSS 6. Trauma analysis 6.1. Accidental SAMPLETrauma CHAPTERS 6.2. Intentional Trauma 7. Osteological and dental evidence of degenerative disease and habitual activities 7.1. Osteoarthritis 7.2. Schmorl’s Nodes 7.3. Tooth Wear Caused by Habitual Activities 8. Conclusion Glossary Bibliography Biographical Sketch ©Encyclopedia of Life Support Systems (EOLSS) PHYSICAL (BIOLOGICAL) ANTHROPOLOGY - Bioarchaeology (Anthropological Archaeology) - Mario ŠLAUS 1. Introduction 1.1. Definition of Bioarchaeology Bioarchaeology is the study of human biological remains within their cultural (archaeological) context. -
Digital Archaeological Data Collection 1
Running Head: DIGITAL ARCHAEOLOGICAL DATA COLLECTION 1 Digital Archaeological Data Collection and Archaeological Data Repositories: How Digital Environments are leading to a Convergence of Data Collection Standards Julia Silver [email protected] (410) 660-5009 Johns Hopkins University Museum Studies Digital Curation Certificate Program December 5, 2015 DIGITAL ARCHAEOLOGICAL DATA COLLECTION 2 Abstract This paper discusses how the lack of standardized methods for on-site data collection has impacted the ability of archaeologists to preserve archaeological data and make it accessible for reuse. Repositories and databases, like the Alexandria Archive Institute’s (AAI) Open Context and Digital Antiquity’s tDAR (the Digital Archaeological Record), have gained traction as prominent platforms to both publish archaeological data and to store and make accessible raw data. However, gaps remain between data collection and data accessibility, which seem unlikely to be closed by the adoption of standards for the documentation and description of field data. The following questions are considered: What are the challenges to standardization in the collection and documentation of field data? In the absence of agreed-upon standards, what alternative methods can aid in the preservation and accessibility goals of archaeologists? One promising development, a mobile platform created by the Federated Archaeological Information Management Systems (FAIMS) Project, is considered as an alternative path that may lead to a convergence of data collection standards in the future. DIGITAL ARCHAEOLOGICAL DATA COLLECTION 3 Table of Contents I. Introduction II. Research Methodologies III. Historical Background a. Defining Digital Archaeology b. DigMaster c. The Beginning of Online Data Publication d. The Archaeological Information Ecosystem IV. -
Acquisition and Disposal of Collections
139 ACQUISITION AND DISPOSAL OF COLLECTIONS The goal of collections development is to shape collections whose composition supports a collecting unit’s mission and programs. The main tools of collections development are acquisitions and disposals. This chapter discusses these tools. acquisition and disposal 140 ollections are acquired through various methods, such as donation, field collection, transfer from another organization, and purchase. “Disposal” means termination of ownership and physical removal of accession C 1 collection items. In the United States, “deaccessioning” and “disposal” are often used interchangeably, but technically the former term refers only to the first step in disposal — the removal of an item from the catalogue of accession collections.2 The first section of this chapter addresses acquisitions, with particular emphasis on how collecting units have built their collections, the policy framework related to acquisitions, and how collecting units are responding to a changed collecting environment. It also examines how collecting units make acquisition decisions, and considers alternatives to traditional collection methods. The second section addresses deaccessioning and disposal. It discusses the reasons units dispose of items, and the obstacles to disposal. The role of organizational and professional culture in collections development is discussed. Also discussed briefly is the issue of duplication and overlap of collections at the Smithsonian. The chapter closes with conclusions. FINDINGS acquisitions Collecting appears to be an innate human propensity. Archaeological excavations indicate, for example, that 80,000 years ago Neanderthals assembled collections of small stones (Neal 1980, 24). Norman Rosenthal, exhibitions secretary at the Royal 1 Collecting units also dispose of non-accessioned items, but that is not the focus here. -
Insights and Hindsights from Deaccessioning
Insights and Hindsights from Deaccessioning Leslie B. Jones | Vice President, Museum Affairs & Curator of Decorative Arts Cheekwood Estate & Garden | Nashville, TN May 17, 2017 Museums preserve and protect more than 1 billion objects Heritage Health Index (2004) borrowed from American Alliance of Museums Visualization of powers of ten from one to 1 billion © CC BY-SA 3.0 UNESCO “Storage-Planning space and fittings” Source: MAP/Reviewer: Zoe Scott/Edits LLW Dec 2006, reviewed JH April 2010 * ORGANIZED THOUGHTS * DEACCESSIONING 101: Survey the Situation DEACCESSIONING 201: Proactivity is Power DEACCESSIONING 301: Research, Research, Research DEACCESSIONING 401: Action and Dispersal * NOT-SO-ORGANIZED THOUGHTS * INSIGHT(S) Recollections and examples of previous work that may prove to be helpful and/or instructive HINDSIGHT(S) Recollections and examples of previous work that demonstrate what is not helpful and/or instructive CHEEKWOOD ESTATE & GARDEN • Constructed between 1929 and 1932 • Private family home from 1932 until 1957 • Donated in 1957 to become the Tennessee Botanical Gardens and Fine Arts Center • Opened to the public in 1960 with Museum space in the historic home • Collection Categories include PERMANENT and ARCHIVAL • Collection overview resulted in an encyclopedic approach with holdings of works on paper, artist books, video art, sculpture, paintings, photography, ceramics, art glass, metal ware, furniture, textiles, ethnographic objects, etc. All IMAGES OWNED BY CHEEKWOOD AND MAY NOT BE REPRODUCED WITHOUT WRITTEN AUTHORIZATION -
Rare and Valuable Government Documents: a Resource Packet on Identification, Preservation, and Security Issues for Government Documents Collections
DOCUMENT RESUME ED 357 746 IR 054 554 AUTHOR Walsh, Jim, Comp.; And Others TITLE Rare and Valuable Government Documents: A Resource Packet on Identification, Preservation, and Security Issues for Government Documents Collections. INSTITUTION American Library Association, Chicago, Ill. PUB DATE 92 NOTE 125p.; A product of the Joint Committeeon Government Documents as Rare Books of the American Library Association, Rare Books and Management Section, Government Documents Round Table and Map and Geography Round Table. PUB TYPE Guides Non-Classroom Use (055) Reference Materials Bibliographies (131) Reference Materials General (130) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Emergency Programs; *Government Publications; Higher Education; *Identification; Library Services; *Preservation; *Records Management; Resource Materials IDENTIFIERS Conservationists; *Library Security; *Rare Books ABSTRACT This packet serves as an introduction to and overview of the complex issue of identification and preservation ofrare government documents. It is intended as a starting point, nota comprehensive guide, for all questions about governmentdocuments. Part 1 is a selective bibliography ofresources to identify rare and valuable documents (50 sources) and informationon conservation, preservation, and security (107 resources) complied by B. Hulyk,J. Walsh, and G. Barnum. Part 2 contains policieson preservation and conservation of several libraries and the American Library Association. In Part 3, five selections,one of which is consists of summaries of conference papers, discuss the identificationof rare documents. Part 4 contains eight articleson the conservation and preservation of rare documents, including severalon specific preservation techniques. Part 5 presents two articleson security issues. Part 6 presents a checklist of informationneeded for disaster planning and a list of disasterrecovery suppliers and services. -
Conducting (And Maintaining!) a Collection Inventory 4 October 2016
And Everything in its Place: Conducting (and Maintaining!) a Collection Inventory 4 October 2016 Poll #1 What job title is closest to yours: Registrar or Collection Manager Curator Archivist Director Most or all of the above: I do it all! Museum studies student None of the above Just an Ordinary Day in the Life of a Registrar Sisyphus undertakes an inventory of his collection Poll #2 What percentage of objects in your collection have a (pretty reliable) location record (“I know where it is” does not count)? 75% to 100% (why are you taking this webinar?) 25% to 75% (hey, it’s a start) less than 25% (don’t feel bad, you have a lot of company Why inventory? or: Do I have to????? Registrars, through the records maintained, are accountable for the objects in custody of their museums and must be able to provide current information on each object, its location, status, and condition. From Code of Ethics for Registrars. The Registrars Committee of the American Association of Museums. Accepted and endorsed 11 June 1984. A Museum is a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study and enjoyment. ICOM (International Council of Museums) Statutes, adopted by the 22nd General Assembly in Vienna Austria on 24 August 2007 Oxymoron? Access AND Preservation? No Problem! Fiduciary Fi-du-ci-ar-y (fi-doo’shē-er’ē) adj. 1.a. -
Buildings for Storing Cultural Heritage Objects — Principles and Methods for Assessing Indoor Environments
Buildings for Storing Cultural Heritage Objects — Principles and Methods for Assessing Indoor Environments Buildings for Storing Cultural Heritage Objects — Principles and Methods for Assessing Indoor Environments The publication was released as a part of the NAKI DF13P01OVV016, scientific and research project of the Czech Ministry of Culture, made by the Technical Museum in Brno, the National Heritage Institute and the Moravian Gallery in Brno. Edited by Zdeněk Vácha Opponents: Jan Josef, Miroslav Černý Translation: Lenka Zimková Authors © Jan Červenák, Martin Dvořák, Igor Fogaš, Jana Fricová, Václav Holásek, Petr Jakubec, Michal Mazík, Martin Mrázek, Václav Němec, Alena Selucká, Zdeněk Vácha © National Heritage Institute, 2017 ISBN 978-80-87967-17-1 content 5 Introduction 7 On the Issue of the Development of Opinions Concerning the Placement of Buildings, with an Emphasis on Buildings Designed for the Presentation and Storage of Cultural Objects, their Orientation, Structural Elements, Materials, Equipment, and Arrangement. zdeněk vácha 23 Characteristics of Objects and Materials, Mechanisms of Damage Caused by the Environmental Conditions, Illustrative Examples of the States and Specifications of Damage václav němec 41 Pest Management michal mazík 59 Improving the Indoor Climate of a Special Depository with a Simple Construction Modification martin mrázek, jana fricová 73 Reduction of relative humidity using a controlled conservation heating method alena selucká, petr jakubec 91 Historical Heating Systems and Visitor Traffic at Listed Buildings with Public Access jan červenák, václav holásek 109 Preliminary Design for a New Depository of Works of Art from the Collections of the Moravian Gallery in Brno igor fogaš 125 Let There Be Light! However, Everything in Moderation… martin dvořák Introduction We are presenting a publication to accompany and develop some of the topics that could not be addressed in more detail in the Methodology for preserving cultural objects, which was the main outcome of the project. -
ARCH0019: Joanne Sonnichsen Collection Call: ARCH0019 Accn: 2016.0006.0063
ARCH0019: Joanne Sonnichsen Collection Call: ARCH0019 Accn: 2016.0006.0063 Creator: Joanne Sonnichsen (1933-2003) Dates: circa 1896-2003 Physical Description: Approx. 2 LF Language(s): Materials are in English, French, and Japanese. Physical Location: All use of ABM materials must be requested 24 hours in advance and used onsite during a scheduled appointment. For more information on use or to schedule an appointment, contact the ABM librarian at [email protected]. Repository: Library & Archives The American Bookbinders Museum 355 Clementina Street San Francisco, CA 94103 Email: [email protected] Phone: (415) 824-9754 URL: http://library.bookbindersmuseum.org/ Abstract: The archival collection of Joanne Sonnichsen’s set of articles and ephemera on bookbinding and book history go hand in hand with the rest of the collection’s journals and printed books. Administrative Information Provenance: Gift of Deke Sonnichsen. Information about Access: The materials are open for research use. Ownership & Copyright: All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the ABM Librarian, American Bookbinders Museum, San Francisco, California 94103. Consent is given on behalf of the American Bookbinders Museum as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. Restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes. Preferred Citation: [Folder name], Joanne Sonnichsen Collection. American Bookbinders Museum Library and Archives. Biographical/Historical Note: Born in 1933, Joanne Sonnichsen died in 2003 of congestive heart failure. -
School of the Art Institute of Chicago, Master of Fine Arts, 1990 School Of
Melissa Jay Craig www.melissajaycraig.com Education: School of the Art Institute of Chicago, Master of Fine Arts, 1990 Awards: Trustees’ Merit Full Scholarship, 1988-1990; A.L. Raymond Traveling Fellowship, 1990 School of the Art Institute of Chicago, Bachelor of Fine Arts, 1988 Award: Merit Scholarship, 1986-1988 Cuyahoga Community College, Cleveland, Ohio, Humanities, 1980-1981 Awards: Dean's List, 1980-1981 Cooper School of Art, Cleveland, Ohio, Painting and Sculpture 1975-1977 Award: Continuing Fine Arts Scholarship Awards: Ragdale Foundation, appointed Distinguished Resident, 2012 (lifetime award) Women’s Studio Workshop, National Endowment for the Arts Studio Residency and Grant, Papermaking, 2009 Columbia College Chicago Faculty Development Travel / Research Grant, 2008 Vermont Studio Center, Full Fellowship Awards, 2008, 2012; Artists’ Grant, 2006 Henry Faurest Artist / Educator Fellowship, Mary Anderson Center for the Arts, 2007 Columbia College Chicago Faculty Development Grant, 2006 Illinois Arts Council Finalist Award Grant, Artists’ Books, 2003 Columbia College Full-Time Faculty Excellence in Teaching Award, 2002 (Finalist 2001) Excellence in Teaching Fellow, 2002-2004 SPACES Gallery, Cleveland, Ohio: Honoraria, 1991, 1998, 2001 Skillman Library, Lafayette University, Purchase Award, 2000 Russell Hill Rogers Gallery, San Antonio, Texas, Honorarium, 2000 C.A.G.E. Gallery, Cincinnati, Ohio, Honorarium, 1993 ARC Gallery Educational Fund, Chicago, Illinois, Project Honorarium, 1993 Illinois Arts Council Project Development Grant, -
Phdthesis Nazliterzioglu
DO-FIX: CREATING DEEPER RELATIONSHIPS BETWEEN USERS AND PRODUCTS THROUGH VISIBLE REPAIR A THESIS SUBMITTED TO THE ROYAL COLLEGE OF ART BY NAZLI GÖKÇE TERZİOĞLU IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN INNOVATION DESIGN ENGINEERING MARCH 2017 Copyright This text represents the submission for the degree of Doctor of Philosophy at the Royal College of Art. This copy has been supplied for the purpose of research for private study, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgement. i ii ABSTRACT DO-FIX: CREATING DEEPER RELATIONSHIPS BETWEEN USERS AND PRODUCTS THROUGH VISIBLE REPAIR Terzioğlu, Nazlı Gökçe Innovation Design Engineering Programme School of Design Royal College of Art Supervisors: Clare Brass, Assist. Prof. Dan Lockton This PhD by practice explores the possibilities of visible repair using a design-led methodology that aims to bring a new consciousness to the relationship between consumers and products, as part of an approach to 'circular' product design. Through a series of workshops in which participants repaired broken products, Do-Fix repair kits were developed and trialled; these kits combine new technologies such as 3D printing with traditional repair methods such as kintsugi, darning and patching, focused on making repairs both visible and engaging to carry out. Current economic systems depend on large quantities of resource and energy use that cannot be sustained with the planet’s finite resources. Producing long-lasting, purposeful and ‘circular’ products is essential in order to decrease the rate of consumption and its negative environmental impacts.