DOCSLIB.ORG

2 April 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2 April 2021 2 April 2021 12:01 AM Pablo de Sarasate (1844-1908) Zigeunerweisen for violin and orchestra (Op.20) Laurens Weinhold (violin), Brussels Chamber Orchestra NONRK 12:10 AM Silvius Leopold Weiss (1687-1750) Prelude, Toccata and Allegro in G major Hopkinson Smith (baroque lute) HRHRT 12:19 AM Johannes Brahms (1833-1897) 3 Songs for chorus, Op 42 Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:30 AM Cecile Chaminade (1857-1944) Flute Concertino, Op 107 Maria Filippova (flute), Ekaterina Mirzaeva (piano) CZCR 12:38 AM Nikita Koshkin (b.1956) The Fall of Birds Goran Listes (guitar) HRHRT 12:48 AM Wolfgang Amadeus Mozart (1756-1791) Horn Concerto no 1 in D major, K412 Premysl Vojta (horn), Polish Radio Symphony Orchestra, Lukasz Borowicz (conductor) PLPR 12:56 AM Ludwig van Beethoven (1770-1827) Symphony No 1 in C, Op 21 Venezuela Symphony Orchestra, Eduardo Chibas (conductor) CHEUR 01:22 AM Henricus Albicastro (fl.1700-06) Trio Sonata (Op.8 No.9) Ensemble 415, Chiara Banchini (conductor) CHRSR 01:35 AM Felix Mendelssohn (1809-1847) Piano Concerto no 2 in D minor, Op 40 Victor Sangiorgio (piano), West Australian Symphony Orchestra, Vladimir Verbitsky (conductor) AUABC 02:01 AM Johann Sebastian Bach (1685-1750) St John Passion, BWV 245 - Part 1 Mauro Peter (tenor), Flurin Caduff (bass), Serafin Heusser (bass), Lisandro Abadie (bass), Julia Doyle (soprano), Alberto Miguelez Rouco (counter tenor), Remy Bumens (tenor), Accademia Barocca Lucernensis, Javier Ulises Illan (conductor) CHSRF 02:36 AM Johann Sebastian Bach (1685-1750) St John Passion BWV 245 - Part 2 Mauro Peter (tenor), Flurin Caduff (bass), Serafin Heusser (bass), Lisandro Abadie (bass), Julia Doyle (soprano), Alberto Miguelez Rouco (counter tenor), Remy Bumens (tenor), Accademia Barocca Lucernensis, Javier Ulises Illan (conductor) CHSRF 03:56 AM Johann Sebastian Bach (1685-1750), Max Seiffert (arranger) Gavotte from Partita No. 3 in E major BWV 1006 Piotr Plawner (violin) PLPR 04:01 AM Peter Ilyich Tchaikovsky (1840-1893) Symphony no. 1 in G minor Op.13 (Winter daydreams) Royal Concertgebouw Orchestra, Riccardo Chailly (conductor) NLNPO 04:45 AM Ludwig van Beethoven (1770-1827) Piano Sonata no 30 in E major, Op 109 Christian Ihle Hadland (piano) NONRK 05:04 AM Giovanni Battista Fontana (1589-1630) Sonata undecima for cornet, violin and bass continuo Le Concert Brise DEWDR 05:12 AM Igor Stravinsky (1882-1971) Symphonies of Wind Instruments Polish National Radio Symphony Orchestra, Katowice, Domingo Hindoyan (conductor) PLPR 05:22 AM Bedrich Smetana (1824-1884) 2 Dances (Czech Dances, Book II) Karel Vrtiska (piano) SKRTVS 05:31 AM Joseph Jongen (1873-1953) Allegro appassionato, Op 95, No 2 Grumiaux Trio BEVRT 05:38 AM Johann Gottfried Muthel (1728-1788) Polonaise for bassoon, strings and continuo in G major Musica Alta Ripa DEWDR 05:42 AM Ester Magi (b.1922) Ballad 'Tuule Tuba' (1981) Academic Male Choir of Tallinn Technical University, Estonian Radio Symphony Orchestra, Arvo Volmer (conductor) EEER 05:51 AM Joaquin Turina (1882-1949) Rapsodia sinfonica for piano and string orchestra (Op.66) Angela Cheng (piano), Calgary Philharmonic Orchestra, Hans Graf (conductor) CACBC .
Load more

Recommended publications
  • 24 April 2020
    24 April 2020 12:01 AM Johannes Brahms (1833-1897) Two Hungarian Dances - no 11 in D minor, no 5 in G minor Sinfonia Varsovia, Robert Trevino (conductor) PLPR 12:09 AM Heitor Villa-Lobos (1887-1959) Etude no 4 in G major - from Studies for guitar Heiki Matlik (guitar) EEER 12:13 AM Antonio Vivaldi (1678-1741) Concerto in D minor for 2 violins, cello and orchestra RV.565 Op 3 No 11 RTV Slovenia Symphony Orchestra, Pavle Despalj (conductor) SIRTVS 12:24 AM Gertrude van den Bergh (1793-1840) Rondeau, Op 3 Frans van Ruth (piano) NLNOS 12:31 AM Karol Jozef Lipinski (1790-1861) Variations on a theme of Rossini's 'La Cenerentola' Miroslaw Lawrynowicz (violin), Krystyna Makowska-Lawrynowicz (piano) PLPR 12:46 AM Hugo Alfven (1872-1960) King Gustav II Adolf, Op 49 (Suite) Swedish Radio Symphony Orchestra, Niklas Willen (conductor) SESR 01:02 AM Carl Philipp Emanuel Bach (1714-1788) Concerto for flute and strings in A major (Wq.168) Robert Aitken (flute), CBC Vancouver Orchestra, Mario Bernardi (conductor) CACBC 01:21 AM Johann Sebastian Bach (1685-1750) Komm Jesu, komm, BWV 229 - motet Voces Suaves, Cafebaum CHSRF 01:30 AM Wolfgang Amadeus Mozart (1756-1791) 10 Variations on 'Unser dummer Pobel meint', K455 Shai Wosner (piano) GBBBC 01:43 AM Robert Schumann (1810-1856) Violin Fantasy in C major, Op 131 Thomas Zehetmair (violin), Royal Concertgebouw Orchestra, Nicholas Harnoncourt (conductor) NLNPO 02:01 AM Benjamin Britten (1913-1976) Sinfonia da Requiem, Op 20 Swedish Radio Symphony Orchestra, Karina Canellakis (conductor) SESR 02:24 AM Ludwig
    [Show full text]
  • 12 September 2019
    12 September 2019 12:01 AM Johann Sebastian Bach (1685-1750) Keyboard Concerto in F minor, BWV.1056 Angela Hewitt (piano), Norwegian Chamber Orchestra NONRK 12:11 AM Fryderyk Chopin (1810-1849) Scherzo No 2 in B flat minor, Op 31 Alex Slobodyanik (piano) GBBBC 12:21 AM Bo Holten (b. 1948) Alt har sin tid (There's a time for everything) Jutland Chamber Choir, Mogens Dahl (conductor) DKDR 12:31 AM Heinrich Ignaz Franz von Biber (1644-1704) Battalia a 10 in D (C.61) Ensemble Metamorphosis RSRTS 12:42 AM Robert Schumann (1810-1856) Phantasiestucke Op.73 for clarinet & piano Marten Altrov (clarinet), Holger Marjamaa (piano) SKRTVS 12:52 AM Peter Ilyich Tchaikovsky (1840-1893) 3 Characteristic Pieces Sofia Soloists Chamber Ensemble, Vassil Kazandjiev (conductor) BGBNR 01:02 AM Louis Vierne (1870-1937) Cello Sonata in B minor (Op.27) Elizabeth Dolin (cello), Carmen Picard (piano) CACBC 01:25 AM Joseph Haydn (1732-1809), Peter Pindar (author) Der Sturm (The Storm) - madrigal for chorus and orchestra (H.24a.8) Netherlands Radio Choir, Netherlands Radio Chamber Orchestra, Antoni Ros-Marba (conductor) NLNOS 01:35 AM Johann Gottfried Muthel (1728-1788) Concerto in D minor for harpsichord, 2 bassoons, strings and continuo Rhoda Patrick (bassoon), David Mings (bassoon), Gregor Hollman (harpsichord), Musica Alta Ripa DEWDR 02:01 AM Joseph Haydn (1732-1809) String Quartet No. 33 in D, op. 33/6, Hob. III:42 Armida Quartet ESRTVE 02:20 AM Leos Janacek (1854-1928) String Quartet No. 1 ('Kreutzer Sonata') Armida Quartet ESRTVE 02:39 AM Franz Schubert (1797-1828) String Quartet No.
    [Show full text]
  • New • Nouveaute • Neuheit
    NEW • NOUVEAUTE • NEUHEIT 06/08-(5) Title: Johann Gottfried Müthel (1728-1788) Concerts and Chamber Music Musicians: Musica Alta Ripa 2 CDs Order Number: MDG 309 0452-2 UPC-Code: Overall Idea Artistry A comprehensive portrait of the works of Johann During more than fifteen years of cooperation MDG Gottfried Müthel in first recordings including the and Musica Alta Ripa have teamed up for a great Concerto for Two Bassoons, a priceless musical many extraordinary productions including Italian treasure. The first CD contains various works for chamber cantatas, instrumental music of the French chamber instrumentations, among them sonatas for late Baroque, and chamber music and concertos from transverse flute and one and two harpsichords. The the generation of Bach’s pupils. The year 2000 second CD contains three extended concertos of marked the completion of three major CD projects larger instrumentation. devoted to the music of Johann Sebastian Bach, and the Telemann cycle was launched in 2003. The Character Diapason d’Or, Cannes Classical Award, Echo The works selected offer strong contrasts and Klassik, and Audiophile Reference are motivation for surprises reflecting the highest degree of musical further new discoveries. imagination. For example, the B flat major harpsichord concerto tending toward the galant style G. Ph. Telemann is punctuated by recitatives, two bassoons make their Concertos and Chamber Music sudden solo entrance in the middle movement of the Vol. 1: MDG 309 1189-2 more serious D minor concerto, and the two wind Vol. 2: MDG 309 1250-2 soloists have the opportunity to summon all their Vol. 3: MDG 309 1314-2 virtuoso powers in the double concerto.
    [Show full text]
  • 05 September 2020
    05 September 2020 12:01 AM Albertus Groneman (c.1710-1778) Concerto in G major for solo flute, two flutes, viola & basso continuo Jed Wentz (flute), Marion Moonen (flute), Cordula Breuer (flute), Musica ad Rhenum NLNOS 12:09 AM Fryderyk Chopin (1810-1849) Ballade no.1 in G minor (Op.23) Valerie Tryon (piano) CACBC 12:18 AM Heinrich Schutz (1585-1672) Magnificat anima mea Dominum, SWV468 Cologne Chamber Chorus, Collegium Cartusianum, Peter Neumann (conductor) PLPR 12:29 AM Ernest Bloch (1880-1959) Suite for cello solo no.1 Esther Nyffenegger (cello) CHSRI 12:39 AM Johann Strauss II (1825-1899) Wienerblut (waltz), Op 354 Danish Radio Concert Orchestra, Borge Wagner (conductor) DKDR 12:49 AM Frantisek Jiranek (1698-1778) Bassoon Concerto in F major Sergio Azzolini (bassoon), Collegium Marianum, Jana Semeradova (director) CZCR 12:59 AM Louis Spohr (1784-1859) String Sextet in C, Op 140 Wiener Streichsextett (sextet) NCRV 01:24 AM Antonio Soler (1729-1783) Fandango for keyboard in D minor, R 146 Scott Ross (harpsichord) CACBC 01:36 AM Claude Debussy (1862-1918) Piano Trio in G major 'Premier Trio' (c.1879) Grumiaux Trio BEVRT 02:01 AM Vladimir Godar (b.1956) Tombeau de Bartók Slovak Radio Symphony Orchestra, Peter Valentovic (conductor) SKRTVS 02:20 AM Zoltan Kodaly (1882 - 1967) Dances from Galánta Slovak Radio Symphony Orchestra, Peter Valentovic (conductor) SKRTVS 02:36 AM Eugen Suchon (1908-1993) Symfonietta rustica Slovak Radio Symphony Orchestra, Peter Valentovic (conductor) SKRTVS 02:54 AM Vitezslav Novak (1870-1949) In the Tatras, op. 26 Slovak Radio Symphony Orchestra, Peter Valentovic (conductor) SKRTVS 03:13 AM Alexander Moyzes (1906-1984) Pohronie Dances, op.
    [Show full text]
  • Bernard De Bury
    NOV. 2010 VOL 36 NO 3 BERNARD DE BURY: CD REVIEW IN A DISTINGUISHED LINE OF HARPSICHORDISTS TO by Laurence Vittes: THE KING OF FRANCE BY RUTA BLOOMFIELD A Guide to Period Instruments Ricercar 100 (8 CDs, 200-page hard- Although not well known today, composer Bernard de Bury (1720-1785) ranked cover book with many full-color with illustrious company. The position of harpsichordist to the King of France traces illustrations from Jacques Champion Chambonnières (1601/1602-1672) to Jean-Henri D’Anglebert (1635-1691) to François Couperin (1668-1733) to his daughter, Marguerite-Antoinette The ideal gift for early music lovers this Couperin (1675/1676 or 1678/1679–1728), and finally to de Bury. year! After a short introduction, the 200- page book launches into an exhaustive Bernard de Bury spent his entire career in Versailles under Louis XV. He studied (or as exhaustive as a tri-lingual text can with his father, Jean-Louis Bury, a musician in the service of the king, and with François be) discussion of the musical Collin de Blamont (1690-1760), to whom he paid homage in his Premier livre de pièces instruments from the Middle Ages to the de clavecin. In his dedication, de Bury states that he was fifteen years old at the time the early Classical period. The text is four suites were written; this would place their composition in 1735 or 1736. The rest of relentlessly and intriguingly cross- his output focused on music for the stage or ballet, and he was a favorite composer for indexed to the 8 CDs, drawn from the festive court celebrations.
    [Show full text]
  • March 2020 Vol
    SEATTLE RECORDER SOCIETY Recorder Notes March 2020 Vol. LI, No. 7 www.seattle-recorder.org From the Music Director (Vicki Boeckman) SRS Meeting Greetings everyone, I hope this finds you all well. I am Friday, full of musical inspiration having just returned from March 6, 2020 teaching at the “Next Level” workshop in California and @ 7:30 pm performing with Frances Blaker and Tish Berlin. A spec- tacular setting in the Carmel Valley—Hidden Valley Mu- Opening Program sic Seminars—nestled in rolling hills abundant with oak, Flûtes-en-Bois eucalyptus and manzanita trees. Hard to leave the fra- grant eucalyptuses and soft dry air behind… For our March playing session I am planning on (and Playing Session getting excited about!) revisiting the Capriol Suite. We (Vicki Boeckman) played it in ROPS several years ago, but I don’t believe it Capriol Suite has been presented to our large playing sessions for quite some time. The Capri- All sizes of recorders ol Suite is a wonderful, witty and inventive orchestral work written in 1926 by and viols are welcome. Peter Warlock based on tunes from Thoinot Arbeau's Orchésographie from 1588. Orchésographie was a book on Renaissance dances presented in the form of a Back Room Gang dialogue between Arbeau and Capriol. Capriol—a lawyer—poses questions to Miyo Aoki the dance master Arbeau, who gives not only explicit dance instructions but also This is a great option for any- tips on proper percussion rhythms to accompany the dances. There are 6 move- one who is less experienced or ments of Warlock’s work, all of which I cannot promise we will get through, but if would like a slower pace.
    [Show full text]
  • Radio 3 Listings for 19 – 25 January 2008 Page 1 of 9 SATURDAY 19 JANUARY 2008 5.40Am Martin Butler: American Rounds Schumann, Arr
    Radio 3 Listings for 19 – 25 January 2008 Page 1 of 9 SATURDAY 19 JANUARY 2008 5.40am Martin Butler: American Rounds Schumann, arr. Liszt: Widmung Weir: Music for 247 strings; Arise, arise, you slumbering SAT 01:00 Through the Night (b008p57s) Janina Fialkowska (piano) sleepers; Piano Quartet (2000) With Jonathan Swain. 5.53am Judith Kleinman (double bass) 1.00am Chopin: Scherzo in B flat minor, Op 31 The Schubert Ensemble: Rossini: L'Italiana in Algeri - opera in 2 Acts Alex Slobodyanik (piano) Simon Blendis (violin) Mustafa ...... Wladimiro Ganzarolli Douglas Paterson (viola) Elvira Jeanne ...... Marie Bima 6.04am Jane Salmon (cello) Zulma ...... Lucia Rizzi Schubert: Piano Quintet in A, D667 (Trout) Peter Buckoke (double bass) Haly ...... Allessandro Corbelli Elisabeth Leonskaja (piano) William Howard (piano). Lindoro ...... Francisco Araiza Alban Berg Quartet Isabella Lucia ...... Valentini Terrani Taddeo ...... Enzo Dara 6.42am SAT 14:50 Twenty Minutes (b007w29z) Georg Fischer (fortepiano) Ireland: A Downland Suite Everything's OK Male Chorus of the Westdeutscher Rundfunk Hannaford Street Silver Band Gottfried Ritter (chorus master) Bramwell Tovey (conductor). Everything's OK, by Daniela Crasnaru: Bill Nighy reads a story Capella Coloniensis by an acclaimed Romanian writer. Conductor Gheorghe Iliu Gabriele Ferro (conductor) receives some curious telegrams from his family back home. SAT 07:00 Breakfast (b008pycp) 3.31am Including from 7.00am Debussy: Sonata in Gm SAT 15:05 Performance on 3 (b008rcfh) Janine Jansen (violin) Biber:
    [Show full text]
  • 5 September 2021
    5 September 2021 12:01 AM Georg Christoph Wagenseil (1715-1777) Concerto for trombone and orchestra in E flat major Warwick Tyrrell (trombone), Adelaide Symphony Orchestra, Nicholas Braithwaite (conductor) AUABC 12:11 AM Franz Schubert (1797-1828) Impromptu no 3 in B flat major (from 4 Impromptus D 935) (1828) Ilze Graubina (piano) LVLR 12:20 AM Thomas Tallis (c.1505-1585) Suscipe, quaeso Domine for 7 voices BBC Singers, Stephen Cleobury (conductor) GBBBC 12:29 AM Carl Maria von Weber (1786-1826), Unknown (arranger) Concertino for oboe and wind ensemble in C major (arr. for trumpet) Geoffrey Payne (trumpet), Melbourne Symphony Orchestra, Michael Halasz (conductor) AUABC 12:37 AM David Popper (1843-1913) Hungarian rhapsody, Op 68 Shauna Rolston (cello), Calgary Philharmonic Orchestra, Mario Bernardi (conductor) CACBC 12:45 AM Giovanni Battista Vitali (1632-1692) Improvisations on Passacaglia, Toccata and Canario Paolo Pandolfo (viola da gamba), Thomas Boysen (theorbo), Alvaro Garrido (percussion) PLPR 12:55 AM Louis-Nicolas Clerambault (1676-1749) Suite du deuxieme ton for organ Jan Bokszczanin (organ) MDTRM 01:12 AM Wolfgang Amadeus Mozart (1756-1791) Trio for piano and strings in C major (K.548) Trio Orlando HRHRT 01:35 AM Johann Gottfried Muthel (1728-1788) Concerto in D minor for harpsichord, 2 bassoons, strings and continuo Rhoda Patrick (bassoon), David Mings (bassoon), Gregor Hollman (harpsichord), Musica Alta Ripa DEWDR 02:01 AM Igor Stravinsky (1882-1971) Pulcinella, ballet in one act after Pergolesi, for soprano, tenor, bass and orch Paola Gardina (mezzo soprano), Alasdair Kent (tenor), Paolo Bordogna (baritone), RAI National Symphony Orchestra, Ottavio Dantone (conductor) ITRAI 02:42 AM Wolfgang Amadeus Mozart (1756-1791) Symphony No.
    [Show full text]
  • The Cambridge Companion To: the ORCHESTRA
    The Cambridge Companion to the Orchestra This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra’s continued role in a changing society. Other topics discussed include the art of orchestration, score-reading, conductors and conducting, international orchestras, and recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts. Colin Lawson is a Pro Vice-Chancellor of Thames Valley University, having previously been Professor of Music at Goldsmiths College, University of London. He has an international profile as a solo clarinettist and plays with The Hanover Band, The English Concert and The King’s Consort. His publications for Cambridge University Press include The Cambridge Companion to the Clarinet (1995), Mozart: Clarinet Concerto (1996), Brahms: Clarinet Quintet (1998), The Historical Performance of Music (with Robin Stowell) (1999) and The Early Clarinet (2000). Cambridge Companions to Music Composers
    [Show full text]
  • Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017
    Compact Discs / DVD-Blu-ray Recent Releases - Spring 2017 Compact Discs 2L Records Under The Wing of The Rock. 4 sound discs $24.98 2L Records ©2016 2L 119 SACD 7041888520924 Music by Sally Beamish, Benjamin Britten, Henning Kraggerud, Arne Nordheim, and Olav Anton Thommessen. With Soon-Mi Chung, Henning Kraggerud, and Oslo Camerata. Hybrid SACD. http://www.tfront.com/p-399168-under-the-wing-of-the-rock.aspx 4tay Records Hoover, Katherine, Requiem For The Innocent. 1 sound disc $17.98 4tay Records ©2016 4TAY 4048 681585404829 Katherine Hoover: The Last Invocation -- Echo -- Prayer In Time of War -- Peace Is The Way -- Paul Davies: Ave Maria -- David Lipten: A Widow’s Song -- How To -- Katherine Hoover: Requiem For The Innocent. Performed by the New York Virtuoso Singers. http://www.tfront.com/p-415481-requiem-for-the-innocent.aspx Rozow, Shie, Musical Fantasy. 1 sound disc $17.98 4tay Records ©2016 4TAY 4047 2 681585404720 Contents: Fantasia Appassionata -- Expedition -- Fantasy in Flight -- Destination Unknown -- Journey -- Uncharted Territory -- Esme’s Moon -- Old Friends -- Ananke. With Robert Thies, piano; The Lyris Quartet; Luke Maurer, viola; Brian O’Connor, French horn. http://www.tfront.com/p-410070-musical-fantasy.aspx Zaimont, Judith Lang, Pure, Cool (Water) : Symphony No. 4; Piano Trio No. 1 (Russian Summer). 1 sound disc $17.98 4tay Records ©2016 4TAY 4003 2 888295336697 With the Janacek Philharmonic Orchestra; Peter Winograd, violin; Peter Wyrick, cello; Joanne Polk, piano. http://www.tfront.com/p-398594-pure-cool-water-symphony-no-4-piano-trio-no-1-russian-summer.aspx Aca Records Trios For Viola d'Amore and Flute.
    [Show full text]
  • 25 November 2019
    25 November 2019 12:01 AM Fredrik Pacius (1809-1891) Overture for Large Orchestra Finnish Radio Symphony Orchestra, Kari Tikka (conductor) FIYLE 12:07 AM Domenico Scarlatti (1685-1757) Sonata in C major (K.460) Andreas Staier (harpsichord) DEWDR 12:14 AM Ottorino Respighi (1879-1936) Ancient Airs and Dances - Suite No 2 CBC Vancouver Orchestra, Mario Bernardi (conductor) CACBC 12:33 AM Franz Schubert (1797-1828), Johann Wolfgang von Goethe (author) Gesang der Geistern über den Wassern, Op 167 Estonian National Male Choir, Estonian National Symphony Orchestra, Juri Alperten (director) EEER 12:43 AM Mihaly Mosonyi (1815-1870) Unnepi zene Hungarian Radio Orchestra, Adam Medveczky (conductor) HUMR 12:54 AM Franz Liszt (1811-1886) Hungarian Rhapsody No 6 in D flat major Rian de Waal (piano) Netherlands 01:01 AM Camille Saint-Saens (1835-1921) Symphony No 3 in C minor Op 78 (Organ symphony) Royal Philharmonic Orchestra, Charles Dutoit (conductor) PLPR 01:40 AM Georg Philipp Telemann (1681-1767) Sonata in A major for violin and continuo TWV.41:A4 Frederik From (violin), Hager Hanana (cello), Joanna Boslak-Górniok (harpsichord) PLPR 01:52 AM Stanislaw Moniuszko (1819-1872) Polonaise de concert in A major (1867) Polish Radio Symphony Orchestra, Zygmunt Rychert (conductor) PLPR 02:01 AM Peter Kolman (1937-) Funeral Music Slovak Radio Symphony Orchestra, Mirko Krajci (conductor) SKRTVS 02:16 AM Alban Berg (1885-1935) Violin Concerto Milan Pala (violin), Slovak Radio Symphony Orchestra, Marian Lejava (conductor) SKRTVS 02:48 AM Jozef Sixta (b.1940)
    [Show full text]
  • Bach Notes No. 5
    No. 5 Spring 2006 BACH NOTES THE NEWSLETTER OF THE AMERICAN BACH SOCIETY BACH AND THE “THEATRALISCHER STIL”1 HANS JOACHIM MARX Bach research, as far as I have seen, has said practically nothing about Bach’s relationship to the opera of his day. In my view, this restraint stems from the fact that until now little doubt has been raised concerning the “Kirchenstil” of the sacred cantatas and oratorios, which have stood at the forefront of the efforts surrounding the formulation of a philologically safeguarded picture of Bach. But then the questions arises, what is to be understood by the term “Kirchenstil,” and how does “Kirchenstil” stand in relation to the “theatralischer Stil,” which, since Giovanni Battista Doni, had become the most important of the Baroque stylistic terms. Philipp Spitta has already pursued this dramatic sections of Bach’s early canta- question in his monumental Bach biog- tas, maintaining that solo song must not IN THIS ISSUE raphy, and if Spitta had not had an aver- express individual feelings, but rather sion to opera in general, which inevitably common feelings. Spitta had a negative influenced his interpretation of Bach’s view of early eighteenth-century opera P. 1. Bach and the “Theatralischer Stil” works, I could restrict myself here to because he believed it was “a plant of the by Hans Joachim Marx his assessment of certain Bach compo- German soil that was rich with leaves sitions. A learned theologian, Spitta but bore no fruit” (“ein blattreiches, 7. Biennial Meeting of the saw, as formulated by Wilibald Gurlitt, doch fruchtloses Gewächs auf deutschem American Bach Society: 3 “the essence of Bach’s art in its sym- Boden”).
    [Show full text]