Timeless Il Divo Returns to Perth in THIS ISSUE Let’S Go Travelling
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Woolmers Estate Other Names: Place ID: 105976 File No: 6/03/071/0006
Australian Heritage Database Places for Decision Class : Historic Identification List: National Heritage List Name of Place: Woolmers Estate Other Names: Place ID: 105976 File No: 6/03/071/0006 Nomination Date: 18/01/2007 Principal Group: Farming and Grazing Status Legal Status: 19/01/2007 - Nominated place Admin Status: 20/02/2007 - Included in FPAL - under assessment by AHC Assessment Recommendation: Place meets one or more NHL criteria Assessor's Comments: Other Assessments: : Location Nearest Town: Longford Distance from town 2 (km): Direction from town: SE Area (ha): 82 Address: Woolmers La, Longford, TAS, 7301 LGA: Northern Midlands Municipality TAS Location/Boundaries: About 82ha, 2km south east of Longford, Woolmers Lane, comprising the whole of Lots 1 and 3 Title Reference 135619. Assessor's Summary of Significance: Established on a land grant in 1817, Woolmers Estate is significant for its history of property development using assigned convict labour. Convict labour was employed in exchange for food and clothing. The assignment system helped to develop the colonial infrastructure, reform convicts, assist settlers in establishing their estates, and in the case of Woolmers, develop the foundations of a successful pastoral property. The homestead assemblage of Woolmers provides evidence of the use of an assigned convict labour force in the extant convict workplaces such as the woolshed, blacksmith shop, stables, gardens and paddocks. The former chapel was built to assist convicts in their reformation. The layout and architecture of the estate demonstrate the strong distinction between master and servant and how that facilitated the assignment system. Woolmers retains an outstanding range of extant buildings that comprises houses, formal gardens, outbuildings, workshops, cottages, plants that along with numerous artefacts provide a rare record of the scale and range of operations of a substantial pastoral estate owned by wealthy colonial pastoralists. -
MISSINGPIECES New Museum WA Completed: by 2020 Asset: Museum and Cultural Space Capacity: 23,000M² Investment: $430 Million (Public)
MISSING PIECES The Perth Cable Car APRIL 2016 Perth Cable Car Artist Impression – Commissioned by Tourism Council WA DESTINATION PERTH Developing Perth’s Visitor Economy DESTINATION PERTH Perth is in the midst of a once in a generation investment in public and private tourism assets. This investment will transform the city into a global destination and gateway to Western Australia. Piece by piece this investment boom is removing the constraints on tourism growth. From hotel rooms to stadium seats, Perth is undergoing a major upgrade in capacity and building world-class venues, precincts and facilities. KEY PIECES The key new pieces of Destination Perth are: • Perth Arena • New Museum WA • Elizabeth Quay & Major Precincts • Perth Stadium • Crown Perth • Bars & Restaurants • New Hotels • Perth Airport • Natural Assets While each tourism asset brings new capacity to Perth, it is the combined synergy of these assets that will make Perth a global tourism destination. As these new pieces fall into place, Perth’s transformation into a global destination accelerates. MISSING PIECES The multi-billion dollar investment underway in tourism infrastructure is building capacity for increased tourism. However, to realise this tourism growth, Perth must also invest in the smaller projects that will attract visitors and drive demand for the new restaurants, hotels, venues and precincts. New demand drivers are the missing pieces needed to complete Destination Perth. The three missing pieces are: • The Perth Cable Car – to create a signature experience; • Perth Convention & Exhibition Centre Expansion – to increase business events and delegates; • Branding, Marketing and Events – to fill the restaurants, hotels, venues and precincts. -
PCB Annual Report 2016
2016 Annual Report Mission Secure business events to generate social and economic benefits for the people of Western Australia. Vision To be recognised as an innovative, exceptional and dynamic leader in the business tourism industry. Values Integrity: PCB is committed to integrity in all that we do. Teamwork: We learn from each other and share our skills and resources. Respect: We embrace equal opportunity, diversity and creativity and support personal growth and development. Passion: We pursue innovation and deliver outstanding quality to ensure exceptional client relationships. Contents Chairman’s Message 2 Chief Executive Officer’s 2015-2016 Overview 3 Engaging with Partners 5 Business Development 6 Destination Marketing 9 Trade Shows and Missions 10 Board of Directors 11 Directors’ Report 12 Directors’ Declaration 13 Auditor’s Independence Declaration 14 Independent Auditor’s Report 15 Financial Statements 16 $102,000,000 $104,651,243 $104,000,000 $107,976,196 $106,000,000 $112,030,013 $108,000,000 $110,313,057 Level 3, 35 Outram Street, PO Box 166, [email protected] Phone (08) 9481 1118 West Perth, WA 6005 West Perth, 6872 www.drykirkness.com.au ABN 40 929 149 789 Liability limited by a scheme approved under the Professional Standards Legislation Level 3, 35 Outram Street, PO Box 166, [email protected] Phone (08) 9481 1118 West Perth, WA 6005 West Perth, 6872 www.drykirkness.com.au ABN 40 929 149 789 Liability limited by a scheme approved under the Professional Standards Legislation . Platinum Members -
Examining Perth's Performing Arts Infrastructure
Examining Perth’s Performing Arts Infrastructure Actions to position Perth as a global leader in the arts June 2013 About the Committee for Perth The Committee for Perth is a member funded think tank focused on maintaining and improving the liveability of the Perth metropolitan region by ensuring its vibrancy, economic prosperity, cultural diversity and sustainability. We currently have over 90 members representing a broad cross sector of the business community, civic institutions and local government and rely solely on our members’ financial contribution to enable us to undertake the work, research and activities that we do. A full membership listing is included as Appendix F. The role of the Committee for Perth is to advocate on issues that we believe will help us realise our vision for Perth and we have developed a unique model of advocacy through which this is achieved. Regardless of whether a project is our initiative or one implemented by government or others, we remain informed advocates for projects that we believe will benefit future Perth whatever stage they are at in concept or development. Further information about the Committee for Perth and our work can be obtained from our website at www.committeeforperth.com.au This report is the copyright of the Committee for Perth. While we encourage its use, it should be referenced as : (2013) Examining Perth’s Performing Arts Infrastructure, The Committee for Perth, Perth Foreword In late 2008 the Committee for Perth released its landmark report A Cultural Compact for Western Australia, -
9TH WORLD BONSAI CONVENTION 2021 Doornjil Yoordaniny Coming Together - Moving Forward 14 - 17 October 2021 Perth, Western Australia CONVENTION PROGRAMME
Perth, Western Australia Doornjil Yoordaniny Coming Together - Moving Forward 14 - 17 OCTOBER 2021 During Western Australias Wildflower Season www.world-bonsai-convention-2021.com’ @WBC2021 @WBC_2021 Proudly hosted by: AUSTRALIA-NEW ZEALAND BONSAI FEDERATION In partnership with: WORLD BONSAI FRIENDSHIP FEDERATION In association with: ASSOCIATION OF AUSTRALIAN BONSAI CLUBS LTD BONSAI SOCIETY OF WESTERN AUSTRALIA INC and BONSAI WORKSHOP OF WA INC 1 WORLD BONSAI FRIENDSHIP FEDERATION (WBFF) The World Bonsai Friendship Federation (WBFF) has three main objectives - • to promote and diffuse throughout the world, bonsai - a living art that can be appreciated by all peoples; • to exchange knowledge, technology, information and related matters to the art of bonsai among countries of the world, thus advancing international friendship and goodwill; and • to sponsor and promote the World Bonsai Convention (WBC) once every four years. These objectives are achieved through the work of a Chairman, a Vice Chairman, 9 Regional Directors and currently the 37 International Consultants. Each of the 9 Regions is represented by a Director who is a voting member of the WBFF Board and up to 5 International Consultants per Region who are non-voting members of the WBFF Board. WBFF is also helped in its objectives by currently 15 WBFF Cooperation Centres around the world, with additional facilities considering participation. The 15 Centres are currently located in Australia, China, India and the USA. This is the 9th WBC and whichever Region wins the bid to host the 10th WBC at the Board Meeting in Perth, will be handed the Torch of Peace at the Closing Ceremony and assume the leadership role for the following four years. -
THE TASMANIAN HERITAGE FESTIVAL COMMUNITY MILESTONES 1 MAY - 31 MAY 2013 National Trust Heritage Festival 2013 Community Milestones
the NatioNal trust presents THE TASMANIAN HERITAGE FESTIVAL COMMUNITY MILESTONES 1 MAY - 31 MAY 2013 national trust heritage Festival 2013 COMMUNITY MILESTONES message From the miNister message From tourism tasmaNia the month-long tasmanian heritage Festival is here again. a full program provides tasmanians and visitors with an opportunity to the tasmanian heritage Festival, throughout may 2013, is sure to be another successful event for thet asmanian Branch of the National participate and to learn more about our fantastic heritage. trust, showcasing a rich tapestry of heritage experiences all around the island. The Tasmanian Heritage Festival has been running for Thanks must go to the National Trust for sustaining the momentum, rising It is important to ‘shine the spotlight’ on heritage and cultural experiences, For visitors, the many different aspects of Tasmania’s heritage provide the over 25 years. Our festival was the first heritage festival to the challenge, and providing us with another full program. Organising a not only for our local communities but also for visitors to Tasmania. stories, settings and memories they will take back, building an appreciation in Australia, with other states and territories following festival of this size is no small task. of Tasmania’s special qualities and place in history. Tasmania’s lead. The month of May is an opportunity to experience and celebrate many Thanks must also go to the wonderful volunteers and all those in the aspects of Tasmania’s heritage. Contemporary life and visitor experiences As a newcomer to the State I’ve quickly gained an appreciation of Tasmania’s The Heritage Festival is coordinated by the National heritage sector who share their piece of Tasmania’s historic heritage with of Tasmania are very much shaped by the island’s many-layered history. -
Australia's National Heritage
AUSTRALIA’S australia’s national heritage © Commonwealth of Australia, 2010 Published by the Australian Government Department of the Environment, Water, Heritage and the Arts ISBN: 978-1-921733-02-4 Information in this document may be copied for personal use or published for educational purposes, provided that any extracts are fully acknowledged. Heritage Division Australian Government Department of the Environment, Water, Heritage and the Arts GPO Box 787 Canberra ACT 2601 Australia Email [email protected] Phone 1800 803 772 Images used throughout are © Department of the Environment, Water, Heritage and the Arts and associated photographers unless otherwise noted. Front cover images courtesy: Botanic Gardens Trust, Joe Shemesh, Brickendon Estate, Stuart Cohen, iStockphoto Back cover: AGAD, GBRMPA, iStockphoto “Our heritage provides an enduring golden thread that binds our diverse past with our life today and the stories of tomorrow.” Anonymous Willandra Lakes Region II AUSTRALIA’S NATIONAL HERITAGE A message from the Minister Welcome to the second edition of Australia’s National Heritage celebrating the 87 special places on Australia’s National Heritage List. Australia’s heritage places are a source of great national pride. Each and every site tells a unique Australian story. These places and stories have laid the foundations of our shared national identity upon which our communities are built. The treasured places and their stories featured throughout this book represent Australia’s remarkably diverse natural environment. Places such as the Glass House Mountains and the picturesque Australian Alps. Other places celebrate Australia’s Aboriginal and Torres Strait Islander culture—the world’s oldest continuous culture on earth—through places such as the Brewarrina Fish Traps and Mount William Stone Hatchet Quarry. -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene. -
Consolidated Financial Results for the Fiscal Year Ended March 31, 2006
6-7-35 Kitashinagawa Shinagawa-ku News & Information Tokyo 141-0001 Japan No: 06-035E 3:00 P.M. JST, April 27, 2006 Consolidated Financial Results for the Fiscal Year Ended March 31, 2006 Tokyo, April 27, 2006 -- Sony Corporation today announced its consolidated results for the fiscal year ended March 31, 2006 (April 1, 2005 to March 31, 2006). (Billions of yen, millions of U.S. dollars, except per share amounts) Fiscal Year ended March 31 Change in 2005 2006 Yen 2006* Sales and operating revenue ¥7,159.6 ¥7,475.4 +4.4% $63,893 Operating income 113.9 191.3 +67.9 1,635 Income before income taxes 157.2 286.3 +82.1 2,447 Equity in net income of affiliated 29.0 13.2 -54.6 113 companies Net income 163.8 123.6 -24.5 1,057 Net income per share of common stock — Basic ¥175.90 122.58 -30.3% $1.05 — Diluted 158.07 116.88 -26.1 1.00 * U.S. dollar amounts have been translated from yen, for convenience only, at the rate of ¥117=U.S.$1, the approximate Tokyo foreign exchange market rate as of March 31, 2006. Unless otherwise specified, all amounts are on the basis of Generally Accepted Accounting Principles in the U.S. (“U.S. GAAP”). Consolidated Results for the Fiscal Year Ended March 31, 2006 Sales and operating revenue (“sales”) increased 4.4% compared with the previous fiscal year; on a local currency basis sales increased slightly. (For all references herein to results on a local currency basis, see Note I on page 9.) Sales within the Electronics segment increased 1.7% (a 3% decrease on a local currency basis). -
Audience Hears Recorded Music at Il Divo Concert | Artsatl 8/21/12 1:10 PM
Silenced: ASO used as musical “prop,” audience hears recorded music at Il Divo concert | ArtsATL 8/21/12 1:10 PM SEARCH ? ? ? ? FOLLOW US ABOUT US/CONTACT SUBSCRIBE TO OUR NEWSLETTER SHARING THIS ARTICLE Silenced: ASO used as musical “prop,” audience hears recorded music at Il Divo concert AUTHOR August 14, 2012 Mark Gresham TEXT SIZE MORE ARTICLES BY AUTHOR By MARK GRESHAM Will ASO musicians be “locked out”? As deadline looms, union offers to take 11 percent pay cut Atlanta Chamber Players announce semi-finalists in national Rapido! contest The ArtsATL Q&A (Part 2): Joe Bankoff on creativity, community, Midtown and Atlanta’s future Il Divo's management preferred prerecorded music to live ASO musicians. Sunday night’s concert at the Verizon Wireless Amphitheatre was billed as “Il Divo and the Atlanta Symphony Orchestra,” but what the audience heard over the sound system was not the Atlanta Symphony Orchestra. Instead, it heard prerecorded audio tracks by an entirely different orchestra. The Il Divo singers were live, but the orchestra was relegated to the role of visual window dressing. According to sources, the musicians were informed at the beginning of a three-hour rehearsal in the afternoon that another orchestra’s audio tracks would be heard by the audience. The tracks included instruments that were not present on stage, such as a synthesized bass guitar. Melissa Sanders, the ASO’s senior director of communications, confirmed late Monday that the ASO management on site at Verizon also didn’t find out until the rehearsal that while the orchestra would perform the music live, the audience would hear the prerecorded http://www.artsatl.com/2012/08/atlanta-symphony-forced-pantomime-pre-recorded-tracks-sunday’s-il-divo-concert/ Page 1 of 12 Silenced: ASO used as musical “prop,” audience hears recorded music at Il Divo concert | ArtsATL 8/21/12 1:10 PM orchestra. -
Sony Music Entertainment and Tencent Announce a Strategic Distribution Arrangement for Mainland China
SONY MUSIC ENTERTAINMENT AND TENCENT ANNOUNCE A STRATEGIC DISTRIBUTION ARRANGEMENT FOR MAINLAND CHINA Landmark Agreement to bolster China’s fast developing consumer digital music market SHENZHEN/HONG KONG/NEW YORK, Tuesday, 16th December, 2014 Sony Music Entertainment (Sony Music) and Tencent Holdings Limited (“Tencent”, SEHK stock code: 0700) today announced an exciting strategic cooperation arrangement for the online digital distribution of Sony Music’s audio music master recordings in mainland China. Under the main terms of this major initiative, Tencent will distribute Sony Music’s repertoire via Tencent’s QQ Music services and manage the online distribution of Sony Music’s repertoire to legitimate local Chinese audio online music services in mainland China. Through Tencent’s advanced technological infrastructure and massive user-base and Sony Music’s music entertainment expertise and highly-talented artists’ music content, this new strategic arrangement will enable Tencent to provide an enhanced consumer experience music model in mainland China. Under the new strategic arrangement, Tencent will also promote Sony Music’s artists extensively on its platforms as well as license to other local online music service providers to sub-distribute Sony Music’s repertoire releases to their consumers in mainland China. Tencent will also leverage its popular gaming, mobile and social platforms (such as China’s leading social media service QQ that has more than 820 million monthly active uers) as well as its distribution capabilities to promote both Sony Music’s highly talented local and international artists and their music in mainland China. From a broader marketing perspective, Sony Music will continue to market its artists across a multitude of on-ground, online and other media platforms to connect with music fans right across the country with the aim to enhance the consumer experience and access to music and artists information. -
Download the Charleville App for Further Tour Details and Updates!
from the publisher GREG T ROSS Hello and welcome to the latest edition of The Last Post. The Last Post Magazine has been praised nationally and For the second year running we have produced a special internationally since it was mid-year edition. This year, after the success of our July launched in 2011 and is designed 2018 Health edition, we have worked with the Australian War Memorial to bring about this Places of Pride issue. by Kirstie Wyatt from Wyatt Creative. Kirstie is a freelance Places of Pride is an Australian War Memorial initiative graphic and web designer and can and is designed to bring to national attention the location enhance your marketing to get the and photos of every war memorial across the country. results you want in your business. Also, as a follow-up to April’s Japan-Australia Anzac Day edition we have part two of that included within 0419 035 000 the pages of this issue. It includes a letter from Japan’s [email protected] State Minister for Foreign Affairs, Dr Toshiko Abe, a look at the Japanese Film Festival, a piece by David Moreton from Tokushima University and a look at Cowra’s Cherry Blossom Festival in September. Part of the transition into adulthood for many young Australian’s in the late 1960’s was listening to the radio, eagerly awaiting to hear their favourite artist or song. Many had a collection of favourite artists, such was the avalanche of quality popular music at the time. Part of the American push, which had resulted from the “British invasion” earlier in the decade, was The Young Rascals.