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Instruction Manual DC411 DC420
PUB. DIE-314 DVD Camcorder DC410 Instruction Manual DC411 DC420 PAL DC420 ImportantIntroduction Usage Instructions WARNING! TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. WARNING! TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK AND TO REDUCE ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY. CAUTION: DISCONNECT THE MAINS PLUG FROM THE SUPPLY SOCKET WHEN NOT IN USE. The Mains plug is used as the disconnect device. The Mains plug shall remain readily operable to disconnect the plug in case of an accident. While using the compact power adapter, do not wrap it or cover it with a piece of cloth, and do not place it in confined narrow spaces. Heat may build up, the plastic case may deform and it could result in electric shock or fire. CA-570 identification plate is located on the bottom. Using any device other than the Compact Power Adapter CA-570 may damage the camcorder. This product has been classified under IEC60825-1:1993 and EN60825-1:1994. CLASS 1 LASER PRODUCT European Union (and EEA) only. These symbols indicate that this product is not to be disposed of with your household waste, according to the WEEE Directive (2002/96/EC), the Battery Directive (2006/66/EC) and/or your national laws implementing those Directives. This product should be handed over to a designated collection point, e.g., on an authorized one-for-one basis when you buy a new similar product or to an authorized collection site for recycling waste electrical and electronic equipment (EEE) and batteries and accumulators. -
Keith Jarrett's Spiritual Beliefs Through a Gurdjieffian Lens
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... Channelling the Creative: Keith Jarrett’s Spiritual Beliefs Through a Gurdjieffian Lens Johanna Petsche Introduction The elusive nature of the creative process in art has remained a puzzling phenomenon for artists and their audiences. What happens to an inspired artist in the moment of creation and where that inspiration comes from are questions that prompt many artists to explain the process as spiritual or mystical, describing their experiences as ‘channelling the divine’, ‘tapping into a greater reality’, or being visited or played by their ‘muse’. Pianist and improviser Keith Jarrett (b.1945) frequently explains the creative process in this way and this is nowhere more evident than in discussions on his wholly improvised solo concerts. Jarrett explains these massive feats of creativity in terms of an ability to ‘channel’ or ‘surrender to’ a source of inspiration, which he ambiguously designates the ‘ongoing harmony’, the ‘Creative’, and the ‘Divine Will’. These accounts are freely expressed in interviews and album liner notes, and are thus highly accessible to his audiences. Jarrett’s mystical accounts of the creative process, his incredible improvisatory abilities, and other key elements come together to create the strange aura of mystery that surrounds his notorious solo concerts. This paper will demystify Jarrett’s spiritual beliefs on the creative process by considering them within a Gurdjieffian context. This will allow for a much deeper understanding of Jarrett’s cryptic statements on creativity, and his idiosyncratic behaviour during the solo concerts. -
Gurdjieff and Music
Gurdjieff and Music 300854 Aries Book Series Texts and Studies in Western Esotericism Editor Marco Pasi Editorial Board Jean-Pierre Brach Wouter J. Hanegraaff Andreas Kilcher Advisory Board Allison Coudert – Antoine Faivre – Olav Hammer Monika Neugebauer-Wölk – Mark Sedgwick – Jan Snoek György Szőnyi – Garry Trompf VOLUME 20 The titles published in this series are listed at brill.com/arbs 300854 Gurdjieff and Music The Gurdjieff/de Hartmann Piano Music and Its Esoteric Significance By Johanna J.M. Petsche LEIDEN | BOSTON 300854 Cover Illustration: Photo reproduced with kind permission from Dorine Tolley and Thomas A.G. Daly. Library of Congress Cataloging-in-Publication Data Petsche, Johanna J. M. Gurdjieff and music : the Gurdjieff/de Hartmann piano music and its esoteric significance / by Johanna J.M. Petsche. pages cm. -- (Aries book series ; v. 20) Includes bibliographical references and index. ISBN 978-90-04-28442-5 (hardback : alk. paper) -- ISBN 978-90-04-28444-9 (e-book) 1. Gurdjieff, Georges Ivanovitch, 1872-1949. Piano music. 2. Gurdjieff, Georges Ivanovitch, 1872-1949. 3. Hartmann, Thomas de, 1885-1956. I. Title. ML410.G9772P47 2015 786.2092--dc23 2014038858 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. ISSN 1871-1405 ISBN 978-90-04-28442-5 (hardback) ISBN 978-90-04-28444-9 (e-book) Copyright 2015 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. -
Dossiê Kandinsky Kandinsky Beyond Painting: New Perspectives
dossiê kandinsky kandinsky beyond painting: new perspectives Lissa Tyler Renaud Guest Editor DOI: https://doi.org/10.26512/dramaturgias.v0i9.24910 issn: 2525-9105 introduction This Special Issue on Kandinsky is dedicated to exchanges between Theatre and Music, artists and researchers, practitioners and close observers. The Contents were also selected to interest and surprise the general public’s multitudes of Kandinsky aficionados. Since Dr. Marcus Mota’s invitation in 2017, I have been gathering scholarly, professional, and other thoughtful writings, to make of the issue a lively, expansive, and challenging inquiry into Kandinsky’s works, activities, and thinking — especially those beyond painting. “Especially those beyond painting.” Indeed, the conceit of this issue, Kandinsky Beyond Painting, is that there is more than enough of Kandinsky’s life in art for discussion in the fields of Theatre, Poetry, Music, Dance and Architecture, without even broaching the field he is best known for working in. You will find a wide-ranging collection of essays and articles organized under these headings. Over the years, Kandinsky studies have thrived under the care of a tight- knit group of intrepid scholars who publish and confer. But Kandinsky seems to me to be everywhere. In my reading, for example, his name appears unexpectedly in books on a wide range of topics: philosophy, popular science, physics, neuroscience, history, Asian studies, in personal memoirs of people in far-flung places, and more. Then, too, I know more than a few people who are not currently scholars or publishing authors evoking Kandinsky’s name, but who nevertheless have important Further Perspectives, being among the most interesting thinkers on Kandinsky, having dedicated much rumination to the deeper meanings of his life and work. -
Labyrinthine Depictions and Tempting Colors: the Synaesthetic Dances of Loïe Fuller As
Labyrinthine Depictions and Tempting Colors: The Synaesthetic Dances of Loïe Fuller as Symbolist Choreography A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Caroline J. Kappel November 2007 2 © 2007 Caroline J. Kappel All Rights Reserved 3 This dissertation titled Labyrinthine Depictions and Tempting Colors: The Synaesthetic Dances of Loïe Fuller as Symbolist Choreography by CAROLINE J. KAPPEL has been approved for the Interdisciplinary Arts and the College of Fine Arts by William F. Condee Professor of Interdisciplinary Arts Charles A. McWeeny Dean, College of Fine Arts 4 ABSTRACT KAPPEL, CAROLINE J., Ph.D., November 2007, Interdisciplinary Arts Labyrinthine Depictions and Tempting Colors: The Synaesthetic Dances of Loïe Fuller as Symbolist Choreography (246 pp.) Director of Dissertation: William F. Condee This study explores Loïe Fuller’s use of synaesthesia to bring together various sensations so as to create a dreamlike effect in her choreography, while at the same time presenting a visual representation of symbolist ideals. On the music-hall stage she created popular ideas that had otherwise been restricted to small experimental theaters. In the visual arts, she became a constant public image of poster art as well as paintings, sculptures, and prints. She also dramatically presented the visualization of avant-garde color theories, while simultaneously representing symbolist ideals of the literary world. By tracing her explorations with the other arts in the context of various artistic, scientific, and movement theories, Fuller’s work can serve as a model for interdisciplinary studies in the fine arts. -
LCD Datasheet by Beyondinfinite.Com
PROPRIETARY NOTE THIS SPECIFICATION IS THE PROPERTY OF BOE-HYDIS AND SHALL NOT BE REPRODUCED OR COPIED WITHOUT THE WRITTEN PERMISSION OF BOE-HYDIS AND MUST BE RETURNED TO BOE-HYDIS UPON ITS REQUEST. TITLE : HT07W12-141 Product Specification Rev. 0 BOE-HYDIS TECHNOLOGY CO., LTD. SPEC. NUMBER PRODUCT GROUP REV. ISSUE DATE PAGE S864-1142 TFT-LCD PRODUCT 0 2003.05.24 1 OF 20 B3-002-O (1/3) A4 (210 X 297) PRODUCT GROUP REV. ISSUE DATE TFT-LCD PRODUCT 0 2003.05.24 REVISION HISTORY REV. ECN NO. DESCRIPTION OF CHANGES DATE PREPARED 0 Initial Release 03.05.24 D.J.LEE SPEC. NUMBER SPEC. TITLE PAGE S864-1142 HT07W12-141 Product Specification 2 OF 20 B3-002-O (2/3) A4 (210 X 297) PRODUCT GROUP REV. ISSUE DATE TFT-LCD PRODUCT 0 2003.05.24 Contents No. Items Page 1.0 General Description 4 2.0 Absolute Maximum Ratings 6 3.0 Electrical Specifications 7 4.0 Optical Specifications 8 5.0 Interface Connection 10 6.0 Signal Timing Specifications 12 7.0 Signal Timing Waveform 14 8.0 Power Sequence 16 9.0 Reliability Test 17 10.0 Handling & Cautions 17 11.0 Appendix 18 SPEC. NUMBER SPEC. TITLE PAGE S864-1142 HT07W12-141 Product Specification 3 OF 20 B3-002-O (3/3) A4(210 X 297) PRODUCT GROUP REV. ISSUE DATE TFT-LCD PRODUCT 0 2003.05.24 1.0 GENERAL DESCRIPTION 1.1 Introduction HT07W12-141 is a color active matrix TFT-LCD unit using amorphous silicon TFT's (Thin Film Transistors) as active switchingCN1 devices. -
Pasic 2001 Marching Percussion Festival
TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed. -
User Manual 12.9 MB
PUB. DIM-1067-000A COPY HD Camcorder Instructionst Manual English Caméscope HD Manuel d'instruction Français Videocámara HD Manual de Instrucciones Español ImportantIntroduction Usage Instructions WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK AND TO REDUCE ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY. COPYRIGHT WARNING: Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be contrary to copyright laws. 2 HD Camcorder, VIXIA HF G20 systems This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note: This equipment has been tested and found to comply with the limits for class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and use in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna. -
Traditional Armenian Instrumental Music That Was Lacking Has Finally Arrived!
GERARD MADILIAN TRADITIONAL ARMENIAN INSTRUMENTAL MUSIC Jan. 2020 GERARD MADILIAN TRADITIONAL ARMENIAN INSTRUMENTAL MUSIC 1 2 FOREWORD Transmitted from generation to generation, and moving away from its rural origins to perpetuate itself in an urban context, Armenian traditional music has not lost its original strength. History has buried many secrets along the way, but we will try to gather together this heritage through the work of passionate musicologists. This work is neither a manual nor an encyclopedia, but instead presents a synthesis of knowledge acquired over time. It is dedicated to all those who wish to discover or better understand this unusual musical universe. Armenian words transcribed into English (phonetic of Eastern Armenian) will be indicated with a capital first letter and will remain in the singular. The author 3 4 PREFACE The long-awaited book on traditional Armenian instrumental music that was lacking has finally arrived! As my long-time friend Gerard Madilian wrote in his foreword: "History has buried many secrets along the way." It was thus urgent to share the fruits of this research with the general public, and that is why this work was deliberately written in French and translated into English, to make it widely available to as many people as possible. This book is a digest including the essential elements needed to form an opinion in this area. The specialized website www.armentrad.org was in fact selected by the author for this purpose of dissemination. I have shared the same passion with Gerard for many years, having myself practiced the Tar within the Sayat Nova ensemble, which was a traditional Armenian ensemble founded in Paris in 1965. -
How to Select a DVD Disc
PUB. DIM-857A U.S.A. CANON U.S.A., INC. NEW JERSEY OFFICE 100 Jamesburg Road, Jamesburg, NJ 08831 USA DVD Camcorder CANON U.S.A., INC. CHICAGO OFFICE 100 Park Blvd., Itasca, IL 60143 USA Instruction Manual CANON U.S.A., INC. LOS ANGELES OFFICE 15955 Alton Parkway, Irvine, CA 92618 USA Caméscope DVD CANON U.S.A., INC. HONOLULU OFFICE DIM-857 210 Ward Avenue, Suite 200, Honolulu, Hl 96814 USA Manuel d’instruction ❖ If you have any questions, call the Canon U.S.A. Information Center toll-free at 1-800-828-4040 (U.S.A. only). Videocámara DVD CANADA CANON CANADA INC. NATIONAL HEADQUARTERS Manual de Instrucciones 6390 Dixie Road, Mississauga, Ontario L5T 1P7 CANON CANADA INC. CALGARY 2828, 16th Street, N.E. Calgary, Alberta T2E 7K7 CANON CANADA INC. MONTREAL 5990 Côte de Liesse, Quebec H4T 1V7 ❖ If you have any questions, call the Canon Canada Information Y Center toll-free at 1-800-828-4040 (CANADA only). ❖ Si vous avez des questions, veuillez téléphoner sand frais au Canada 1-800-828-4040 (CANADA seulement). P MEXICO CANON MEXICANA, S. DE R.L. DE C.V. Periférico Sur No. 4124, Col. Ex-Rancho de Anzaldo, C.P. 01900 México, D.F., México English CANON U.S.A., INC. NEW JERSEY OFFICE O 100 Jamesburg Road, Jamesburg, NJ 08831 USA CENTRO Y CANON LATIN AMERICA, INC. Français SURAMÉRICA 703 Waterford Way, Suite 400, Miami, FL 33126 USA C ASIA CANON HONGKONG COMPANY LTD. 19/F, The Metropolis Tower, 10 Metropolis Drive, Español Hunghom, Kowloon, Hong Kong The information in this manual is verified as of February 2008. -
220-Civil War Patriotc Covers, Incl. the Collection Formed by the Late Hugh M. Clark
I •,_•. , 220th SALE rF' {// .) t.. : .. // J ,./ CIVIL WAR PATRIOTIC COVERS ' t: , .\... including the collection fonned by the late HUGH. M. CLARK .. AT PUBLIC AUCTION · 1ruesday and Wednesday 1,' JUNE 9th and lOth, 1959 . I at 1:30 P.M. • .... 489 FIFTH A VENUE NEW YORK 17, N.Y. TeL MUrray Hlll 2-0980 ,,•' l COLORFUL, HISTORIC CIVIL WAR PATRIOTIC COVERS including the 109 volume prize-winning collection formed by the late Hugh M. Clark, for many years editor of the Scott Catalog, probably the finest assembly of fresh unused examples ever put to- gether, plus a wonderful group of postally used. This Collection, the result of many years search and research, is the finest of this character ever offered at public auction. The collec- tion contains virtually every recorded design of Patriotic, Northern and Southern, issued during the period of The War between the States. Replete in beautiful designs, flashing battlescenes, sparkling portraits of generals, statesmen, titles of regiments, corps, slogans, mottos, patriotic causes, the whole vivid history of these turbulent times flashes by. All the various printers and stationers of the period are represented including the gorgeous art work of the acknowledged masters of lithography, Charles Magnus and Fredrich Kimmel. Espe- cially to be noted are the many examples of the scarce Kimmel patriotics in black, the beautiful multi-colored and allegorical Magnus designs, views, battlescenes, panoramic views, birds-eye views, rose of Washington designs. The collection contains a wonderful section of the popular Lincoln presidential campaign, patriotic, and mourning covers both used and unused. Scarce Lincoln designs include the .I Davis-Lincoln Prize Fight in 5 Rounds, many graphic Magnus designs, and Lincoln "Review of the Army". -
Press Kit Gurdjieff Ensemble/Komitas 2015/ECM Records
The Gurdjieff Ensemble “… delicate, haunting and atmospheric selection of instrumental pieces. ..they range from drifting, mesmeric arrangements for the duduk Armenian woodwind to subtle, sparse passages, or more sturdy dance pieces played on the zither-like kanon, the oud or the santur dulcimer. An intriguing, often gently exquisite set.” Robin Denselow, “The Guardian” “…Sie präsentieren sich mit berückenden, sehnsuchtsvollen, tief beseelten Klängen, die auf musikalische Rit- uale des täglichen Lebens zurückgehen, auf Kirchen-, Liebes- und Tanzlieder, Hirtenmelodien und rituelle Musik. Das ist wie eine akustische Brücke über die Jahrhunderte und ein Toleranzprogramm der Weltgegenden.” Ulrich Steinmetzger, Mitteldeutsche Zeitung “…The combination of instrumental voices, and the otherness of the voices themselves creates deep, mysterious yet marvelously relaxing soundscapes to sit awhile in.” Phil Johnson, “The Independent” New Release: October 2015 Music by Komitas The Gurdjieff Ensemble Levon Eskenian director Emmanuel Hovhannisyan duduk, pku, zurna Armen Ayvazyan kamancha Avag Margaryan pogh, zurna Aram Nikoghosyan oud Davit Avagyan tar Mesrop Khalatyan dap, dhol Vladimir Papikyan santur, voice Meri Vardanyan kanon Norayr Gapoyan duduk, bass duduk Eduard Harutyunyan tmbuk, cymbal, kshots, burvar, bell Release : October 2015 ECM 2451 CD 473 2246 KOMITAS Music, its forms and rituals, has the power to bring us close to distant civilizations. Armenia offers a special case: a sacred culture that was preserved and presented at its fullest flowering through the work of one man, the scholar-monk Soghomon Soghomonian (1869 – 1935), known under his religious name as Komitas, to which is sometimes appended the title Vardapet (archimandrite). Komitas was many things: composer, priest, collector and arranger of folk songs, choirmaster, singer, rigorous researcher into khaz, the neumatic system developed in Armenia between the ninth century and the fifteenth.