The Jain Moral Skits (JES 104 - Level 1) for Young Children Was Recompiled Using the 2Nd Edition Book
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Fascist Imaginaries and Clandestine Critiques: Young Hindi Film Viewers Respond to Violence, Xenophobia and Love in Cross- Border Romances
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Shakuntala Banaji Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross- border romances Book section Original citation: Banaji, Shakuntala (2007) Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances. In: Bharat, Meenakshi and Kumar, Nirmal, (eds.) Filming the line of control: the Indo–Pak relationship through the cinematic lens. Routledge, Oxford, UK. ISBN 9780415460941 © 2007 Routledge This version available at: http://eprints.lse.ac.uk/27360/ Available in LSE Research Online: May 2011 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances Shakuntala Banaji1 Tarang: I’ve watched Hindi films all my life. -
Jeene Ki Raah (Way of Living)” Is Worthy of Being Kept in Every Home
Salute to Complete God Way of Living (Jeene Ki Raah) Author: - Sant Rampal Das Disciple of Swami Ramdevanand Ji Maharaj Our Race is Living being, Mankind is our Religion Hindu, Muslim, Sikh, Christian, there is no separate Religion Must Watch Auspicious Sermons of Sant Rampal Ji Maharaj on Nepal One 6:00 to 7:00 am Shraddha MH ONE 2:00 to 3:00 pm Sadhna 7:30 to 8:30 pm Ishwar 8:30 to 9:30 pm Charitable Price - Rs 20/- Cost Price - Rs 30/- Publisher: - Promotion Committee and entire congregation Satlok Ashram, Tohana Road, Barwala, Hisar District - Hisar (State – Haryana) India Kabir Printers, C-117, Sector-3, Bawana Industrial Area, New Delhi Contact No. 8222880541, 8222880542, 8222880543, 8222880544, 8222880545 E-mail: - [email protected] Visit us at: - www.jagatgururampalji.org CONTENTS Serial No. Description Page No. 1. Introduction I-II 2 . Two Words 1 3. Common belief of human life 5 4. Story – Dialogue between Sage Markandey and an Apsara (Celestial Nymph) 16 5. Today brother has time 22 6. Other description of harm caused by not doing bhakti 27 7. One will suffer extreme misery due to not doing bhakti 31 8. Journey on the path of bhakti 32 9. How to perform marriage? 33 10.What is a love affair like? 36 11. God Shiv’s renunciation of his wife 36 12.Ungrateful son 40 13.Childless Couples! Beware 41 14.Ignorant people dance in marriage 42 15.Teachings of Saints 42 16.Journey after marriage 45 17.Special brainstorm 49 18.Story of a virtuous person 52 19.Effect of company and faith in God 53 20. -
Born Kamal Haasan 7 November 1954 (Age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film
Kamal Haasan From Wikipedia, the free encyclopedia Kamal Haasan Kamal Haasan Born 7 November 1954 (age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film actor, producer, director,screenwriter, songwriter,playback singer, lyricist Years active 1959–present Vani Ganapathy Spouse (1978-1988) Sarika Haasan (1988-2004) Partner Gouthami Tadimalla (2004-present) Shruti Haasan (born 1986) Children Akshara Haasan (born 1991) Kamal Haasan (Tamil: கமலஹாசன்; born 7 November 1954) is an Indian film actor,screenwriter, and director, considered to be one of the leading method actors of Indian cinema. [1] [2] He is widely acclaimed as an actor and is well known for his versatility in acting. [3] [4] [5] Kamal Haasan has won several Indian film awards, including four National Film Awards and numerous Southern Filmfare Awards, and he is known for having starred in the largest number of films submitted by India in contest for the Academy Award for Best Foreign Language Film.[6] In addition to acting and directing, he has also featured in films as ascreenwriter, songwriter, playback singer, choreographer and lyricist.[7] His film production company, Rajkamal International, has produced several of his films. In 2009, he became one of very few actors to have completed 50 years in Indian cinema.[8] After several projects as a child artist, Kamal Haasan's breakthrough into lead acting came with his role in the 1975 drama Apoorva Raagangal, in which he played a rebellious youth in love with an older woman. He secured his second Indian National Film Award for his portrayal of a guileless school teacher who tends a child-like amnesiac in 1982's Moondram Pirai. -
Gandhi, the Making of the Mahatma, and Gandhi, My Father
The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father C.S.H.N. MURTHY, [email protected] OinamBedajit Meitei, Dapkupar TARIANG Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu Abstract For over half a century Gandhi has been one of the favored characters of a number of films – Nine hours to Rama (1963) to Gandhi, My Father (2007). Gandhian ethos, life and teachings are frequently represented in varied ways in different films. The portrayal of Gandhi in different films can be grouped into two broad categories: i. revolving around his life, percept and practice as one category and ii. involving his ideas, ideals and views either explicitly or implicitly. Using Bingham’s (2010) discursive analysis on biopic films, the study seeks to show how Gandhi is perceived and depicted through the lenses of these three eminent directors vis-à-vis others from the point of intertextuality both ideologically and politically. Further the study would elaborate how different personal and social events in Gandhi’s life are weaved together by these directors to bring out the character of Bapu or Mahatma from Gandhi. For all the above critique, Gandhi’s autobiography-The Story of My Experiments with Truth-has been taken as a base referent. Keywords: Comparative analysis, Inter-textuality, Gandhian Ethos, Portrayal, crisscross critiquing, Mahatma, etc. CINEJ Cinema Journal : The Tale of Gandhi through the lens New articles in this journal are licensed under a Creative Commons Attribution 3.0 United Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu 4 States License. -
Sai Bhajan Session Volunteer Owner Shirdi Sai Sansthan - Sydney
Shirdi Sai Sansthan - Sydney Bhajan Book Document Version V1.0 Document Status Issue Date 14 November 2012 Print Date 14 November, 2012 Author Sai Bhajan Session Volunteer Owner Shirdi Sai Sansthan - Sydney Shridi Sai Sansthan - Sydney Summary of Changes Significant changes to the Bhajan Book is documented In the following table. Version Changes Author Vx.X Shraddha Aur Saburi 2 Shridi Sai Sansthan - Sydney Table of Contents Sai Stuthi .................................................................................................................................................... 14 A ............................................................................................................................................................................. A-1 A1. .......................................................................................................................................................................... A-1 Aa Maa Aa Tujhe, Dil Ne Pukara (2) ............................................................................................................... A-1 A2. .......................................................................................................................................................................... A-1 Aa –O Sai Maire Pass Mairay Ghar Aa-O ........................................................................................................ A-1 A3. ......................................................................................................................................................................... -
LIST of HINDI CINEMA AS on 17.10.2017 1 Title : 100 Days
LIST OF HINDI CINEMA AS ON 17.10.2017 1 Title : 100 Days/ Directed by- Partho Ghosh Class No : 100 HFC Accn No. : FC003137 Location : gsl 2 Title : 15 Park Avenue Class No : FIF HFC Accn No. : FC001288 Location : gsl 3 Title : 1947 Earth Class No : EAR HFC Accn No. : FC001859 Location : gsl 4 Title : 27 Down Class No : TWD HFC Accn No. : FC003381 Location : gsl 5 Title : 3 Bachelors Class No : THR(3) HFC Accn No. : FC003337 Location : gsl 6 Title : 3 Idiots Class No : THR HFC Accn No. : FC001999 Location : gsl 7 Title : 36 China Town Mn.Entr. : Mustan, Abbas Class No : THI HFC Accn No. : FC001100 Location : gsl 8 Title : 36 Chowringhee Lane Class No : THI HFC Accn No. : FC001264 Location : gsl 9 Title : 3G ( three G):a killer connection Class No : THR HFC Accn No. : FC003469 Location : gsl 10 Title : 7 khoon maaf/ Vishal Bharadwaj Film Class No : SAA HFC Accn No. : FC002198 Location : gsl 11 Title : 8 x 10 Tasveer / a film by Nagesh Kukunoor: Eight into ten tasveer Class No : EIG HFC Accn No. : FC002638 Location : gsl 12 Title : Aadmi aur Insaan / .R. Chopra film Class No : AAD HFC Accn No. : FC002409 Location : gsl 13 Title : Aadmi / Dir. A. Bhimsingh Class No : AAD HFC Accn No. : FC002640 Location : gsl 14 Title : Aag Class No : AAG HFC Accn No. : FC001678 Location : gsl 15 Title : Aag Mn.Entr. : Raj Kapoor Class No : AAG HFC Accn No. : FC000105 Location : MSR 16 Title : Aaj aur kal / Dir. by Vasant Jogalekar Class No : AAJ HFC Accn No. : FC002641 Location : gsl 17 Title : Aaja Nachle Class No : AAJ HFC Accn No. -
279 a Aadukalam, 239 Aag, 28, 33 Aaj Tak, 210 Aamir, 13 Aayega
Index A Anand, Vijay, 94 Aadukalam, 239 The Anatomy of National Aag, 28, 33 Fantasy:Hawthorne, Utopia, and Aaj Tak, 210 Everyday Life (Lauren Berlant), Aamir, 13 230n5 aayega aanewala melody, 121–2, see also Andaz, 47, 190–1 Mangeshkar, Lata Anjali, 91 Abachetan, 86n18 antinomies of culinary, 225–8 Abhishapta Chambal (The Accursed Apsara Film & Television Producers Chambal), 22 Guild Awards, 176n32 Abraham, John, 165, 173n3, 213 Apte, Shanta, 52–4 acousmetre, notion of, 134n21 Arabian Nights, 141 action films, 165, 187, 192, 215, Aravindan, G, 244 231n25, 251n5 The Archive and the Repertoire: Performing action-masala film of 1980s, 12 Cultural Memory in the Americas Actress, 140 (Diana Taylor), 40n26 Advani, Nikhil, 237 archiving Bollywood, 218–21 ad world, Hindi film stars migration to, Arroyo, José, 258 97 Art and Agency: An Anthropological Theory Agamavagisa, Krishnananda, 107, 109 (Alfred Gell), 37n10 Agneepath, 12, 172 Arundale, Rukmini, 144 Agyaat, 208 Asoka, 173n3 Ajab Prem Ki Ghazab Kahani, 210 Asperger’s syndrome, 93, see also My Ajnabee, 153 Name is Khan Akhtar, Farhan, 166, 169, 208–9 Athaiya, Bhanu, 48 Akhtar, Zoya, 209, 230n11 Auro, 93, 97, see also Bachchan, Ali, Imtiaz, 222 Amitabh; Paa Allen, Richard, 246 Aurora, Malaika, 216 alternative, sources of, 242–46 Australia, 255 always-graphic image, 25 Avatar, 266n1 Aman, Zeenat, 17n20, 23, 57–8, 152–4 avatars, 259–60 Amar Akbar Anthony, 193 Awara, 47 Amar Jyoti (The Immortal Flame), 141 Aya Toofan (The Typhoon), 144 American Idol, 185 An American in Paris, 220 B Amitabh: The -
The Case of the Missing Mahatma: Gandhi and the Hindi Cinema
AFTERLIFE The Case of the Missing Mahatma: Gandhi and the Hindi Cinema Rachel Dwyer M. K. “Mahatma” Gandhi (1869 – 1948) is regarded as the father of the Indian nation, or as Bapuji. Yet while Gandhi left many volumes of his work and many biographies have been written; his image is well known in India and throughout the world, mostly through photographs and chromolitho- graphs (Pinney 2004, chap. 6); every Indian town has his statue, and his image appears on every Indian banknote; and even an opera on his life has been com- posed (Philip Glass’s Satyagraha, 1980), there are surprisingly few Indian films about him and his role in the national drama, the historic struggle for indepen- dence, the most important event in twentieth- century India. Gandhi made the freedom struggle a popular movement in part through his manipulation of symbols such as khadi, the spinning wheel, and his dress, yet though a prolific writer, he eschewed the new medium of film for promulgating his message. Gandhi’s low opinion of cinema was recorded in his interview with the Indian Cinematograph Committee (ICC 1927 – 28): “Even if I was so minded, I should be unfit to answer your questionnaire, as I have never been to a cinema. But even to an outsider, the evil that it has done and is doing is patent. The good, if it has done any at all, remains to be proved.”1 Gandhi famously saw only part of one film in his life, Vijay Bhatt’sRam Rajya (1943); his curiosity was never aroused by the first all- Indian film, D. -
1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963..................................................................................................... -
International
December 2013 Current Affairs Study Material INTERNATIONAL Asian Countries Top OECD‟s PISA survey of Global Education According to the Paris-based Organisation for Economic Cooperation and Development (OECD) latest survey report , which evaluates the knowledge and skills of the world‘s 15-year-olds in 65 countries and has been released on 3 December. The OECD‘s PISA (Programme for International Student Assessment) 2012 tested more than 510,000 students in 65 countries and economies on maths, reading and science. The main focus was on maths. Highlights of the Survey Report :- * Asian nations cemented their top positions in an eagerly awaited report on global education , as their students continued to outshine western counterparts in maths, science and reading. * Shanghai again ranked first in maths, science and reading . * Singapore, Hong Kong, Taiwan and South Korea rounded out the top five in maths skills. * Already strong performers in 2009, Shanghai, Hong Kong and Singapore continued to improve their performances in the three categories. * The report highlighted Italy, Poland and Portugal for showing improvements in maths skills since the last survey ,but noted drops in Sweden and Finland. * Peru ranked at the bottom of the list in all three categories. * 23 per cent of students in OECD countries, and 32 per cent overall, failed to master the simplest maths problems.Boys performed better than girls in maths. They scored higher in 37 out of the 65 countries and economies, while girls outperformed boys in 5 countries. * Across OECD countries, 8.4% of students are top performers in reading. Shanghai-China has the largest proportion of top performers – 25.1%. -
EROS INTERNATIONAL COLLECTION of INDIAN CINEMA on DVD Last Update: 2008-05-21 Collection 26
EROS INTERNATIONAL COLLECTION OF INDIAN CINEMA ON DVD Last Update: 2008-05-21 Collection 26 DVDs grouped by year of original theatrical release Request Titles by Study Copy No. YEAR OF THEATRICAL COLOR / RUNNING STUDY COPY NO. CODE FILM TITLE RELEASE B&W TIME GENRE DIRECTOR(S) CAST 1 DVD5768 M DVD-E-079 MOTHER INDIA 1957 color 2:43:00 Drama Mehoob Khan Nargis, Sunil Dutt, Raj Kumar 2 DVD5797 M DVD-E-751 KAAGAZ KE PHOOL 1959 color 2:23:00 Romance Guru Dutt Guru Dutt, Waheeda Rehman, Johnny Walker 3 DVD5765 M DVD-E-1060 MUGHAL-E-AZAM 1960, 2004 color 2:57:00 Epic K. Asif Zulfi Syed, Yash Pandit, Priya, re-release Samiksha 3.1 DVD5766 M DVD-E-1060 MUGHAL-E-AZAM bonus material: premier color in Mumbai; interviews; "A classic redesigned;" deleted scene & song 4 DVD5815 M DVD-E-392 CHAUDHVIN KA CHAND 1960 b&w 2:35:00 Romance M. Sadiq Guru Dutt, Waheeda Rehman, Rehman 5 DVD5825 M DVD-E-187 SAHIB BIBI AUR GHULAM 1962 b&w 2:42:00 Drama Abrar Alvi Guru Dutt, Meena Kuman, Waheeda Rehman 6 DVD5772 M DVD-E-066 SEETA AUR GEETA 1972 color 2:39:00 Drama Ramesh Sippy Dharmendra, Sanjeev Kumar, Hema Malini 7 DVD5784 M DVD-E-026 DEEWAAR 1975 color 2:40:00 Drama Yash Chopra Amitabh Bachchan, Shashi Kapoor, Parveen Babi, Neetu Singh 8 DVD5788 M DVD-E-016 SHOLAY 1975 color 3:24:00 Action Ramesh Sippy Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Hema Malini 9 DVD5807 M DVD-E-256 HERA PHERI 1976 color 2:37:00 Comedy Prakash Mehra Amitabh Bachchan, Vinod Khanna, Saira Banu, Sulakshana Pandit 10 DVD5802 M DVD-E-140 KHOON PASINA 1977 color 2:31:00 Drama Rakesh Kumar Amitabh Bachchan, Vinod Khanna, Rekha 11 DVD5816 M DVD-E-845 DON 1978 color 2:40:00 Action Chandra Barot Amitabh Bachchan, Zeenat Aman, Pran 12 DVD5811 M DVD-E-024 MR. -
Master World Cinema Spreadsheet No Id#'S
WORLD CINEMA TITLE LANGUAGE LOCATION 24 Hours of Love Arabic Farmington Community Library Abouna (Our Father) Arabic West Bloomfield Public Library Addict Arabic West Bloomfield Public Library Adrift on the Nile Arabic Baldwin Public Library Adrift on the Nile Arabic Farmington Community Library Adrift on the Nile Arabic West Bloomfield Public Library Africano Arabic West Bloomfield Public Library Afrita Hanem Arabic Rochester Hills Public Library Ala Bab Al Wazeer Arabic Rochester Hills Public Library Alexandria Again and Forever Arabic West Bloomfield Public Library Alexandria…Why? Arabic West Bloomfield Public Library Ali Zaoua Arabic West Bloomfield Public Library Asker Fel-Moasker Arabic Rochester Hills Public Library Away from Land Arabic Baldwin Public Library Bab El-Oued City Arabic Farmington Community Library Bad Guys Arabic Farmington Community Library Beach Bum Arabic Baldwin Public Library Best of Times Arabic Farmington Community Library Boy of Baghdad Arabic Farmington Community Library Checkpoint Arabic Baldwin Public Library Checkpoint Arabic Rochester Hills Public Library Citizen, a Dectective, and a Thief Arabic Baldwin Public Library Closed doors Arabic Rochester Hills Public Library Color of Olives Arabic West Bloomfield Public Library Cool Man Arabic West Bloomfield Public Library Dananeer Arabic Farmington Community Library Daresalam Arabic Farmington Community Library Date with the Unknown Arabic West Bloomfield Public Library Daughter of Keltoum Arabic Baldwin Public Library Days & nights Arabic Farmington Community