A Book of Patriotic Songs

Total Page:16

File Type:pdf, Size:1020Kb

A Book of Patriotic Songs A Book of Patriotic Songs America the Beautiful God Bless America Words and music by Irving Berlin Words by Katharine Lee Bates, Melody by Samuel Ward God Bless America, O beautiful for spacious skies, Land that I love. For amber waves of grain, Stand beside her, and guide her For purple mountain majesties Thru the night with a light from above. Above the fruited plain! From the mountains, to the prairies, America! America! To the oceans, white with foam God shed his grace on thee God bless America, My home sweet home. And crown thy good with brotherhood From sea to shining sea! I'm a Yankee Doodle Dandy America by George M. Cohan by Rev. Samuel F. Smith I'm a Yankee Doodle Dandy A Yankee Doodle, do or die My country, 'tis of Thee, A real live nephew of my Uncle Sam Sweet Land of Liberty Born on the Fourth of July Of thee I sing; Land where my fathers died, I've got a Yankee Doodle sweetheart Land of the pilgrims' pride, She's my Yankee Doodle joy From every mountain side Yankee Doodle came to London Let Freedom ring. Just to ride the ponies I am the Yankee Doodle Boy. You're a Grand Old Flag by George M. Cohan You're a grand old flag, You're a high flying flag And forever in peace may you wave. You're the emblem of The land I love. The home of the free and the brave. Every heart beats true This Land is Your Land beneath the Red, White and Blue, Where there's never a boast or brag. words and music by Woody Guthrie Should old acquaintance be forgot, Keep your eye on the grand old flag. This land is your land, this land is my land From California, to the New York Island When Johnny Comes Marching Home From the redwood forest, to the gulf stream Again waters This land was made for you and me When Johnny comes marching home again, Hurrah! Hurrah! As I was walking a ribbon of highway We’ll give him a hearty welcome then I saw above me an endless skyway Hurrah! Hurrah! I saw below me a golden valley The men will cheer and the boys will shout This land was made for you and me The ladies they will all turn out And we’ll all feel gay, When Johnny comes marching home. The Star Spangled Banner God Bless the U.S.A. (chorus only) Composed by Francis Scott Key. Congress proclaimed it by Lee Greenwood the U.S. National Anthem in 1931. And I’m proud to be an Oh, say, can you see, by American, the dawn’s early light, where at least I know I’m What so proudly we free. hailed at the twilight’s last And I won’t forget the men gleaming? who died, Whose broad stripes and bright stars, through who gave that right to me. the perilous fight, Over the ramparts we watched, were so And I gladly stand up, next to you gallantly streaming? and defend her still today. And the rockets’ red glare, the bombs bursting Because there ain’t no doubt I love this in air, land, Gave proof through the night that our flag was God bless the USA. still there. O say, does that star-spangled banner yet wave Over the land of the free and the home of the brave? The Caissons Go Rolling Along Dixie by Daniel Decatur Emmett of Mount Over hill, over dale Vernon, Ohio As we hit the dusty trail, And the Caissons go Oh, I wish I was in the land of cotton, rolling along. Old times there are not forgotten, Look away, look away, look away Dixie Land. In and out, hear them shout, Counter march and right about, In Dixie Land, where I was born in, And the Caissons go rolling along. early on one frosty morning, Look away, look away, look away Dixie Land. Then it's hi! hi! hee! In the field artillery, I wish I was in Dixie, Hooray! Hooray! Shout out your numbers loud and strong, In Dixie Land I’ll take my stand For wherever you go, to live and die in Dixie. You will always know Away, away, away down south in Dixie. That the Caissons go rolling along. Away, away, away down south in Dixie. Marine Corps Anthem Army Air Corps Song From the Halls of Montezuma (U.S. Air Force Song) to the Shores of Tripoli; We fight our country’s battles Off we go into the wild In the air, on land and sea; blue yonder, climbing high into the sun. First to fight for right and freedom Here they come, zooming to meet our And to keep our honor clean; thunder, We are proud to claim the title at them boys, give her the gun! of United States Marines. Down we dive, spouting our flame from under, off with one heck of a roar! Anchors Aweigh We live in fame or go down in flame. Shout! Nothing will stop the Army Air A Song of the Navy Corps! Anchors Aweigh, my boys This is My Country Anchors Aweigh Farewell to college joys, This is my country! Land of we sail at break of day-day-day-day my birth! Through our last night on shore, This is my country! Grandest Drink to the foam, on earth! Until we meet once more I pledge thee my allegiance, Here’s wishing you a happy voyage home. America, the bold, For this is my country to have and to hold. .
Recommended publications
  • Kennolyn Guitar Songbook
    Kennolyn Guitar Songbook Updated Spring 2020 1 Ukulele Chords 2 Guitar Chords 3 Country Roads (John Denver) C Am Almost heaven, West Virginia, G F C Blue Ridge Mountains, Shenandoah River. C Am Life is old there, older than the trees, G F C Younger than the mountains, blowin' like a breeze. CHORUS: C G Country roads, take me home, Am F To the place I belong. C G West Virginia, mountain momma, F C Take me home, country roads. C Am All my mem'ries gather 'round her, G F C Miner's lady, stranger to blue water. C Am Dark and dusty, painted on the sky, G F C Misty taste of moonshine, tear drop in my eye. CHORUS Am G C I hear her voice, in the mornin' hour she calls me, F C G Radio reminds me of my home far away. Am Bb F C Drivin' down the road I get the feelin' that I should G G7 Have been home yesterday, yesterday. CHORUS 4 Honey You Can’t Love One C G7 Honey you cant love one, honey, you can’t love one. C C7 F You can’t love one and still have fun C G7 C So, I’m leavin’ on the midnight train, la de da, all aboard, toot toot! two…you cant love two and still be true three… you cant love three and still love me four… you cant love ofur and still love more five…you cant love five and still survive six… you cant love six and still play tricks seven… you cant love seven and still go to heaven eight… you cant love eight and still be my date nine… you cant love nine and still be mine… ten… you cant love ten so baby kiss me again and to heck with the midnight train.
    [Show full text]
  • Conflicting Images of Land, People, and Nature of Native Americans and Euro-Americans Robert H
    This Land Is Your Land, This Land Is My Land: Conflicting Images of Land, People, and Nature of Native Americans and Euro-Americans Robert H. Craig Abstract This paper explores varying dimensions of an enduring conflict between people of European origin and indigenous communities over land and land related issues. This means not only wrestling with differing understandings of land and natural world, especially as a visual landscape, but what we might learn from indigenous people that can lead to the creation of a common future that enhances both human and nonhuman life. Illustrative of some of the issues at the heart of white-Indian misunderstanding is a case-study of the conflict between Euro-Americans and the Lakota people over the Black Hills of South Dakota. The closing section of this paper concludes with an examination of the work of Wendell Berry and the myriad ways he can facilitate a needed dialogue between whites and Indians. 1. Introduction The title of this paper comes from a familiar American song composed by Woody Guthrie. The ballad was the theme song for George McGovern’s ill-fated 1972 presidential campaign and has been popularized by everyone from Pete Seeger and Peter, Paul, and Mary to United Airlines and the Ford Motor Company (Klein 1980:433). For many people this song is a romantic celebration of America that is embodied in refrains such as “from California to the New York Island, from the Redwood Forests, to the Gulf Stream waters, this land was made for you and me.” (Woody Guthrie Pages: 1).
    [Show full text]
  • This Land Is Your Land © Jake Schlapfer a Mission to Preserve You Have Inherited Vast Treasures
    This Land Is Your Land © Jake Schlapfer A Mission to Preserve You have inherited vast treasures. Some of these are close at hand, and others are located at the far corners of the country. These treasures are a link to your past and a legacy to leave for the future. Every fellow citizen shares them. These treasures are your national parks—all 392 sites. They are gifts from earlier generations, set aside not for a privileged few, but for all Americans to enjoy. These varied lands hold stories that tell the tale of our nation’s development and how we have evolved. Our national parks are part of a legacy that you, too, will pass on to future generations. Two groups are among those that can help you do this: the National Park Service and the National Parks Conservation Association. The National Park Service (NPS) www.nps.gov is a government agency established in 1916 that operates under the Department of the Interior. Its purpose is to protect and preserve our National Park System. The National Parks Conservation Association (NPCA) www.npca.org is an independent voice outside of government. Established in 1919, NPCA works to protect and enhance America’s national parks for current and future generations. Melissa Blair, NPCA Alaska Field Representative, with a wild silver salmon. Kenai Fjords National Park. As you can see, the two organizations have similar missions. “The mission of the U.S. National Park Service (NPS) is to conserve the scenery, the natural and historic objects, and the wildlife in the United States’ national parks, and to provide for the public’s enjoyment of these features in a manner that will leave them unimpaired for the enjoyment of future generations.” Ponder the Parks: National Parks Conservation Association’s (NPCA) mission is “To protect and enhance America’s National Park System 1.
    [Show full text]
  • America the Beautiful Part 2
    America the Beautiful Part 2 Charlene Notgrass 1 America the Beautiful Part 2 by Charlene Notgrass ISBN 978-1-60999-142-5 Copyright © 2021 Notgrass History. All rights reserved. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations are taken from the New American Standard Bible®, Copyright © 1960, 1962, 1963, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. All rights reserved. Used by permission. Cover Images: Statue of Liberty by Mihai_Andritoiu / Shutterstock.com; Immigrants and Trunk courtesy Library of Congress Back Cover Author Photo: Professional Portraits by Kevin Wimpy The image on the preceding page is of the Pacific Ocean near the Channel Islands. No part of this material may be reproduced without permission from the publisher. You may not photocopy this book. If you need additional copies for children in your family or for students in your group or classroom, contact Notgrass History to order them. Printed in the United States of America. Notgrass History Gainesboro, TN 1-800-211-8793 notgrass.com Aspens in Colorado America the Beautiful Part 2 Unit 16: Small Homesteads and Big Businesses ............... 567 Lesson 76 - Our American Story: Reformers and Inventors .....................................................568 19th President Rutherford B. Hayes .......................................................................................575
    [Show full text]
  • God Bless America
    www.singalongwithsusieq.com The Star-Spangled Banner Oh, say, can you see By the dawn's early light What so proudly we hailed At the twilight's last gleaming? Whose broad stripes and bright stars Through the perilous fight O'er the ramparts we watched Were so gallantly streaming. And the rockets' red glare The bombs bursting in air Gave proof through the night That our flag was still there. O say, does that star-spangled banner yet wave O'er the land of the free and the home of the brave. 2 America the Beautiful O beautiful for spacious skies For amber waves of grain For purple mountain majesties Above thy fruited plain! America! America! God shed His grace on thee And crown thy good with brotherhood From sea to shining sea! O beautiful for pilgrim’s feet Whose stern impassioned stress A thoroughfare of freedom beat Across the wilderness! America! America! God mend thine every flaw Confirm thy soul in self-control Thy liberty in law! O beautiful for heroes proved In liberating strife Who more than self their country loved And mercy more than life! America! America! May God thy gold refine Till all success be nobleness And every gain divine! 3 O beautiful for patriot dream That sees beyond the years Thine alabaster cities gleam Undimmed by human tears! America! America! God shed His grace on thee And crown thy good with brotherhood From sea to shining sea! Repeat last 4 lines 4 You’re A Grand Old Flag You're a grand old flag You're a high-flying flag And forever in peace may you wave You're the emblem of The land I love The home of the free and the brave Every heart beats true Under red, white and blue Where there's never a boast or brag But should old acquaintance be forgot Keep your eye on the grand old flag.
    [Show full text]
  • 2018Patternsonline
    Pattern Name!!!!!Source or Sources!!!!Year of Publ. Acrobatik Creative Pattern Book 1999 Across the Wide Missouri Block Book 1998 Adirondack Log Cabin Scraps, Blocks & Q 1990 Aegean Sea Stellar Quilts 2009 African Safari Ult. Book of Q. Block P. 1988 Air Force Block Scraps, Blocks & Q 1990 Album Patch Scraps, Blocks & Q 1990 Albuquerque Lone Star Singular Stars 2018 Alice's Adventures Scraps, Blocks & Q 1990 All in the Family Sampler Knockout Blocks & Sampler Quilts, Star Power 2004 All Star Block Book, Creative Pattern Book 1998 All That Jazz Ult. Book of Q. Block P. 1988 All Thumbs Patchworkbook 1983 Allegheny Log Cabin Scraps, Blocks & Q 1990 Alma Mater Scraps, Blocks & Q 1990 Aloha Ult. Book of Q. Block P. 1988 Alpine Lone Star Singular Stars 2018 Amazing Grace Scraps, Blocks & Q 1990 Amber Waves Block Book 1998 America, the Beautiful Scraps, Blocks & Q 1990 America, the Beautiful 2 Knockout Blocks & Sampler Quilts, Star Power 2004 American Abroad Scraps, Blocks & Q 1990 American Ambassador Quiltmaker 1982 American Beauty Ult. Book of Q. Block P. 1988 American Dream Stellar Quilts 2005 American Spirit Cookies 'n' Quilts 2001 Americana Knockout Blocks & Sampler Quilts, Star Power 2000 Amethyst Ult. Book of Q. Block P. 1988 Amsterdam Lone Star Singular Stars 2018 Angel's Flight Patchworkbook 1983 Angels Quilter’s Newsletter 1983 Angels on High Block Book 1998 Angels Quilt QNM, Q & OC 1981? Anniversary Block Scraps, Blocks & Q 1990 Anniversary Star BOM 2002 Pattern Name!!!!!Source or Sources!!!!Year of Publ. Anniversary Stars-45th Anniversary
    [Show full text]
  • Simply Folk Sing-Along 2018 If I Had a Hammer If I Had a Hammer, I'd Hammer in the Morning, I'd Hammer in the Evening, All Over
    Simply Folk Sing-Along 2018 If I Had a Hammer If I had a hammer, I'd hammer in the morning, I'd hammer in the evening, all over this land I'd hammer out danger, I'd hammer out a warning I'd hammer out love between my brothers and my sisters, all over this land If I had a bell, I'd ring it in the morning, I'd ring it in the evening, all over this land I'd ring out danger, I'd ring out a warning I'd ring out love between my brothers and my sisters, all over this land If I had a song, I'd sing it in the morning, I'd sing it in the evening, all over this land I'd sing out danger, I'd sing out a warning I'd sing out love between my brothers and my sisters, all over this land Well I've got a hammer, and I've got a bell, and I've got a song to sing, all over this land It's the hammer of justice, it's the bell of freedom It's the song about love between my brothers and my sisters, all over this land You Are My Sunshine The other night dear as I lay sleeping, I dreamed I held you in my arms, But when I woke dear I was mistaken, and I hung my head and I cried You are my sunshine, my only sunshine, you make me happy when skies are gray, You'll never know dear, how much I love you, please don't take my sunshine away I'll always love you and make you happy, if you will only say the same, But if you leave me and love another, you’ll regret it all someday You told me once dear, you really loved me, and no one could come between, But now you've left me to love another, you have shattered all of my dreams In all my dreams, dear, you seem to leave me; when I awake my poor heart pains So won’t you come back and make me happy, I’ll forgive, dear, I’ll take all the blame City of New Orleans Riding on the City of New Orleans, Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, three conductors and twenty-five sacks of mail.
    [Show full text]
  • Prophet Singer: the Voice and Vision of Woody Guthrie
    Prophet Singer Prophet Singer THE VOICE AND VISION OF WOODY GUTHRIE MARK ALLAN JACKSON UNIVERSITY PRESS OF MISSISSIPPI / JACKSON AMERICAN MADE MUSIC SERIES ADVISORY BOARD DAVID EVANS, GENERAL EDITOR JOHN EDWARD HASSE BARRY JEAN ANCELET KIP LORNELL EDWARD A. BERLIN FRANK MC ARTHUR JOYCE J. BOLDEN BILL MALONE ROB BOWMAN EDDIE S. MEADOWS SUSAN C. COOK MANUEL H. PEÑA CURTIS ELLISON DAVID SANJEK WILLIAM FERRIS WAYNE D. SHIRLEY MICHAEL HARRIS ROBERT WALSER www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Frontis: An illustration of the vigilante actions of various “Citizens Committees,” c. 1946. Sketch by Woody Guthrie. Courtesy of the Ralph Rinzler Archives. Copyright © 2007 by University Press of Mississippi All rights reserved Manufactured in the United States of America First Edition 2007 ϱ Library of Congress Cataloging-in-Publication Data Jackson, Mark Allan. Prophet singer : the voice and vision of Woody Guthrie / Mark Allan Jackson. — 1st ed. p. cm. — (American made music series) Includes bibliographical references and index. ISBN-13: 978-1-57806-915-6 (cloth : alk. paper) ISBN-10: 1-57806-915-7 (cloth : alk. paper) 1. Guthrie, Woody, 1912–1967. 2. Folk singers—United States—Biography. 3. Folk music—Social aspects—United States. I. Title. ML410.G978J33 2007 782.42162Ј130092—dc22 [B] 2006020846 British Library Cataloging-in-Publication Data available Contents ACKNOWLEDGMENTS [ vii ] PROLOGUE [ 3 ] GIVING A VOICE TO LIVING SONGS CHAPTER ONE [ 19 ] Is This Song Your
    [Show full text]
  • Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
    UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
    [Show full text]
  • July Perfect Harmony
    Song: God Bless America (1938) Songwriter: Irving Berlin Brief Context: Today, “God Bless America” is often used as a symbol of support for war, sung by soldiers in uniform at baseball games and other events. Irving Berlin gave it to radio star Kate Smith to perform on her radio show on the eve of the first official celebration of Armistice Day— a holiday originally conceived to commemorate world peace and honor veterans of the Great War. Activity: Singing and Engaged Discussion What do you need? Perfect Harmony "God Bless America" video Lyric Sheet Visual Prompt Suggested Discussion Prompts Would you sing "God Bless America" in school or at baseball games? What does the song mean to you? God Bless America God bless America, land that I love Stand beside her and guide her Through the night with the light from above From the mountains to the prairies To the oceans white with foam God bless America, my home sweet home God bless America, land that I love Stand beside her and guide her Through the night with the light from above From the mountains to the prairies To the oceans white with foam God bless America, my home sweet home From the mountains to the prairies To the oceans white with foam God bless America, my home sweet home God bless America, my home sweet home Song: You're a Grand Old Flag (1906) Songwriter: George M. Cohan Brief Context: American composer and entertainer George M. Cohan wrote “You’re a Grand Old Flag” for his 1906 stage musical George Washington, Jr.
    [Show full text]
  • Ii WOODY GUTHRIE
    ii WOODY GUTHRIE THIS COLLECTION PRESENTS FOR THE FIRST TIME the full range of material Woody Guthrie recorded for the United States government, both in song and the spoken word. This publication brings together two significant bodies of work – the songs and stories he recorded for the Library of Congress, and the material he created when hired to write songs for the Bonneville Power Administration. There have been records released in the past of the Library of Congress recordings, but this collection is the first time that the complete and unedited Library of Congress sessions have been released. The songs from those recording dates have been available in the past – notably from Elektra and from Rounder – but we offer here the full body of work, including the hours of Woody Guthrie talking and telling his story. TO THE LIBRARY OF CONGRESS AND BPA RECORDINGS, we have also added material which Woody recorded for governmental or quasi-governmental efforts – some songs and two 15-minute radio dramas for the Office of War Information during the Second World War and another drama offered to public health agencies to fight the spread of venereal disease. WOODY GUTHRIE AMERICA N RADICA L PATRIOT by Bill Nowlin Front cover photo: marjorie mazia and woody guthrie in east st. louis, missouri. july 29, 1945. Inside front and inside back cover photo: woody, “oregon somewhere” on the coast in oregon. this is the only known photograph of woody guthrie during the time he spent touring with the bpa. ℗ 2013 Woody Guthrie Foundation. © 2013 Rounder Records. Under exclusive license to Rounder Records.
    [Show full text]
  • The Anthems of America Passage Questions
    The Anthems of America The Anthems of America By ReadWorks On July 4th, families all over the United States pull out their red, white, and blue clothing, dust off the grill, and haul their lawn chairs to their town’s main street to watch its Independence Day parade. As people in America congregate to admire the parade floats and wave to the marchers, bands play traditional American songs—”The Star‐Spangled Banner,” “America the Beautiful,” the upbeat “You’re a Grand Old Flag.” These anthems aim to instill a feeling of nationalism in their listeners. Parade‐goers are likely to feel a sense of pride in America as they listen to the patriotic tunes. But where did these anthems first originate? “The Star‐Spangled Banner,” the official national anthem of the United States, tells of America’s triumph over Great Britain during the War of 1812. Although America declared its independence in 1776, Britain still interfered in America’s international trade with other countries and forced American sailors to join British navy troops. America thus declared war on the country in 1812, and the war lasted until 1815. In June of 1813, Major George Armistead was stationed at Fort McHenry in Baltimore, Maryland, to protect the city from enemy invasions. He commissioned Mary Pickersgill, a local flag‐maker, to make two flags that would mark the fort as American territory. The larger one became the “Star‐Spangled Banner” of the American national anthem. During one of the final battles of the war, in 1814, the British attacked Fort McHenry from their ships, but the American troops refused to surrender and forced their enemies to flee after twenty‐five hours of battle.
    [Show full text]