Lady Godiva: the Naked Truth
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1 a Lincolnshire Boyhood 2 Cambridge
Notes 1 A LINCOLNSHIRE BOYHOOD 1. J. 0. Hoge, ed., 'Emily Tennyson's Narrative for her Sons', Texas Studies in Literature and Language XIV (1972), 96. 2. H. D. Rawnsley, Memories of the Tennysons (1900), p. 225. 3. See C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', Tennyson Research Bulletin II, iii (1974), 121-3 [hereafter TRB]. 4. A. Pollard, 'Three Horace Translations by Tennyson', TRB IV, i (1982), 16. 5. H. D. Paden, Tennyson in Egypt (1942), p. 103. 6. C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', p. 121. 7. This painting is still at Farringford. I am grateful to Dr Christopher Brown, Chief Curator of the National Gallery, for the attribution. 8. A. G. Weld, Glimpses of Tennyson (1903), p. 12. 9. J. Kolb, ed., The Letters of A. H. Hallam (1981), p. 457. 10. R. B. Martin, Tennyson: The Unquiet Heart (1980), p. 48. 11. E. A. Knies, ed., Tennyson at Aldworth: The Diary off. H. Mangles, (1984), p. 122. 2 CAMBRIDGE 1. C. Tennyson, Alfred Tennyson (1949), p. 55. 2. E. A. Knies, ed., Tennyson at Aldworth: The Diary of f. H. Mangles, p. 97. 3. S. T. Coleridge, Aids to Reflection, ed. D. Coleridge (7th edn, London, 1854), p. 155. 4. Arthur Hallam visited Coleridge at Highgate, but Tennyson, although invited, never went. Coleridge's rude remarks on Tennyson's han dling of metre would not have encouraged him. 5. Shelley's Adonais: A Critical Edition, ed. A. D. Knerr (New York, 1984), pp. 445-6. 6. H. B. Bryant, 'The African Genesis of Tennyson's "Timbuctoo"', TRB, III v (1981), 200. -
Lady Godiva Descents to Gateway Ancestor Robert Abell
Lady Godiva Descents to gateway ancestor Robert Abell 21 descents – v7.0 6/27/17 – Tod Marshall Note: Descents without source listed need verification Source Material: “Ancestral Roots” by Frederick Lewis Weis, 8th edition (2006) “Magna Carta Ancestry” by Douglas Richardson (2005) “Medieval English Ancestors of Robert Abell” by Carl Boyer, 3rd (2001) “Royal Ancestry” by Douglas Richardson (2013) “The Magna Charta Sureties, 1215” by Frederick Lewis Weis (2002) Wikipedia Lady Godiva (980-1067) = Leofric Earl of Mercia (968-1057) p165,166 Lady Godiva had 1 confirmed son: Alfgar Earl of Mercia (1002-1059) = Aelfgifu Princess of England (997-) p166 Alfgar and Aelfgifu had 1 confirmed daughter: Queen of England EDITH (Eldgyth) (1034-) = Llewelyn Griffith King of Wales (1011-1063) p165,167 Descent from Edith and Llewelyn: 01. Nest Verch Griffith (abt. 1059-) = Osborn FitzRichard (abt 1055-aft 1100) p167 02. Nest FitzRichard (abt. 1079-) = Bernard De Newmarche (abt 1070-1125) p167 03. Sibyl De Neufmarche (abt. 1096-aft 1143) = Miles FITZ WALTER De Gloucester (abt 1092-1143) p168 04a. Lucy of Hereford (-aft 1220) = Herbert Fitz Herbert (-1204) p215 05. Peter FITZ HERBERT (-bef 1252) = Alice FITZ ROBERT (-1225) p215 06. Lucy FITZ PETER (-aft 1266) = Sir William De Roos (1200-1257) p210 p216 07. Sir Robert DE ROOS (-) = Isabel D’AUBENEY (-) p210 p96,188 08. Sir William DE ROOS (-) = Maud DE VAUX (-) p210 p96 09. Sir William DE ROOS (-1342) = Margery De Badlesmere (-1363) p211 p96 10. Maud DE ROOS (-1388) = Sir John De Welle (1334-1361) p210,269 p10 11. Anne Welles (1360-1397) = James LE BOTELER (1360-1405) p49,270 p10 12. -
Czech Portraits Friday, Mar
Czech Portraits Friday, Mar. 4 10:30am Vítězslav NovákNovák, Czech composer (1870-1949) Vítězslav Novák held an almost “cult status” popu- larity among his native Czech people. Like his mentor Antonín Dvořák, he used thematic mate- rial from Czech folk melodies in his music and was inspired by the landscape of his native country in South Bohemia. In 1908 he succeeded Dvořák as professor of composition at the Prague Conserva- tory and helped lead the next generation of Czech composers into the new age. Lady Godiva Overture Composed in 1907, duration is 15 minutes This piece was commissioned to open a Czech play of the same name and is taken from a 13th century story about the noble-hearted and beautiful Lady REPERTOIRE Godiva. It tells the story of the Lady’s efforts to end the suffering and oppression of the people in Coventry under her husband’s rule, Count Leofric. After multiple pleas to ask the Count to lower the • NOVÁK taxes, Leofric finally offers her a deal. Lady Godiva Overture The terms, which she ultimately ac- cepts, require her to ride through • ELGAR town naked in exchange for an end to Concerto in E Minor for the heavy taxation. The piece portrays Cello and Orchestra the characters, Count Leofric and • NOVÁK Lady Godiva through contrasting Eternal Longing Op. 33 melodies. Count Leofric has a very fierce motif in C minor while Lady • SMETANA Godiva is delicately portrayed in Eb Moldau from Má Vlast major. The music moves back in forth Coventry painted by Herbert Edward Cox, United Kingdom between the two as if in argument. -
Art Feature Elizabeth Sparhawk-Jones
New Mexico Quarterly Volume 24 | Issue 2 Article 6 1954 Art Feature Elizabeth Sparhawk-Jones Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Sparhawk-Jones, Elizabeth. "Art Feature." New Mexico Quarterly 24, 2 (1954). https://digitalrepository.unm.edu/nmq/vol24/iss2/6 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Sparhawk-Jones: Art Feature ART FEATURE Elizabeth Sparlzawk-Jones NOTES ON THE PAINTINGS AL THO UGH MOD E RN in spirit, Sparhawk-Jones is one of those artists who continues the tradition of previous centuries. Many of her paintings are frankly and recognizably pictures of people, and of the way people feel about themselves and their situation. Other examples of her work are pictures of ideas poeti cally viewed, such as romantic love, or injustice. AIl of her paint ings may be described as icons of personality, highly stylized and symbolic images. Icons encourage iconography, the study of the forms of representation. Although a painting by Sparhawk-Jones can be appreciated as an abstract, esthetic image apart from its literary- meaning, the subject represented is as important, if not more important, than the composition and color in determining the total impreSsion the painting gives. The purpose of the notes that, follow is to suggest (without attempting to be definitive or fanciful) , meanings inherent in a few of these paintings. -
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The National Genealogical Society Quarterly
Consolidated Contents of The National Genealogical Society Quarterly Volumes 1-90; April, 1912 - December, 2002 Compiled by, and Copyright © 2011-2013 by Dale H. Cook This file is for personal non-commercial use only. If you are not reading this material directly from plymouthcolony.net, the site you are looking at is guilty of copyright infringement. Please contact [email protected] so that legal action can be undertaken. Any commercial site using or displaying any of my files or web pages without my express written permission will be charged a royalty rate of $1000.00 US per day for each file or web page used or displayed. [email protected] Revised August 29, 2013 As this file was created for my own use a few words about the format of the entries are in order. The entries are listed by NGSQ volume. Each volume is preceded by the volume number and year in boldface. Articles that are carried across more than one volume have their parts listed under the applicable volumes. This entry, from Volume 19, will illustrate the format used: 19 (1931):20-24, 40-43, 48, 72-76, 110-111 (Cont. from 18:92, cont. to 20:17) Abstracts of Revolutionary War Pension Applications Jessie McCausland (Mrs. A. Y.) Casanova The first line of an entry for an individual article or portion of a series shows the NGSQ pages for an article found in that volume. When a series spans more than one volume a note in parentheses indicates the volume and page from which or to which it is continued. -
Godiva Awakes First Gold Patron Leads Way in a Mission for Regeneration of Local Business Community
Godiva Awakes first Gold Patron leads way in a mission for regeneration of local business community Leading Coventry business recovery specialist, Cranfield, is inspiring other local companies to come together to support the regions involvement in the London 2012 Olympic Games. As the first Gold Patron of Godiva Awakes, which represents the regions involvement in the Games, Cranfield is sending the message that the event represents much more for the future of business within the Midlands than just being a creative Olympic project. Godiva Awakes sees a mechanically engineered six-metre animated Lady Godiva puppet, powered by 100 cyclists on a Cyclopaedia designed and manufactured by local businesses, on her seven-day journey from Coventry to London, accompanied by a carnival of over 220 dancers and performers. Cranfield’s managing director, Tony Mitchell, who takes a proactive role in the local business community, was recently invited to the maiden unveiling of Godiva’s luxurious coat, which will cover the puppet. Within the lining of the coat each of the ten patrons will have their own embroidered panel. After Godiva’s procession to London, the coat will be on display in Coventry Cathedral following the Olympics. Cranfield initially became a patron of the project in November 2011 after directors Tony Mitchell and Patrick Murtagh attended a mystery tour event when the project was announced, and Gold Patrons were invited to support it. The event involved travelling in a vintage bus from the Coventry Transport Museum to a secret location in Coventry to see Godiva take her first steps in public. This sparked a keen interest from Tony and Patrick, who could see the potential for this ambitious project to symbolise regeneration of the various industries throughout the region. -
Review of Heather Clark, the Grief of Influence: Sylvia Plath and Ted Hughes
Plath Profiles 379 Review of Heather Clark, The Grief of Influence: Sylvia Plath and Ted Hughes. New York: Oxford University Press, 2011. 328 pages, $99. Amanda Golden, Emory University In the past decade, Sylvia Plath and Ted Hughes scholars have responded to the publication of Plath's Unabridged Journals (2000), the Restored Ariel (2004), and the Ted Hughes collection at Emory University.1 In 2005, Karen V. Kukil and Stephen C. Enniss curated "No Other Appetite": Sylvia Plath, Ted Hughes, and The Blood Jet of Poetry, a joint exhibition of materials from the Sylvia Plath Collection at Smith College and the Hughes papers and library at Emory held at the Grolier Club in Manhattan.2 The fall of 2010 witnessed The New Statesman's publication of Hughes's "Last Letter," a manuscript from the British Library's Birthday Letters materials.3 While critics may have once considered Plath's and Hughes's oeuvres separately, Heather Clark's The Grief of Influence: Sylvia Plath and Ted Hughes underscores that they are inextricably linked. In The Grief of Influence, Clark provides insightful new interpretations of the role of Plath and Hughes's rivalry in their development as poets. Clark's study updates Diane Middlebrook's Her Husband: Hughes and Plath, A Marriage (2003) and Clark adopts a version of Harold Bloom's "anxiety of influence" in order to examine ways the ways that Plath and Hughes responded to each other's work.4 Clark's study responds 1 I would like to thank Emory University's Fox Center for Humanistic Inquiry whose Post-Doctoral Fellowship in Poetics enabled my completion of this review. -
Art Appreciation Meeting 11-01-18
Art Appreciation Meeting 11-01-18 Painting 1 (Elaine Evans). John Collier (1850 – 1934): ‘Lady Godiva’ (1897). Herbert Art Gallery and Museum, Coventry. (Public Domain) Elaine talked about the history of the Herbert Art Gallery and Museum, named after Sir Alfred Herbert (1866 – 1957) an English industrialist and museum benefactor. The foundation stone of the Art Gallery and Museum was laid in 1954 and the Gallery has had a recent extension, including Archives storage and a Café. Lady Godiva was an 11th Century noblewoman, who is mentioned in the Domesday Survey. She owned land in her own right. She was just, fair, pious, proud, in strong contrast to her husband, The Earl Leofric who was a tyrant who levied an oppressive tax on his people. Elaine told the story of Lady Godiva’s ride through Coventry, naked, to shame her unpopular husband. In 1949 a statue of her was erected in Coventry. Collier was a member of the Pre-Raphaelite Brotherhood and the painting measures 4’8” x 6’. There are many paintings of Lady Godiva in the gallery. There is a sense of rich colour and heightened brush strokes in this painting. Among the many details in this painting are the richly ornamented horse cloth and the ornate column behind Lady Godiva. There is also an anomaly on the building to the right, which is not in keeping with period. Links: John Collier Lady Godiva, Herbert Art Gallery and Museum. Painting 2 (Anne Williams) Jan Asselijn (1610 - 1652). ‘The Threatened Swan’ (1650, oil) Rijksmuseum, Amsterdam. Asselijn was a Dutch Golden Age painter and this painting is in the same gallery as 'The Night Watch' by Rembrandt. -
Restaurant Opportunities
1 RESTAURANT OPPORTUNITIES Available Q1 2019 This is an exclusive opportunity to be part of something special in Coventry City Centre. AWARD WINNING DEVELOPER 2 EVOLVING Coventry CV1 The City of Coventry has a population Belgrade Theatre, Belgrade Plaza of over 316,000 people, making it the 9th largest city in England and the 12th largest city in the UK. Selected to be the UK’s City of Culture for 2021, Coventry is immensely proud of its history, innovation and creativity. The city is home to successful education, business, sport and a thriving arts and cultural sector, offering engaging entertainment locally, by day and night; from street performances to shopfront theatre, to professional shows and events. Cocktails and dinner reservations Credit: Robert Day 3 The city of Coventry has reinvented itself as one of the UK’s top performing regional cities. Investment Coventry has been named the UK’s City of Culture for 2021, giving it a one-off opportunity to boost the economy, tourism, civic pride and access to the arts. Coventry is undergoing a £9 billion programme of investment with potential to create over 70,000 new jobs. IN THE NEIGHBOURHOOD industry Coventry is home to many internationally renowned businesses including Barclays, E.on, Located at the heart of Coventry’s cultural and leisure district, The Co-Operative Ericsson, Jaguar Land Rover, LEVC, Sainsbury’s, Severn Trent and Tui. The British motor building sits opposite Belgrade Theatre, industry was born in Coventry, providing 10% of the UK’s automotive jobs. St John the Baptist Church and a stone’s throw from Spon Street, Coventry growth University and Skydome. -
Honoring Inspirational Women
Presorted Standard US Postage Paid Awaken Your Senses 139 Mill Rock Road East, Suite 2 CURRENT RESIDENT OR: Old Saybrook, CT 06475 Customer Number Key Code SPRING 2014 Honoring inspirational women The Lady GODIVA Program Every year, the Lady GODIVA Program celebrates women who embody the legendary bravery, generosity, and selflessness of our namesake Lady Godiva by making a difference in their communities and the world. Visit www.LadyGodivaProgram.com to be inspired by past honorees A and — starting March 8, International Women’s Day — nominate an A. INTRODUCING Lady Godiva extraordinary woman you know Our newest molded chocolate piece was created in honor of the bold and beautiful to be named as a Lady GODIVA women of the Lady GODIVA Program. Deep, Honoree in 2014. dark Belgian chocolate is perfectly balanced with sweet and velvety white chocolate vanilla ganache — simply unforgettable! $50 per lb A A GODIVA Boutique Exclusive NEW Exotic Fruit Fusion Chocolates Call 1.877.267.7847, Shop GODIVA BOUTIQUES & GODIVA.COM/BUSINESS GODIVA.COM/BUSINESS Banana Tangerine Crunch “ The idea that spring awakens the senses is the inspiration behind our Exotic Fruit Fusion Chocolates. The layers of creamy chocolate and tropical fruit are exhilarating.” Executive Chef Thierry Muret Taste the Excitement of new Exotic Fruit Fusion Passion Fruit Chocolates Crunch A. INTRODUCING Exotic Fruit Fusion Chocolates Our innovative new collection for spring debuts in three individually wrapped fruit-forward flavors with a touch of nutty crunch: Banana Tangerine Crunch (milk chocolate), Passion Fruit Crunch (white chocolate), and Coconut Mango Crunch (dark chocolate). 79731 18 pcs 7.2 oz $36 79734 9 pcs 3.6 oz $20 Coconut Mango Crunch A A Learn more about NEW Exotic Fruit Fusion Chocolates at GODIVA.COM GODIVA.COM/BUSINESS 3 Double Chocolate Raspberry Spring Raspberry Black Raspberry Mousse Cranberry Black Forest A Cake Strawberry Crème C Tarte Our spring flowers make gardeners green with envy A. -
Married Blitz
PA2678 TRIANGLE THEATRE 1987 - 2000 Production records of Triangle Theatre, together with records relating to the company's collaborations with Bare Essentials Youth Theatre, Crescent Youth Theatre, Kindle Theatre and Kids' Praise Company (Cardinal Wiseman School). PA2678/1 Triangle Theatre Production: 'Married Blitz' 1989 - 1997 Documents relating to the production and performance of ''Married Blitz'' by Carran Waterfield of Triangle Theatre (Triangle Projects.) Writer: Peter Billingham. Director: Ian Cameron. Music: James Lantsbery. PA2678/1/1 /1-4 Correspondence and Certificates 1990 - 1992 /1 Miscellaneous correspondence relating to the production of ''Married Blitz,'' including letters of thanks from the Blitz Commemoration Committee and St Edmund Campion School; letter regarding workshops at Ernsford Grange Community College; letter from Carran Waterfield to the New Experimental Theatre in Volgograd, 1990 - 1992; /2 Certificate awarded to Triangle Projects by the Coventry Blitz Commemoration Committee for its help and support during the Fiftieth Anniversary of the Coventry Blitz, 1990; /3 Certificates awarded to Triangle Theatre Group and Carran Waterfield for their contribution to the Coventry Evening Telegraph's ''Coventry Is Making It'' campaign, 1992; /4 Guidelines re Spring Tour, February - April [1990]. Includes list of possible venues, projected tour revenues, nd [1990s.] PA2678/1/2 /1 Costume Pattern 1990s Costume pattern for skirt used in the production of ''Married Blitz.'' PA2678/1/3 /1 Photographs 1990s Black and white and colour photographs of the stage set and performance of ''Married Blitz.'' Includes duplicates. PA2678/1/4 /1 Press Cuttings 1990 - 1991 Press cuttings relating to the work of Carran Waterfield and reviews of ''Married Blitz,'' 1990 - 1991 PA2678/1/5 /1-3 Drafts and Final Script 1990s /1 Second Rehearsal Draft Script of ''Married Blitz,'' 1990s; /2 Second Rehearsal Draft Script of ''Married Blitz,'' 1990s; /3 Final Draft Script of ''Married Blitz,'' 1990s.