Calvert, Robyne Erica (2012) Fashioning the artist: artistic dress in Victorian Britain 1848-1900. PhD thesis. http://theses.gla.ac.uk/3279/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/
[email protected] Fashioning the Artist: Artistic Dress in Victorian Britain, 1848 - 1900 Robyne Erica Calvert Master of Arts, MLitt Submitted in fulfilment of the requirements for the Degree of PhD Department of History of Art School of Culture and Creative Arts University of Glasgow March 2012 © Robyne Erica Calvert, 2012 2 Abstract My research comprises a study focused on Artistic Dress circa 1848-1900, presenting a roughly chronological survey that seeks to further our knowledge on its development, varied manifestations, and influence, both during its time and on subsequent fashion trends. While Artistic Dress is a category that is acknowledged in the current literature on fashion history, it has had limited and at times conflicting treatment. It is most often employed to describe sartorial codes in which significant arts practitioners and patrons—particularly those associated with Pre- Raphaelitism, the Arts and Crafts Movement, Aestheticism, and Art Nouveau—wore (and at times designed and promoted) clothes that were frequently labelled in contemporary literature as ‘artistic’ or ‘aesthetic’.