DOCSLIB.ORG

Editorial the Centre Publishes a Wide Range of Classroom Materials and Runs We Had No Idea When We Chose Our Mediamag Themes for 2009 – Courses for Teachers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MM MediaMagazine is published by the English and Media Centre, a non-profit making organisation. editorial The Centre publishes a wide range of classroom materials and runs We had no idea when we chose our MediaMag themes for 2009 – courses for teachers. If you’re 2010 exactly what we’d end up with, but we certainly hit a winner studying English at A Level, look out with the Reality theme for this issue. We’ve been inundated with for emagazine, also published by articles, ideas and case studies, covering a fantastic range of the Centre. approaches to and definitions of the topic, so this issue is a real The English and Media Centre treasure trove. Indeed, we have so many goodies we have provided 18 Compton Terrace a special Online Reality supplement – see page 5 for details. London N1 2UN Telephone: 020 7359 8080 There’s too much packed into the print magazine to mention everything in detail, Fax: 020 7354 0133 but here are some highlights: a superb case study of the Guardian’s online presence, Email for subscription enquiries: which will feed directly into your work whatever spec you’re following; an extended [email protected] interview with Professor Annette Hill; a post-modern look at Top Gear; Desperate Romantics; the political realism of The West Wing; representations of the wars in Managing Editor: Michael Simons Iraq and Afghanistan; the best (or worst, depending on where you’re coming from) Editor: Jenny Grahame of Extreme Reality programming; a media teacher’s experience as a reality show Editorial assistant/admin: participant ... and online, Adam Curtis, the voice of Big Brother, Ledger and Phoenix, Rebecca Scambler hyper-reality, ‘being normal’, and much much more. Design: Sam Sullivan & Jack Freeman Have you been following Pete Fraser’s weekly media blog on our website? If not, Artwork production: Sparkloop you should; so far, in four short weeks, he’s covered the anthropology of the web, the Print: S&G Group amazing music videos of Corin Hardy, the launch of the controversial Call of Duty: ISSN: 1478-8616 Modern Warfare 2 and the debates around it, and the strange but seductive sounds Cover image: from Desperate Romantics of Portico Quartet and their bizarre wok-like instrument – all lavishly illustrated © BBC, 2009 with video clips and suggestions from Pete about ways of using the material in your studies. And there’ll be more every week. Expand your horizons while imbibing the wisdom of a Chief Examiner! All we need now is for some of you to respond, add comments, or suggest new topics. How to subscribe If your school does not yet subscribe to the MediaMag website, perhaps this Four issues a year, published is the time to exercise a little pester power. Not only can you access the afore- September, December, late February mentioned Reality supplement and Pete’s blog, there’s also video from Annette and late April. Hill, and in the New Year there will be further MediaMagClips and presentations on Reality TV and how to make the best music videos. And as a belated Christmas Centre print-only subscription: present for your teachers, by the end of January there will also be a special £29.95 download of teaching resources on Reality TV – so spread the word. 2 year option: £49.90 Have a good break and a Happy New Year from all at MediaMag. Centre website package: £79.95 includes print magazine, full website access and an online PDF version of the current issue. 2 year option: £139.90 Additional subscriptions for students, teachers or the library can be added to either the print-only subscription or the website package for £10 a year. MediaMagazine website MediaMagArchive on the MediaMagazine This magazine is not to be photocopied. Why not subscribe website (www.mediamagazine.org.uk) gives to our web package which includes a downloadable and you access to all past articles published in MediaMagazine. There are two ways of getting printable PDF of the current issue or encourage your access to the MediaMagazine website: students to take out their own £10 subscription? 1. Centre plus 10 or more student subs. (For full details, see www.mediamagazine.org.uk) 2. Centre website package: £79.95 2 MediaMagazine | December 2009 | english and media centre MM contents Front Page News Goody and Boyle: E Pluribus Unum: Recent news, views, reviews and a tale of two (real) political reality and 04 previews. 24 women Steph Hendry 46 The West Wing How Reality goes online considers two contrasting reality authentically does this much- loved series represent the US Our special online reality stars and the role played of supplement. audiences and of old and new political environment? 05 media in their lives. The real world of Is this real? James Rose the newspaper Watching you, explores the ‘truth’ behind the industry: the watching me: 49 horror mockumentary. 06 breaking cinema’s Guardian online Neil 27 Paddison provides the essential 4th wall resource for OCR’s G322, an How to explore the conventions e-media case study, or an of realism through anti-realist institutional perspective. techniques. Reality bites: documentary in 10 the 21st century Faking it: a guide Carly Sandy explores the ways to the American documentary forms have simulacrum Where’s the adapted to the changing media 53 ‘reality’ in American Reality TV landscape. Hollywood make- up techniques shows – and how can Baudrillard Reality TV: an help us understand it? revealed Our regular interview with 30 cartoon, from Goom. Is reality becoming 14 Annette Hill more real? The rise MediaMagazine interviews Diary of a freaky 56 and rise of UGC Sara the Professor of Media at eater Media lecturer Pete Mills evaluates the power of Westminster University and 31 Turner describes his real-life the citizen journalist and user- Reality TV expert. experiences as a participant in generated content. BBC3’s food-phobia reality show. Hyper-reality and the Digital 59 Renaissance Stephen Hill argues that digital technologies can enhance, rather than undermine, our humanity. Xtreme reality: a sadistic future? Postmodern or past 62 Richard Smith surveys some of it? Masculinity and the more extreme examples of The context of Top Gear An analysis of the conflict: media 35 reality TV, and asks what they tell representations of enduring macho appeal of this us about audiences and ethics. 19 massively popular BBC brand. war A comprehensive view of recent film and TV fiction from Truth and realism in John Fitzgerald. Steven Spielberg’s 39 Amistad Why did this powerful anti-slavery film fail to match the success of Schindler’s List? Gareth Calway investigates. Desperate Romantics: The acceptable face 43 modernising the of torture? The case classic mini-series 65 for classification The relationship between art Should explicit images of torture and celebrity explored through a be part of our mainstream surprisingly modern approach to viewing experience? Vanessa the Pre-Raphaelite Brotherhood. Raison argues for new forms of classification. english and media centre | December 2009 | MediaMagazine 3 front page news Past realities making and distributing – present films; and even enter relevance occasional competitions, some offering cash prizes The news has been and potential TV screenings. described as some kind of Once such opportunities eternal soap-opera which were limited to film school you pick up on halfway students and professionals, through the narrative – but in our (arguably) more which is why it’s often so democratic world there’s bewildering. Well, now you no reason why your film can get some back-story. illustrating an extraordinary On this day – the day I am life, an unusual lifestyle amount of interest in all en.wikipedia.org/wiki/ writing this – in 1985, the YouTube gets its or curiosity you’ve come things Sherlockian – so Michael_Wearing) OJ Simpson trial – probably groove back across couldn’t make the clearly its marketing will who also directed and the biggest celebrity drama Following major digital grade. Find out more at: also be something to produced the original. of the decade – ended, rights crises, YouTube has www.4docs.org.uk/ monitor and scrutinise: http://en.wikipedia.org/ with the star declared not announced the return to www.imdb.com/title/ wiki/Edge_of_Darkness_ guilty of the murder of his its ‘platform’ of music from Our island story tt0988045 (2010_film) ex-wife, Nicole. In 1952, artists signed to the Warner The UK Film Council • 8th January – The Road: • 5th February – The tea rationing ended, and Music Group. The deal is recently launched Stories What a way to begin 2010 Princess and The Frog: in 1944 the siege of the based upon Warner being We Tell Ourselves: The – apocalypse, cannibalism Will the girl sling him Warsaw ghetto came to able to recover income from Cultural Impact of UK Film and unmitigated misery against a wall to effect the its bleak end. All this and YouTube via advertising 1946-2006. This timely adapted from the Cormac necessary transformation more is on offer at the BBC’s and also ‘monetising’ the and stimulating report McCarthy novel. Before from amphibian to eligible ‘On This Day’ site where downloads people make. confirms that film has been viewing it, read the young royal? That’s the you can go for curiosity or To check on this and one of the most powerful article by Paul Harris original Brothers Grimm to find fantastic ‘pegs’ for other news from Google cultural and social agents who looks at the current version of the story, but articles or news stories you (YouTube’s owners) see: of the last 100 years. Taking preoccupation with ‘end Disney are notorious for may be planning for your www.google.co.uk/press/ 200 iconic films from the of the world’ films: http:// sweetening the original school newspapers or radio pressreleases.html past six decades, it traces www.guardian.co.uk/ earthy, violent folk tales broadcasts.
Recommended publications
  • “The Mommy Problem” [Intro Music

    “The Mommy Problem” [Intro Music

    The West Wing Weekly 7.02: “The Mommy Problem” [Intro Music] JOSH: You're listening to The West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. And today we’re talking about episode 2 from season 7, it’s called “The Mommy Problem.” JOSH: It was written by Eli Attie, it was directed by Alex Graves, and it first aired on October 2nd, 2005. HRISHI: In this episode, the astronauts who are stuck in the Space Station have been rescued, but the investigation into the leak about the secret military space shuttle gets ratcheted up as a grand jury gets convened. So, nobody is going to emergency, but somebody is going to jail. JOSH: Exactly. HRISHI: It’s all bad news for the Santos/McGarry campaign. We’re also having trouble getting their message out and projecting an image of Santos that is substantial. So Josh hires a Communications Director, and together they try to deal with the good luck or bad luck of Santos getting called up for Marine Reserve duty. JOSH: Very nice. Substantos. HRISHI: [laughing] Exactly. We may have covered this a little bit before. I think Richard Schiff mentioned that he was not a fan of the second half of season six and season seven, and I feel like you can hear it in his voice just when he says [West Wing Episode 7.02 excerpt] TOBY: Previously on The West Wing [end excerpt] JOSH: [laughing] That’s funny. HRISHI: What did you think of this episode? JOSH: I liked this episode.
  • Book of Condolences

    Book of Condolences

    Book of Condolences Ewan Constable RIP JIM xx Thanks for the best childhood memories and pu;ng Dundee United on the footballing map. Ronnie Paterson Thanks for the memories of my youth. Thoughts are with your family. R I P Thank you for all the memoires, you gave me so much happiness when I was growing up. You were someone I looked up to and admired Those days going along to Tanadice were fantasEc, the best were European nights Aaron Bernard under the floodlights and seeing such great European teams come here usually we seen them off. Then winning the league and cups, I know appreciate what an achievement it was and it was all down to you So thank you, you made a young laddie so happy may you be at peace now and free from that horrible condiEon Started following United around 8 years old (1979) so I grew up through Uniteds glory years never even realised Neil smith where the success came from I just thought it was the norm but it wasn’t unEl I got a bit older that i realised that you were the reason behind it all Thank you RIP MR DUNDEE UNITED � � � � � � � � Michael I was an honour to meet u Jim ur a legend and will always will be rest easy jim xxx� � � � � � � � First of all. My condolences to Mr. McLean's family. I was fortunate enough to see Dundee United win all major trophies And it was all down to your vision of how you wanted to play and the kind of players you wanted for Roger Keane Dundee United.
  • The West Wing Weekly Episode 1:05: “The Crackpots and These Women

    The West Wing Weekly Episode 1:05: “The Crackpots and These Women

    The West Wing Weekly Episode 1:05: “The Crackpots and These Women” Guest: Eli Attie [West Wing Episode 1.05 excerpt] TOBY: It’s “throw open our office doors to people who want to discuss things that we could care less about” day. [end excerpt] [Intro Music] JOSH: Hi, you’re listening to The West Wing Weekly. My name is Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: We are here to discuss season one, episode five, “The Crackpots and These Women”. It originally aired on October 20th, 1999. This episode was written by Aaron Sorkin; it was directed by Anthony Drazan, who among other things directed the 1998 film version of David Rabe’s Hurlyburly, the play on which it was based having been mentioned in episode one of our podcast. We’re coming full circle. HRISHI: Our guest today is writer and producer Eli Attie. Eli joined the staff of The West Wing in its third season, but before his gig in fictional D.C. he worked as a political operative in the real White House, serving as a special assistant to President Bill Clinton, and then as Vice President Al Gore’s chief speechwriter. He’s also written for Studio 60 on the Sunset Strip, House, and Rosewood. Eli, welcome to The West Wing Weekly. ELI: It’s a great pleasure to be here. JOSH: I’m a little bit under the weather, but Lady Podcast is a cruel mistress, and she waits for no man’s cold, so if I sound congested, it’s because I’m congested.
  • WJEC Film Studies GCE Specification (From 2010)

    WJEC Film Studies GCE Specification (From 2010)

    BFI Media Conference 2014 Teaching Documentary - Mark Piper WJEC Film Studies GCE Specification (from 2010) FM4: VARIETIES OF FILM EXPERIENCE – ISSUES AND DEBATES This unit contributes to synoptic assessment. Understanding will be fostered through: - studying complex films from different contexts, extending knowledge of the diversity of film and its effects - exploring spectatorship issues in relation to a particular type of film - applying key concepts and critical approaches (b) Spectatorship and Documentary: The study of the impact on the spectator of different kinds of documentary – for example, the overtly persuasive and the apparently observational film. Examples may be taken from both historical (such as 30s and 40s British Documentary or 60s Cinéma Verité) and contemporary examples, including work on video. A minimum of two feature-length documentaries should be studied for this topic. AQA Media Studies Specification (from 2015) UNIT 1 – MEST1 – INVESTIGATING MEDIA The aim of this unit is to enable candidates to investigate the media by applying media concepts to a range of media products in order to reach an understanding of how meanings and responses are created. Candidates will firstly investigate a wide range of media texts to familiarise themselves with media language and media codes and conventions and then embark upon a cross-media study. The cross-media study The knowledge and understanding of media concepts and contexts gained through the investigation and comparison of individual media texts will then be developed by making a detailed case study chosen from a range of topics. Centres should choose a topic area that communicates with audiences across the media platforms; a topic which includes media products that can be classified, perhaps loosely, as a genre.
  • September/October 2014 at BFI Southbank

    September/October 2014 at BFI Southbank

    September/October 2014 at BFI Southbank Al Pacino in Conversation with Salome & Wilde Salome, Jim Jarmusch and Friends, Peter Lorre, Night Will Fall, The Wednesday Play at 50 and Fela Kuti Al Pacino’s Salomé and Wilde Salomé based on Oscar Wilde’s play, will screen at BFI Southbank on Sunday 21 September and followed by a Q&A with Academy Award winner Al Pacino and Academy Award nominee Jessica Chastain that will be broadcast live via satellite to cinemas across the UK and Ireland. This unique event will be hosted by Stephen Fry. Jim Jarmusch was one of the key filmmakers involved in the US indie scene that flourished from the mid-70s to the late 90s. He has succeeded in remaining true to the spirit of independence, with films such as Stranger Than Paradise (1984), Dead Man (1995) and, most recently, Only Lovers Left Alive (2013). With the re-release of Down By Law (1986) as a centrepiece for the season, we will also look at films that have inspired Jarmusch A Century of Chinese Cinema: New Directions will celebrate the sexy, provocative and daring work by acclaimed contemporary filmmakers such as Wong Kar-wai, Jia Zhangke, Wang Xiaoshuai and Tsai Ming-liang. These directors built on the innovations of the New Wave era and sparked a renewed global interest in Chinese cinema into the new millennium André Singer’s powerful new documentary Night Will Fall (2014) reveals for the first time the liberation of the Nazi concentration camps and the efforts made by army and newsreel cameramen to document the almost unbelievable scenes encountered there.
  • Top Gear Top Gear

    Top Gear Top Gear

    Top Gear Top Gear The Canon C300, Sony PMW-F55, Sony NEX-FS700 capable of speeds of up to 40mph, this was to and ARRI ALEXA have all complemented the kit lists be as tough on the camera mounts as it no doubt on recent shoots. As you can imagine, in remote was on Clarkson’s rear. The closing shot, in true destinations, it’s essential to have everything you need Top Gear style, was of the warning sticker on Robust, reliable at all times. A vital addition on all Top Gear kit lists is a the Gibbs machine: “Normal swimwear does not and easy to use, good selection of harnesses and clamps as often the adequately protect against forceful water entry only suitable place to shoot from is the roof of a car, into rectum or vagina” – perhaps little wonder the Sony F800 is or maybe a dolly track will need to be laid across rocks then that the GoPro mounted on the handlebars the perfect tool next to a scarily fast river. Whatever the conditions was last seen sinking slowly to the bottom of the for filming on and available space, the crew has to come up with a lake! anything from solution while not jeopardising life, limb or kit. As one In fact, water proved to be a regular challenge car boots and of the camera team says: “We’re all about trying to stay on Series 21, with the next stop on the tour a one step ahead of the game... it’s just that often we wet Circuit de Spa-Francorchamps in Belgium, roofs to onboard don’t know what that game is going to be!” where Clarkson would drive the McLaren P1.
  • Are You Thinking of Selling Or Buying?

    Are You Thinking of Selling Or Buying?

    Are you thinking of Selling or Buying? ACF is the leading International Investment Bank, specialising in selling, buying, fundraising and pre/post deal services for businesses in media and entertainment. Our team of market leading industry experts have advised on more than 90 transactions in the TV Production and Distribution sector with a combined transaction value of over $5 billion. A selection of our deals Greenbird Litton Pilgrim Studios Leftfield Neal Street Media Entertainment Entertainment Productions Sale to Keshet International Sale to Hearst Sale to ITV plc Sale to All3Media ACF acted as Investment ACF acted as ACF acted as ACF acted as ACF acted as Banker to Greenbird Media Investment Banker to Investment Banker to Investment Banker to Investment Banker to Litton Entertainment Pilgrim Studios Leftfield Entertainment Neal Street Productions Left Bank Left Right Paddington and Magical Elves Love Pictures Company Productions Sale to Sony Pictures Sale of Intellectual Property Television Sale to Red Arrow Rights to Studiocanal Sale to the Tinopolis Group Sale to Sky ACF acted as ACF acted as ACF acted as Investment ACF acted as Investment ACF acted as Investment Banker to Investment Banker to Banker to Paddington Banker to Magical Elves Investment Banker to Left Bank Pictures Left/Right and Company Love Productions Mammoth Screen Orion A. Smith & Co New Pictures Top Gear Productions Entertainment Productions Sale to ITV plc Sale to Red Arrow Sale to the Tinopolis Group Sale to All3Media Sale to BBC Worldwide ACF acted as Investment ACF acted as ACF acted as Investment ACF acted as ACF acted as Investment Banker to Mammoth Investment Banker to Banker to A.
  • Copyright by Sean R. Tiffee 2013

    Copyright by Sean R. Tiffee 2013

    Copyright by Sean R. Tiffee 2013 The Dissertation Committee for Sean R. Tiffee Certifies that this is the approved version of the following dissertation: Trauma and the Rhetoric of Horror Films: The Rise of Torture Porn in a Post Nine-Eleven World Committee: ____________________________________ Joshua Gunn, Supervisor ____________________________________ Katherine Arens ____________________________________ Barry Brummett ____________________________________ Richard Cherwitz ____________________________________ Dana Cloud Trauma and the Rhetoric of Horror Films: The Rise of Torture Porn in a Post Nine-Eleven World by Sean R. Tiffee, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2013 Dedication To my family, for always being there. Acknowledgements If I were to list every person who helped me on my journey towards the completion of my Ph.D., this section would be longer than the dissertation itself. Although I want to thank everyone, these limitations require me to note only those whose support was instrumental, endless, and tireless. First and foremost, I want to thank my advisor, Joshua Gunn. Josh’s patience, diligence, and guidance are unmatched and I am truly blessed to be one of his advisees. Mere words are not capable of expressing how much I appreciate his efforts and his meticulous attention to detail pushed me to produce the very best work that I could. He is someone that I am proud to call a mentor and humbled to call a friend. I would also like to thank the other members of my dissertation committee.
  • Gang Rehabilitation Programs in El Salvador

    Gang Rehabilitation Programs in El Salvador

    Page | 1 8/25/2008 INVESTING IN YOUTH :GANG REHABILITATION FOR VIOLENCE PROGRAMS IN EL SALVADOR PREVENTION Thesis submitted in partial fulfillment to the degree M.Sc. Latin American and Caribbean Studies. Utrecht University. Institute of Development Studies. | By Alison Yule Page | 2 Contents Introduction Overview of Research Topic Project Methodology: Accessing Gang Rehabilitation as a Researcher Case Study Approach Theory of Gang Rehabilitation Gang Rehabilitation in the Context of El Salvador Overview of Existing Programs and Their Objectives Challenges to Gang Rehabilitation Observed In the Field Overcoming Obstacles: Cross Sector Analysis of Gang Rehabilitation Methods Church NGO Government The Rehabilitated Gang Member: As Survivor and Mentor Analysis of Testimonies from Rehabilitated Gang Members Conclusion Focus Group/ Participant Observation results Overall conclusions from research: Deconstructing elements of exemplary programs Personal reflections and suggestions for the future References Annexes: 1. List of organisations consulted 2.Research methodology chart 3.List of NGO and Government Gang Rehabilitation Projects 4/5. Milton Vega’s six stages to gang rehabilitation 6.Message from the MS13 and 7. Photo documentation Page | 3 ABSTRACT El Salvador’s armed conflict came to an end with Peace Accords signed in 1992 however the political war in El Salvador has now transformed into a social war. Gangs are feared as the most dangerous perpetrators of social violence. In gang communities ‘at-risk’ youth are subject to social exclusion, unemployment and domestic/street violence often joining gangs for alternative solutions. In the past, as an attempt to improve citizen security and attract voters, the government of El Salvador introduced a package of controversial anti-gang laws designed as a temporary means to criminalize gangs, violating several codes of international human rights.
  • The British Academy Television Awards Sponsored by Pioneer

    The British Academy Television Awards Sponsored by Pioneer

    The British Academy Television Awards sponsored by Pioneer NOMINATIONS ANNOUNCED 11 APRIL 2007 ACTOR Programme Channel Jim Broadbent Longford Channel 4 Andy Serkis Longford Channel 4 Michael Sheen Kenneth Williams: Fantabulosa! BBC4 John Simm Life On Mars BBC1 ACTRESS Programme Channel Anne-Marie Duff The Virgin Queen BBC1 Samantha Morton Longford Channel 4 Ruth Wilson Jane Eyre BBC1 Victoria Wood Housewife 49 ITV1 ENTERTAINMENT PERFORMANCE Programme Channel Ant & Dec Saturday Night Takeaway ITV1 Stephen Fry QI BBC2 Paul Merton Have I Got News For You BBC1 Jonathan Ross Friday Night With Jonathan Ross BBC1 COMEDY PERFORMANCE Programme Channel Dawn French The Vicar of Dibley BBC1 Ricky Gervais Extra’s BBC2 Stephen Merchant Extra’s BBC2 Liz Smith The Royle Family: Queen of Sheba BBC1 SINGLE DRAMA Housewife 49 Victoria Wood, Piers Wenger, Gavin Millar, David Threlfall ITV1/ITV Productions/10.12.06 Kenneth Williams: Fantabulosa! Andy de Emmony, Ben Evans, Martyn Hesford BBC4/BBC Drama/13.03.06 Longford Peter Morgan, Tom Hooper, Helen Flint, Andy Harries C4/A Granada Production for C4 in assoc. with HBO/26.10.06 Road To Guantanamo Michael Winterbottom, Mat Whitecross C4/Revolution Films/09.03.06 DRAMA SERIES Life on Mars Production Team BBC1/Kudos Film & Television/09.01.06 Shameless Production Team C4/Company Pictures/01.01.06 Sugar Rush Production Team C4/Shine Productions/06.07.06 The Street Jimmy McGovern, Sita Williams, David Blair, Ken Horn BBC1/Granada Television Ltd/13.04.06 DRAMA SERIAL Low Winter Sun Greg Brenman, Adrian Shergold,
  • Teaching World History with Major Motion Pictures

    Teaching World History with Major Motion Pictures

    Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
  • Study: Forced “Time-Outs” Rare

    Study: Forced “Time-Outs” Rare

    ISSUE 22 (152) • 3 – 9 JUNE 2010 • €3 • WWW.HELSINKITIMES.FI INTERNATIONAL CULTURE EAT & DRINK Helsinki New crisis Grünstein’s Summer Summer in misplaced dining Guide Gaza women experiences pages 11-13 page 7 page 15 page 16 Study: Forced “time-outs” rare The Finnish League for Human Rights has conducted a study over cases where children from immigrant backgrounds have been sent away from Finland by their own parents. Close to 900 people joined the demonstration against Israel held in Helsinki on Tuesday evening. PETRA NYMAN we would hope to see improved,” she HELSINKI TIMES adds. Records are important in order to THE “sending away” of immigrant prevent cases where a child is about Stubb: Israeli attack shocking children against their will is not to be sent away. “Children’s rights common in Finland. Since 2000, are a delicate issue and it is not an STT Stubb said that Finland would According to a Swedish crime there have been approximately 40 easy task to investigate these cas- HEIDI LEHTONEN – HT summon the Israeli ambassador to writer Henning Mankell, who par- known cases where children un- es. It is also important to remember provide an explanation and added ticipated in the Gaza-bound aid derwent traumatic experiences af- that most parents’ decision to send FOREIGN Minister Alexander that he had also communicated with fl otilla, the Israeli forces attacked ter being sent back to their parents’ their child away rises from a gen- Stubb said that he was deeply the foreign minister of Turkey, from sleeping civilians. Mankell was re- home country against their will.