Discussion Questions for Just Kids

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Discussion Guide Just Kids 1. How did you like the book, “Just Kids” by 5. What similarities did Smith have with Patti Smith? Were you familiar with both Smith Baudelaire and Rimbaud? What attracted her and Mapplethorpe before reading this book? to them? 2. How do you think Patti and Robert’s 6. Do you find it odd that Robert didn’t leave upbringing affected their lives once they were in any of his art or belongings to Patti when he New York? Did Mapplethorpe’s religious belief died? affect his work? 7. Who do you think should play Patti Smith and 3. Do you think that Smith glamorized or Robert Mapplethorpe in a film version of the exaggerated her memories from that time? book? 4. Do you think that the collective determination of these two people propelled them into fame? What about this specific time and place in history? Would they both have become famous under other circumstances? Was it destiny that brought them together? Suggested further reading: Auguries of Innocence: Poems by Patti Smith Robert Mapplethorpe: The Perfect Moment by Break it Up: Pattie Smith’s Horses and the Janet Kardon Remaking of Rock ‘n’ Roll by Mark Paytress Some Women by Robert Mapplethorpe Legends of the Chelsea Hotel: Living with The Garden of Earthly Delights: Photographs Artists and Outlaws in New York's Rebel Mecca by Edward Weston and Robert Mapplethorpe by Ed Hamilton curated by Mark Johnstone and Jonathan Mapplethorpe: A Biography by Patricia Green Morrisroe A Visit From the Goon Squad by Jennifer Egan Patti Smith Complete 1976-2006 Lyrics, Who Shot Rock and Roll: A Photographic Reflections & Notes for the Future by Patti History, 1955-Present by Gail Buckland Smith Robert Mapplethorpe: Portraits by Gordon Baldwin .

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PATTI SMITH Eighteen Stations MARCH 3 – APRIL 16, 2016
/robertmillergallery For immediate release: [email protected] @RMillerGallery 212.366.4774 /robertmillergallery PATTI SMITH Eighteen Stations MARCH 3 – APRIL 16, 2016 New York, NY – February 17, 2016. Robert Miller Gallery is pleased to announce Eighteen Stations, a special project by Patti Smith. Eighteen Stations revolves around the world of M Train, Smith’s bestselling book released in 2015. M Train chronicles, as Smith describes, “a roadmap to my life,” as told from the seats of the cafés and dwellings she has worked from globally. Reflecting the themes and sensibility of the book, Eighteen Stations is a meditation on the act of artistic creation. It features the artist’s illustrative photographs that accompany the book’s pages, along with works by Smith that speak to art and literature’s potential to offer hope and consolation. The artist will be reading from M Train at the Gallery throughout the run of the exhibition. Patti Smith (b. 1946) has been represented by Robert Miller Gallery since her joint debut with Robert Mapplethorpe, Film and Stills, opened at its 724 Fifth Avenue location in 1978. Recent solo exhibitions at the Gallery include Veil (2009) and A Pythagorean Traveler (2006). In 2014 Rockaway Artist Alliance and MoMA PS1 mounted Patti Smith: Resilience of the Dreamer at Fort Tilden, as part of a special project recognizing the ongoing recovery of the Rockaway Peninsula, where the artist has a home. Smith's work has been the subject of solo exhibitions at institutions worldwide including the Art Gallery of Ontario, Toronto (2013); Detroit Institute of Arts (2012); Wadsworth Atheneum Museum of Art, Hartford (2011); Fondation Cartier pour l’Art Contemporaine, Paris (2008); Haus der Kunst, Munich (2003); and The Andy Warhol Museum (2002).
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Fall 2015 the Journal of Kcc Reads
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Volume 12 Issue 03 a publicationW ofords the Wallingford Public Library We are excited to announce the title for the second annual One Book, One Wallingford: Girl Waits With Gun by Amy Stewart. Stop by the library to borrow or purchase a copy of the book, and get your free ticket to Amy Stewart’s talk and book signing on Wednesday, May 15th at 7:00pm at Mark T. Sheehan High School. We also have several programs related to the themes of the book… No More Damsels in Distress: The Development of the Fictional Female Detective Wednesday, March 13th | 7:00-8:15pm | Community Room No registration required The first female detective appeared in fiction in 1861, well before the creation of Sherlock Holmes. Since then, detecting women have gone from young Victorian ladies to gray-haired spinsters to tough private eyes. In this talk, Carole Shmurak, Professor Emerita at Central CT State University, mystery author, and leader of Wallingford Public Library’s Mystery Book Group, will discuss the ways that fictional female detectives have changed along with society’s notions of what is “a suitable job for a woman.” The Care and Training of Homing Pigeons Wednesday, March 27th | 7:00-8:00pm | Community Room No registration required Second generation pigeon fancier Bob McKenna will talk about March the breeding, training, and history of homing pigeons, including their use in wartime. Bob is the chairman of the New England Open Pigeon Races and is on the board of directors of the national organization, The American Racing Pigeon Union. For Women’s History Month we are taking a look at some of the best female role models in fiction from books, movies, TV shows, and video games while celebrating the actors who brought them to life.
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Patti Smith, Polar Music Prize Laureate 2011 Patti Smith, Born In
Patti Smith, Polar Music Prize Laureate 2011 Patti Smith, born in Chicago in 1946, the oldest of four siblings, was raised in South Jersey. From an early age she gravitated toward the arts and human rights issues. She studied at Glassboro State Teachers College and migrated to New York City in 1967. She teamed up with art student Robert Mapplethorpe and the two encouraged each other’s work process, both of them pursuing painting and drawing and she poetry. In February 1971 Smith performed her first public reading at St. Mark’s Church on the lower eastside, accompanied by Lenny Kaye on guitar. In April of the same year she co-wrote and performed the play Cowboy Mouth with playwright Sam Shepard. Continuing to write and perform her poetry, in 1974 Smith and Lenny Kaye added Richard Sohl on piano. As a trio they played regularly around New York, including the legendary Max’s Kansas City, centering on their collective and varied musical roots and her improvised poetry. The independent single release, Hey Joe/Piss Factory, featured Tom Verlaine. Along with the highly innovative and influential group Television, the trio helped to open up a restricted music scene that centered at CBGBs in New York City. After recruiting guitarist Ivan Kral, they played CBGBs for eight weeks in the Spring of 1975 and then added drummer Jay Dee Daugherty. Smith described their work as “three chords merged with the power of the word.” Smith was signed by Clive Davis to his fledgling Arista label and recorded four albums: Horses (produced by John Cale), Radio Ethiopia (produced by Jack Douglas), Easter (produced by Jimmy Iovine), which included her top twenty hit Because the Night, co-written with Bruce Springsteen, and Wave (produced by Todd Rundgren).
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University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2012 Staging Patti Smith: (Un)reliable stories, identity, and the audience-text- reader relationship Catherine McKinnon University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation McKinnon, Catherine, "Staging Patti Smith: (Un)reliable stories, identity, and the audience-text-reader relationship" (2012). Faculty of Law, Humanities and the Arts - Papers. 249. https://ro.uow.edu.au/lhapapers/249 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Staging Patti Smith: (Un)reliable stories, identity, and the audience-text-reader relationship Abstract Humans are the only animals that use stories to help make sense of the world. Shlomith Rimmon-Kenan argues that ‘we lead our lives as stories, and our identity is constructed both by the stories we tell ourselves and others about ourselves and by the master narratives that consciously or unconsciously serve as models for ours’ (2002:11). An inquiry into how humans construct stories is also an inquiry into reliable and unreliable narration, into identity, and into the relationship between author, text and reader. It goes to the root of what it means to be human. In this paper these three aspects – (un)reliability, identity and the author-text-reader relationship—form a constellation that I trouble at. Specifically I’m interested in occasions when a narrator reliably tells a tale but suggests there are other versions of the same events that could be told, (by them or by other narrators), thereby adding complexity (unreliability) to their telling.
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Culture in Concrete
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