INDIGENOUS STUDENTS DECRY COLUMBUS DAY P. 4
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Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions. -
Through the Lens of Critical Race Theory
AN ANALYSIS OF DUVERNAY’S “WHEN THEY SEE US” THROUGH THE LENS OF CRITICAL RACE THEORY by Uwode Ejiro Favour A Thesis Submitted in Partial Fulfillment for the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, TX May 2020 APPROVED: ___________________________ Date: _____________________ Chairperson, Thesis Committee ___________________________ Date: _______________________ Member, Thesis Committee ___________________________ Date: _______________________ Member, Thesis Committee _________________________________ Date: ___________________ Head, Major Department _________________________________ Date: ___________________ Dean, Graduate School ABSTRACT The film series, When They See Us, has been the most popular four part mini- series on Netflix since its release in 2019. It was produced and directed by Ava DuVernay and it touches upon true events that happened in 1989 at Central Park. The series presents the story of five black and brown boys and their brutal experiences in the hands of the American justice system. Kevin Richardson, Korey Wise, Raymond Santana, Yusef Salam, and Antron McCray were all fourteen to sixteen years old when they were accused of raping and brutalizing Trisha Meili at Central Park. DuVernay crafts scenes that are raw and horrifying but points to the lived experiences of people of color in America. The purpose of this thesis was to explore Ava DuVernay’s movie, When They See Us and its portrayal of the bias nature of the criminal justice system in America against people of color. This study sought to explore the connection of microaggressions and racism to police brutality against people of color in the United States. By using both critical race theory and standpoint theory, the study analyzes the experiences of the men of color in the movie as it relates to racism and judicial inequality, and how this directly reflects the experiences of people of color within the American society. -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
Sports Emmy Awards
Sports Emmy Awards OUTSTANDING LIVE SPORTS SPECIAL 2018 College Football Playoff National Championship ESPN Alabama Crimson Tide vs. Georgia Bulldogs The 113th World Series FOX Houston Astros vs Los Angeles Dodgers The 118th Army-Navy Game CBS The 146th Open NBC/Golf Channel Royal Birkdale The Masters CBS OUTSTANDING LIVE SPORTS SERIES NASCAR on FOX FOX/ FS1 NBA on TNT TNT NFL on FOX FOX Deadline Sunday Night Football NBC Thursday Night Football NBC 8 OUTSTANDING PLAYOFF COVERAGE 2017 NBA Playoffs on TNT TNT 2017 NCAA Men's Basketball Tournament tbs/CBS/TNT/truTV 2018 Rose Bowl (College Football Championship Semi-Final) ESPN Oklahoma vs. Georgia AFC Championship CBS Jacksonville Jaguars vs. New England Patriots NFC Divisional Playoff FOX New Orleans Saints vs. Minnesota Vikings OUTSTANDING EDITED SPORTS EVENT COVERAGE 2017 World Series Film FS1/MLB Network Houston Astros vs. Los Angeles Dodgers All Access Epilogue: Showtime Mayweather vs. McGregor [Showtime Sports] Ironman World Championship NBC Deadline[Texas Crew Productions] Sound FX: NFL Network Super Bowl 51 [NFL Films] UFC Fight Flashback FS1 Cruz vs. Garbrandt [UFC] 9 OUTSTANDING SHORT SPORTS DOCUMENTARY Resurface Netflix SC Featured ESPNews A Mountain to Climb SC Featured ESPN Arthur SC Featured ESPNews Restart The Reason I Play Big Ten Network OUTSTANDING LONG SPORTS DOCUMENTARY 30 for 30 ESPN Celtics/Lakers: Best of Enemies [ESPN Films/Hock Films] 89 Blocks FOX/FS1 Counterpunch Netflix Disgraced Showtime Deadline[Bat Bridge Entertainment] VICE World of Sports Viceland Rivals: -
An Analysis of the Permeation of Racial Stereotypes in Top-Grossing Black
University of Massachusetts Boston ScholarWorks at UMass Boston Honors College Theses 8-2016 Still Waiting: An analysis of the permeation of racial stereotypes in top-grossing Black Romance films from the 1960s to the 2000s Jasmine Boyd-Perry University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/honors_theses Part of the African American Studies Commons, Film and Media Studies Commons, Race and Ethnicity Commons, and the Social Psychology Commons Recommended Citation Boyd-Perry, Jasmine, "Still Waiting: An analysis of the permeation of racial stereotypes in top-grossing Black Romance films from the 1960s to the 2000s" (2016). Honors College Theses. Paper 25. This Open Access Honors Thesis is brought to you for free and open access by ScholarWorks at UMass Boston. It has been accepted for inclusion in Honors College Theses by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Still Waiting: An analysis on the permeation of racial stereotypes in top grossing Black Romance films from the 1960’s to the 2000’s Jasmine Boyd-Perry Honors College University of Massachusetts Boston August 26, 2016 Advisors: Philip Kretsedemas Department of Sociology University of Massachusetts Boston Megan Rokop Honors College University of Massachusetts Boston 1 Table of Contents Introduction p. 3 Methods p. 10 Results p. 13 Discussion p. 33 References p. 39 Appendix: Plot Summaries of each film p. 40 Acknowledgements I would like to thank Philip Kretsedemas, Megan Rokop, Rajini Srikanth, Ralston Grose, Hannah Brown, Emmanuel Oppong-Yeboah, Catienna Regis, Soren DuBon, Samantha Nam-Krane, my mother Rashida Boyd and my nana Judy Boyd. -
Coming to America Article
Coming To America Article Suspensory Richy chiseled scabrously. Gentled and swing-wing Marshall indoctrinated whereinto and bungle his noddlingsuperficiality affectedly purulently or skirl. and mobs. Righteous Jae exuviating or groveling some pozzuolana rompishly, however worn Matty You choose to acknowledge the article to america we need to hear news, and passion for the police with this content to break up for the decks If they cant take care of our veterans, what makes you think that they and add hundreds of millions of people to that task. Wanna live like a King? That could be why, according to many scientists and career advisers, American research experience has become de rigueur for those who wish to win independent research posts at some European institutions. Coming To America that was featured on television. What is coming from the earth itself will show everyone that trumps love of the money god will kill us all. We are already divided next will be the conquering by a immigrant and I hope to live long enough to see the day just to see some of these racists knocked off their high horses. Eddie Murphy at his best as several characters in the movie, also Arsenio Hall puts in a stellar performance as more than one character. The problem has been there. Their success inspired later trailblazing efforts. Handle various media events and send data to Adobe. Congo, Robert Sebatware was surprised when a stranger on his doorstep quickly became one of his closest friends. Yet even this strategy is imperfect. Lets start judging Individuals by their behaviors against a societal norm And not buy some fringe group on the left or right latest made up terminology. -
Jewish Experience on Film an American Overview
Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
The Reimagined Paradise: African Immigrants in the United States, Nollywood Film, and the Digital Remediation of 'Home'
THE REIMAGINED PARADISE: AFRICAN IMMIGRANTS IN THE UNITED STATES, NOLLYWOOD FILM, AND THE DIGITAL REMEDIATION OF 'HOME' Tori O. Arthur A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2016 Committee: Radhika Gajjala, Advisor Patricia Sharp Graduate Faculty Representative Vibha Bhalla Lara Lengel © 2016 Tori O. Arthur All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor This dissertation analyzes how African immigrants from nations south of the Sahara become affective citizens of a universal Africa through the consumption of Nigerian cinema, known as Nollywood, in digital spaces. Employing a phenomenological approach to examine lived experience, this study explores: 1) how American media aids African pre-migrants in constructing the United States as a paradise rooted in the American Dream; 2) immigrants’ responses when the ‘imagined paradise’ does not match their American realities; 3) the ways Nigerian films articulate a distinctly African cultural experience that enables immigrants from various nations to identify with the stories reflected on screen; and, 4) how viewing Nollywood films in social media platforms creates a digital sub-diaspora that enables a reconnection with African culture when life in the United States causes intellectual and emotional dissonance. Using voices of members from the African immigrant communities currently living in the United States and analysis of their online media consumption, this study ultimately argues that the Nigerian film industry, a transnational cinema with consumers across the African diaspora, continuously creates a fantastical affective world that offers immigrants tools to connect with their African cultural values. -
Cultural Analysis of Jonathan Demme's "The Silence of the Lambs"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Cultural analysis of Jonathan Demme's "The Silence of the Lambs" Arthur S. Almquist The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Almquist, Arthur S., "Cultural analysis of Jonathan Demme's "The Silence of the Lambs"" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 1952. https://scholarworks.umt.edu/etd/1952 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike " - MANSFIELD LIBRARY ' - The University of MONTANA Pennission is granted by the author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature Date ^ Any copying for commercial purposes or financial gain may be undertaken only with tlie author's explicit consent. A CULTURAL ANALYSIS OF JONATHAN DEMME'S THE SILENCE OF THE LAMBS by Arthur S. Almquist presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1996 Approved by: Chairperson Dean, Graduate School 5- Date UMI Number; EP35166 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE -
Kate Novack Is an Emmy-Nominated Director and Producer of Documentary Films
Kate Novack is an Emmy-nominated director and producer of documentary films. Her most recent film, Hysterical Girl, revisits the only major case history that Sigmund Freud produced of a female patient, and considers the corrosive legacy of his theory of hysteria, 125 years later. Hysterical Girl was shortlisted for an Academy Award and nominated for Best Short by the International Documentary Association. New Yorker critic Richard Brody described it as "extraordinary...a feature’s worth of ideas, emotions, allusions, references, and associations condensed into a mere thirteen minutes." Following its selection as a world premiere by SXSW in 2020, the film was acquired by The New York Times’ Op-Docs, the short film arm of the paper’s opinion page, and Grasshopper Film. Kate’s film The Gospel According to Andre (Magnolia Pictures, 2018), was named one of the top ten Queer films of the year by Indiewire and nominated for best LGBTQ documentary of the year by the Society of LGBTQ Entertainment Critics. An intimate portrait of the legendary fashion editor Andre Leon Talley, Gospel traces Andre’s formative years growing up in the Black Church in the American South in the era of Jim Crow and his experience over four decades working in the predominantly white fashion industry. The New York Times called the film as “a cinematic ride” and Variety dubbed it “a deeply loving, frequently beautiful testament to the former Vogue editor who rose from humble beginnings in North Carolina to become arguably the high fashion world’s first major African-American tastemaker.” Following its premiere in competition at the Toronto Film Festival, Gospel screened at festivals and universities around the world, winning Best Documentary at the Melbourne Queer Film Festival and Best Feature Length Fashion Film at the Canadian International Fashion Film Festival in Calgary.