This is a repository copy of Entangled colonial landscapes and the 'dead silence'? : Humphry Repton, Jane Austen and the Upchers of Sheringham Park, Norfolk. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/98119/ Version: Submitted Version Article: Finch, Jonathan Cedric orcid.org/0000-0003-2558-6215 (2014) Entangled colonial landscapes and the 'dead silence'? : Humphry Repton, Jane Austen and the Upchers of Sheringham Park, Norfolk. Landscape Research. pp. 82-99. ISSN 1469-9710 https://doi.org/10.1080/01426397.2013.848848 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ 1 Entangled Landscapes and the ‘dead silence’? Humphry Repton, Jane Austen and the Upchers of Sheringham Park, Norfolk. Jonathan Finch, University of York, UK Abstract This paper explores two aspects of designed landscapes in the late-eighteenth and early- nineteenth centuries that are often neglected – first, the importance derived from intersecting (auto)biographies of designers and patrons, and, secondly, how they relate to global social, economic and political networks.