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8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
The Roots Report: an Interview with Aimee Mann
The Roots Report: An Interview with Aimee Mann John Fuzek: Hi, Aimee, how are you? Where are you calling from? Aimee Mann: Good, I am in Los Angeles. JF: Are you currently on tour or home? AM: I am at home for a couple of weeks, we’re going back out on the 19th JF: How long will you be out on the road? AM: This time I think it’s just a few weeks. JF: So, you live in LA? AM: Yes JF: Does being in LA help you get involved with film work as well as music? AM: You know I think there is a thing that living in LA, it helps just being around, there are certain things where you just run into people or seeing someone at a party and they have a project, it’s more likely that they think of you than somebody that they haven’t seen for a long time, I think there’s a weird causal effect that helps JF: Is that how you wound up playing a maid in Portlandia? AM: Yeah, well, I’ve known Fred Armisen for a long time, he lived out here, i knew him from the Largo Comedy scene, there’s a comedy club out here called Cafe Largo and um, before he was on Saturday Night Live, so, yeah, we’ve been friends for a long time, I did meet him out here. JF: Do you have any projects like that coming up or do they just pop up randomly? AM: There’s a new Comedy Central TV show, I don’t think it will be out until next year, called Anton Deville (somewhat inaudible ?) and I have a part, I am in one of those, it’s fun to get calls for that stuff JF: Are you still married to Michael Penn? AM: Yes JF: How come I never really hear about his music anymore? AM: He’s not into performing, it’s not his thing, he does a lot of scoring, he scored The Girls TV show and Masters Of Sex, he likes to be more behind the scenes. -
1990S Playlist
1/11/2005 MONTH YEAR TITLE ARTIST Jan 1990 Too Hot Loverboy Jan 1990 Steamy Windows Tina Turner Jan 1990 I Want You Shana Jan 1990 When The Night Comes Joe Cocker Jan 1990 Nothin' To Hide Poco Jan 1990 Kickstart My Heart Motley Crue Jan 1990 I'll Be Good To You Quincy Jones f/ Ray Charles and Chaka Khan Feb 1990 Tender Lover Babyface Feb 1990 If You Leave Me Now Jaya Feb 1990 Was It Nothing At All Michael Damian Feb 1990 I Remember You Skid Row Feb 1990 Woman In Chains Tears For Fears Feb 1990 All Nite Entouch Feb 1990 Opposites Attract Paula Abdul w/ The Wild Pair Feb 1990 Walk On By Sybil Feb 1990 That's What I Like Jive Bunny & The Mastermixers Mar 1990 Summer Rain Belinda Carlisle Mar 1990 I'm Not Satisfied Fine Young Cannibals Mar 1990 Here We Are Gloria Estefan Mar 1990 Escapade Janet Jackson Mar 1990 Too Late To Say Goodbye Richard Marx Mar 1990 Dangerous Roxette Mar 1990 Sometimes She Cries Warrant Mar 1990 Price of Love Bad English Mar 1990 Dirty Deeds Joan Jett Mar 1990 Got To Have Your Love Mantronix Mar 1990 The Deeper The Love Whitesnake Mar 1990 Imagination Xymox Mar 1990 I Go To Extremes Billy Joel Mar 1990 Just A Friend Biz Markie Mar 1990 C'mon And Get My Love D-Mob Mar 1990 Anything I Want Kevin Paige Mar 1990 Black Velvet Alannah Myles Mar 1990 No Myth Michael Penn Mar 1990 Blue Sky Mine Midnight Oil Mar 1990 A Face In The Crowd Tom Petty Mar 1990 Living In Oblivion Anything Box Mar 1990 You're The Only Woman Brat Pack Mar 1990 Sacrifice Elton John Mar 1990 Fly High Michelle Enuff Z'Nuff Mar 1990 House of Broken Love Great White Mar 1990 All My Life Linda Ronstadt (f/ Aaron Neville) Mar 1990 True Blue Love Lou Gramm Mar 1990 Keep It Together Madonna Mar 1990 Hide and Seek Pajama Party Mar 1990 I Wish It Would Rain Down Phil Collins Mar 1990 Love Me For Life Stevie B. -
Wigglin' and Wrigglin' at the Love Shack Sylvester Stallone's Butt And
Music ÇA Film 7A Wigglin’ Sylvester and Wrigglin' Stallone's at the Love Butt and Shack The Arts and Entertainment Section of the Daily Nexus/For the Week of January 11-18,1990 Of Note This Week: Top 5 This Week at Morninglory Music 1. Hie Ministry, “A Mind Is A Terrible Thing To Taste” 2. Lenny Kravitz, “Let Love Rule” 3. Indigo Girls, “Strange Fire” 4. Bob Marley, “Legend” 5. Jesus and Mary Chain, “Automatic” at Sam Goody Records 1. Milli Vanilli, “Girl You Know It’s True” 2. The B-52’s, “Cosmic Thing” 3. Janet Jackson, “Rhythm Nation” 4. Soul II Soul, “Keep On Movin’” 5. Phil Collins, “But Seriously” Tonight: “Wings of Desire,” at Campbell Hall, 8 p.m.; $3/students, $4/non-students. Friday: “Up In Smoke,” at Campbell Hall, 7,9,11 p.m.; $3. Sunday: “Heavy Petting,” at Campbell Hall, 8 p.m.; $3/students, $4/non-students. ' V T hat were the top five records of the year? □ 1 fk / We’re sure the question has been around as long as music it- Tonight: u y self, and it has given people something to talk about at boring Dance — Repertory-West Dance Com pany, at the Main Theater, 8 p.m.; i ■ social functions from a long way back. through Saturday, $8. “No way, man. Moliere’s stuff beats the %$*&! out of Mo zart.... Elvis who? I liked the Pat Boonerecord a lotmore.... Yeah, Paula Abdul dances pretty good, but Milli Vanilli has great hair. ” ARTSWEEK asked this question of lots of people in the name of truth, justice and Milli Vanilli’s hair, and got a whole lot of different answers. -
The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me. -
0950F80c-D4e9-4E06-Bcfc-C5fe9e14bf0e.Pdf
NR TITEL ARTIEST 1 Angels Robbie Williams 2 Wannabe Spice Girls 3 Thunderstruck AC/DC 4 Rhythm Is A Dancer Snap! 5 Mia Gorky 6 Wonderwall Oasis 7 (Everything I Do) I Do It For You Bryan Adams 8 No Limit 2 Unlimited 9 My Heart Will Go On Celine Dion 10 Smells Like Teen Spirit Nirvana 11 Baby One More Time Britney Spears 12 Ik Wil Je Kreuners 13 Mmm Bop Hanson 14 November Rain Guns 'N' Roses 15 Everybody (Backstreet's Back) Backstreet Boys 16 One U2 17 God Is A DJ Faithless 18 Candle In The Wind Elton John 19 Dromen Zijn Bedrog Marco Borsato 20 I Will Always Love You Whitney Houston 21 Enjoy The Silence Depeche Mode 22 Nothing Else Matters Metallica 23 Sing Hallelujah Dr. Alban 24 Black Or White Michael Jackson 25 Daar Gaat Ze Clouseau 26 Zombie Cranberries 27 She Goes Nana Radios 28 Freed From Desire Gala 29 Losing My Religion R.E.M. 30 Het Is Een Nacht (Levensecht) Guus Meeuwis & Vagant 31 I Don't Want To Miss A Thing Aerosmith 32 What Is Love Haddaway 33 Always Bon Jovi 34 Blauw Scene 35 I'll Be Missing You Puff Daddy & Faith Evans Feat. 112 36 Freedom 90 George Michael 37 Love Is All Around Wet Wet Wet 38 Believe Cher 39 Nothing Compares 2 U Sinead O'Connor 40 Finally CeCe Peniston 41 Don't Speak No Doubt 42 Lift U Up 2 Fabiola 43 Under The Bridge Red Hot Chili Peppers 44 Mr. Vain Culture Beat 45 Show Me Love Robin S 46 Killing Me Softly Fugees 47 On And On X-Session 48 It Must Have Been Love Roxette 49 Alive Pearl Jam 50 Frozen Madonna 51 Ik Hou Van U Noordkaap 52 Killer Adamski & Seal 53 Torn Natalie Imbruglia 54 Gypsy Woman Crystal Waters 55 Afscheid Van Een Vriend Clouseau 56 Afflito Fiocco 57 Ironic Alanis Morissette 58 Gangsta's Paradise Coolio 59 Not An Addict K's Choice 60 Barbie Girl Aqua 61 Nobody's Wife Anouk 62 All That She Wants Ace Of Base 63 What's Up 4 Non Blondes 64 Encore Une Fois Sash! 65 5, 6, 7, 8 Steps 66 Bed Of Roses Bon Jovi 67 Blue (Da Ba Dee) Eiffel 65 68 It Ain't Over 'Til It's Over Lenny Kravitz 69 Sensualité Axelle Red 70 Diep Get Ready 71 Back For Good Take That 72 Innuendo Queen 73 Outside George Michael 74 Everybody Hurts R.E.M. -
Songs About U.S. Cities
Songs about U.S. Cities Here’s the 30-page list I compiled from Wikipedia: Abilene Abilene by George Hamilton IV Akron My City Was Gone by The Pretenders Downtown (Akron) by The Pretenders Albuquerque Albuquerque by Weird Al Yankovic Point Me in the Direction of Albuquerque by Tony Romeo Albuquerque by Neil Young Albuquerque by Sons of the Desert Bring Em Out by T.I. The Promised Land Chuck Berry Space Between Us Sister Hazel By the Time I Get to Phoenix Frank Sinatra, Dean Martin, Roger Miller Train Kept A Rollin' Stray Cats Wanted Man Johnny Cash, Bob Dylan, Nick Cave Blue Bedroom Toby Keith Get Your Kicks on Route 66 Perry Como Cowboy Movie David Crosby Make it Clap Busta Rhymes Allentown Allentown by Billy Joel Allentown Jail by Kingston Trio Amarillo Is This the Way to Amarillo by Neil Sedaka and Howard Greenfield Amarillo by Morning by George Strait If Hollywood Don't Need You (Honey I Still Do) by Don Williams Amarillo Sky by Jason Aldean Anchorage Anchorage by Michelle Shocked Atlanta ATL alt. rock song by Butch Walker, from Sycamore Meadows 2008 Atlanta Lady by Marty Balin (of Jefferson Airplane) Atlanta by Stone Temple Pilots, from No. 4 1999 Atlanta Burned Again Last Night by country group Atlanta, from Pictures 1983 Bad Education by Tilly and the Wall 2006 Badstreet U.S.A by Michael Hayes (wrestler) 1987 Communicating Doors by The Extra Lens (From Undercard, 2010) Hot 'Lanta (instrumental) by The Allman Brothers, from At Fillmore East 1971 F.I.L.A (Forever I Love Atlanta) by Lil Scrappy feat. -
FALL 2001 Freedom Riders Emotions and Health Jerome Dotson, Jr
FALL 2001 Freedom Riders Emotions and Health Jerome Dotson, Jr. and Al Schwartz Live Elizabeth Keeney Electric Chair: No More? Here’s what Baron Kelly did today: ■ Studied lines for his role in “Master Harold and the Boys,” playing this fall in Madison’s Mitchell Theatre. ■ Shared tales with some fellow theater students about the days when he acted with Al Pacino on Broadway. ■ Offered tips on technique to a group of aspiring student actors, who are enrolled in a multicultural acting class that he helped design. ■ Filmed an episode of “Cultural Horizons in Wisconsin,” a PBS educational show that he hosts, which teaches children of all cultures about their heritage. ■ Ordered lefse from a local restaurant — in Norwegian, which he’s been learning in his spare time. ImagineImagine whatwhat www.wisc.edu he’ll do tomorrow. © 2001 UW-Madison Fall 2001 IN Volume 102, Number 3 WISCONSIN The Past Walks With Us 18 Calling themselves modern-day Freedom Riders, UW students journeyed into the American South to trace the path of civil-rights history. Along the way, they learned that events of the past aren’t always so distant — and that in many ways the past still shapes the present. By Michael Penn MA’97 Getting Emotional 28 When UW researchers Ned Kalin and Richard Davidson first began to suspect that emotions are important to our health and well-being, almost no one in the scientific community agreed with them. Now there’s a burgeoning effort to understand the biological 18 roots of feelings like happiness, anger, anxiety, and love — and Kalin and Davidson are leading the way. -
Aesop Rock None Shall Pass Ordinary Kids Air Mer Du Japon Air
Aesop Rock None Shall Pass Ordinary Kids Air Mer du Japon Air Playground Love Sophia Coppola Alcazar Crying at the Discotheque Jesper Ganslandt Alias Sixes last Arvind Palep Animal Collective Peacebone Timothy Saccenti Animal Collective Leaf house P Berger Antony and the Johnsons Hope there's someone G Fogel Apex Twin Rubber Johnny Chris Cunningham Arcade Fire Neon Bible Vincent Morisset Arcade Fire Neon Bible & Wake Up Vincent Moon Arcade Fire neighborhood #3 [power out] Plates Animation Ariel Pink for kate i wait N Amato Armand van Helden into your eyes Waverly Artists Against AIDS What's Going On Jake Scott & Malik Sayeed Audioslave doesn't remind me Chris Milk Audioslave Cochise Mark Romanek Badly Drawn Boy Disillusioned Hammer & Tongs Basement Jaxx Where's Your Head At Traktor Basement Jaxx U don't know me Matt Kirkby Bat For Lashes What's A Girl To Do Dougal Wilson Battles Atlas Timothy Saccenti Battles Tonto United Visual Artists Beast Mr. Hurricane Benjamin Steiger Levine Beck E-Pro Shynola Beck Cellphone's Dead Michel Gondry Beirut Elephant Gun Alma Har'el Beirut Concubine Alma Har'el Bentley Rhythm Ace Theme From Gutbuster Garth Jennings Besnard Lakes Agent 13 Kara Blake Beyoncé Déjà vu Sophie Muller Beyoncé Single Ladies (Put A Ring On It) Jake Nava Beyoncé featuring Jay-Z Crazy in Love Jake Nava Bjork All Is Full Of Love Chris Cunningham Björk Triumph of a Heart Spike Jonze Björk Wanderlust Encyclopedia Pictura Blink 182 All The Small Things Marcos Siega bloc party the pioneers minivegas Boards of Canada Dayvan Cowboy Melissa Olson Bobby Birdman I will come again Terri Timely Bonnie 'Prince' Billy Cursed Sleep Andy Bruntel Bright Eyes First Day of My Life John Cameron Mitchell Bumblebeez Dr. -
Teaching with the Beatles
Table of Contents Paper – 3 Lessons Song Form – 16 Blues – 20 Three Types of –phony – 24 Instrumentation – 26 Variety Shows – 29 Baroque – 32 Cultural Appropriation – 35 Lieder – 38 Recording Technologies – 41 Tapes – 44 Extended Techniques – 47 Minimalism – 49 Covers Project – 52 Handouts Three Types of –phony – 58 Variety Shows – 59 Baroque – 60 Cultural Appropriation – 61 Recording Technologies – 63 Bibliography – 64 This project outlines a curriculum created to teach high school students through the music of The Beatles. In creating this curriculum I sought to write lessons that follow the Colorado State Standards for music education on the secondary level. The lessons adhere to the standards: teaching about the elements of music, music technology, and music history through The Beatles as a secondary focus for engagement. I chose The Beatles because of their popular appeal and their contributions to the advancement of recording techniques. Each lesson has two prongs: the Colorado state standard and a corresponding selection from The Beatles. This strategy gives the student two lenses through which to absorb the material, and makes connections between different disciplines of music. John Lennon and Paul McCartney began playing music together in their youths, as early as 1957. George Harrison was quick to join the gang on February 6 1958, when he got the chance to show off his skills for John at a show. Richard Starkey, commonly known as Ringo Starr, was the last to join in 1962.1 They boys started out as a rock band playing covers of songs by the likes of Little Richard and Chuck Barry. Lennon and McCartney soon started penning their own music and lyrics, starting with “Please, Please Me” (1962). -
Sängerin Aimee Mann Eigentlich Ein Verdammt Heißer Feger Aimee Mann Könnte Ein Berühmter Star Sein
ãNie wieder bei einer großen Plattenfirma“: Sängerin Aimee Mann Eigentlich ein verdammt hei§er Feger Aimee Mann könnte ein berühmter Star sein. Doch die amerikanische Musikerin hat sich entschieden, Popmusik für Erwachsene zu machen. VON CHRISTOPH DALLACH der Musikindustrie: Erbittert kämpft Leben wohl kaum mehr zu lösen sie für gute Musik und künstlerische sein. ãLass die Finger von mir, ich in Freitagmorgen im Dezember, Freiheit im Allgemeinen und ihre ak- tauge nicht für die Liebe – das ist die der Himmel über Los Angeles ist tuelle CD ãBachelor No. 2“ im Be- Idee des Films, und sie stammt von Egrau, es nieselt, Aimee Mann sonderen. Aimee Mann“, sagt Anderson, der kauert in einer Limousine Richtung Das Album ist seit zwei Jahren fertig, ihre Lieder so tragend mit der Flughafen, und das Lebendigste an seit einem Jahr geistert es durchs In- Handlung verwob wie einst Regisseur ihr sind die Grippeviren, die gerade ternet, und nun ist es endlich auch in Mike Nichols die Songs von Simon das Immunsystem der Künstlerin zer- deutschen Läden angekommen, hier and Garfunkel in ãDie Reifeprü- legen. Wäre sie ein Star, ihr Manager zu Lande beworben und betreut von fung“. In einer Schlüsselszene des hätte sie längst nach Hause ge- einer richtigen Plattenfirma. Eine Films lässt Anderson in einer Collage schickt; hätte sie eine fürsorgliche Ausnahme, wie die Musikerin klar- alle Darsteller den Aimee-Mann- Plattenfirma, läge sie vielleicht auf stellt: ãEs bleibt dabei, dass ich in Song ãWise Up“ singen. „Ich war dem Sofa und würde sich Gedanken Amerika nie wieder einen Vertrag bei schockiert“, sagt die Künstlerin, „als über ihre nächste Platte machen. -
The Recording and Resurrection of by Bob Mehr the Replacements’ Don’T Tell a Soul
THE RECORDING AND RESURRECTION OF BY BOB MEHR THE REPLACEMENTS’ DON’T TELL A SOUL By the time we made that record, the band had been around for almost ten years. Everything had changed. It seemed like we had two choices. One was to be punks Berg was at Bearsville Studios in Upstate New York, working on Sexton’s album, when Michael Hill on our way out the door . the other was to follow suit and get a hard rock sound—which we really weren’t about. The truth was, we liked pop music: catchy melodies, called. Although Berg technically had no production credits—the Broken Homes record had yet to be released—“Tony was very erudite about music,” said Hill. Berg and Westerberg talked on the phone, and and simple songs. But to write real pop music in that era, you were dead. You were makin’ dead man’s pop.” —Paul Westerberg Paul suggested he send a postcard listing his ten favorite records. “I wrote, ‘These records mean a lot to me; I hope you respond to them,’ ” recalled Berg. “I added, ‘But if you don’t, you can go fuck yourself.’ I got DECEMBER 7, 1987: PORTLAND, OREGON impress—first, it was the guys in the band, then the small army of critics who championed his work. By a call immediately—Paul said to come to New York and meet.” the time Westerberg was in the major-label spotlight, he admitted, “I might have gotten to the point where The skinny, sharp-boned, unmistakable figure of Paul Westerberg is swinging from a crystal chandelier most of my songs were written for beer-swilling 19-year-old males.” Westerberg took an instant shine to Berg, in part, he would later admit, because Berg looked good: He was backstage at the Pine Street Theatre.