The Fate of $15
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Dr. Meigan Fields
MEIGAN M. FIELDS, PH.D. Assistant Professor Fort Valley State University Department of History, Geography, Political Science, and Criminal Justice HM Bond 015 Fort Valley, Georgia 31030 [email protected] (478) 825-6634 EDUCATION Doctor of Philosophy, International Affairs & Development (International Development Education), 1999 Clark Atlanta University, Atlanta, GA Master of Public Administration, Human Resources Management, 1987 Atlanta University, Atlanta, GA Bachelor of Arts, Speech Communications, 1985 California University of Pennsylvania, California, PA EXPERIENCE Assistant Professor, Political Science Department of History, Geography, Political Science, and Criminal Justice Fort Valley State University, Ft. Valley, GA August 2006 – Present COURSES TAUGHT: FVSU 0100: Orientation to the University POLS 3350: Seminar in Politics (Politics and the Media) POLS 1101: American Government POLS 3305: Women and Politics POLS 3185: Public Administration POLS 4403: Comparative Politics POLS 4405: International Politics POLS Independent Study Course: State & Local Government Adjunct Professor, Political Science Department of Political Science Columbus State University, Columbus, GA August 2006 – Present POLS 1101: American Government POLS 3185: Public Administration Assistant Professor, Political Science Department of History and Political Science, Tuskegee University, Tuskegee, AL August 1999 – May 2006 POLS 200: Introduction to Political Science POLS 201: American Government POLS 202: African American (Black) Politics POLS 204: Politics and -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
In Their Own Words: Working People and the Need for Policies That Provide Economic Security
In Their Own Words: Working People and the Need for Policies that Provide Economic Security May 2017 Acknowledgements In Their Own Words: Working People and the Need for for their time and generosity in allowing us to share Policies that Provide Economic Security is an initiative their stories to help inform and educate advocates and of The Leadership Conference Education Fund. Staff as- policymakers about the need to change the rules: Darius sistance was provided by Sergio Lopez, Patrick McNeil, Cephas, Symphani Lindsey, Jonathan Loomis, Staci and Shin Inouye. June Zeitlin, Emily Chatterjee, Jeff Lowry, Erin Schmitz, Al-nisa Smith, Courtney Smith, Miller, and Nancy Zirkin were editors of the report. Andrea Velasquez, Nekila White, and Suzette Young. Overall supervision was provided by Ellen Buchman, Executive Vice President. The design and layout were created by Laura Gillette. We would like to thank Joanne Omang, principal author, Finally, we would like to acknowledge and thank the as well as Ellen Bravo, co-director, Family Values @ JPB Foundation for its financial support for this project. Work, for contributing policy expertise, along with The authors and publisher are solely responsible for the stories of the individuals featured in this report. We are accuracy of statements and interpretations contained in also grateful to the following individuals and organiza- this publication. tions who provided useful data, information and support for the project: Dessa Cosma, director, Economic Justice The Leadership Conference Education Fund is a 501(C) Alliance of Michigan; Mary Moreno, communica- (3) organization that builds public will for federal poli- tions director, Texas Organizing Project; Jordan Budd, cies that promote and protect the civil and human rights organizing director, Family Values @ Work; Suzette of all persons in the United States. -
Songs by Artist
Andromeda II DJ Entertainment Songs by Artist www.adj2.com Title Title Title 10,000 Maniacs 50 Cent AC DC Because The Night Disco Inferno Stiff Upper Lip Trouble Me Just A Lil Bit You Shook Me All Night Long 10Cc P.I.M.P. Ace Of Base I'm Not In Love Straight To The Bank All That She Wants 112 50 Cent & Eminen Beautiful Life Dance With Me Patiently Waiting Cruel Summer 112 & Ludacris 50 Cent & The Game Don't Turn Around Hot & Wet Hate It Or Love It Living In Danger 112 & Supercat 50 Cent Feat. Eminem And Adam Levine Sign, The Na Na Na My Life (Clean) Adam Gregory 1975 50 Cent Feat. Snoop Dogg And Young Crazy Days City Jeezy Adam Lambert Love Me Major Distribution (Clean) Never Close Our Eyes Robbers 69 Boyz Adam Levine The Sound Tootsee Roll Lost Stars UGH 702 Adam Sandler 2 Pac Where My Girls At What The Hell Happened To Me California Love 8 Ball & MJG Adams Family 2 Unlimited You Don't Want Drama The Addams Family Theme Song No Limits 98 Degrees Addams Family 20 Fingers Because Of You The Addams Family Theme Short Dick Man Give Me Just One Night Adele 21 Savage Hardest Thing Chasing Pavements Bank Account I Do Cherish You Cold Shoulder 3 Degrees, The My Everything Hello Woman In Love A Chorus Line Make You Feel My Love 3 Doors Down What I Did For Love One And Only Here Without You a ha Promise This Its Not My Time Take On Me Rolling In The Deep Kryptonite A Taste Of Honey Rumour Has It Loser Boogie Oogie Oogie Set Fire To The Rain 30 Seconds To Mars Sukiyaki Skyfall Kill, The (Bury Me) Aah Someone Like You Kings & Queens Kho Meh Terri -
Gender and Interracial Relations Between Asian Americans and Blacks in Hip-Hop
UNIVERSITY OF CALIFORNIA RIVERSIDE Don’t Believe the Hype: Gender and Interracial Relations Between Asian Americans and Blacks in Hip-Hop Doctor of Philosophy in Sociology by Ninochka Marie McTaggart June 2017 Dissertation Committee: Dr. Karen Pyke, Chairperson Dr. Anthony Macias Dr. Adalberto Aguirre Copyright by Ninochka Marie McTaggart 2017 The Dissertation of Ninochka Marie McTaggart is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS Firstly, I would like to express my sincere thanks to my mentor and dissertation advisor, Dr. Karen Pyke. Your guidance, motivation and patience have been invaluable. I admire your commitment to your students, excellence in teaching and upholding a high ethical standard in all that you do. I am extremely grateful for your support during this entire process. I would like to thank my committee members, Dr. Anthony Macias and Dr. Adalberto Aguirre for their feedback on my work. I very much appreciate your guidance and advice that has helped to strengthen my dissertation. I want to thank my mentor, Dr. Scott Brooks, for believing in me and helping me navigate through graduate school. I also thank Dr. Ellen Reese, Dr. Katja Guenther and Dr. Tanya Nieri for their encouragement and support during my time at UCR. Special thanks go to Dr. Julie Albright from the University of Southern California for opening up my sociological imagination during my undergrad years. Your immense knowledge, kindness and warmth are unmatched. Thank you for believing me and being an example of a stellar scholar, professor and mentor. I would like to express my appreciation to my mentor and co-author, Dr. -
Folklore, Music, and History
Southern Music History 571 & FOLK 571 William Ferris T/Th, 8:00-9:15 a.m. 035 Graham Memorial TA: Susan Hester 412 Hamilton Hall Office Hours: by appointment [email protected] cell: 980-254-6985 William Ferris Office Hours: by appointment 412 Hamilton Hall 919-962-5538 [email protected] Southern Music The American South is built on many cultures, including African, Native American, South American, English, French, and Caribbean. Southern Music reflects the region‘s politics, joy, struggle, religion, poverty, art, resistance, blistering heat, cooling rain, and cornbread, greens and iced tea. Its instruments range from a one-stringed guitar nailed to the wall of a cabin to a full orchestra in a concert hall. Enjoy the feast. Go to the people. Live among them. I said where I come from Learn from them. It‘s cornbread and chicken Love them. Where I come from a lotta front porch sittin‘ Plan with them. Where I come from tryin‘ to make a livin‘ Start with what they know. And workin‘ hard to get to heaven Build on what they have. Where I come from Kwame Nkrumah, former leader of Ghana Alan Jackson, “Where I come from” & major spokesman for modern Africa. When Ma Rainey Comes to town, Folks from anyplace Miles aroun‘, From Cape Girardeau, Poplar Bluff, Flocks in to hear Ma do her stuff; Comes flivverin‘ in, Blues actually is around you every day. That‘s just Or ridin‘ mules, a feeling within a person, you know. You have a Or packed in trains, hard time and things happen. -
Sing It Now Karaoke Song Book
Sing It Now Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 112 & Ludacris Alicia Keys Hot And Wet SINU0401-03 You Don't Know My Name SINU0401-09 112 & Ludacris (Wvocal) Alicia Keys (Wvocal) Hot And Wet SINU0401-12 You Don't Know My Name SINU0401-18 112 & Super Cat Alien Ant Farm Na Na Na SINU0310-04 These Days SINR0311-06 112 & Super Cat (Wvocal) Alien Ant Farm (Wvocal) Na Na Na SINU0310-13 These Days SINR0311-15 3 Doors Down Alter Bridge Here By Me SINP06SPR-15 Open Your Eyes SINR04FALL- Here Without You SINP0311-02 05 Let Me Go SINR05SPR-15 Amanda Perez 3 Doors Down (Wvocal) Never SINP0311-08 Here Without You SINP0311-11 Amanda Perez (Wvocal) 311 Never SINP0311-17 Creatures (For A While) SINR0310-03 Amerie First Straw SINR04FALL- 1 Thing SINU05SPR-07 15 Amy Dailey 311 (Wvocal) Men Don't Change SINC04FALL- Creatures (For A While) SINR0310-12 07 50 Cent Amy Dalley Candy Shop SINU05SPR-06 I Would Cry SINC05SPR-04 PIMP SINU0310-06 Amy Winehouse What Up Gangsta SINU0311-09 Rehab SINP08WIN-04 50 Cent (Wvocal) Anna Nalick PIMP SINU0310-15 Breathe (2 AM) SINAC05SUM- What Up Gangsta SINU0311-18 03 Adema Anthony Hamilton Unstable SINR0310-05 Charlene SINU05WIN-06 Adema (Wvocal) Ashanti Unstable SINR0310-14 Only U SINU05SPR-02 AFI Rain On Me SINU0311-03 Leaving Song (Pt. 2), The SINR0311-04 Ashanti (Wvocal) AFI (Wvocal) Rain On Me SINU0311-12 Leaving Song (Pt. 2), The SINR0311-13 Ashlee Simpson Akon & Styles P L.O.V.E. -
New Awards Offer New Hope
Newsletter of the Children’s Scholarship Fund giving Volume II, Issue 5 parents a choice giving New Awards Offer New Hope children SF is teaming up with the Inner-City million project that provides children with a chance Scholarship Fund, The Endowment scholarships for up to eight years. Our part- Cfor Inner-City Education and the ners will raise up to $2 million each year, and Patrons Program to provide up to 2,000 CSF will provide matching funds of up to $1 Spring 2005 new scholarships for low-income families in million a year. A grant from the William E. New York through the Cardinal’s Scholar- Simon Foundation will be directed to the In This Issue: Cardinal’s Scholarship Program, as well. And we are also offering brand new scholarships in New Awards Brooklyn and Queens Catholic schools. These ::1:: new awards will be in addition to more than 1,600 children already using CSF awards in Straight from New York City. As a result, the number of the Schoolyard families CSF is serving in New York will more ::2:: than double. CSF Around In Los Angeles, matching grants from the the Nation Broad Foundation and the Walton Family ::3:: Foundation, combined with your donations, The Last Word will allow us to award more than 600 new scholarships starting this fall. These new ::4:: Jeremiah Reyes, Sulay Cruz and Latrice Barrow attend awards will increase the size of the LA pro- Holy Spirit School in the Bronx with CSF scholarships. gram by 50%. Along with the new scholar- Holy Spirit is one of the inner-city schools adding more scholarship students this year under the Cardinal’s ships, we will also be conducting a new aca- Scholarship Program. -
2017-Raise-The-Wage-Act-Sign-On
The undersigned organizations enthusiastically support the Raise the Wage Act of 2017, as introduced by Senators Bernie Sanders (VT) and Patty Murray (WA), Representatives Robert C. “Bobby” Scott (VA) and Keith Ellison (MN). If enacted, this legislation would: Raise the federal minimum wage to $9.25 this year and increase it over the next seven years until it reaches $15 an hour in 2024; After 2024, adjust the minimum wage each year to keep pace with growth in the typical worker’s wages; Phase out the outdated subminimum wage for tipped workers, which has been frozen at a meager $2.13 since 1991; and, Sunset the much criticized ability of employers to pay workers with disabilities a subminimum wage through certificates issued by DOL. Phase out the subminimum wage for workers under the age of 20. At a time when wage stagnation and income inequality pose serious threats to our families and our economy, the Raise the Wage Act of 2017 would begin to reverse that cycle and raise pay broadly across the bottom of the workforce. According to data from the Economic Policy Institute, this Act will deliver long-overdue raises to a large segment of the workforce: more than 1 in 4 workers, 90% of whom are over the age of 20. The average age of workers who would get a raise is 36, nearly half have some years of college education, and 20 percent hold associate’s degrees or higher. In fact, those who work year- round would see a raise in the order of $3,500 a year, which is enough to make a tremendous difference in the life of a preschool teacher, bank teller, or fast-food worker who today struggles to get by on around $20,000 per year. -
Banking & Community Perspectives
FEDERAL RESERVE BANK OF DALLAS OCTOBER 1996 BANKING & COMMUNITYPP . erspectiveserspectives The One That Didn’t Get Away Hughes Springs Catches Catfish Business By Leveraging Public And Private Resources In 1993, GAF Fisheries Inc. in Hughes Springs, Texas, wanted to build a processing plant and expand its farm to produce catfish for 40 . restaurants operated by a related com- . pany, Great American Foods. Although . Texans eat about 25 percent of the . farm-raised catfish consumed in the . United States, only 2 percent of the fish . are produced in Texas. With a process- GAF Fisheries, a catfish processing plant in Hughes . ing plant and larger farm, GAF . Springs, Texas. Fisheries could ensure a steady supply . and consistent quality for the David . Beard Catfish Restaurants. Fisheries purchased 1,500 acres of . “Before we built the plant and fish . land for the plant and fish farm. The . farm, we were purchasing approxi- . city, however, would need to upgrade INSIDE . mately $7.5 million of processed cat- . its wastewater treatment system and . fish from Mississippi each year to sup- . sewer and water lines to accommodate Sources of HMDA Data . ply our restaurants,” says Mike . GAF’s operations. Ä . Jenkins, president of GAF Fisheries. “The city of Hughes Springs want- Helping Turn a Vision “With the new farm and plant, we can . ed the processing plant in its communi- Into Reality . raise some fish locally, and we can . ty, and other cities were competing to Ä process up to 80,000 pounds of live . have GAF move to their areas,” says A Small Bank with Big Ideas fish each day.” . -
A Look Inside the Political Hip Hop Music of Tupac Amaru Shakur
ABSTRACT AFRICAN AMERICAN STUDIES, AFRICANA WOMEN’S STUDIES, AND HISTORY WATKINS, TRINAE M.A. CLARK ATLANTA UNIVERSITY, 2018 PANTHER POWER: A LOOK INSIDE THE POLITICAL HIP HOP MUSIC OF TUPAC AMARU SHAKUR Committee Chair: Charmayne Patterson, Ph.D. Thesis dated December 2018 In this study, seven rap songs by hip hop icon Tupac Shakur were examined to determine if the ideology of the Black Panther Party exists within the song lyrics of his politically oriented music. The study used content analysis as its methodology. Key among the Ten Point Program tenets reflected in Tupac’s song lyrics were for self- determination, full employment, ending exploitation of Blacks by Whites (or Capitalists), decent housing, police brutality, education, liberation of Black prisoners, and the demand for land, bread, housing, education, clothing, justice, peace, and a United Nations plebiscite. PANTHER POWER: A LOOK INSIDE THE POLITICAL HIP HOP MUSIC OF TUPAC AMARU SHAKUR A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY TRINAE WATKINS DEPARTMENT OF AFRICAN AMERICAN STUDIES, AFRICANA WOMEN’S STUDIES, AND HISTORY ATLANTA, GEORGIA DECEMBER 2018 © 2018 TRINAE WATKINS All Rights Reserved ACKNOWLEDGEMENTS I give all praises and honor to the Most High, the Eternal Elohim and Creator. I offer gratitude and sincere thanks to my grandparents and the wonderful ancestors that preceded them; my loving parents, Perry and Augustae Watkins; my forever supportive extended family from both the Watkins and Jones family lineages as well as childhood friends, Debbie Cooper and Dr. Sandra Cutts. -
Kurt Petermeyer, Regional Administrator Occupational Safety
Kurt Petermeyer, Regional Administrator Occupational Safety and Health Administration Sam Nunn Atlanta Federal Center 61 Forsyth Street SW Room 6T50 Atlanta, Georgia 30303 [email protected] (Via Email) February 16, 2021 Re: North Carolina Complaint About State Program Administration Dear Mr. Petermeyer, The Lawyers’ Committee for Civil Rights Under Law, North Carolina Justice Center, and Southern Poverty Law Center, which collectively represent Episcopal Farmworker Ministry, North Carolina State AFL-CIO, Western North Carolina Workers’ Center, North Carolina State Conference of the NAACP, NC Raise Up/ Fight for $15 and a Union, and The Hispanic Liaison of Chatham County (collectively “Complainants”), file this Complaint About State Plan Administration (“CASPA”) against the North Carolina Department of Labor’s (“NCDOL”) enforcement of the Occupational Safety and Health Act of North Carolina (“OSHANC”). The undersigned are seeking a full investigation of NCDOL’s failure to adequately and lawfully respond to a request for rulemaking submitted on October 12, 20201, and the agency’s failure to investigate complaints of workplace safety hazards during the COVID-19 pandemic.2 President Biden has made worker health and safety during the COVID-19 pandemic an immediate and urgent national priority On January 21, 2021, the second day of the Administration, President Biden signed Executive Order 13999, which requires the Secretary of Labor and the Assistant Secretary of Labor for Occupational Safety and Health to issue revised workplace safety