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FW-1884 Applications Guide 1 06/30/03 Page of 6 FW-1884 Applications Guide 1 06/30/03 Page FW-1884 FireWire Control Surface and Audio/MIDI Interface ˘ Up to 18 simultaneous inputs o-designed by TASCAM and 8 balanced XLR analog mic/line inputs ˘ C Frontier Design Group, the with high quality mic preamps, phan- Comprehensive mixing, automa- FW-1884 is a professional DAW tom power and inserts on every channel. tion, editing and navigation tools control surface and audio/MIDI Using 24-bit/96kHz A/D and D/A for DAWs interface that uses the FireWire converters, the FW-1884 offers full 96 ˘ high-speed data transfer protocol. kHz operation on all analog I/O chan- Eight 100mm motorized touch- With FireWire’s high-bandwidth nels with compatible DAW software. sensitive channel faders, one capabilities, the FW-1884 provides 18 The FW-1884 also gives users eight master fader audio inputs and outputs and 4-port channels of ADAT lightpipe as well as MIDI interfacing to computer work- stereo S/PDIF inputs and outputs. ˘ Dedicated controls for pan, solo, station applications. It offers control Perfectly suited to multi-channel mute and select functions on each of DAW parameters via eight 100mm surround production as well as stan- channel; tactile control for four bands of parametric EQ ˘ Shortcut keys for various popular audio software applications ˘ Eight balanced XLR analog mic/ line inputs with high quality mic preamps ˘ Phantom power and inserts on every channel ˘ 24-bit/96kHz A/D and D/A converters; full 96kHz operation on all analog I/O channels with compatible DAW software ˘ Eight channels of ADAT lightpipe, stereo S/PDIF inputs and outputs ˘ Eight analog outputs, allowing connection of L/R and 5.1 surround matrices motorized touch-sensitive channel ˘ 4 MIDI inputs, 4 MIDI outputs dard stereo mixing, the FW-1884 faders, one master fader, and controls provides eight analog outputs for up ˘ Dedicated headphone output for pan, solo, mute and select func- to 7.1 surround monitoring. ˘ Word Clock in and out jacks tions on each channel. Tactile control For people who require simultane- for four bands of parametric EQ, a jog ˘ Assignable footswitch jack ous control of more audio channels, the wheel and a variety of shortcut keys 1884 ˘ FE-8 expands the FW- with eight Compatible with a wide variety for various popular software applica- additional channel control strips of popular DAW applications tions are also included. (100mm motorized faders and dedi- As a DAW controller, the FW-1884 ˘ Also available: FE-8 (eight-channel cated control buttons). Multiple FE-8’s is compatible with a wide variety of may be added to an FW-1884 system sidecar) expands FW-1884 with up to popular applications including MOTU as needed for big console functional- 15 additional channel control strips Digital Performer™, Steinberg Cubase™, ity with any DAW system. ˘ Steinberg Nuendo™, Cakewalk Sonar™, Dimensions: 136mm(H) x and more. 582mm(W) x 481mm(D) In addition to its surface control ˘ Weight: 10.3kg capabilities, the FW-1884 provides of 6 FW-1884 Applications Guide 2 06/30/03 Page Monitor Monitor Out L and R Mic Input 1 Microphone Line Output 8 Compressor Line Input 8 S/PDIF Output Reverb S/PDIF Input FireWire Optical Output CD Recorder Computer Controlling a Digital Audio Workstation n this setup, the FW-1884 is controlling a Digital Audio mands, nudging, in/out point editing with the weighted IWorkstation such as Pro Tools LE™ or Nuendo™. jog wheel, and the all-important save and undo keys. The FW-1884 is directly supported by most DAW systems, The FW-1884 can be used as your input/output de- and HUI™ emulation and Mackie Control™ emulation vice, adding up to 18 inputs and 18 outputs. Use the eight ensures compatibility with the rest. Once you’ve freed microphone preamps to record into your DAW with zero yourself from the mouse, you’ll wonder how you ever latency, or transfer audio from digital recorders and worked without a fader controller. GigaStudio through the ADAT inputs. The Control Room section allows you to connect your DAW to your monitors One of the things that simple MIDI Fader Controllers with an easy-access level control. You can control any don’t address is that you’ve spent years collecting a rack monitor system from Stereo up to 7.1, even simultaneous full of reverbs, compressors, and other signal processors. 5.1 and stereo mixes. Even though your DAW may have the latest plug-ins, sometimes there’s no substitute for the real thing. The Use the nine 100mm moving faders to set up your FW-1884 allows you to insert your favorite gear into mix, and take advantage of the pan, EQ, aux send and your DAW mix via the analog, S/PDIF and ADAT I/O. transport control on the front panel. You can even fl ip When you’ve fi nished your mix, you can record it back the control surface to set up a cue mix from the faders. into the computer or to an external device like a DAT More shortcuts on the front panel include edit com- machine or CD recorder. of 6 FW-1884 Applications Guide 3 06/30/03 Page Microphones Bass Guitar Mic Inputs 1-7 Mic/Guitar Input 8 S/PDIF Output Reverb S/PDIF Input FireWire Optical Output Laptop Computer CD Recorder Live Multitrack Recording airing the FW-1884 with a laptop computer results Just arm eight channels using the front panel Pin an incredibly powerful, compact studio. Not only buttons and hit the record key on the FW-1884 to begin are there 8 microphone inputs with phantom power, recording. Fine-tune your mix using the nine 100mm but you can monitor your mix with zero-latency out- moving faders, pan, EQ and aux send controls. The “Flip” puts. This means that the band won’t hear a delayed button allows you to mix the aux sends using the faders, signal in their headphones when you’re recording, so creating a cue mix is quick and easy. ensuring the best performance. All of the analog inputs can be recorded at 96kHz/ The Mic/Line input on channel 8 allows you to switch 24-bit for detailed sonic quality. You can even record the to guitar impedance, which allows you to record guitar MIDI out and digital out of a keyboard at the same time. or bass direct. In addition, each input channel has an analog insert point – perfect for an analog compressor/ Flexible routing controls allow you to make a stereo limiter to keep from overloading the inputs. You can DAT or CD recording at the same time, so the band has even “half-patch” into the inserts to create direct out- something to take home or sell at the end of the gig. puts for a tape backup safety. of 6 FW-1884 Applications Guide 4 06/30/03 Page Monitor Monitor Out 1-6 Subwoofer FireWire ADAT Output ADAT Input Computer Reverb 96kHz Surround Mixing his expanded system shows the FW-1884 with two the line or ADAT outputs, returning external effects pro- TFE-8 fader packs for 24-fader control. Up to 15 FE-8s cessors to the line or ADAT inputs to supplement your can be added if you like to see lots of faders, and you plug-in library. Insert your favorite compressors and EQs can always switch fader banks to control any number of into the line inputs for fl exible routing through your channels. The control surface is connected to a computer DAW program. running DAW software. Using 96kHz/24-bit A/D and D/ A converters, the FW-1884 offers full 96kHz operation on You’ll appreciate the 100mm moving faders, switch- all analog I/O channels with compatible DAW software. able encoders, EQ control and dedicated edit commands You can even add an external A/D converter through as you polish your work. When you’re fi nished mixing, the ADAT optical input and a dedicated word clock output to an external stem mixer or bounce back to hard generator when you want the absolute best audio disk. Or do both, simultaneously. recording possible. The control room section can be run in 7.1-channel surround mode, even generating stereo and surround mixes simultaneously. You can bus your aux sends to of 6 FW-1884 Applications Guide 5 06/30/03 Page Microphone Monitor Mic Input 1 Line Inputs 3-8 Synthesizer MIDI In/Out 1-4 Synth Module Synth Module GigaStudio Computer ADAT Input 1-8 S/PDIF Input S/PDIF Output FireWire Reverb Sequencer Computer MIDI Sequencing n a sequencer environment, the FW-1884 really shows built-in MIDI interface can route any input to any out- Iits fl exibility. First, plug the FW-1884 into your com- put, splitting and merging when you need it. Then plug puter’s FireWire port to add 18 audio ins and outs. This the outputs of your synths into the line inputs of the allows you to record new audio tracks and monitor your FW-1884. Synthesizers with ADAT™ optical outputs or soft synths without adding a sound card and a mixer. GigaStudios with ADAT output cards can be connected digitally. And you can punch in on-the-fl y with the foot- With the optional FE-8 shown above, you can control switch jack when your hands are busy playing music. 16 simultaneous MIDI and audio tracks plus the master fader, fl ipping between audio tracks, MIDI tracks and You can even send your sequencer audio out to hard- the line inputs.
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