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Bernadette Mayer - Poems
Classic Poetry Series Bernadette Mayer - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Bernadette Mayer(12 May 1945 -) An avant-garde writer associated with the New York School of poets, Bernadette Mayer was born in Brooklyn, New York, and has spent most of her life in New York City. Her collections of poetry include Midwinter Day (1982, 1999), A Bernadette Mayer Reader (1992), The Desire of Mothers to Please Others in Letters (1994), Another Smashed Pinecone (1998), and Poetry State Forest (2008). Known for her innovative use of language, Mayer first won critical acclaim for the exhibit Memory, which combined photography and narration. Mayer took one roll of film shot each day during July 1971, arranging the photographs and text in what Village Voice critic A.D. Coleman described as “a unique and deeply exciting document.” Mayer’s poetry often challenges poetic conventions by experimenting with form and stream-of-consciousness; readers have compared her to Gertrude Stein, Dadaist writers, and James Joyce. Poet Fanny Howe commented in the American Poetry Review on Midwinter Day, a book-length poem written during a single day in Lenox, Massachusetts: “In a language made up of idiom and lyricism, Mayer cancels the boundaries between prose and poetry, . Her search for patterns woven out of small actions confirms the notion that seeing what is is a radical human gesture.” The Desire of Mothers to Please Others in Letters consists of prose poems Mayer wrote during her third pregnancy. She also combined poetry and prose in Proper Name and Other Stories (1996). -
Rereading Bernadette Mayer's Midwinter Day and Lyn Hejinian's
WOMEN'S STUDIES 2017, VOL. 46, NO. 6, 525–540 https://doi.org/10.1080/00497878.2017.1356301 Experimental Poetry from the Disputed Territory: Rereading Bernadette Mayer’s Midwinter Day and Lyn Hejinian’s My Life Lucy Biederman Case Western Reserve University, Cleveland When asked, at the start of a 2011 interview for the Poetry Foundation, whether she was born in Brooklyn or Queens, the poet Bernadette Mayer gives a neither/both answer. “The Disputed Territory,” she says, “Brooklyn/ Queens, New York,” adding, “I’m honored to be part of the Disputed Territory.” Perhaps Mayer’s early geographical designation—or non- designation—influenced her later attitude toward poetic allegiances and groupings. In anthologies and critical studies, Mayer has been variously placed with New York School, Language, and conceptual writers, a variety that in itself suggests the unclassifiable nature of her work.1 Mayer conveys something of the discomfort with which she approaches poetic classification when, later in the same interview, she answers an inquiry about Language poetry: “I like it now that they—I shouldn’t say ‘they’—that they’ve developed a sense of humor. For a long time it was in abeyance; now it’s back—well, I don’t think it ever existed, but now it does” (Interview). That cryptic response, jammed with strong proclamations quickly half-retracted, is char- acteristic of Mayer. Writing on this moment elsewhere, I have noted that Mayer’s “self-admonishing ‘I shouldn’t say “they”’ is followed almost imme- diately—and humorously—by another ‘they’” (Biederman). Had she not mentioned her origins in the Disputed Territory, one might know that Mayer was a native, anyway, by how skillfully she eludes apprehension (Biederman). -
Transatlantica, 1 | 2019 Interview of Alice Notley 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2019 Gone With the Wind after Gone With the Wind Interview of Alice Notley David Reckford Electronic version URL: https://journals.openedition.org/transatlantica/13862 DOI: 10.4000/transatlantica.13862 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference David Reckford, “Interview of Alice Notley”, Transatlantica [Online], 1 | 2019, Online since 01 June 2020, connection on 04 May 2021. URL: http://journals.openedition.org/transatlantica/13862 ; DOI: https:// doi.org/10.4000/transatlantica.13862 This text was automatically generated on 4 May 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Interview of Alice Notley 1 Interview of Alice Notley David Reckford AUTHOR'S NOTE This interview took place in Alice Notley’s apartment in Paris, in June 2018. 1 Alice Notley is a major American poet of our day, who has been living in Paris since the early 1990s, when she moved there with her second husband, the English poet, Doug Oliver (1937-2000), because Paris was where his professorial career was taking him. At that point Alice Notley was finding New York less amenable and was keen to go somewhere else. When he died in 2000, Alice Notley was sufficiently settled into Paris to remain there. 2 Although she is a Parisian now, Alice Notley was also a key figure on the Lower Manhattan poetry scene particularly of the late 1970s and the 1980s. Her first husband, Ted Berrigan, was an equally charismatic figure among an influential group of downtown poets. -
235-Newsletter.Pdf
The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Simone White Monday Night Talk Series Coordinator: Corrine Fitzpatrick Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Matt Longabucco Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Lezlie Hall Archivist: Will Edmiston Box Office: Aria Boutet, Courtney Frederick, Gabriella Mattis Interns/Volunteers: Mel Elberg, Phoebe Lifton, Jasmine An, Davy Knittle, Olivia Grayson, Catherine Vail, Kate Nichols, Jim Behrle, Douglas Rothschild Volunteer Development Committee Members: Stephanie Gray, Susan Landers Board of Directors: Gillian McCain (President), John S. Hall (Vice-President), Jonathan Morrill (Treasurer), Jo Ann Wasserman (Secretary), Carol Overby, Camille Rankine, Kimberly Lyons, Todd Colby, Ted Greenwald, Erica Hunt, Elinor Nauen, Evelyn Reilly and Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs and publications are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The Poetry Project’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. -
Part of His History 1944-2020 by Steve Clay Originally Published in the Brooklyn Rail Dec 20 – Jan 21, 2021 Issue
IN MEMORIAM Lewis Warsh: Part of His History 1944-2020 By Steve Clay Originally published in The Brooklyn Rail Dec 20 – Jan 21, 2021 Issue Working with Lewis Warsh was always an effortless pleasure and indistinguishable from our friendship. I first met him in Brooklyn in 1995, introduced by Mitch Highfill. We spoke about his archive and collection of rare books he wanted to sell, and arranged to meet at his apartment. During that visit I looked at his treasures, among which was a small book he'd assembled by hand when he found a set of black and white photographs taken in 1968, primarily on Bustin's Island, Maine and in Bolinas, California. The photographs were classic family-style vacation snapshots of Lewis and Anne Waldman, Ted, Sandy, and Kate Berrigan, Tom, Angelica, and baby Juliet Clark, Joanne Kyger, Jack Boyce, and others. Lewis had mounted the photos into a store- bought hardcover photo book, then typed captions and placed them across from the pictures: The front cover read Bustin's Island '68. I immediately proposed that Granary Books publish Portrait of Lewis Warsh, pencil on paper by Phong H. Bui. an edition. I was impressed with the spontaneity of the photographs and the sincerity of the writing. They gave me a private glimpse into a community of poets whose work and stories I knew but was now seeing in their formative years as friends and collaborators. It's a remarkably lucid portrait of a time and place. The captions, written 28 years after the fact, brought perspective to the changes during the intervening years. -
University of Birmingham Space Occupied
University of Birmingham Space occupied Cran, Rona DOI: 10.1017/S0021875820001073 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Cran, R 2020, 'Space occupied: women poet-editors and the mimeograph revolution in mid-century New York City', Journal of American Studies. https://doi.org/10.1017/S0021875820001073 Link to publication on Research at Birmingham portal Publisher Rights Statement: This article has been published in a revised form in Journal of American Studies [https://doi.org/10.1017/S0021875820001073]. This version is free to view and download for private research and study only. Not for re-distribution or re-use. © Cambridge University Press 2020. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Bernadette Mayer Papers
http://oac.cdlib.org/findaid/ark:/13030/tf0199n71x No online items Bernadette Mayer Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2019 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Bernadette Mayer Papers MSS 0420 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Bernadette Mayer Papers Identifier/Call Number: MSS 0420 Physical Description: 30.0 Linear feet(70 archives boxes, 1 card file box and 7 oversize file folders) Date (inclusive): 1958-2017 Abstract: Papers of Bernadette Mayer, writer, teacher, editor, and publisher. Most often associated with the New York School, Mayer uses compositional methods such as chance operations, collage and cut-up. Materials include correspondence with writers, artists, publishers, and friends; manuscripts and typescripts; notebooks and loose notes; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Scope and Content of Collection The Bernadette Mayer Papers document Mayer's career as a writer and teacher and, to a lesser extent, her career as a publisher and editor. Additionally, the papers reflect the broader community of artists and writers known as the New York School. Materials include correspondence from writers, artists, publishers, and friends; notebooks and loose notes; manuscripts and typescripts of Mayer's works; teaching notes; audio recordings and photographs; and biographical materials such as calendars, datebooks and ephemera. Accession Processed in 1998 Arranged in eleven series: 1) BIOGRAPHICAL MATERIAL, 2) CORRESPONDENCE, 3) WRITINGS, 4) NOTEBOOKS, 5) WRITINGS OF OTHERS, 6) TEACHING MATERIAL, 7) EDITING MATERIAL, 8) EPHEMERA, 9) PHOTOGRAPHS, 10) SOUND RECORDINGS, and 11) ORIGINALS OF PRESERVATION PHOTOCOPIES. -
Z: • in ABOUT & AROUND LANGUAGE
F--~~-~- SEGUE DISTRIBUTING 1990 $5 Z z: • IN ABOUT & AROUND LANGUAGE ROOF BOOKS GAZ oBOOKS BURNING DECK SINK PRESS POTES & POETS PRESS XEXOXIAL EDITIONS PARADIGM PRESS SUN &MOON AWEDE bpNICHOL NORTH & SOUTH AND MORE... .......~4__.. $I I- POETICS MAGAZINES ANTHOLOGIES p--------- FEATURED PRESSES ROOF BOOKS Raik by Ray DiPalma The one hundred poems in Ray DiPalma's new collection con The Politics ofPoetic Form: Poetry andPublic Policy tinue his experiments with the poetic line that began in the early Edited by Charles Bernstein 1970s with works such as The Sargasso Transcries, Soli, and Marquee, as well as the long lyric poem Planh. Raik articulates Acollection of 14 essays by contemporary poets and critics that the dynamic variety possible within the fixed form set for each expand on the discussions presented in L=A= N= G= U= poem in the book. A= G= E, focussing on the political and ideological dimensions of the formal and stylistic practices of contemporary poetry. There is a wide range of subject matter to be found here: the lyri These essays were originally presented at the Wolfson Center for cal qualities of Elizabethan underworld slang and the contem National Affairs of the New School for Social Research in New porary urban landscape; meditations on moments in history from York. Each essay is accompanied by an edited transcript of the ancient Egypt and Roman Britain to the Italian Renaissance. discussion that took place at the New School following the initial These choices of subject spotlight DiPalma's assiduous attention presentation. to details. The word choices in each poem stir awareness of each The Politics ofPoetic Form includes full-length essays by Jerome letter in the line. -
BERRIGAN, TED. Ted Berrigan and Alice Notley Collection, 1954-1983
BERRIGAN, TED. Ted Berrigan and Alice Notley collection, 1954-1983 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Berrigan, Ted. Title: Ted Berrigan and Alice Notley collection, 1954-1983 Call Number: Manuscript Collection No. 1135 Extent: 2.5 linear feet (5 boxes), 1 oversized papers boxes, and 1 bound volume (BV) Abstract: Artificially created collection relating to New York poet Ted Berrigan, including writings, photographs, and printed material. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Ted Berrigan papers, Thomas J. Dodd Research Center, University of Connecticut; Ted Berrigan papers, Syracuse University; and Ted Berrigan papers, Rare Book and Manuscript Library, Columbia University Library. Source Purchased from James S. Jaffe Rare Books, 2010. Additions were purchased from 2011 to 2015. Custodial History Purchased from dealer, provenance unknown. Citation [after identification of item(s)], Ted Berrigan and Alice Notley collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Ted Berrigan and Alice Notley collection, 1970-1980 Manuscript Collection No. 1135 Appraisal Note Acquired by Curator of Literary Collections and the Raymond Danowski Poetry Library, Kevin Young, as part of the Rose Library's holdings in American literature. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Radical Matter: Materiality in Postwar and Contemporary American Mixed Mode Poetry Permalink https://escholarship.org/uc/item/70b0t46k Author Wang, Sophia Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Radical Matter: Materiality in Postwar and Contemporary American Mixed Mode Poetry By Sophia Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Lyn Hejinian, Chair Professor Dan Blanton Professor Michael Mascuch Fall 2012 Abstract Radical Matter: Materiality in Postwar and Contemporary American Mixed Mode Poetry by Sophia Wang Doctor of Philosophy in English University of California, Berkeley Professor Lyn Hejinian, Chair “Radical Matter” argues that expansive and experimental mixed mode poetic works since the American mid-century embody a language-based materiality that motivates the valuations of their symbolic economies. I focus on three works— William Carlos Williams’s Paterson, Bernadette Mayer’s Studying Hunger Journals, and Juliana Spahr’s Well Then There Now—that each engage prose alongside verse, material from other texts and authors, or multiple discursive modes: all ways, I argue, of substantiating the desires and rhetorical strategies that orient these speakers in language and in relation to their imagined addressees. These substantiations bring forward features and consequences of language’s articulations as discourse—whether lyric, narrative, epistolary, diaristic, or other—that carry out metaphoric interventions in the crises of value that drive these poetic works towards their substantial lengths, their material and modal inclusivity, and the speakers that they voice. -
Abstract Concrete: Experimental Poetry in Post-WWII New York City by Caroline Georgianna Miller a Dissertation Submitted in Part
Abstract Concrete: Experimental Poetry in Post-WWII New York City by Caroline Georgianna Miller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2011 Dissertation Committee: Associate Professor John A. Whittier-Ferguson, Chair Professor Sara B. Blair Professor Alexander D. Potts Assistant Professor Gillian C. White © Caroline Georgianna Miller 2011 Acknowledgements Foremost, I’d like to thank my committee for their careful reading and thoughtful feedback. Their support, encouragement, and understanding brightened a difficult process. For sustained financial support, I thank the University of Michigan English department. Their generous Sober and Chaney One-Term Dissertation Fellowships, along with a One-Term Fellowship from the University of Michigan’s Rackham School of Graduate Studies, enabled this project’s completion. Numerous travel and research grants also enriched this project. The University of Michigan’s Center for the Education of Women made possible a visit to Yale University’s Beinecke Special Collections, whose generous librarians helped me explore Mina Loy’s papers. A Rackham Dissertation Research Travel Grant sent me to the University of California at San Diego’s Mandeville Special Collections, where I was able to spend days with Bernadette Mayer’s papers. I could not have written my chapter on Mayer without access to the slides of Memory that I found there. For all of this help, financial and personal, -
Avant-Garde Poetry Tape Recordings LSC.0961
http://oac.cdlib.org/findaid/ark:/13030/kt1t1n98b8 No online items Finding Aid for the Avant-Garde Poetry Tape Recordings LSC.0961 Processed by Manuscripts Division staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2020 October 29. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Avant-Garde LSC.0961 1 Poetry Tape Recordings LSC.0961 Contributing Institution: UCLA Library Special Collections Title: Avant-garde poetry tape recordings Creator: Silverton, Michael Creator: WBAI Radio (New York, N.Y.) Creator: WNYC (Radio station : New York, N.Y.) Identifier/Call Number: LSC.0961 Physical Description: 3 Linear Feet(42 open reel audiotapes) Date (inclusive): 1966-1967 Abstract: Collection consists of 42 reel-to-reel tapes recorded by Michael Silverton for an avant-garde poetry series for New York radio station WNYC in 1966, and another for radio station WBAI in 1967. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the file level.