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Reality TV and the Reinvention of Britishness
From Making Do to Making-Over: Reality TV and the Reinvention of Britishness RACHEL JENNINGS O YOU LIVE IN TRACK SUITS TO CONCEAL YOUR SAGGY TITS AND big bum? Do not despair—you can still go to the ball. If you Dare brave enough to face those scary godmothers Trinny and Susannah, they will tell you in no uncertain terms What Not to Wear. Do you suspect your garden may have inspired T. S. Eliot to write The Wasteland? No fear. The matey experts from Ground Force can transform it into a pastoral idyll in two days. Has your pokey, gloomy British house been stagnating on the market? Perhaps you need the infamous House Doctor to breeze through and eradicate both your personal history and personality with a few cans of magnolia. A significant proportion of British reality TV is in the makeover line, involving the rapid transformation of some facet of a person’s lifestyle through a process that blends fairytale themes with religious ritual. The subject (or victim) on each episode is a Cinderella character (hereafter referred to collectively as ‘‘Cindy,’’ whether an individual, couple, or family unit) who relinquishes existential responsibility and personal power to one or more authority figures. These fairy god- mothers (of both sexes) navigate Cindy through a battle to give up the past leading to her rebirth, frequently on the third or seventh day. It is easy to comprehend why makeover shows are a hit in the United States—they slot neatly into the American dream of con- stant reinvention of the self, played out on a moving frontier. -
Building Public Value: Renewing the BBC for a Digital World
DP1153 BPV Frontcover.qxd 6/25/04 2:52 PM Page 1 Building public value Renewing the BBC for a digital world CONTENTS Chairman’s prologue 3 Overview and summary 5 PART I: The BBC’s purpose, role and vision 1 Why the BBC matters 25 2 Changing media in a changing society 48 3 Building public value in the future 60 4 Demonstrating public value 83 5 The breadth of BBC services 89 6 Renewing the BBC 98 7 Paying for BBC services 112 PART II: Governing the BBC 123 Conclusion 135 1 2 Chairman’s prologue The BBC does not have a monopoly on wisdom about its own future. This is a contribution to the debate over Charter renewal, not the last word. I look to a vigorous and informed public debate to produce the consensus about the future size, shape and mission of the BBC. This document is itself a consensus, arrived at after a vigorous debate inside the BBC, and represents the considered views of Governors and management. Part II – our proposals on governance – is, of course, entirely the responsibility of the Governors. At the heart of Building public value is a vision of a BBC that maintains the ideals of its founders, but a BBC renewed to deliver those ideals in a digital world. That world contains the potential for limitless individual consumer choice. But it also contains the possibility of broadcasting reduced to just another commodity, with profitability the sole measure of worth. A renewed BBC, placing the public interest before all else, will counterbalance that market-driven drift towards programme-making as a commodity. -
Tbivision.Com October/November 2017
Formats TBIvision.com October/November 2017 DON’ T SURVIVE. MIPCOM Stand No: P3.C10 @all3media_int all3mediainternational.com FormatspOFC OctNov17.indd 1 02/10/2017 10:24 STARTS WEDNESDAY 4TH OCTOBER AT 9PM ON ITV2 VISIT US AT MIPCOM, STAND R8.C9, RIVIERA 8 Catalogue: www.keshetinternational.com Contact us: [email protected] @KeshetIntl KeshetInternational @KeshetInternational FormatspIFC Keshet Showmance Oct17.indd 1 27/09/2017 16:19 CONTENTS IN THIS ISSUE 6 This issue 8 4 People TBI runs down the latest moves and executive hires in the international formats business 6 Endemol Shine France An exclusive interview with Nicolas Coppermann, the executive charged with leading the merged Endemol Shine France operation. Pascale Paoli-Lebailly reports 8 Hot Picks Formats from the UK, Romania, the US, Israel and Belgium feature in our round up of the best new unscripted projects hitting the international market 16 16 In focus: The Crystal Maze Classic British format The Crystal Maze is headed for MIPCOM and international stage for the first time. Jesse Whittock has the lowdown on the adventure gameshow series 18 Unscripted US: how to pitch Eexecutives repping channels with market-leading unscripted programming reveal the best ways to get content on their desk 20 Last Word Endemol Shine’s Doug Wood on how millennials are driving the boom in nostalgia 18 Editor Jesse Whittock • [email protected] • @TBI_Jesse Television Business International (USPS 003-807) is published bi-monthly (Jan, Mar, Apr, Jun, Aug and Oct) by Informa Telecoms & Media, Maple House, 149 Tottenham Court Road, London, W1T 7AD, United Kingdom. The Deputy editor Kaltrina Bylykbashi • [email protected] • @bylykbashi 2006 US Institutional subscription price is $255. -
Tbivision.Com August/September 2017
TBI Interview: Amazon: Endemol Shine's originals assessed Perrin on formats Page 4 Page 6 TBIvision.com August/September 2017 pOFC TBI AugSep17.indd 1 21/08/2017 18:15 presents pIFC Go-N TBI AugSep17.indd 1 17/08/2017 11:44 CONTENTS AUGUST/SEPTEMBER 2017 6 4 10 4 Monitor: Amazon Is Amazon’s original programming strategy a recipe for success or disaster? Kaltrina Bylykbashi talks with producers and analysts to find out 6 TBI interview: Lisa Perrin How do you go about overseeing indie format television’s largest catalogue? Endemol Shine Creative Networks chief executive Lisa Perrin reveals the key challenges to Jesse Whittock 16 10 Children’s Media Conference review The UK event revealed the growing impact of kids video-on-demand services from Sky and Virgin Media, plus the latest shopping lists from the established, linear players. Jesse Whittock reports 16 Kids Hot Picks A series dubbed “Total Wipeout meets Power Rangers”, a preschool cartoon featuring an autistic lead and talent, and a TV version of the online Badanamu brand feature in our round up 22 22 Talking drama TBI hears about three quirky scripted series set to hit the international market – including a BBC period medical comedy, an apocalytic Neil Cross drama and an Australian millennials dramedy 28 Content Innovation Awards 2017 preview Television’s hottest ticket is back: we run down the runners and riderds at our annual content-meets- tech awards ceremony as the CIAs turn three Regulars 2 Ed Note • 32 Last Word: Harry Gamsu, Red Arrow 28 For the latest in TV programming news visit TBIVISION.COM TBI August/September 2017 1 p01 Contents TBI AugSep17KBjw.indd 3 21/08/2017 18:19 EDITOR’S NOTE JESSE WHITTOCK t’s all getting a bit confusing, isn’t it? One minute Disney is buying of kids TV in the UK. -
Ebook Download Alan Titchmarsh How to Garden: Pruning And
ALAN TITCHMARSH HOW TO GARDEN: PRUNING AND TRAINING PDF, EPUB, EBOOK Alan Titchmarsh | 144 pages | 19 May 2009 | Ebury Publishing | 9781846074004 | English | London, United Kingdom Alan Titchmarsh: TV star's brilliant tip on pruning roses and plants exposed | In , he was replaced by Sophie Raworth. In , Titchmarsh was brought in to host the long-running BBC television talk show Pebble Mill , which he did until its cancellation in In , he presented a 6-part series in which he followed in the footsteps of the pilgrims, travelling around Britain and Ireland in the process. In the cancellation of Pebble Mill gave Titchmarsh the opportunity to move back towards gardening programmes, and he took over as host of another long-running BBC series, Gardeners' World in the same year, the show being filmed in his own garden. In , he took gardening to the masses with BBC One television series, Ground Force , in which he and fellow presenters Charlie Dimmock and Tommy Walsh would perform a makeover on a garden, Titchmarsh making full use of his horticultural skills when restocking the lucky gardens featured. In recent years, he has done less television and radio and spent more time on his career as a novelist and renewed interest in writing gardening books. He occasionally does other voiceover work for advertisements as well as voicing the title character in Gordon the Garden Gnome , a cartoon series for the CBeebies channel. Other recent work included hosting a special edition of the Antiques Roadshow , entitled the 20th Century Roadshow , which focused on modern collectibles, performing in the Children's Party at the Palace for the Queen's 80th birthday, and guest hosting an episode of The Paul O'Grady Show while O'Grady was off for medical reasons. -
BBC ONE Spring/Summer 2002 22 Factual
Factual computer technology and archaeology, Arthur FACTUAL recreates the real Dark Age counterpart to legendary Camelot, and brings to life the battlefield where Arthur won his greatest victories. Arthur – King Of The Britons Director Jean Claude Bragard says: “Travel with us as we journey through this ancient land of myths and legends. Exploring the length and breadth of the British isles, we visit the sites and sounds of Arthurian tradition – from Arthur’s historic birthplace at Tintagel to the mystical isle of Avalon where he is said to be buried. Together we’ll discover the truth behind the story and reveal the man behind the myth.” A BBC production for BBC ONE. Human Instinct King Arthur is one of the most famous figures in British mythology – but was there a “real” Arthur? Arthur – King Of The Britons goes on a quest to discover the true story behind the legend. Richard Harris – who famously portrayed Arthur in the film Camelot – unravels Arthur’s story and finds evidence for a real flesh and blood hero, deep in the mists of British history. The legend of King Arthur first appears in a 12th-century book written by Geoffrey of Professor Robert Winston provides a unique Monmouth in the Middle Ages, but the myth of glimpse into what it is that makes people tick in Arthur continues to enthral people throughout his latest series for BBC ONE. In Human the world. Much of the story may seem fanciful, Instinct, he reveals why certain people find one but there is evidence to suggest that the legend another attractive, why some drivers fly off the was inspired by real events that took place in handle in road rage and what it is that makes 5th century Britannia. -
The Internationalization of Food Television Show Formats
Esposito, Angela (2018) International food television show formats in the digital era. PhD thesis. https://theses.gla.ac.uk/30925/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] International Food Television Show Formats in the Digital Era Angela Esposito MSc Media Management Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Centre for Cultural Policy Research of Culture College of Creative Arts University of Glasgow October 2018 I Abstract A recent pattern has emerged amongst some of the top television production companies in the world – a global investment in a new style of television show format. Food television show formats such as Channel 4’s The Great British Bake Off in the UK and Fox’s Hell’s Kitchen in the US have consistently topped television ratings and attracted millions of viewers in every episode aired in their home counties and abroad. A range of publications argue that there has been a global demand for factual television formats, yet existing literature has focused primarily on dramas, talent shows and game show television format genres. -
The RHS Chelsea Flower Show Programme
Contents RHS Chelsea Flower Show Introduction . 2 Chelsea chatter . 4 At-a-glance guide to BBC broadcasts . 6 BBC and RHS say: “Let’s go interactive!” . 8 www.bbc.co.uk/gardening . 8 Click on to the How To Be A Gardener online course . 8 Chris Beardshaw’s Chelsea survival guide . 10 Chelsea virgins . 11 A “potted history” of the Chelsea Flower Show . 13 Biographies: Alan Titchmarsh . 14 Charlie Dimmock . 14 Diarmuid Gavin . 15 Chris Beardshaw . 15 Rachel de Thame . 16 Joe Swift . 17 Pippa Greenwood . 17 Appendix – Local Radio coverage . .18 RHS Chelsea Flower Show Introduction BBC coverage has blossomed More plants, more colour, more Chelsea The BBC serves up a bumper crop of changes before the fateful early-morning horticultural goodies this year with a seven-day judging. The BBC will record the highs and extravaganza of colour and gardening know- lows of the exhibitors, the trials and tribulations how from this year’s RHS Chelsea Flower Show. of creating a show garden, and the tears and the joy following the medal announcements. BBC coverage of the prestige event of the gardening calendar has blossomed, with more The vagaries of the British weather, the television airtime than ever before. Both excitement of the competition and the hustle newcomers taking their first tentative steps into and bustle of the public days mean there are the garden and Chelsea die-hards are in for a always a few surprises in store at Chelsea. This treat – there’s something for everyone. year sees the launch of the BBC People’s Awards, in which TV viewers and internet users The RHS Chelsea Flower Show goes interactive can vote for the best gardens themselves. -
Grand Designs, 144 Videography
VIDEOGRAPHY This list sets out all programs referenced in the book. Information is listed in the following order where available: Name of program; Production company; network on which it was originally aired; and date originally aired. Where specifc episodes are mentioned, these are listed below the program information. We have gathered this information from the following sources: IMDB (Internet Movie Database), Wikipedia, on-screen credits, and websources including specifc production com- pany websites, broadcasters, and TV listings. America’s Funniest Home Videos. ABC. First aired 26 November 1989. The Apprentice. NBC. First aired 8 January 2004. The Biggest Loser. NBC. First aired 19 October 2004. The Block. Nine Network. First aired 1 June 2004, revived 22 September 2010. Build a New Life in the Country. Shine Television. Channel 5 Television (UK). First aired 23 June 2005. Celebrity Island with Bear Grylls. Shine Television. Channel 4 (UK). First aired 18 September 2016. Changing Rooms. Endemol Studios. BBC2 (UK). First aired 4 September 1996. Come Dine with Me. ITV Studios, Shiver Productions. Channel 4 (UK). First aired 10 January 2005. Desperate Housewives. Touchstone Television. ABC (US). First aired 3 October 2004. © The Editor(s) (if applicable) and The Author(s) 2018 143 A. Podkalicka et al., Grand Designs, https://doi.org/10.1057/978-1-137-57898-3 144 VIDEOGRAPHY Faking It. Channel 4 (UK). First aired 18 September 2000. Fixer Upper. HGTV (US). First aired 23 May 2013. Gogglebox. Studio Lambert. Channel 4 (UK). First aired 7 March 2013. Gogglebox Australia. Shine Australia. The LifeStyle Channel (Aus). First aired 11 February 2015.