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HARRIET HAWKINS Institute of Geography and Earth Sciences, Aberystwyth University Llandinam Building, Aberystwyth, SY23 3DB, Wales, UK

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HARRIET HAWKINS Institute of Geography and Earth Sciences, Aberystwyth University Llandinam Building, Aberystwyth, SY23 3DB, Wales, UK HARRIET HAWKINS Institute of Geography and Earth Sciences, Aberystwyth University Llandinam Building, Aberystwyth, SY23 3DB, Wales, UK Email: [email protected] PRIMARY RESEARCH AREAS Geography, Art and Aesthetics Geographical thought and methods Creative Industries Esp. themes of embodiment, Esp. the place of Creative Geographies Esp. Cultural perspectives matter, and landscape EDUCATION 10/2002-06/2007 PhD in Geography: Geographies of Rubbish and Art. AHRC funded studentship, School of Geography University of Nottingham 2001-2002 MA Landscape and Culture, AHRC funded studentship, School of Geography University of Nottingham 1998-2001 BA Hons (Geography) Class 1, Awarded the University Prize, the School of Geography Prize and the Edwards Prize School of Geography University of Nottingham RESEARCH AND TEACHING POSITIONS January 2011- NSF/AHRC Research Fellow, Institute of Geography and Earth Sciences, Aberystwyth University. ‘Art-Science Collaborations: bodies and environments.’ September 2010- Lecturer in Human Geography, University of Bristol. February 2011 October 2007- AHRC Research Fellow, School of Geography, University of Exeter. ‘Negotiating the September 2010 Politics and Poetics of cultural identity in the creative industries in South West Britain’. October 2006- Part-time lecturer/tutor, School of Geography/Department of Art History, University of May 2007 Nottingham October 2003- Occasional lecturer/tutor, School of Geography, University of Nottingham September 2006 PUBLICATIONS A. Books ~ Pearson, M. Wylie, J, Merriman, P. and Hawkins, H. (eds) Landscaping, ( in preparation) ~ Hawkins, H. and Jones, P. (eds) Creative Methods. …. ( in preperation) 2013 Hawkins, H. and Straughan, E. (eds) Geographical Aesthetics: Bodies, Politics and Environments, Ashgate (under contract) 1 2009 Hawkins, H and Lovejoy, A. Insites. An artists’ book (Penryn: Insites Press). B. Articles and Book/Gallery Catalogue Chapters 2011 Harvey, D. Hawkins, H. and Thomas, N. Regional imaginaries of governance agencies: practicing the region of South West Britain, Environment and Planning A 43, 470-486 Hawkins, H. ‘Dialogues and Doings: Geography and Art- Landscape, critical spatialities and participation’ Geography Compass (in press) Hawkins, H, et al. ‘Organic Public Geographies. Making the Connection.’ Antipode, (Forthcoming) Hawkins, H. ’Unwritten Material Histories. Rubbish, Art and Theory.’ Journal of Material Culture (forthcoming) Hawkins, H. Dixon, D. and Ingram, M. ‘Think Art- Act Science’ Nature, 7344 (April) pp. 473 Dixon, D. Hawkins, H and Straughan, L. ‘Artists Enter the Laboratory’ Science, 331, pp 860 Hawkins, H. ‘Weaving Stories’ in Connecting with Gertrude Recent work by Amy Houghton, Plymouth City Art Gallery. Hawkins, H. Dixon, D. and Straughan, L. ‘Moving Forward: Looking Back. A retrospective moment in Art - Science Collaborations, Leonardo (in press) 2010 Hawkins, H. The Argument of the Eye. Cultural Geographies of Installation Art.’ Cultural Geographies, 17 (3) 1-19. Hawkins, H. ‘Turn your trash into… Rubbish, art and politics, Richard Wentworth’s Geographical imagination.’ Social and Cultural Geography 11 (8) 805-827. Hawkins, H. Collection as Artistic Practice: A Politics of Display.’ Women’s Studies: An Interdisciplinary Journal 39 (6) 1-27. Hawkins, H. ‘Visions of Excess. Michael Landy’s Breakdown and the theory of Georges Bataille.’ Angelaki: Journal of the Theoretical Humanities, 15 (2) 19-37. Thomas, N. Hawkins, H. and Harvey, D. ‘Digital Media Industries in the South West.’ Geography, 35 (1) 14-21. Hawkins, H. ‘Placing Art at the Royal Geographical Society’ In Creative Compass: New Mappings by International Artists ed. Patel V. and Ledda. T.C. p.7-16. 2009 Hawkins, H. ‘Touching art, Touching you.’ Senses and Society, 4 (3) 379-385. Hawkins, H. Harvey, D. and Thomas, N. ‘Creating the region: Networking the region.’ In Networks of Design, Glynne et al. (eds) Brown Walker Press/ Universal Publishers: Florida, p 427-434 C. Reviews and Reports 2009 Hawkins, H. ‘Networks, Residencies and Incubators. Geographies and Sociologies of Creative 2 Practice.’ Report for PVA Media Lab, Media Arts Organisation. Hawkins, H. ‘Creative regions,’ review article for Space and Polity. Hawkins, H. ‘Landscape and Vision,’ review article for Landscape Studies. Hawkins, H. ‘New Landscape Art,’ exhibition review for Artnowcornwall.org. D. Works in Progress Thomas, N. Hawkins, H. and Harvey, D. ‘The Historical Geographies of Craft: Creative Governance and the Region’, Regional Studies, (accepted) Hawkins, H. ‘Geography and Contemporary Art. An Expanded Field, Site, The Body and Practice’, Progress in Human Geography (under review) Harvey, D. Hawkins, H. and Thomas, N. ’Thinking creative clusters beyond the city: people, places and networks’ Geoforum, (under review) Hawkins, H. and Straughan, L. ‘Nano-Art, ‘Dynamic Matter and the sight/sound of Touch, Environment and Planning D (under review) Hawkins- Annals Hawkins- S/C Dixon, D. Hawkins, H. and Straughan, L. ‘Sublimity, Formalism and the Place of Art within Geomorphology’ Progress in Physical Geography (for submission 09/11) GRANTS 2011 Placing Art at the RGS: Historicising Creative Geographies The British Academy Overseas Conference Grant, £500, Approved. Digital Mapping: Creating The Archive (with Veronica della Dora and Mark Jackson) Submitted to the University of Bristol Alumni fund, £3000, Approved. Access to Masters- Life Sciences and Aesthetics ( with Deborah Dixon). Submitted to University of Aberystwyth xxx Perdy artist in residenc… 2010 Connecting Communities: Investigating the international relations of the creative industries in South West Britain (with Drs Harvey and Thomas) University of Exeter Project Development Pilot Grant Scheme £10, 000, Approved. Connecting Craft and Communities (with Drs Thomas, Bunnell and Ms.F. Hackney) AHRC Network Grant: Connected Communities, £39,907, Approved. The Bigger Picture: Arts Consultancy in the South West, University of Exeter Link Fund, £150, Approved Digital Mapping: Creating The Archive (with Veronica della Dora and Mark Jackson) Submitted to the British Academy, £7500, not funded. Artists as interdisciplinary practitioners, Getty Foundation USA Post-Doctoral Research Application, $150,000, not funded. 3 Landscape, Art and Environmental Citizenship, The Leverhulme Trust ~£114,000, not funded. Replacing Beauty, (with Professor Iain Biggs and UWE colleagues) The Leverhulme Trust £950,000, not funded. 2009 Geo-kitsch The British Academy Overseas Conference Grant, £500, Approved. Engaging Environments: Landscape, Art and Environmental Citizenship, Royal Geographical Society, Small Research Grant, £1500, Approved. Artists book projects Land/Place artists’ network, University of the West of England £1500, Approved. A politics of culture: the geographical imagination of the Arts Council, cultural policies and practice (1945-2012) The British Academy, ~£300,000, not funded. Creative Places, A Cultural Geography of Nottingham’s Creative Industries, Nottingham Post-Doctoral Research Fellowships, £100,000, not funded, Regional Innovation: Creative Arts in the Periperhy (RI-CAP) ( with Professor Paasi and Drs Harvey and Linehan), Humanities in the European Research Area, €1,000,000, not funded 2002 Geographies of Rubbish and Art, fully funded AHRC PhD Studentship, Approved. 2001 Landscape and Culture, Fully funded MA Studentship, Approved. EDITORIAL ACTIVITIES 2011 Editorial Board, Leonardo Reviews (Journal of Art and Science) Editor special issue Art and Geographical Knowledge Cultural Geographies (in preparation 2012) Editor review section Creative Mapping Social and Cultural Geography (in preparation 2011) IMPACT CASE STUDIES A. Creative Mapping This ongoing collaboration between myself, the Institute for International Visual Arts the Royal Geographical Society and Tate Britain explores creative mappings. To date it has resulted in two exhibitions; a catalogue; an interdisciplinary symposium ‘Crossing Boundaries’ bringing together geographers with visual artists, performance practitioners and people from the GIS Industry; a series of public workshops held at Iniva; and a public lecture I was invited to give at Iniva. There is also a planned book that I have been invited to edit alongside Professor David Pinder (QMUL). Exhibitions: Creative Compass (RGS, Summer 2010) Whose map is it anyway? (Institute for International Visual Arts (Iniva) London. Summer 2010). Catalogue essay: Placing Art at the RGS Symposium: Crossing Boundaries, June 2010, RGS-IBG, Iniva, Tate Britain. Invited public lectures: Creative Mapping; Heath Bunting, artist meets critique (Iniva June 2010). 4 B. Art-Science collaborations Resulting from both connections made during research into the Creative Industries in South West Britain and my current research into Art Science collaborations I have a growing area of ‘impact’ activity around art-science collaborations, including work with C3W, the climate change consortium in Wales. Academic advisor: Jurassic Coast Arts team Public Lectures: Earthscapes:Geology+Geography (Sherborne House Arts, 03/10; Thelma Hulbert Gallery, 06/10). Public events: Science Café, Aberystwyth University. Artist Workshops Geography and Art, (Sherborne House Arts, 03/10; Thelma Hulbert Gallery, 06/10). Artist-In-Residence: Perdiata Phillips, Luminescence Laboratory, Aberystwyth University C. Insites: an artists book Insites: An artists’ book was developed with artist Annie Lovejoy through engagement with a small Cornish community and their attitudes
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