The Rockefeller Foundation Annual Report 2011 President’S Letter
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Lucy Popova, Ph.D
Lucy Popova, Ph.D. School of Public Health Georgia State University 140 Decatur St. SE, Suite 848 Atlanta, GA 30303 Tel: (404) 413-9338 [email protected] Education • Ph.D., Communication 2010 University of California, Santa Barbara Dissertation Title: Perceived reality in media messages: Concept explication and testing Ph.D. Emphasis: Quantitative Methods in Social Science • M.A., Communication 2008 University of California, Santa Barbara MA Thesis Title: Compassion desensitization: Comparing reactions to nonfiction disaster and fictional television violence • B.A., Economics and Business 2001 Westmont College, Santa Barbara, CA Research Experience • Assistant Professor 2016 - present Second Century Initiative (2CI) Scholar Division of Health Promotion and Behavior School of Public Health, Georgia State University • Postdoctoral Research Fellow 2011 – 2016 Center for Tobacco Control Research and Education University of California, San Francisco Publications (41 total) Popova, L., Lempert, L.K., & Glantz, S.A. (in press). Light and mild redux: Heated tobacco products' reduced exposure claims are likely to be misunderstood as reduced risk claims. Tobacco Control. doi: 10.1136/tobaccocontrol-2018-054324 McKelvey, K., Popova, L., Kim, M., Lempert, L.K., Chaffee, B.D., Vijayaraghavan, M., Ling, P.M., & Halpern-Felsher, B.L. (in press). IQOS Labeling Will Mislead Consumers. Tobacco Control. Popova, L., Majeed, B., Owusu, D., Spears, C.A., & Ashley, D.L. (2018). Who are the smokers who never plan to quit and what do they think about the risks of using tobacco products? Addictive Behaviors, 87:62-68. doi: 10.1016/j.addbeh.2018.06.024 Nyman, A., Weaver, S.R., Popova, L., Pechacek, T.F., Huang, J., Ashley, D.L., & Eriksen, M.P. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Multiple Submissions From: Robert B. Sklaroff, MD, FACP To
Multiple Submissions From: Robert B. Sklaroff, M.D., F.A.C.P. To: Joan McClure (NCCN Senior Vice President, Clinical Information & Publications); NCCN Smoking Cessation Panel Received: July 2016- November 2016 Submission: July 11, 2016 From: Robert B. Sklaroff, M.D., F.A.C.P. To: NCCN Submissions Prior to releasing your July policy‐statement, please take into account these data; this "hot" information should simply be co‐adopted...and forwarded to the FDA. Also take note of both the articles and the COMMENTS herein http://well.blogs.nytimes.com/2016/07/11/e‐cigarettes‐expand‐teenage‐nicotine‐use‐rather‐than‐ replacing‐it/ ‐‐‐‐‐‐‐‐‐‐ Forwarded message ‐‐‐‐‐‐‐‐‐‐ From: Bill Godshall <[email protected]<mailto:[email protected]>> Date: Mon, Jul 11, 2016 at 2:42 PM Subject: Tobacco Harm Reduction Update To: [email protected]<mailto:[email protected]> Public Health England – E‐cigarettes: a developing public health consensus Joint statement on e‐ cigarettes by Public Health England and other UK public health organisations https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/534708/E‐ cigarettes_joint_consensus_statement_2016.pdf Public Health England Guidance urges employers and organizations to ALLOW vaping in workplaces and public places, to distinguish harmful smoke from smokefree vapor PHE press release – Vaping in public places: advice for employers and organizations https://www.gov.uk/government/news/vaping‐in‐public‐places‐advice‐for‐employers‐and‐organisations PHE: Use of e‐cigarettes -
TECHNOLOGY and INNOVATION REPORT 2021 Catching Technological Waves Innovation with Equity
UNITED NATIONS CONFERENCE ON TRADE AND DEVELOPMENT TECHNOLOGY AND INNOVATION REPORT 2021 Catching technological waves Innovation with equity Geneva, 2021 © 2021, United Nations All rights reserved worldwide Requests to reproduce excerpts or to photocopy should be addressed to the Copyright Clearance Center at copyright.com. All other queries on rights and licences, including subsidiary rights, should be addressed to: United Nations Publications 405 East 42nd Street New York, New York 10017 United States of America Email: [email protected] Website: https://shop.un.org/ The designations employed and the presentation of material on any map in this work do not imply the expression of any opinion whatsoever on the part of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. This publication has been edited externally. United Nations publication issued by the United Nations Conference on Trade and Development. UNCTAD/TIR/2020 ISBN: 978-92-1-113012-6 eISBN: 978-92-1-005658-8 ISSN: 2076-2917 eISSN: 2224-882X Sales No. E.21.II.D.8 ii TECHNOLOGY AND INNOVATION REPORT 2021 CATCHING TECHNOLOGICAL WAVES Innovation with equity NOTE Within the UNCTAD Division on Technology and Logistics, the STI Policy Section carries out policy- oriented analytical work on the impact of innovation and new and emerging technologies on sustainable development, with a particular focus on the opportunities and challenges for developing countries. It is responsible for the Technology and Innovation Report, which seeks to address issues in science, technology and innovation that are topical and important for developing countries, and to do so in a comprehensive way with an emphasis on policy-relevant analysis and conclusions. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
To Stay and Deliver Good Practice for Humanitarians in Complex Security Environments
Policy and Studies Series 2011 TO STAY AND DELIVER Good practice for humanitarians in complex security environments To Stay and Deliver Good practice for humanitarians in complex security environments Jan Egeland, Norwegian Institute of International Affairs Adele Harmer and Abby Stoddard, Humanitarian Outcomes Independent study commissioned by the Office for the Coordination of Humanitarian Affairs (OCHA) To Stay and Deliver: Good practice for humanitarians in complex security environments iiii This study was made possible through funding provided by Australia, Brazil, Germany, Ireland and Switzerland. © United Nations 2011. This publication enjoys copyright under Protocol 2 of the Universal Copyright Convention. No portion of this publication may be reproduced for sale of mass publication without the express and written consent from the United Nations Office for the Coordination of Humanitarian Affairs (OCHA)/Policy Development and Studies Branch (PDSB). This report is also available on the following websites: OCHA (http://ochaonline.un.org); Reliefweb (www.reliefweb.int); Humanitarian Outcomes (www.humanitarianoutcomes.org); Norwegian Institute of International Affairs: (www.nupi.no/) For more information, please contact: Policy Development and Studies Branch (PDSB) UN Office for the Coordination of Humanitarian Affairs (OCHA) E-mail: [email protected] Tel: +1 917 367 4263 To Stay and Deliver: Good practice for humanitarians in complex security environments iiiiii Contents Authors .......................................................................................v -
“A True Original.” Jennifer Dunning, the New York Times
“A True Original.” Jennifer Dunning, The New York Times Contact Chris Elam / Misnomer Dance Theater 588 10th Street, Suite 4 Brooklyn, NY 11215 917-602-0478 [email protected] Video clips & Info. www.misnomer.org Founded in 1998 by choreographer Chris Elam, Misnomer Dance Theater is a six-person modern dance company that finds hope, humor, and absurdity in peoples’ efforts to relate to one another. Whether between adolescent sisters, estranged lovers, animalistic creatures, or abstract beings, Elam devises meaningful exchanges, sometimes producing poignant and awkward tenderness, at other moments resulting in fiercely dismal misunderstandings. Elam uses physical illusions as a tool to investigate personal and group transforma- tion: an arm sprouts out of an ear, a person becomes an ostrich, five dancers appear to share a single head. Assertive contact partnering in which dancers climb upon each other to form improbable human architectures serves to fuse performers into unusual entities. With commissions in Indonesia, Cuba, Brazil, Turkey, and Suriname, Elam approaches dance from the perspectives of an ethnographer as well as a choreographer. His study of traditional dances informs the technical and conceptual complexity of his modern-minded choreography. Drawing from his extensive training in both traditional Balinese and Modern Dance, Elam’s choreography integrates the angular, quick- action style of Balinese dance with his own broken-flow modern movement. The Village Voice’s Elizabeth Zimmer writes about his invented vocabulary, “Fusion -
Master Document National Register of Historic Places Nomination Form
Master Document National Register of Historic Places Nomination Form The Burgess-Osborne Memorial Auditorium 1701 Wabash Avenue Mattoon, Illinois Prepared by Stephen A. Thompson Intrepid Consulting Services, Inc. April 2018 Executive Summary The following document is the master National Register of Historic Places (NRHP) nomination form submitted in a draft configuration to the Illinois State Historic Preservation Officer on 04 August 2017 for the 1953 Burgess-Osborne Memorial Auditorium (the Burgess) located at 1701 Wabash Avenue, Mattoon, Illinois. This NRHP document addresses the social and architectural significance of the Burgess and is an expansion of the 2013 Coles County List of Significant Places document generated for local landmarking of the Burgess. A related social sub-context addressed in detail in Appendix A of Section 8 is the role the Burgess played in the regional 1950s and 1960s pop music culture, with emphasis on the teen dances/concerts held at the facility and the bands that played there. The research of the associated contexts and the preparation of the nomination form were undertaken by Stephen A. Thompson of Intrepid Consulting Services, Inc., Carolyn Cloyd and Joyce St. Michael, members of the Coles County Historic Preservation Advisory Council, assisted with research and preparation of the National Register documentation. The Coles County Historic Preservation Advisory Council is an historic preservation advisory body under the Coles County Regional Planning & Development Commission, which reports to the Coles County Board. After thorough research and evaluation it has been determined that the Burgess is eligible for listing on the NRHP in that it: 1. Is locally significant under NRHP Criterion A, “…events that have made a significant contribution to the broad patterns of our history.” 2. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, FIRST SESSION Vol. 155 WASHINGTON, WEDNESDAY, SEPTEMBER 30, 2009 No. 139 House of Representatives The House met at 10 a.m. and was ANNOUNCEMENT BY THE SPEAKER Mr. GUTHRIE. As cold and flu season called to order by the Speaker. is quickly approaching, media reports The SPEAKER. The Chair will enter- in my district and around the country f tain up to 15 requests for 1-minute speeches on each side of the aisle. are reporting on the exposure to the PRAYER H1N1 virus. f The Chaplain, the Reverend Daniel P. I recently met with the Kentucky Coughlin, offered the following prayer: EMPLOYER-OWNED LIFE Pork Producers, who raise concerns Lord God, as a Nation who believes in INSURANCE LIMITATION ACT that the media and individuals refer- Your Divine providence, we have seen (Mr. GUTIERREZ asked and was ring to the H1N1 flu virus as the ‘‘swine Your right hand guide us in the past. given permission to address the House flu’’ is having a negative effect on Time and time again our Union has for 1 minute.) them. been tested by economic threat, civil Mr. GUTIERREZ. Today I told my Because it is referred to as the demonstration, war, natural disaster, staff, I have good news and bad news. ‘‘swine flu,’’ individuals may think misdeeds and negligence of the past, as The bad news is that I had to cancel that the H1N1 virus can be caught from well as foreign attacks. -
Change Capital in Action: Lessons from Leading Arts Organizations Alvin Ailey American Dance Theater in Alvin Ailey’S Revelations
Change Capital in Action: Lessons from Leading Arts Organizations Alvin Ailey American Dance Theater in Alvin Ailey’s Revelations. Photo by Andrew Eccles. 2 ©2013, Nonprofit Finance Fund® nonprofitfinancefund.org Change Capital in Action: Lessons from Leading Arts Organizations By Rebecca Thomas and Rodney Christopher, Nonprofit Finance Fund & Holly Sidford, Helicon Collaborative Introduction 4 Genesis of the Leading for the Future Program 6 What Makes Change Capital Distinct? 8 Features of the Program 10 Participant Profiles and Program Results 12 Lessons Learned: Readiness for Change Capital 16 Lessons Learned: Context Counts 18 The Leading for the Future Initiative is a program of Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation. ©2013, Nonprofit Finance Fund® nonprofitfinancefund.org 3 Introduction Ping Chong + Company’s Tales from the Salt City. Photo by Michael Davis. 4 ©2013, Nonprofit Finance Fund® nonprofitfinancefund.org Technology Investment Yields Meaningful Returns The Alvin Ailey Dance Foundation is an internationally recognized artistic treasure, one of the most celebrated modern dance companies in the world. While best known for its main touring company (Alvin Ailey American Dance Theater), Ailey also operates a second company (Ailey II), a professional training academy (The Ailey School), and extensive dance and fitness programs for everyday people (Ailey Extension). Additionally, it runs a boutique and manages a sophisticated development operation. In 2007, as Ailey neared its 50th anniversary, each of these separate divisions was functioning successfully but had Growing Program Revenue Supports developed its own approach to data management and Artistic Risk patron engagement. The organization had no easy way In 2007, Ping Chong + Company’s Undesirable Elements was to encourage audience members to take advantage of gaining national recognition as an artistically imaginative its multiple offerings, or to track and deepen a person’s way to engage audiences. -
Leading Change in United Nations Organizations
Leading Change in United Nations Organizations By Catherine Bertini Rockefeller Foundation Fellow June 2019 Leading Change in United Nations Organizations By Catherine Bertini Rockefeller Foundation Fellow June 2019 Catherine Bertini is a Rockefeller Foundation Fellow and a Distinguished Fellow at the Chicago Council on Global Affairs. The Rockefeller Foundation grant that supported Bertini’s fellowship was administered by the Chicago Council on Global Affairs. The Chicago Council on Global Affairs is an independent, nonpartisan membership organization that provides insight – and influences the public discourse – on critical global issues. We convene leading global voices, conduct independent research and engage the public to explore ideas that will shape our global future. The Chicago Council on Global Affairs is committed to bring clarity and offer solutions to issues that transcend borders and transform how people, business and government engage the world. ALL STATEMENTS OF FACT AND OPINION CONTAINED IN THIS PAPER ARE THE SOLE RESPONSIBILITY OF THE AUTHOR AND DO NOT REFLECT THE VIEWS OF THE ROCKEFELLER FOUNDATION OR THE CHICAGO COUNCIL ON GLOBAL AFFAIRS. REFERENCES IN THIS PAPER TO SPECIFIC NONPROFIT, PRIVATE OR GOVERNMENT ENTITIES ARE NOT AN ENDORSEMENT. For further information about the Chicago Council on Global Affairs or this paper, please write to the Chicago Council on Global Affairs, 180 North Stetson Avenue, Suite 1400, Chicago, IL 60601 or visit thechicagocouncil.org and follow @ChicagoCouncil. © 2019 by Catherine Bertini ISBN: 978-0-578-52905-9 All rights reserved. Printed in the United States of America. This paper may not be reproduced in whole or in part, in any form (beyond that copying permitted by sections 107 and 108 of the US Copyright Law and excerpts by reviewers for the public press), without written permission. -
Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing Brian Martinez
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 ¡Casinando!: Identity, Meaning, and the Kinesthetic Language of Cuban Casino Dancing Brian Martinez Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ¡CASINANDO! IDENTITY, MEANING, AND THE KINESTHETIC LANGUAGE OF CUBAN CASINO DANCING By BRIAN MARTINEZ A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2012 Brian Martinez defended this thesis on March 26, 2012. The members of the supervisory committee were: Frank Gunderson Professor Directing Thesis Michael Bakan Committee Member Charles Brewer Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my father, mother, and brother, for all of your unfailing love and support iii TABLE OF CONTENTS LIST OF TABLES....................................................................................................................... vi LIST OF FIGURES.................................................................................................................... vii ABSTRACT.................................................................................................................................. ix 1. INTRODUCTION TO CASINO ..........................................................................................1