Clyne & Strauss
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
POWDER-HER-FACE.Pdf
3 La Fenice prima dell’Opera 2012 3 2012 Fondazione Stagione 2012 Teatro La Fenice di Venezia Lirica e Balletto Thomas Adès Powder ace her f ace er InciprialeF h il viso owder owder p dès a homas t FONDAZIONE TEATRO LA FENICE DI VENEZIA TEATRO LA FENICE - pagina ufficiale seguici su facebook e twitter follow us on facebook and twitter FONDAZIONE TEATRO LA FENICE DI VENEZIA Destinare il cinque per mille alla cultura è facile e non costa nulla. Quando compili la tua dichiarazione dei redditi, indica il codice fiscale della Fondazione Teatro La Fenice di Venezia: 00187480272 Aiuti la cultura, aiuti la musica. Incontro con l’opera FONDAZIONE lunedì 16 gennaio 2012 ore 18.00 AMICI DELLA FENICE SANDRO CAPPELLETTO, MARIO MESSINIS, DINO VILLATICO STAGIONE 2012 Lou Salomé sabato 4 febbraio 2012 ore 18.00 MICHELE DALL’ONGARO L’inganno felice mercoledì 8 febbraio 2012 ore 18.00 LUCA MOSCA Così fan tutte martedì 6 marzo 2012 ore 18.00 LUCA DE FUSCO, GIANNI GARRERA L’opera da tre soldi martedì 17 aprile 2012 ore 18.00 LORENZO ARRUGA La sonnambula lunedì 23 aprile 2012 ore 18.00 PIER LUIGI PIZZI, PHILIP WALSH Powder Her Face giovedì 10 maggio 2012 ore 18.00 RICCARDO RISALITI La bohème lunedì 18 giugno 2012 ore 18.00 GUIDO ZACCAGNINI Carmen giovedì 5 luglio 2012 ore 18.00 MICHELE SUOZZO L’elisir d’amore giovedì 13 settembre 2012 ore 18.00 MASSIMO CONTIERO Clavicembalo francese a due manuali copia dello Rigoletto strumento di Goermans-Taskin, costruito attorno sabato 6 ottobre 2012 ore 18.00 alla metà del XVIII secolo (originale presso la Russell PHILIP GOSSETT Collection di Edimburgo). -
THOMAS ADÈS Works for Solo Piano
THOMAS ADÈS Works for Solo Piano Han Chen Thomas Adès (b. 1971) Works for Solo Piano Composer, conductor and pianist Thomas Adès has been sexual exploits scandalised Britain in the 1960s. Adès’s A set of five variants on the Ladino folk tune, ‘Lavaba la Written in 2009 to mark the Chopin bicentenary, the described by The New York Times as ‘among the most Concert Paraphrase on Powder Her Face (2009) reflects blanca niña’, Blanca Variations (2015) was commissioned three Mazurkas, Op. 27 (2009) were requested by accomplished all-round musicians of his generation’. Born the extravagance, grace and glamour of its subject in a by the 2016 Clara Haskil International Piano Competition. Emanuel Ax, who premiered them at Carnegie Hall, New in London in 1971, he studied piano at the Guildhall bravura piece in the grand manner of operatic paraphrases The music appears in Act I of The Exterminating Angel , York on 10 February 2010. The archetypal rhythms, School of Music & Drama, and read music at King’s of Liszt and Busoni. The composer quotes and Adès’s opera based on the film by Luis Buñuel, where it is ornamentation and phrasings of the dance form are College Cambridge. His music embraces influences from extemporises freely on several key scenes, transcribing performed by famous pianist Blanca Delgado. The wistful, evident in each of these tributes to the Polish master, yet jazz and pop as well as the Western classical tradition. He them as four spontaneous-sounding piano pieces. The first yearning folk tune persists throughout a varied sequence of Adès refashions such familiar gestures to create has contributed successfully to the major time-honoured piece is Scene One of the opera, Adès’s Ode to Joy (‘Joy’ treatments, some exploiting the full gamut of the keyboard something new and deeply personal. -
Monday, June 30Th at 7:30 P.M. Blue Lake Fine Arts Camp Free Admission
JUNE 2008 Listener BLUE LAKE PUBLIC RADIO PROGRAM GUIDE Monday, June 30th at 7:30 p.m. TheBlue Grand Lake Rapids Fine ArtsSymphony’s Camp DavidFree LockingtonAdmission WBLV-FM 90.3 - MUSKEGON & THE LAKESHORE WBLU-FM 88.9 - GRAND RAPIDS A Service of Blue Lake Fine Arts Camp 231-894-5656 http://www.bluelake.org J U N E 2 0 0 8 H i g h l i g h t s “Listener” Volume XXVI, No.6 “Listener” is published monthly by Blue Lake Public Radio, Route Two, Twin Lake, MI 49457. (231)894-5656. Summer at Blue Lake WBLV, FM-90.3, and WBLU, FM-88.9, are owned and Summer is here and with it a terrific live from operated by Blue Lake Fine Arts Camp Blue Lake and broadcast from the Rosenberg- season of performances at Blue Lake Fine Clark Broadcast Center on Blue Lake’s Arts Camp. Highlighting this summer’s Muskegon County Campus. WBLV and WBLU are public, non-commercial concerts is a presentation of Beethoven’s stations. Symphony No. 9, the Choral Symphony, Blue Lake Fine Arts Camp with the Blue Lake Festival Orchestra, admits students of any race, color, Festival Choir, Domkantorei St. Martin from national or ethnic origin and does not discriminate in the administration of its Mainz, Germany, and soloists, conducted programs. by Professor Mathias Breitschaft. The U.S. BLUE LAKE FINE ARTS CAMP Army Field Band and Soldier’s Chorus BOARD OF TRUSTEES will present a free concert on June 30th, and Jefferson Baum, Grand Haven A series of five live jazz performances John Cooper, E. -
February 15, 2013
February 15, 2013 The New York Times Replica Edition - The New York Times - 15 Feb 2013 - Page #69 2/15/13 1:14 PM http://nytimes.newspaperdirect.com/epaper/services/OnlinePrintHandler.ashx?issue=83022013021500000000001001&page=69&paper=A3 Page 1 of 1 February 18, 2013 The New York Times Replica Edition - The New York Times - 18 Feb 2013 - Page #30 2/19/13 12:40 PM http://nytimes.newspaperdirect.com/epaper/services/OnlinePrintHandler.ashx?issue=83022013021800000000001001&page=30&paper=A3 Page 1 of 1 The New York Times Replica Edition - The New York Times - 10 Feb 2013 - Page #39 2/12/13 12:10 PM February 10, 2013 The New York Times Replica Edition - The New York Times - 10 Feb 2013 - Page #39 2/12/13 12:10 PM http://nytimes.newspaperdirect.com/epaper/services/OnlinePrintHandler.ashx?issue=83022013021000000000001001&page=39&paper=A3 Page 1 of 1 http://nytimes.newspaperdirect.com/epaper/services/OnlinePrintHandler.ashx?issue=83022013021000000000001001&page=39&paper=A3 Page 1 of 1 February 19, 2013 New Approaches to Themes Sacred and Sexual | Parsifal | Powder Her Face | Opera Reviews by Heidi Waleson - WSJ.com 3/2/13 12:44 PM Dow Jones Reprints: This copy is for your personal, non-commercial use only. To order presentation-ready copies for distribution to your colleagues, clients or customers, use the Order Reprints tool at the bottom of any article or visit www.djreprints.com See a sample reprint in PDF format. Order a reprint of this article now OPERA February 19, 2013, 6:00 p.m. ET New Approaches to Themes Sacred and Sexual By HEIDI WALESON Ken Howard/Metropolitan Opera Director François Girard transports Wagner's final opera to a postapocalyptic period. -
Super Drama Sunday Marathon
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTERLISTINGSFEBRUARY 2012 Super Drama Sunday Marathon Some may relish in watching the Super Bowl on February 5th, while others may long for something a bit more sophisticated. That’s why WXXI is proud to bring back Super Drama Sunday – with two Masterpiece Classic presentations. We’ll kick off the afternoon at 12:30 withReturn to Cranford, where change is racing towards the small, close- knit village of Cranford like a steam train — quite literally. As the railroad continues to encroach on the town, Cranford strives to open to new realities, from surprising romances to unexpected losses and even waltzing! At 3:30 p.m. WXXI-TV/HD makes a touch down with the Emmy Award-winning Downton Abbey. You’ll enjoy the first five episodes of season two back to back, which rejoins the story of the noble Crawley family and their servants at Downton Abbey during the tumultuous World War I era. Return to Cranford airs 12:30 p.m., Downton Abbey at Photo credit: 20 Toe Photo 3:30 p.m., Sunday, February 5 on WXXI-TV/HD Executive Staff FEBRUARY 2012 Volume 3, Issue 4 Norm Silverstein, President & CEO Member & Audience Services ... 585.258.0200 WXXI Main Number ................... 585.325.7500 Susan Rogers, Executive Vice President & General WXXI is a public non-commercial broadcasting station owned and op- Manager Service Interruptions ................. 585.258.0331 Audience Response Line ........... 585.258.0360 erated by WXXI Public Broadcasting Council, a not-for-profit corporation Jeanne E. -
DMA Option 2 Thesis and Option 3 Scholarly Essay DEPOSIT COVERSHEET University of Illinois Music and Performing Arts Library
DMA Option 2 Thesis and Option 3 Scholarly Essay DEPOSIT COVERSHEET University of Illinois Music and Performing Arts Library Date: DMA Option (circle): 2 [thesis] or 3 [scholarly essay] Your full name: Full title of Thesis or Essay: Keywords (4-8 recommended) Please supply a minimum of 4 keywords. Keywords are broad terms that relate to your thesis and allow readers to find your work through search engines. When choosing keywords consider: composer names, performers, composition names, instruments, era of study (Baroque, Classical, Romantic, etc.), theory, analysis. You can use important words from the title of your paper or abstract, but use additional terms as needed. 1. _________________________________ 2. _________________________________ 3. _________________________________ 4. _________________________________ 5. _________________________________ 6. _________________________________ 7. _________________________________ 8. _________________________________ If you need help constructing your keywords, please contact Dr. Bashford, Director of Graduate Studies. Information about your advisors, department, and your abstract will be taken from the thesis/essay and the departmental coversheet. ÓCopyright 2018 Kyle Shaw PROMISCUITY, FETISHES, AND IRRATIONAL FUNCTIONALITY IN THOMAS ADÈS’S POWDER HER FACE BY KYLE SHAW THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Music Composition in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Reynold Tharp, Chair and Director of Research Assistant Professor Carlos Carrillo Professor Stephen Taylor Professor William Heiles ii ABSTRACT While various scholars have identified Thomas Adès’s primary means of generating pitch material—various patterns of expanding intervals both linear and vertical—there remains a void in the commentary on how his distinct musical voice interacts with the unique demands of articulating a coherent musico-dramatic art form. -
Uc Berkeley Campus
University of Mediterranean California Botanical Garden of Human Garden Asian Old Roses Genome Southern Australasian South 84 Laboratory African New American World Rd vin 74 Desert Chinese al C Herb Medicinal 86 83 Garden Herb Cycad & Garden Palm 85 Garden 85B Miocene Eastern Mexican/ Forest North Central American P Strawberry American a Californian n Entrance o Mather r a Silver Redwood m Space Grove ic Sciences P la c Laboratory e L e Mathematical Molecular e Dr Sciences nial Foundry R ten National d 73 Research en Institute C Center for Electron Microscopy 66 72 67 62 Grizzly 77A Peak Entrance y 77 31 a W 69 ic m a Hill r o Terrace n Parking Lawrence a Lots P 75A Berkeley Claremont 75 75B National D Canyon w G Regional i Laboratory y g l a Strawberry a s h Preserve W t e Canyon P 79 r t l R Center h a d Haas ce Lawrence 78 76 Clubhouse ig Hall of C w e D Science n t 76 e Strawberry n n Canyon i a Recreational l Vista 26 D Area r Parking Lot Sand Volleyball 3024 Court #1Tanglewood Rd 25 J H 48 20 G Track/ Faculty 5 4 Soccer 45 Levine-Fricke Smyth- Field Archives Apartments Field F Fernwald 21 16 14 d 52 R Family en y 3001 d e rd Wa E Housing Segré R c A P ic n anoram 3001 e r y st Derby 17 27 53 7 a a wa 19 w UC BERKELEY CAMPFeUrnwald SRd MAPGolden 22 E y D a M W d C Bear r R L o c n a i la Recreation il n s Witter M 37 m c y s Community Center Golden M Advanced o w a Field Witter A r n rd e 71 Light o n Rd o Center 25 Bear 58 Parking Field R o n Redwood 47 Source Lot d d a Smyth Pool BBQ P 6 R House Area Gardens d 46 15 s Sports Ln -
Full Orchestra
John Adams City Noir 2009 34 min for orchestra picc.3(III=picc).3.corA.3(III=bcl).bcl.asax.dbn--6.4.3.1--timp.perc(5):vib/lg sus.cym/SD/bongos; tuned gongs/sus.cym/glsp/mar/tam-t/BD/chimes/vib/low tom-toms/tgl/castanets/cowbell/clave/temple bl; chimes/glsp/tamb/med tam-t/2 timbales/sus.cym/crotales/xyl; BD/tuned gongs/med tam-t/2 sus.cym/mar/crotales/castanet/tgl/glsp; 2 tam-t/BD/sus.cym/tgl/temple block/SD/2 tom-t/timbale/bongo/conga/tuned gongs.trap set--pft--cel--2harps--strings 9790051097791 Orchestra (full score) John Adams photo © Christine Alicino World Premiere: 08 Oct 2009 Walt Disney Concert Hall, Los Angeles, CA, United States Los Angeles Philharmonic FULL ORCHESTRA Conductor: Gustavo Dudamel Availability: This work is available from Boosey & Hawkes for the world Absolute Jest 2011 25 min Doctor Atomic Symphony 25 min for string quartet and orchestra 2007 2.picc.2.corA.2.bcl.2.dbn-4.2.2.0-timp.perc(2):cowbell/xyl/BD/chimes/glsp/vib-harp-pft.c for orchestra el-strings 2.picc.3(III=corA).3(II=Ebcl, III=bcl).3(III=dbn) -4.4(IV=picc.tpt).3.1-harp-cel-timp-perc(4):crotales/chimes/SD/thunder sheet/glsp/BD/2 This work requires additional technological components and/or amplification. tam-t/2 susp.cym/tuned gongs-strings 9790051097326 (Full score) <u>NOTE</u>: Due to certain balance issues in the orchestration, it is strongly recommended that very light amplification of the solo quartet be used with the sound controlled through a mixing board located at the rear, behind the audience. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
THE OREGON SYMPHONY 2021/22 SEASON ©Disney
THE OREGON SYMPHONY 2021/22 SEASON ©Disney David Danzmayr, Music Director Sarah Kwak, Concertmaster Disney and Pixar’s Coco JáTtik Clark, Principal Tuba Joshua Bell 2 Your Symphony. Back together again, with you. Join us at the Arlene Schnitzer Concert Hall for an extraordinary Oregon Symphony 2021/22 Season, as we come together and celebrate the orchestra, our 125th Anniversary, and the debut of Music Director David Danzmayr. Together, we’ll experience a season filled with concerts of exceptional vibrancy and cultural diversity, building on the 18-year legacy of Music Director Laureate Carlos Kalmar. And, in an exciting new partnership with a creative alliance of musical luminaries, your Oregon Symphony will bring the power of music to more people in new ways, both on and off the stage. As we reunite with our audience, there is much to celebrate. We can’t wait to experience the joy and healing power of live music with you once again. Camille Zamora with the Mambo Kings 3 You’ll want to hear where he takes you. “I cannot wait to make music again with the wonderful Oregon Symphony, an orchestra with a real musicality and skill at evoking emotions from the audience. Having worked with such thoughtful musicians, it came as no surprise to me that Oregonians have been on full display in welcoming me to this generous community.” – David Danzmayr, Music Director 4 We are thrilled to Austrian-born, David has gospel music of our country’s introduce you to the conducted orchestras from Black community, to Respighi’s Germany to Scotland, San Diego Pines of Rome, inspired by the person who will lead the to Baltimore. -
Dean Hamlet at Glyndebourne & Beyond
October 2017 Dean Hamlet at Glyndebourne & beyond Brett Dean’s new opera Hamlet won acclaim at its Glyndebourne premiere in June, tours in the UK this autumn and travels to the Adelaide Festival in March. Shakespeare’s classic play has been successfully put it on” – discussions are already underway recast by composer Brett Dean as a powerful with leading opera houses in Europe and North and multi-layered opera, attracting acclaim from America to schedule territorial premieres. press and public alike at its premiere in June. The Glyndebourne staging of Hamlet by Neil Armfield Matthew Jocelyn’s libretto for Hamlet is a masterly featured a starry cast led by Allan Clayton in the title distillation of the various versions of Shakespeare’s role, Barbara Hannigan, Sarah Connolly, Rod Gilfry text, reduced from 30,000 words into a two-act and John Tomlinson, with the London Philharmonic opera. The dramatic focus points towards family Orchestra under the baton of Vladimir Jurowski. dynamics rather than affairs of state, allowing Dean to probe characters and inner conflicts while walking the tightrope between tragedy “…it rises to the challenge and comedy. set by Shakespeare’s great “A magnificent new opera on Hamlet... Forget play…” The Guardian Cumberbatch. Forget even Gielgud. I haven’t seen a more physically vivid, emotionally affecting or psychologically astute portrayal of the Prince of Denmark The production was webcast, screened in than Allan Clayton gives in this sensational production. UK cinemas and returns this autumn on Dean’s skill at creating a supercharged orchestral subtext Glyndebourne’s tour, visiting Canterbury, Norwich, to each scene is matched by his immense theatricality. -
Uc Berkeley Campus Map Key
UC BERKELEY CAMPUS MAP KEY Alumni House, D-5 Greenhouse, A-7 Pacific Film Archive (PFA) Theater, D-4 Andersen Auditorium (Haas School of Business), C-2 Grinnell Natural Area, C-6 Parking Lots/Structures, A-3, A-4/5, D-3, D/E-6, Anthony Hall, C/D-4 Haas Pavilion, D-5 E-4, E/F-3, E/F-5/6 Architects and Engineers (A&E), D-4 Haas School of Business, C-2 Pimentel Hall, B-3 Bancroft Library, C-4 Hargrove Music Library, D-3 Pitzer Auditorium (Latimer Hall), C-2/3 Banway Bldg., D-7 Haste Street Child Development Center, F-5 Police, UC (Sproul Hall), D-4 Barker Hall, A/B-6 Haviland Hall, B-4/5 Recreational Sports Facility, D-5/6 Barrow Lane, D-4 Hazardous Materials Facility, C/D-6 Residence Halls Barrows Hall, D-4 Hearst Field Annex, D-4 Bowles Hall, C-2 BART Station, C-7 Hearst Greek Theatre, B-2 Clark Kerr Campus, F-1 Bechtel Engineering Center, B-3/4 Hearst Memorial Gymnasium, D-3 Cleary Hall, E/F-4/5 Berkeley Art Museum (Woo Hon Fai Hall), D/E-3 Hearst Memorial Mining Bldg., B-3 Foothill Residence Halls, A/B-2/3 Birge Hall, C-3 Hearst Mining Circle, B-3 Ida Louise Jackson Graduate House, E-2/3 Blum Hall, A/B-4 Hearst Museum of Anthropology, D-3 Martinez Commons E/F-4 Boalt Hall, D-2 Heating Plant, Central, C-6 Stern Hall, B-2/3 Botanical Garden, C-1 Hellman Tennis Complex, C-6 Unit 1, E-3 Brain Imaging Center, B-5 Hertz Hall, C/D-3 Unit 2, F-3 C.V.