An Ethnographic Study of Young University Students in Bangladesh

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An Ethnographic Study of Young University Students in Bangladesh Veil as Religious Expression : An Ethnographic Study of Young University Students in Bangladesh Fouzia Mannan1 Abstract This paper draws from the experience of teaching feminism to a class of young women who wear black, all covering veils with just their eyes showing through. Increasing numbers of women, especially young women, can be seen wearing veils in Bangladesh, a drastic shift away from the decades following the nation's independence in 1971. Currently, within feminist discourse, two major debates surrounding veiling or 'purdah' take precedence; with one sect of feminist scholars identifying veils as oppressive and the other heralding it as a source of agency as well as a freedom of choice. However, this dichotomy is not relevant to the Bangladeshi context, and has given rise to a discrepancy between theoretical knowledge and real practice; urging further critical analysis of the changing role of veiling in the Global South generally and Bangladesh specifically, particularly among the youth and adolescent populations. Therefore, this paper will aim to both explore and discuss factors that incentivize young women, especially those who are studying and critique societal structures and phenomena (including religious behavior and gendered norms) to a different form of social attire. Thus, the research conducted, in this case, was qualitative in nature and the sample consisted of a select group of young university students (using purposive sampling). 25 case studies were conducted on the basis of in-depth interviews, focus group discussions and participant observation. Last but not least, I note the ways in which patriarchy, capitalism, globalization converge in the urban metropolitan setting of Dhaka, to encourage women across age and class divides, to embrace religion as their dominant social identity over ethnic and national identities. It was concluded that the role of veiling in the context of Bangladesh, is a complex and multi- dimensional phenomenon; that is to say, it is not only an expression of religious piety against an ethno-symbolic identity; deeply intertwined with issues of globalization, patriarchy, class, and feminine sexuality. Key words: Religious expression, University student, Symbolic interaction, patriarchy and Globalization. 1 Associate Professor , Department of Sociology & Dean, Faculty of Liberal Arts & Social Sciences, East West University, Dhaka, Bangladesh, email: [email protected] . 1 Introduction The practice of veiling2, has always been considered a manifestation of religious expression for Muslim women globally and in Bangladesh. An increasing number of veils, particularly among the younger generations has become widespread within the past two decades in Bangladesh. On the contrary, western outfits have also become increasingly popular, particularly among upper class women that is apparent to see in both private and public universities, corporate offices and as well as in the media, where young female presenters and newscasters wear formal western attire regularly on private TV Channels in Bangladesh. However, according to Hassim (2014) in her research on Hijab and the Malay-Muslim Woman in Media, "the globalization of Islamic countries worldwide, inadvertently changed the representation of Muslim woman and the hijab. Displays of Islamic modesty in print, broadcast and social networking channels create opportunities for Muslim women to experience empowerment and diminish oppressive stereotypes,”. However, feminists have argued that veiling has a symbolic meaning that is interconnected with other sociopolitical issues, 'such as resistance, oppression, identity, colonialism, and patriarchy rather than being just an object' (Ahmed 1992:56). Thus, the sociological interpretation of veil as attire is not only culturally symbolic, but can be telling of broader socio-cultural trends within a society. This paper largely draws from the experience of teaching feminism in a class full of young women with only their eyes showing through black, all-covering veils. Increasing numbers of Bangladeshi women, especially younger women, are now seen sporting veils, contrary to traditional practice in Bangladesh even a decade ago. Bangladesh emerged into the world after fighting for independence with Pakistan on the basis of a salient ethno-symbolic national identity that stems from a shared culture and the principle of secularism as opposed to religious identity. Since its inception, the 2 The veil, is an attire that Muslim women wear to cover or conceal the face and body. There are different terminologies relating to the veil worn by Muslim women, such as niqab or burqa. Three versions of coverings. Stylish, colorful, long robes and the hijab substitute long suits and the more traditional full black burqa with a full face covering (niqab). Often, women even cover their hands with gloves and wear socks on their feet, so that none of their skin is visible. It has been highly debated that these variations are not religious, but cultural and are in fact, the result of interactions between religion and cultural identities. 2 Constitution3 of Bangladesh branded the new nation-state as completely secular in nature4. The question has arisen in academia in general and in the field of sociology in particular–– how can the social phenomena of veiling be explained? Is it a revivalism of religious faith or a new global expression in the new era? Has secular cultural identity only propelled new generations towards founding new religious identity? Or has the new market economy ushered a new form of patriarchy in the name of religious freedom and choice? In this paper, I discuss the factors that are influencing young Bangladeshi women to embrace the practice of veiling; including those who have chosen to study and understand social problems from religious behavior to socialization, gendered norms and coherent thinking. However, considered a means of evoking modesty on the one hand and a form of beautification on the other: this discrepancy between theoretical knowledge and the real practice of veiling has claimed attention worldwide over the past few years. In order to understand these new changes in Bangladeshi society, particularly in terms of the creation of new identities through religious expression, the concept of veiling must be explored alongside other social processes including Globalization, Westernization, Modernization etc. Objectives This study aims to explore why the practice of veiling is seeing a notable increase among young women in general and university students in particular within Dhaka city. The primary goal of this research is to explore the causal relationship between wearing a veil and the ethno-symbolic 3 According to the Constitution: “The State shall not discriminate against any citizen on the grounds of religion, race, caste, sex or place of birth” (Article 28:1) Eighth Amendment of the Constitution was adopted : “The State religion of the Republic is Islam, but other religions may be practiced in peace and harmony in the republic” (Article 2A) 4 After the colonial period in India, it was divided into two parts on the basis of religion. Pakistan ( the then East and West Pakistan) was created with the majority of the Muslim population . Again, in 1971, the then East Pakistan emerged as a new independent nation, Bangladesh, on the basis of ethno-cultural identity that is Bengali nationalism, and secularism is one of the pillar of the Constitution of Bangladesh. Afterwards in 1975, the different political regimes have brought up religion in the arena of national identity and national identity of Bangladesh now in a complex juncture. 3 construction of female Muslim (religious & cultural) identity among young Muslim women, with a specific focus on young university students in Dhaka. Research Questions a) Why is veiling becoming increasingly ‘popular’ among young university students in Dhaka? b) Is the upsurge of veiling a symbol of cultural , religious or a new identity among young university students? and how is it intertwined with gender, class, patriarchy and with the process of globalization? Methodology This research has been carried out using qualitative methods with the sample consisting of a select group of young university students who wear veils, selected using purposive sampling. It is mainly based on in-depth interviews conducted with female students of two departments, one is from the faculty of social sciences and other is from the faculty of sciences. 25 case studies have been done on the basis of in-depth interviews, focus group discussions (FGD) and participant observations. Apart from classroom interaction and observation, personal experiences based on interpersonal relationships with different social classes of females who are wearing veils are also reflected in this study. The scope of this research study is confined to one university, which might not provide a general view of the situation, but can throw light on the attitude, belief and causal relationship of the recent trend of the increasing wearing veil among young Muslim women in a limited manner that can enhance the scope for research in the future. 4 2. Literature Review Sociology of Religion & Ethno-Symbolic Identity Religion is not simply a feature of culture, but a distinctive cultural phenomenon. Religious concerns today can be understood only in relation to social changes affecting the position of religion in the wider world. Sociologists argued that religion needs to be recognized for its diversity but also looked
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