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Late Sixties Rock MP3 Disc Two Playlist.Pdf
Late Sixties Rock MP3 Disc Two Playlist Page One Of Three Title Artist Album 01 - Keep on Chooglin’ Creedence Clearwater Revival Bayou Country 02 - Voodoo Child (Slight Return) The Jimi Hendrix Experience Electric Ladyland 03 - Babe I’m Gonna Leave You Led Zeppelin Led Zeppelin I 04 - Move Over Janis Joplin Pearl 05 - Se a Cabo Santana Abraxas 06 - That Same Feelin’ Savoy Brown Raw Sienna 07 - Plastic Fantastic Lover Jefferson Airplane Surrealistic Pillow 08 - My Guitar Wants to Kill Your Mama Frank Zappa Single 09 - Sparks The Who Tommy 10 - Girl with No Eyes It's A Beautiful Day It's A Beautiful Day 11 - As You Said Cream Wheels of Fire 12 - Different Drum Linda Ronstadt & the Stone Poneys Evergreen, Volume 2 13 - These Boots Are Made for Walkin’ Nancy Sinatra Boots 14 - Iron Butterfly Theme Iron Butterfly Heavy 15 - Summertime Blues Blue Cheer Vincebus Eruptum 16 - Mississippi Queen Mountain Climbing! 17 - Working on the Road Ten Years After Cricklewood Green 18 - On the Road Again Canned Heat Boogie with Canned Heat! 19 - Freedom Richie Havens Woodstock 20 - Déjà Vu Crosby, Stills, Nash & Young Déjà Vu 21 - The Best Way to Travel The Moody Blues In Search of the Lost Chord 22 - Big Yellow Taxi Joni Mitchell Ladies of the Canyon 23 - If 6 Was 9 The Jimi Hendrix Experience Axis: Bold as Love 24 - Unconscious Power Iron Butterfly Heavy 25 - Break on Through (To the Other Side) The Doors The Doors 26 - I Feel Free Cream Fresh Cream 27 - I’m Free The Who Tommy 28 - Try (Just a Little Bit Harder) Janis Joplin I Got Dem 0l’ Kozmic Blues -
Recovery Happens
April 2019 –– Volume 11, Issue 4 RECOVERY HAPPENS Illuminating pathways toward opportunity, possibility, wellness and independence. Restoration Society, Inc., 66 Englewood Avenue, Buffalo, NY 14214 www.rsiwny.org (716) 832-2141 Fax (716) 832-0021 My Corner of the World. by Tim Malley In my corner of the world I have very few things to make me happy. I have my books, my CDs, and my DVD’s to make me happy, but other than that I really don't have much in my corner of the world. But what I do have is precious to me because even though I live at an institution such as Leroy Manor I have my little corner to call my own its my own so to speak because it’s my corner of the world. When You Read This, by Mary Adkins Restoration Society, Inc. is on AmazonSmile! Here is how you can help us! 1. Sign into smile.amazon.com with your Amazon login info. 2. Under "Your Account" select "Change Your Charity" 3. In the "Find Your Charity" search bar, type Restoration Society, Inc. and click "Search" When publicist Iris Massey is diagnosed 4.Click "Select" next to "Restoration Society, Inc." with terminal lung cancer at only 31 years old, she begins chronicling her life and final days online. 5. Shop until your heart is content! When her longtime business partner Smith and his new intern Carl discover Iris' blog months after her death, they set out to fulfill her last wish of turning her writings into a book. Mary Adkins' When You Read This is told in an epistolary style through emails, blog posts, travel bookings, texts, and more digital snippets (fans of Where'd You Go, Bernadette will love this) and is a bittersweet, often funny novel about hope, memory, and loose ends. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
How Long Distance Foot Travel Shaped Views of Nature and Society in Early Modern America Brian Christopher Hurley University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2016 Walking in American History: How Long Distance Foot Travel Shaped Views of Nature and Society in Early Modern America Brian Christopher Hurley University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Environmental Studies Commons, Other American Studies Commons, and the United States History Commons Recommended Citation Hurley, Brian Christopher, "Walking in American History: How Long Distance Foot Travel Shaped Views of Nature and Society in Early Modern America" (2016). Theses and Dissertations. 1530. http://scholarworks.uark.edu/etd/1530 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Walking in American History: How Long Distance Foot Travel Shaped Views of Nature and Society in Early Modern America A dissertation submitted in partial fulfillment Of the requirements for the degree of Doctor of Philosophy in History by Brian C. Hurley Colby College Bachelor of Arts in History and Religious Studies, 2003 May 2016 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ____________________________________________________ Dr. Elliott West Dissertation Director _____________________________________________________ Dr. Michael Pierce -
Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's -
Or Freshwater Mussel Field Trip
International Symposium of the Freshwater Mollusk Conservation Society Meeting Program and Abstracts Healthy Mollusks = Healthy Rivers = Healthy People 19 - 24 April 2009 * Marriot Waterfront * Baltimore, Maryland This is the 6th Biennial Symposium of the FMCS Program Cover Artwork by Mike Pinder, Virginia Department of Game and Inland Fisheries Program Cover designed by Matthew Patterson, White Sulphur Springs National Fish Hatchery, USFWS International Symposium of the Freshwater Mollusk Conservation Society The Freshwater Mollusk Conservation Society (FMCS) is devoted to the advocacy for, public education about, and conservation science of freshwater mollusks, North America’s most imperiled fauna. Acknowledgement of Sponsors Many agencies, companies and individuals provided financial support for this symposium. The Freshwater Sponsors provided> $5000, Pearl Sponsors provided $2500, Gold Sponsors provided $1500, Silver Sponsors provided $1000, and Bronze Sponsor provided $500. Symposium financial sponsors are as follows: Freshwater Sponsors: USFWS - White Sulphur Springs National Fish Hatchery; National Aquarium at Baltimore Pearl Sponsors: USFWS - Region 3 Fisheries Program (Genoa National Fish Hatchery), Region 4 Fisheries Program, Region 4 Ecological Services; Quad Cities Station Gold Sponsors: Virginia Department of Game & Inland Fisheries (Blacksburg, VA); USFWS - West Virginia Field Office Silver Sponsors: USFWS - Region 5 Ecological Services, Abingdon Field Office, Gloucester Field Office, New Hampshire Field Office; U.S. Geological -
Ghosts No More–Atlantic Sturgeon Make a Comeback
MARCH/APRIL 2021 FOUR DOLLARS Inside: Ghosts No More–Atlantic Sturgeon Make a Comeback MARCH/APRIL 2021 VOL. 82, NO. 2 FEATURES Ghosts No More 6 By John Page Williams How a coordinated approach has helped Atlantic sturgeon rebound in Virginia’s rivers. Hunting Changed Lock Dolinger’s Life 15 By Jonathan Bowman Outdoor pursuits have helped this teenager adjust to rural Virginia life after adoption from China. Nature Where You Least Expect It 20 By Beth Hester In highly developed Hampton Roads, a trio of distinctive green spaces provide critical wildlife habitat, foster healthy communities, and spur neighborhood revitalization. Wildflowers and Foxes – A Unique Connection 24 Photo essay by Mike Roberts Nature has it all figured out. Wildflowers and foxes have a beautiful connection that not many folks know about. Virginia’s Unsung Catfishes 30 By Michael J. Pinder They may not be flashy or massive, but madtoms are essential in Virginia’s waters. 10 Tactics for Quiet Toms 34 By Gerald Almy It helps to have a variety of strategies to try when gobblers go silent. DEPARTMENTS 5 From Our Readers • 18 Explore, Enjoy • 28 Working for Wildlife 39 A Walk in the Woods • 40 On the Water • 42 Photo Tips 43 Fare Game • 44 Good Reads • 45 Out & About Cover: An Atlantic sturgeon breaches in the James River at Richmond, see page 6. © Rob Sabatini Left: North Fork Holston River near Clinch Mountain Wildlife Management Area welcomes spring. In this river you can find little known catfish called madtoms, see page 30. ©DCR-DNH, Gary P. Fleming Back Cover: Gobblers can be quiet but there are a few things you can try to outsmart them, see page 34. -
ENT Hayward Prepdf
Twenty-First Century Troubadour: Justin Hayward on French Connections, Songwriting, and Literature Interview with Barbara Havercroft Born in 1946 in Swindon, England, Justin Hayward is the lead singer, song- writer, and guitarist with the legendary band The Moody Blues. His renowned, highly successful career in music is now in its sixth decade, and is characterized by excellence and innovation in popular music. The Moody Blues have sold more than seventy million albums and have been awarded more than a dozen platinum and gold discs. Justin Hayward has also released seven solo albums and has received numerous prestigious awards, such as the Ivor Novello Award for Outstanding Achievement in Music, awarded in May 20131. The following telephone interview was conducted at the University of Toronto on Monday, June 10, 2013. Barbara Havercroft §1 After you and John Lodge joined the Moody Blues in August, 1966, the band continued performing the rhythm and blues music played by the previous incarnation of the group. At this point, in the late sixties, you and your four band- mates decided to travel to Belgium to work. Why did you choose Belgium? Were there conditions in Belgium that were conducive to the band’s metamorphosis and the conception of new material, including the Days of Future Passed composi- tions2? Justin Hayward Actually, the band’s metamorphosis came a bit later. You must remember that nothing is planned in this band. We just stumble into things and lucky accidents and great big slices of luck happen to us. So there was no plan. We went to Belgium playing the old rhythm and blues set, which we continued playing for about three or four months after John and I joined [the group] and we simply weren’t very good at it. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library JIMMY DILLON An Oral History Interview Conducted by Debra Schwartz in 2015 © 2015 by the Mill Valley Public Library TITLE: Oral History of Jimmy Dillon INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 36 pages INTERVIEW DATE: October 26th, 2015 In this musically infused and engagingly narrated oral history, guitarist, songwriter, and musical educator Jimmy Dillon recounts his devotion to music since the age of 12 when he decided he wanted to be a guitarist. Born in 1951 in Los Angeles, “in the golden age of rock ‘n’ roll,” Jimmy moved to Michigan with his family as a teenager, where he started gigging with his first band, The Fugitives. In 1969, after finishing high school, he moved back to California with his sister Chloe, settling in Sausalito. Jimmy dates his “love affair with Marin County” back to this moment. He recalls the music scene of the early 1970s in San Francisco and Marin, as well as his own first bona fide Marin band, The Edge. Jimmy recounts his 20-year musical relationship with Clarence Clemons and his deep love of the blues, which prompted him to write a play (or “bluesical”) entitled Ascension of the Blues, documenting the West African origins of the blues, its maturation in the United States, and subsequent diffusion throughout the world. Throughout this oral history, Jimmy describes how his career in music has taken him around the world, how he moved back to Michigan and later to Maui, but how, through all these migrations and displacements, Mill Valley — and Mt. -
Music Inspired by Astronomy, Organized by Topic an Annotated Listing by Andrew Fraknoi
Music Inspired by Astronomy, Organized by Topic An Annotated Listing by Andrew Fraknoi © copyright 2019 by Andrew Fraknoi. All rights reserved. Used with permission. Borresen: At Uranienborg Cage: Atlas Eclipticalis Glass: Orion Connections between astronomy and music have been proposed since the time of the ancient Greeks. This annotated listing of both classical and popular music inspired by astronomy restricts itself to music that has connections to real science -- not just an astronomical term or two in the title or lyrics. For example, we do not list Gustav Holst’s popular symphonic suite The Planets, because it draws its inspiration from the astrological, and not astronomical, characteristics of the worlds in the solar system. Similarly, songs like Soundgarden’s “Black Hole Sun” or the Beatles’ “Across the Universe” just don’t contain enough serious astronomy to make it into our guide. When possible, we give links to a CD and a YouTube recording or explanation for each piece. The music is arranged in categories by astronomical topic, from asteroids to Venus. Additions to this list are most welcome (as long as they follow the above guidelines); please send them to the author at: fraknoi {at} fhda {dot} edu Table of Contents Asteroids Meteors and Meteorites Astronomers Moon Astronomy in General Nebulae Black Holes Physics Related to Astronomy Calendar, Time, Seasons Planets (in General) Comets Pluto Constellations Saturn Cosmology SETI (Search for Intelligent Life Out There) Earth Sky Phenomena Eclipses Space Travel Einstein Star Clusters Exoplanets Stars and Stellar Evolution Galaxies and Quasars Sun History of Astronomy Telescopes and Observatories Jupiter Venus Mars 1 Asteroids Coates, Gloria Among the Asteroids on At Midnight (on Tzadik). -
The Moody Blues Tour / Set List Project - Updated April 9, 2006
The Moody Blues Tour / Set List Project - updated April 9, 2006 compiled by Linda Bangert Please send any additions or corrections to Linda Bangert ([email protected]) and notice of any broken links to Neil Ottenstein ([email protected]). This listing of tour dates, set lists, opening acts, additional musicians was derived from many sources, as noted on each file. Of particular help were "Higher and Higher" magazine and their website at www.moodies- magazine.com and the Moody Blues Official Fan Club (OFC) Newsletters. For a complete listing of people who contributed, click here. Particular thanks go to Neil Ottenstein, who hosts these pages, and to Bob Hardy, who helped me get these pages converted to html. One-off live performances, either of the band as a whole or of individual members, are not included in this listing, but generally can be found in the Moody Blues FAQ in Section 8.7 - What guest appearances have the band members made on albums, television, concerts, music videos or print media? under the sub-headings of "Visual Appearances" or "Charity Appearances". The current version of the FAQ can be found at www.toadmail.com/~notten/FAQ-TOC.htm I've construed "additional musicians" to be those who played on stage in addition to the members of the Moody Blues. Although Patrick Moraz was legally determined to be a contract player, and not a member of the Moody Blues, I have omitted him from the listing of additional musicians for brevity. Moraz toured with the Moody Blues from 1978 through 1990. From 1965-1966 The Moody Blues were Denny Laine, Clint Warwick, Mike Pinder, Ray Thomas and Graeme Edge, although Warwick left the band sometime in 1966 and was briefly replaced with Rod Clarke. -
Singles Volume 11B:1971
16.25 ˝ 5 2 . 8.125 8.125 THE COMPLETE MOTOWN SINGLES VOLUME 11B:1971 .812 .812 PAGE 1 CUSTOMER Title Motown Singles Vol. 11B - 1971 = SCORE Design No. = BLEED Configuration: UME Hip O Select = TRIM Flat Size 16.5 X 7.0 = SAFE AREA Note: Keep live copy 1/8” minimum from all trims & fold areas Bleed 1/8” Minimum 16.25 ˝ 5 2 . 8.125 8.125 THE COMPLETE MOTOWN JUST MY IMAGINATION BY SCOTT REGAN 4 REMEMBER HOW YOU GOT WHERE YOU ARE SINGLES BY DR. ANDREW FLORY 12 DISC 61 20 DISC 62 34 VOLUME 11B:1971 DISC 63 52 DISC 64 72 DISC 65 90 THE INDEXES 108 2 TH E C O M P LE TE M OTO W N S I N G LE S V O LU M E 11B: 1971 3 .812 .812 PAGE 2 PAGE 3 CUSTOMER Title Motown Singles Vol. 11B - 1971 = SCORE Design No. = BLEED Configuration: UME Hip O Select = TRIM Flat Size 16.5 X 7.0 = SAFE AREA Note: Keep live copy 1/8” minimum from all trims & fold areas Bleed 1/8” Minimum 16.25 ˝ 5 2 . 8.125 8.125 REMEMBER HOW YOU GOT WHERE YOU ARE In 1968, the National Advisory Commission on Civil Disorders presented a much- anticipated study of the declining inner cities of America. As a reaction to the series of riots that had plagued various urban centers including Detroit, Los Angeles and Newark in the years prior, this famous “Kerner Report” found that white racism was one of the primary causes of the exploding tension in black neighborhoods.