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Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990, Subscription
BOSTON SYMPHONY ORCHESTRA SBJI OZAWA MUSIC DIRECTOR 109TH SEASON 1989-90 ^r^ After the show, enjoy the limelight. Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°). 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Geary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. -
EJV Holland Purcell and the Seventeenth-Century Voice, An
The University of Sheffield E. J. V. Holland Purcell and the Seventeenth-Century Voice, An Investigation of Singers and Voice Types in Henry Purcell's Vocal Music PhD (Performance Studies) 2002 Purcell and the Seventeenth-Century Voice,0 An Investigation of Singers and Voice Types in Henry Purcell's Vocal Music Elizabeth Jane Violet Holland PhD (Performance Studies) Department of Music University of Sheffield June 2002 Acknowledgments I wish to express my gratitude to the following individuals for their help and advice during the researching and writing of this thesis. Firstly, my thanks to my academic supervisor, Mr. Tony Bennett (University of Sheffield) for his support and advice. I would also like to thank Professor Eric Clarke (University of Sheffield) for suggestingstandard deviation as the most suitable method for the statistical calculation of tessitura, and Dr. John Powell (University of Nottingham) and Mr. Luke Jobling BSc for confirming the scientific validity of the final statistical formula. i Elizabeth J. V. Holland Purcell and the Srventeen th-Century Voic c An Inv estigation of Singers and Voice Ty pes in H!cnry Purc ell's Voca l Music0 Abstract This thesis uses the study of Henry Purcell"s vocal music to establish the vocal characteristics of the singers and voice types for whom the composer wrote in London in the seventeenthcentury. This process is begun in the first chapter by discussing 'The Counter-Tenor Debate' in order to establish the method(s) of vocal production used by Purcell's counter-tenors. This in turn addressesthe issue of whether the counter-tenor was a completely different voice type from the tenor, or if they were simply high and low subdivisions of the same voice type. -
Great Sacred Music Sunday, December 13, 2020
Great Sacred Music Sunday, December 13, 2020 William Billings: A Virgin Unspotted Chanticleer John Dunstable: Ave maris stella The Binchois Consort, Andrew Kirkman Alexandre Guilmant: Noel languedocien, Communion No. 2 in F minor, Op. 60 Robert Delcamp, organ Casavant organ of All Saints' Chapel, University of the South, Sewanee, Tennessee William Billings (1746-1800) was an early American composer of choral music. John Dunstable (or "Dunstaple", c1390-1453) was an English composer of the late medieval and early Renaissance eras. “Languedocien” refers to a dialect spoken in southern France. Hieronymus Praetorius: Gaudete omnis The Cardinall's Musick, Andrew Carwood Jean-Nicolas Geoffroy: Magnificat Le Concert Spirituel, Herve Niquet Claude Balbastre: Noël "Tous les bourgeouis de Châtre" Marie-Claire Alain, organ 1679 Castie/Callinet/Kern organ in the Cathedral Saint-Theodorit d'Uzès A motet for Advent, "Gaudete Omnes" was first published in 1599. Jean-Nicolas Geoffroy (1633-1694) was an expert organ builder. French organist Claude Balbastre (1724-1799) was organist of Notre Dame CAthedral and Eglise St. Roch in Paris. Commentary: Dr. Gerard Manecke J.S. Bach: Opening chorus from Cantata 140, "Sleepers, Awake!" CBC Vancouver Orchestra; Tudor Singers of Montreal, Wayne Riddell Rosemarie Landry, soprano; Ben Heppner, tenor; Mark Pedrotti, bass Claudio Monteverdi: Laudate pueri from Vespers of the Blessed Virgin Choir of King's College, Cambridge; Early Music Consort of London Philip Ledger "Sleepers, Awake" (BWV 140) is one of Bach’s best-loved works and is the familiar theme for our overnight program, "Sleepers Awake". Claudio Monteverdi’s Vespers of the Blessed Virgin dates from 1610. -
Boston Symphony Orchestra Concert Programs, Summer, 1985, Tanglewood
J Next summer . .walk to Tanglewood . .from your own country estate condominium, just down the road on a quiet preserve of unspoiled woodlands and rolling meadows. This is White Pines at Stockbridge, part of the Countess de Heredias estate. On these 95 acres, we have already completed more than a third of our 68 luxurious units. .some created within existing French Provincial buildings, others in totally new, but architecturally harmonious, duplexes. As a homeowner, you will enjoy White Pines exclusive recreational facilities, including a four-season swimming pool, Har-Tru tennis courts, a private lakefront beach, acres of undeveloped land for quiet strolling and cross-country skiing. We invite you to visit our furnished model, open seven days a week. Developers: Herbert & Edith Ross Architect: David Rothstein Construction: Allegrone Construction Co. Financing: Berkshire Bank & Essex Bank White Model Interiors: Barbara Lazarus For an appointment, please call (413) 637-1140. Or contact our exclusive sales agent, Reinholt Pines Realty—Main Street, Lenox (413) 637-1251 or country estate Main Street, Stockbridge (413) 298-3664. For more information, write P.O. Box 529, condominiums Hawthorne Street, Stockbridge, MA 01262. at Stockbridge Featured in $l)e JfeUf jjjork StlttCS 9HH98L Seiji Ozawa, Music Director One Hundred and Fourth Season, 1984-85 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J. P. Barger, Vice-President George H. Kidder, Vice-President Mrs. George L. Sargent, Vice-President William J. Poorvu, Treasurer Vernon R. Alden Mrs. Michael H. Davis E.James Morton David B. Arnold, Jr. Archie C. -
Concerts 1979 – 2019
Concerts 1979 – 2019 2019 Saturday, 23 November 2019, Palais des Beaux-Arts, Brussels 40th anniversary of the Brussels Choral Society Leonard Bernstein: Chichester Psalms Igor Stravinsky: Symphony of Psalms Carl Orff: Carmina Burana Soloists: Julie Gebhart, soprano Teun Michiels, tenor Michael Adair, baritone Julia O’Connor, soprano (A member of La Monnaie Children’s and Youth Choir) The International School of Brussels VoiceWorks Choir Members of Les Petits Chantres de Saint-François Ensemble Orchestral de Bruxelles Eric Delson, conductor Saturday, 18 May 2019, N.D. des Grâces, Chant d’Oiseau, Brussels Made in Italy Carlo Gesualo - Asciugate i begli occhi -T’amo, mia vita! Salomone Rossi - Psalm 124 - Psalm 128 Claudio Monteverdi - Hor ch’el Ciel e la Terra Giovanni Pierluigi - Da Palestrina - Sicut cervus - Missa Brevis Soloists: Carina Miruna Adam, violin Silva Bazantova, violin Koen Berger, cello Gabriel Diaconu, harpsichord Eric Delson, conductor Saturday, 16 February 2019, Palais des Beaux-Arts, Brussels A Concert for Peace Guillaume Lekeu: Adagio pour Quatuor d’Orchestre Max Bruch: Violin Concerto No 1 in G minor, Op. 26 Arnold Schönberg: Friede auf Erden, Op. 13 Ralph Vaughan Williams: Dona Nobis Pacem Soloists: Laeticia Cellura, violin Iris Hendrickx, soprano Matthew Zadow, bass Brussels Philharmonic Orchestra David Navarro Turres, conductor Page 1 2018 Saturday, 17 November 2018, Palais des Beaux-Arts, Brussels Giuseppe Verdi: Missa da Requiem Soloists: Agnes Selma Weiland, soprano Ève-Maud Hubeaux, mezzo-soprano Alex Kim, tenor Raimund Nolte, bass Philharmonisher Chor der Stadt Bonn Ensemble Orchestral de Bruxelles Eric Delson, conductor Friday, 9 November 2018, Opernhaus, Bonn (Germany) Giuseppe Verdi: Missa da Requiem Soloists: Adina Aaron, soprano Julia Gertseva, mezzo-soprano Eduardo Aladrén, teno Albert Pesendorfer, bass Philharmonisher Chor der Stadt Bonn Beethoven Orchester Bonn Dirk Kaftan, conductor Saturday, 16 June 2018, N.D. -
Catalogue 2018
CATALOGUE 2018 Cast The Arthaus Musik classical music catalogue features more than 400 productions from the beginning of the 1990s until today. Outstanding conductors, such as Claudio Abbado, Lorin Maazel, Giuseppe Sinopoli and Sir Georg Solti, as well as world-famous singers like Placido Domingo, Brigitte Fassbaender, Marylin Horne, Eva Marton, Luciano Pavarotti, Cheryl Studer and Dame Joan Sutherland put their stamp on this voluminous catalogue. The productions were recorded at the world’s most renowned opera houses, among them Wiener Staatsoper, San Francisco Opera House, Teatro alla Scala, the Salzburg Festival and the Glyndebourne Festival. Unitel and Arthaus Musik are proud to announce a new partnership according to which the prestigious Arthaus Musik catalogue will now be distributed by Unitel, hence also by Unitel’s distribution partner C Major Entertainment. World Sales: All rights reserved · credits not contractual · Different territories · Photos: © Arthaus · Flyer: luebbeke.com Tel. +49.30.30306464 [email protected] Unitel GmbH & Co. KG, Germany · Tel. +49.89.673469-630 · [email protected] www.unitel.de OPERA ................................................................................................................................. 3 OPERETTA ......................................................................................................................... 35 BALLET ............................................................................................................................... 36 CONCERT........................................................................................................................... -
Boston Symphony Orchestra Concert Programs, Summer, 1986
Tangtewqpd . - ... HHM — y m'~% P Visit Tanglewoods Neighbor . White Fines at Stockbridge, the only luxury condominium in Stockbridge. You'll find us a short walk down the road among whispering pines; sunny, rolling meadows; quiet, cool woodlands ... a truly uncommon condominium community on 95 acres of a turn-of-the- century estate. Half our luxurious, contemporary units have been completed in and around the original French Provincial buildings. (A very few of these are available for immediate occupancy.) A third of the remaining 34 units . duplex country villas . will also be ready this summer. White Pines homeowners are already enjoying their on-site private recreation facilities . year-round swimming pool, Har-Tru tennis courts, exercise facilities, sauna and lakefront beach. We invite you to visit our furnished model, open seven days a week. Featured in $l)e JfeUf jijork Stttte0 For information, call or write: P.O. Box 529 White Hawthorne Street Stockbridge, MA 01262 (413)637-1140 Pines Our sales agent is: country estate Reinholt Realty condominiums Main Street, Lenox (413) 637-1251 or Main Street, Stockbridge (413) 298-3664. at Stockbridge BOSTON SYMPHONY .ORCHESTRA SEIJI OZAWA^ Music Director Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J. P. Barger, Vice-Chairman Mrs. John M. Bradley, Vice-Chairman George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman Vernon R. Alden Archie C. Epps Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. -
DOCUMENTS SUR Jean-Philippe RAMEAU (1683-1764)
DOCUMENTS SUR Jean-Philippe RAMEAU (1683-1764) (Mise à jour le 15/04/2015) Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 Médiathèque Musicale Mahler – Jean-Philippe Rameau Documents sur Jean-Philippe RAMEAU Manuscrits musicaux 3 Livres 3 Biographies de Rameau 3 Livres sur des sujets divers, évoquant aussi Rameau 7 Documents numérisés 14 Partitions 15 De Rameau 15 Autres compositeurs et anthologies 20 Périodiques 23 Enregistrements sonores 25 Œuvres de Rameau 25 Anthologies, récitals et autres compositeurs 40 2 Médiathèque Musicale Mahler – Jean-Philippe Rameau MANUSCRITS MUSICAUX LE FLEM Paul. - Hommage à Rameau : esquisses / Paul Le Flem. - s.l. : [l'Auteur], s.d. - Partition à l'encre (19 p.). - (FONDS LE FLEM) Contient aussi : 1. Quel drôle d'élève, 2. Ma vocation m'appelle, 3. Laboravi (Motet), 4. Je me suis trompé, 5. Le départ de l'Opéra-Comique (Ponsard), 6. Projet de solitude (Parny), 7. Les amours champêtres (Favart) (parodie des Indes Galantes), 8. Héraldisme (Anoblissement de Rameau), 9. Cor meum (Motet), 10. Ci-gît le célèbre Rameau (Almanach des Muses, 1766), 11 Gloire (Picardet). LE FLEM Paul. - Hommage à Rameau : symphonie chorale a capella / Paul Le Flem ; textes de l'époque (18e siècle). - Paris : [l'Auteur], 1964. - Partition à l'encre annotée aux crayons noir et bleu (48 p.). - (FONDS LE FLEM) Contient aussi : 1. Quel drôle d'élève, 2. Ma vocation m'appelle, 3. Laboravi (Motet), 4. Je me suis trompé, 5. Le départ de l'Opéra-Comique (Ponsard), 6. Projet de solitude (Parny), 7. Les amours champêtres (Favart) (parodie des Indes Galantes), 8. -
Via U.S. Mail January 23, 2013 Whigham Community Club 267 W
Via U.S. Mail January 23, 2013 Whigham Community Club 267 W Broad Avenue Whigham, GA 39897 Cairo-Grady County Chamber of Commerce 961 N Broad Street P.O. Box 387 Cairo, GA 39828 Re: Hosting a Wildlife-friendly Festival Instead of the Rattlesnake Roundup Dear Sirs and Madams: I am writing on behalf of the Center for Biological Diversity, One More Generation, Protect All Living Species, and the Coastal Plains Institute and Land Conservancy to urge you, the sponsors of the annual rattlesnake roundup in Whigham, to stop incentivizing the capture and killing of rattlesnakes at your annual rattlesnake roundup. I have enclosed a petition with signatures from 48,128 concerned citizens, who call upon you to change your roundup to a wildlife festival where no snakes are killed. Last year, the Evans County Wildlife Club replaced its rattlesnake roundup with a wildlife festival that does not involve the killing of snakes. Rattlesnakes were still a focus of the festival, but their display was for educational, safety, and conservation purposes only. The wildlife festival was a huge success and generated revenue for the local community without harming snakes. We encourage you to follow the example set by the Evans County Wildlife Club. Please know that rattlesnake roundups are depleting populations of eastern diamondback rattlesnakes: Analysis of data from four roundups in the southeastern United States shows a steady decline in the weights of prize-winning eastern diamondbacks and the number collected. This once-common species is being pushed toward extinction not only by hunting pressure but also by habitat loss and road mortality. -
Environmental Protection Information Center
July 31, 2013 Mr. Don Reck Bureau of Reclamation Northern California Area Office 16349 Shasta Dam Blvd. Shasta Lake, CA 96019 [email protected] Re: 2013 Lower Klamath River Late Summer Flow Augmentation from Lewiston Dam Dear Mr Reck: Please consider these comments on behalf of the Environmental Protection Information Center (EPIC). EPIC is an Arcata, California, based public interest conservation advocacy organization whose members live through out the state and nation, including a significant number of members and supporters that reside in the Klamath and Trinity River Basins. Our organization is working on a day-to-day basis to provide a vehicle for our members to meaningful public participation on crucial natural resource management issues that can impact the livelihoods and well being of our local communities. As such, these comments are provided on the behalf of our membership and activist base, which numbers over 2,000 individuals, and who all have a direct interest in the recovery of salmon runs and the maintenance of healthy aquatic ecosystems in the Lower Klamath and Trinity Rivers. Environmental Protection Information Center 145 G Street, Suite A, Arcata, California 95521 Tel: (707) 822-7711 Fax: (707) 822-7712 www.wildcalifornia.org EPIC Comments 2013 Late Summer Flow Augmentation from Lewiston Dam Support for Proposed Action The Draft Environmental Assessment and the Draft Finding of No Significant Impact for the Lower Klamath River Late Summer Flow Augmentation from Lewiston Dam materials were made available by the Bureau of Reclamation (BOR) in a timely fashion for public review. Staff, interns, board members, and supporters associated with our organization have become familiar with the documentation for the Proposed Action. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XXIX, Number 3 Winter 2014 THURSDAY, APRIL 23, 2015 11:45-1:45 PM SSCM Board meeting 2:00-4:00 PM I. Plenary Session: Baroque Lives Chair, Roger Freitas (Eastman School of Music) Beth Glixon (University of Kentucky), Supereminet omnes: New Light on the Life and Career of Vittoria Tarquini John Roberts (University of California, Berkeley), Rosenmüller in Exile: Traces of a Shadowed Life Colleen Reardon (University of California, Irvine), Girolamo Gigli and the Professionalization of Opera in Siena 4:30-6:00 PM All-conference reception 6:45-7:15 PM Pre-concert lecture by Jeffrey Kurtzman (Washington University in St. Louis), Saint Mary’s Church, Iowa City Christopher Hogwood (1941-2014) 7:30 PM Claudio Monteverdi, Vespro della Beata Vergine 1610. University of Iowa Kantorei, soloists and instrumentalists. Timothy Stalter, conductor. Admission free. PRELIMINARY SSCM — AHS FRIDAY, APRIL 24, 2015 CONFERENCE PROGRAM 8:00 AM WLSCM meeting WEDNESDAY, APRIL 22, 2015 9:00 AM parallel sessions 5:00-6:30 PM Pre-conference event: Obermann Center AHS for Advanced Studies Library, roundtable discussion on II. Handel’s Heroes editing early opera, moderated by Roberta Montemorra Chair, Nathan Link (Centre College) Marvin (University of Iowa): Jonathan Rhodes Lee (University of Chicago), Jennifer Williams Brown (Grinnell College) Handel Heroics Donald Burrows (The Open University, UK) Wendy Heller (Princeton University) Regina Compton (Eastman School of Music), How to Enrage Graham Sadler (University of Hull, UK) Alexander, or Towards an Understanding of Recitativo Semplice Shirley Thompson (Birmingham Conservatoire, UK) and Theatrical Gesture continued on p. -
2019-Musical-Groves.Pdf
PROGRAMMA Scene of the drunken poet The Fairy Queen Come, follow me King Arthur If love’s a sweet passion The Fairy Queen To the hills and the vales Dido and Aeneas How happy the lover King Arthur Hail, great parent of us all The Fairy Queen The sorceress and the witches Dido and Aeneas Hush, no more The Fairy Queen Funeral Sentences for Queen Mary Dido’s lament Dido and Aeneas With drooping wings Dido and Aeneas Hush, no more The Fairy Queen The frost scene King Arthur OVER HET PROGRAMMA Vandaag viert Kamerkoor Poco Più zijn 30e verjaardag met een semi-scèni- sche uitvoering van theatermuziek van Henry Purcell. Henry Purcell (1659-1695) was de meest vooraanstaande componist in het Engeland van de 17e eeuw. Hij schreef muziek voor het theater, de kerk en het koninklijk hof. Zijn korte leven speelde zich af tijdens de periode die in de geschiedenis van Engeland bekend staat als de Restauration. Na het streng- protestantse puriteinse bewind van Oliver Cromwell, waarin de theaters ge- sloten waren en er in de kerk geen instrumentale muziek mocht klinken, was onder koning Charles II de monarchie hersteld en kwam het kunstleven weer volop op gang. Zijn opvolger William III en diens vrouw koningin Mary waren ook grote kunstliefhebbers en zij stimuleerden het culturele leven zeer. Purcell schreef de muziek voor een groot aantal theaterstukken die wij nu opera’s noemen, maar die nauwelijks lijken op wat we daar tegenwoordig onder verstaan. In de 17e eeuw werden ze Masques genoemd. Daarin werd geacteerd, gezongen en gedanst.