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New Row Looms in South Australia Over School Sex Abuse | the Australian
New row looms in South Australia over school sex abuse | The Australian ACTIVITY NEWS.COM.AU FOX SPORTS CAREERONE CARSGUIDE REALESTATE NETWORKRANKIE NEWS OPINION BUSINESS NATIONAL AFFAIRS SPORT TECHNOLOGY ARTS EXECUTIVE LIVING TRAVEL HIGHER ED MEDIA POLITICS NEWS OPINION BLOGS STATE POLITICS POLICY NEWSPOLL IMMIGRATION INDUSTRIAL RELATIONS DEFENCE CAPITAL CIRCLE New row looms in South Australia over OPINION 2 OF 6 RUPERT MURDOCH 'Investing in human capital is the best school sex abuse bet for Australia's future prosperity' MICHAEL OWEN | THE AUSTRALIAN | SEPTEMBER 11, 2013 2:35PM SHARE YOUR FRIENDS' ACTIVITY Hi Frankie Discover news with your friends. Give it a try. To get going, simply connect with your favourite social network: Advertisement IN NATIONAL AFFAIRS Jakarta to haul in ambassador PETER ALFORD AND BRENDAN NICHOLSON Retired Supreme Court justice Bruce Debelle conducted an inquiry into sex abuse in public schools. JAKARTA will call in Source: News Limited Australia's envoy, demanding an explanation of allegations the embassy was involved in tapping THE ALP in South Australia has opened up a new stoush with parents over in Indonesia. the Weatherill government's disclosure policy for school sex abuse cases by saying a peak school parents' association declined to take part in a royal ALP's post-mortem to spotlight Rudd commission. TROY BRAMSTON Although this is noted in the report of the royal commission into school sex abuse, LABOR'S national executive is the statements today by Labor failed to disclose the reasons, which royal today expected to initiate a sweeping "operational review" of commissioner Bruce Debelle said was because the association found “notice was the party's election campaign. -
MR Flinders Quartet Composer Workshop
FLINDERS QUARTET MEDIA RELEASE COMPOSER WORKSHOP – FOR IMMEDIATE RELEASE MEDIA ENQUIRIES: Wendy Avilov [email protected] 0417 798 523 FURTHER INFORMATION: flindersquartet.com/composerworkshop FLINDERS QUARTET INAUGURAL COMPOSER WORKSHOP CALL FOR SUBMISSIONS Flinders Quartet (FQ) invites applications from composers to submit a short work for string quartet to be workshopped by the members of the quartet and composition mentor, Brenton Broadstock, resulting in a professionally recorded live performance. Up to eight composers will have the chance to spend up to three hours with the quartet on their composition, in this, FQ’s inaugural composer workshop. The workshops will take place in Melbourne and will be open to the public, allowing aspiring composers to witness the creative process of other composers as well as demonstrating their own compositional development. The workshops will take place over a period of eight days towards the end of 2016, and will culminate in a public performance that will be professionally recorded. FQ is deeply committed to furthering the Australian tradition of chamber music. The quartet regularly commissions and premieres works by Australia composers, and considers the development and presentation of new works an essential part of its activity. FQ believes that in order to best serve the composers and to truly develop their compositional skills and personal voice, having a live, professional string quartet at their disposal is an invaluable tool. Supported by Creative Victoria, this inaugural workshop will involve up to eight new composers and their compositions, giving each of the participating composers a career-leveraging opportunity. Over the course of eight days, the pieces will take shape and will be crafted to best showcase the composer’s intent. -
How Australia Got a VAT (C) Tax Analysts 2011
How Australia Got a VAT (C) Tax Analysts 2011. All rights reserved. does not claim copyright in any public domain or third party content. By Susan C. Morse Susan C. Morse is an associate professor at the University of California Hastings College of the Law. This project was supported by a Hackworth Grant from the Markkula Center for Applied Ethics at Santa Clara University. Many thanks to Neil Warren and Richard Eccleston for helpful discussion and review; to participants in the April 2010 Northern California Tax Roundtable and to Chris Evans, Kathryn James, Rick Krever, and Dale Pinto for useful comments and references; and to Erin Phillips and Gadi Zohar for able research assistance. Australians, like Canadians and New Zealanders, call their VAT a goods and services tax, or GST, but their GST fits the VAT mold: it is a credit-invoice method, destination-based consump- tion tax with fairly limited tax base exclusions.1 Although all OECD countries aside from the United States have value-added taxes, external pressures like those resulting from preconditions for European Union membership2 or for financial support from organizations such as the World Bank or International Monetary Fund3 have played a role in many countries’ VAT enactment 1See Liam Ebrill, Michael Keen, Jean-Paul Bodin & Victoria Summers, The Modern VAT 2 (2001) (defining a VAT). This paper uses the term tax base ‘‘exclusion’’ to mean ‘‘a situation in which the rate of tax applied to sales is zero, though credit is still given for taxes paid on inputs’’ which is called ‘‘GST-free’’ in Australia and ‘‘zero-rated’’ elsewhere. -
Copyright and the Digital Economy Foxtel Response
COPYRIGHT AND THE DIGITAL ECONOMY FOXTEL RESPONSE TO ALRC DISCUSSION PAPER 79 JULY 2013 Page 0 of 23 INTRODUCTION Foxtel welcomes the opportunity to make a submission to the Australian Law Reform Commission (ALRC) in response to its discussion paper number 79, Copyright and the Digital Economy, dated May 2013 (Discussion Paper). Foxtel's submission is focused on the issues of most concern to Foxtel in the Discussion Paper. It does not respond to every proposal and question in the Discussion Paper. Foxtel’s submission is structured as follows: 1. Retransmission of free-to-air (FTA) broadcasts (Chapter 15 of the Discussion Paper). 2. The case for fair use in Australia (Chapter 4 of the Discussion Paper). 3. Third parties and private and domestic use (Chapters 5 and 9 of the Discussion Paper). 4. Contracting Out (Chapter 17 of the Discussion Paper). EXECUTIVE SUMMARY Australian copyright law sets a fair and finely struck balance between the interests of rights holders and those of end users. To ensure ongoing investment, the existing balance must not be disrupted unless there is clear evidence of the benefits offered by any proposed amendments. Foxtel is strongly opposed to the introduction of a broad fair use defence. The introduction of such a broad exception is a radical change to the current law. Any such change can not be made in isolation without properly considering the costs of introducing this type of change and the flow on impact to both industry and consumers as a result of such a significant change. Foxtel is also strongly opposed to any changes to the current retransmission arrangements. -
AT HOME in the WORLD Wednesday 22 August 6Pm, Salon
AT HOME IN THE WORLD Wednesday 22 August 6pm, Salon PRESENTED BY Melbourne Recital Centre ARTISTS Genevieve Lacey recorders Jane Gower Baroque bassoon Lars Ulrik Mortensen harpsichord PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for recorder, bassoon & continuo I Largo II Allegro III Largo cantabile IV Allegro molto JOHAN HELMICH ROMAN (1694-1758) Sonata No.4 in G for recorder & continuo I Largo II Allegro III Larghetto IV Vivace V Allegro VI Non presto GEORG PHILIPP TELEMANN (1681-1767) Sonata in F minor, TWV 41:f1 I Triste II Allegro III Andante IV Vivace LOUIS COUPERIN (1626-1661) Prélude non mesurée in G MICHEL DE LA BARRE (1675-1745) Sonata L’inconnue in G for recorder & continuo, Book 2, No.9 I Overture II Vivement III Chaconne ABOUT THE ARTISTS Lars Ulrik Mortensen works extensively as a soloist and chamber musician throughout the world. From 1996-1999 he was a professor at the Munich Hochschule für Musik, and still teaches numerous courses. Mortensen is also active as a conductor, exclusively of period instrument ensembles. He is the Artistic Director of both Concerto Copenhagen and the European Union Baroque Orchestra. Additionally, Mortensen works with several distinguished ensembles such as Holland Baroque, Irish Baroque Orchestra, Nederlandse Bachvereniging and Collegium 1704. Mortensen has recorded extensively for many labels including DGG-Archiv, CPO, ECM and Kontrapunkt, winning a Diapason d’Or for Bach’s Goldberg Variations. He has received multiple prizes and distinctions, among them Denmark’s most prestigious music award, the Léonie Sonning Music Prize. After gaining her Bachelor of Music from the Canberra School of Music in 1992, Jane Gower undertook post-graduate studies in Early Music at The Royal Conservatory of The Hague. -
The Sydney Morning Herald
Forget polling voters, just ask the punters - Opinion - smh.com.au http://www.smh.com.au/news/opinion/forget-polling-voters-just-ask-the... Home » Opinion » Article Forget polling voters, just ask the punters John Garnaut February 9, 2007 THIS week three years ago, David Cox, Labor's slightly dishevelled member for the Adelaide seat of Kingston, stopped to contemplate his fortune in the parliamentary corridor. His party had surged to a 6 percentage point lead in the opinion polls, after years of wretched irrelevance. Publicly, Labor had been talking with caution and humility; privately it was a different story. Cox, a hard-headed economist and strategist, allowed a schoolboy grin to spread across his usually deadpan face. "It's amaaaaazing," he said. That was February 2004. Nine months later, voters threw Cox out of his seat and gave his party another thrashing. Now, Labor is led by a cautious workhorse with none of Mark Latham's fissile characteristics. John Howard has aged three years; and with Iraq, climate change and perhaps interest rates, the times that famously suited him appear to have shifted. Labor's opinion poll lead is now 10 points, not six. Yet there is none of the premature celebration that marked Labor three years ago, and only a hint of the panic that rippled through the Coalition. Chastened by their Latham exuberance, press gallery reporters are falling over themselves to show sagacious restraint and predict a Howard comeback. The pundits now know better than to be swept around by opinion polls. As economists such as Justin Wolfers and Andrew Leigh have shown, polls can have almost zero predictive value so far out from an election. -
La Relación Entre Los Militares Y Los Corresponsales Argentinos Autorizados a Informar Desde Las Islas Durante La Guerra De
CUADERNOS.INFO Nº 40 ISSN 0719-3661 E-Version: ISSN 0719-367x http://www.cuadernos.info https://doi.org/10.7764/cdi.40.1054 Received: 10-18-2016 / Accepted: 04-26-2017 The relationship between the military and Argentine correspondents authorized to report from the islands during the Falklands War La relación entre los militares y los corresponsales argentinos autorizados a informar desde las islas durante la guerra de las Malvinas A relacao entre militares e correspondentes argentinos autorizados a cobrir in loco a Guerra das Malvinas EVA LAVÍN, Universidad Rey Juan Carlos, Madrid, España ([email protected]) JORGE GALLARDO-CAMACHO, Universidad Camilo José Cela, Madrid, España ([email protected]) ABSTRACT RESUMEN RESUMO The Falklands War marks a turning La guerra de las Malvinas marca un A Guerra das Malvinas marcou um ponto point in war journalism. The islands punto de inflexión en el periodismo de de inflexão no jornalismo de guerra. A location at 464 kilometers from the guerra. La localización de las islas a 464 localização das ilhas, a 464 km da costa Argentine coast and more than 12,700 kilómetros de las costas argentinas y a da Argentina e a mais de 12.700 quilô- kilometers from the British caused the más de 12.700 kilómetros de las británicas metros dos britânicos, permitiram aos military to exercise information censor- hizo que los militares ejercieran la censura militares censurar informações e liberar ship and allow access to a few corres- informativa y permitieran el acceso a unos o acesso a campo para poucos correspon- pondents. This paper uses a qualitative pocos corresponsales. -
LETTER from CANBERRA OM Canberraand Beyond
LETTERSavingLETTERSaving you you time. time.LETTERSaving A A monthly monthly you time. newsletter newsletter A monthly distilling distilling newsletter public FROMpublicFROM distilling policy policy and andpublicFROM government government policy and decisions decisions government CANBERRACANBERRA which which decisions affect affect CANBERRA business businesswhich affect opportunities opportunities business in opportunitiesin Australia Australia and and in beyond. Australiabeyond. and beyond. LETTERSaving you time. A monthly newsletter distilling publicFROM policy and government decisions CANBERRA which affect business opportunities in Australia and beyond. 2323 JULY JULY to to 2313 13 JULYAugust August to 201013 2010 August Issue Issue 2010 No. No. 27: 27:Issue Campaign Campaign No. 27: EditionCampaign Edition Edition This week’s Morgan Polls suggest LetterLetter from from Canberra, Canberra,Letter established establishedfrom Canberra, 2008, 2008, established is is a asister sister publication 2008,publication is a sisterof of Leter Leter publication From From Melbourne, Melbourne, of Leter Fromestablished established Melbourne, 1994 1994 established 1994 ‘hung’ Parliament - Pages 9 - 12 OOUURR EXPECTATIONS EXPECTATIONSOUR EXPECTATIONS INSIINSIDDEE INSIDE EditorialEditorial by by Alistair AlistairEditorial Urquhart Urquhart by Alistair Urquhart PunchPunch and and counter counterPunch punch. andpunch. counter punch. WeWe have have raced raced to Weto get get have this this raced edition edition to to getto you you this at at editionthe the start start to of you of the the at last thelast week start week of of thethis this last five five week weekweek of federal thisfederal five election election week federalcampaign. campaign. election campaign. GillardGillard regains regainsGillard miner miner regains poll poll miner poll ThisThis edition edition could couldThis well well edition become become could something something well become of of a a keep-sake.something keep-sake. -
Non-Mainstream Media Coverage Peter Chen
20 Non-Mainstream Media Coverage Peter Chen From a media diversity perspective, Australia’s standing as an established democracy is not strong. When compared with peer democracies, Australia has the most concentrated media system in the world (Australian Collaboration 2015). The causes of this are various, but include comparatively small market size, ‘dumping’ of English-language content into the Australian market and lacklustre media policy that has facilitated media conglomerates to consolidate their market share (Winseck 2008). As part of this story, the popularisation of the internet over the last two decades has been an exacerbating factor and corrective: undermining the economic basis of established commercial media and eroding domestic regulatory capacity, while at the same time providing the capacity for the establishment of ‘new presses’. This chapter focuses on the conduct and performance of these ‘new presses’ in the 2016 federal election campaign. While the majority of these new media groups happens to be an internet-based press, the emphasis of this chapter is not on the technological basis of supply per se, but on their relative newness into the Australia marketplace. This breaks with a traditional tendency to see ‘new media’ as internet-based media, an increasingly meaningless classification tool given the increasing incorporation of new technology into the established media, as discussed by Andrea Carson and Brian McNair (Chapter 19, this volume). 453 DOUBLE DISILLUSION Method The primary research method employed for this chapter is the content analysis of articles published in 10 ‘new’ Australian-based1 publications— each less than seven years old2—that published material during the formal election period from 8 May to 1 July 2016 inclusive. -
Genevieve Lacey Recorder Genevieve Lacey Is a Recorder Virtuoso
Ancient and new! Traversing a thousand years of music for recorder, leading Australian performer Genevieve Lacey weaves together an enticing program of traditional tunes, baroque classics and newly composed music. Genevieve Lacey Recorder Genevieve Lacey is a recorder virtuoso. Her repertoire spans ten centuries, and she collaborates on projects as diverse as her medieval duo with Poul Høxbro, performances with the Black Arm Band, and her role in Barrie Kosky’s production of Liza Lim’s opera ‘The Navigator’. Genevieve has a substantial recording history with ABC Classics, and her newest album, ‘weaver of fictions’, was released in 2008. As a concerto soloist Genevieve has appeared with the Australian Chamber Orchestra, Australian Brandenburg Orchestra, Academy of Ancient Music (UK), English Concert (UK), Malaysian Philharmonic Orchestra and the Melbourne, West Australian, Tasmanian and Queensland Symphony Orchestras. Genevieve has performed at all the major Australian arts festivals and her European festival appearances have included the Proms, Klangboden Wien, Copenhagen Summer, Sablé, Montalbane, MaerzMusik, Europäisches Musikfest, Mitte Europa, Spitalfields, Cheltenham, Warwick, Lichfield and Huddersfield. Genevieve is strongly committed to contemporary music and collaborations on new works include those with composers Brett Dean, Erkki‐Sven Tuur, Moritz Eggert, Elena Kats‐ Chernin, James Ledger, John Rodgers, Damian Barbeler, Liza Lim, John Surman, Maurizio Pisati, Jason Yarde, Steve Adam, Max de Wardener, Bob Scott and Andrew Ford. As Artistic Director, Genevieve will direct the 2010 and 2012 Four Winds Festivals. In 2009, she will also design a composer mentorship/residency program for APRA‐AMCOS, and program a season of concerts for the 3MBS inaugural Musical Portraits series. -
National Polls, Marginal Seats and Campaign Effects Murray Goot
5 National Polls, Marginal Seats and Campaign Effects Murray Goot The most widely remarked feature of the national polls for the House of Representatives was how close their final two-party preferred figures were to the two-party preferred vote. Given anxieties about the validity of the pollsters’ sampling frames and falling response rates, the poor performance of the polls in Britain and the media’s increasing inability to invest large sums in polls (thanks to a decline in revenue from both advertisers and audiences; see Carson and McNair, Chapter 19, this volume; Chen, Chapter 20, this volume), the accuracy of the polls, on this measure, generated relief all around. Based on the two-party preferred vote—the share of the vote going to the Labor and non-Labor parties after the distribution of minor party and Independent preferences—the polls throughout the campaign were able to anticipate a ‘close’ result. But, however ‘close’, even a 50–50 two-party preferred meant that the Coalition was more likely than Labor to form a government. Less prominently discussed than the two-party preferred vote were the estimates of the major parties’ first preference votes. Here, the polls were less accurate. While the spread of two-party preferred results—from the most favourable to the Coalition to the least favourable—reported by the polls was 2 percentage points, the spread of first preferences for the Liberal–National parties, for Labor, for the Greens and for Others was 3 percentage points. Among journalists and others, the failure of most of 107 DOUBLE DISILLUSION the polls to report the level of support for any of the minor parties other than the Greens—only two organisations estimated the level of support in the House for the Nick Xenophon Team—passed without notice. -
In That Time…
ASTRA 2007 5 pm, Sunday 9 September FITZROY TOWN HALL in association with the City of Yarra THE ASTRA CHOIR WITH BAROQUE TRIO IN THAT TIME… 17TH-CENTURY ITALY / 21ST- CENTURY ITALY Claudio Monteverdi MASS ‘IN ILLO TEMPORE’ (1610) Giovanni Fontana, Biagio Marini, Dario Castello, Domenico Gabrielli, Johann Jakob Froberger SONATE, RICERCAR, TOCCATA (1629-89) Georg Philipp Telemann TRIO SONATA (1740) Max Reger MOTET, DUO SONGS, CAPRICCIO (1904-09) Filippo Perocco, Francesco Pavan, Lorenzo Tomio, Federico Costanza, Gianandrea Pauletta CONCERTATO: NEW WORK FROM THE VENETO (2006-7) Genevieve Lacey, Daniel Yeadon, Neal Peres Da Costa The Astra Choir, soloists and ensemble Genevieve Lacey recorders Daniel Yeadon gamba, cello Neal Peres Da Costa harpsichord, organ, piano Kim Bastin piano, organ Peter Dumsday celeste, piano Timothy Phillips percussion Suzanne Shakespeare soprano, Catrina Seiffert soprano Louisa Billeter mezzo soprano, Hana Crisp mezzo soprano George Liakatos tenor, Ben Owen tenor Nicholas Tolhurst baritone, Jerzy Kozlowski bass The Astra Choir: soprano Suzanne Shakespeare, Catrina Seiffert, Irene McGinnigle, Gina McWilliam, Yvonne Turner, Olga Vujovic, Louisa Billeter, Larissa Cox, Maree Macmillan, Kim Tan alto Hana Crisp, Anna Gifford, Susannah Provan, Beverley Bencina, Aviva Endean, Frances McKinnon, Aline Scott-Maxwell, Lisel Thomas tenor George Liakatos, Ben Owen, Lachlan Brown, Chris Ochs, William Thompson, John Clarke, Greg Deakin, Simon Johnson, Scott Sanders bass Jerzy Kozlowski, Nicholas Tolhurst, Karl Billeter, Peter Dumsday, James Harland, Andrew Ferguson, Andrew Rostas, Chris Smith, John Terrell rehearsal conductor Phillip Villani conducted by John McCaughey IN ILLO TEMPORE… The Venetian 17th-century, the era that invented opera, was itself a theatre of contending forces in music – between myriad forms, old and new, for voices and instruments, but also between the parts of a musical composition itself.